q fall 2013

Q U I N T E S S E N T I A L S T Y L E

FA L L I SSUE20 13 > $5 . 0 0

> FALL CLASSICS

FAYE DUNAWAY ON THE SET OF “THE THOMAS CROWN AFFAIR,” 1968

AD17022_Coll_Nat_Ads_Fa13_Q Mag_ConceSprd.inddSEPT

MISC. PRINT SPECSStock: N/A

Quantity: N/A

Inks: CMYK

Notes/Misc: N/A

This fiery printout is printed out at 75%. Print me-

chanical at 100%

Date: 08/15/13 03:13PM

Page: 1

Studio Artist: Irene

Round 2

Proofreader

Project Mgr

Ad Design

Graphic Service

Brand Mgr

Approved to Release

This mechanical was prepared by THE STUDIO@POLO RALPH LAUREN,650 Madison Avenue, New York, NY 10022, 212.318.7000

Graphic Services: Karin Doyle 212.318.7435

80 70 70 10010.2 7.4 7.4 100 100 100100 100 60 100 100 70 70 30 30 100 100 60 100 100 100 10070 70 30 30 100 100 60 70 70 4070 70 30 30 100 40 100 40 40 100 10 40 40 20 70 70 3.1 2.2 2.270 40 40 75 66 6650 40 4025 19 19B 0 0 0 0

100 70 30 100 10 25 50 75 90 100100 60 100 70 30 100 60 40 70 4070 30 100 40 40 100 40 100 40 70 40 70 40 40 340 70 40 70 40 40100 60A

3%ISO 12647-7 Digital Control Strip 2009

POLO RALPH LAUREN201852_AD17022_COLL_NATL ADS_FA13_Q MAG-SEPT_ SPREAD -BUILD

201852_PRL_AD17022_COLL_NAT_ADS_FA13_Q MAG_CONCESPRD_X3A_PCAUGUST 15, 2013 3:13 PM

Ralph Lauren Collection

B:11.125 in

B:18.25 in

T:10.875 in

T:18 in

S:10.375 in

S:17.5 in

[Q MAGAZINE] SPREAD LHP 1 OF 4 [Q MAGAZINE] SPREAD RHP 2 OF 4



Quantity: N/A

Inks: CMYK

Notes/Misc: N/A


chanical at 100%

Date: 08/15/13 03:13PM

Page: 1


Round 2

Proofreader

Project Mgr

Ad Design

Graphic Service

Brand Mgr

Approved to Release



80 70 70 10010.2 7.4 7.4 100 100 100100 100 60 100 100 70 70 30 30 100 100 60 100 100 100 10070 70 30 30 100 100 60 70 70 4070 70 30 30 100 40 100 40 40 100 10 40 40 20 70 70 3.1 2.2 2.270 40 40 75 66 6650 40 4025 19 19B 0 0 0 0

100 70 30 100 10 25 50 75 90 100100 60 100 70 30 100 60 40 70 4070 30 100 40 40 100 40 100 40 70 40 70 40 40 340 70 40 70 40 40100 60A



201852_PRL_AD17022_COLL_NAT_ADS_FA13_Q MAG_CONCESPRD_X3A_PCAUGUST 15, 2013 3:13 PM


B:11.125 inB:18.25 in

T:10.875 inT:18 in

S:10.375 inS:17.5 in

[Q MAGAZINE] SPREAD LHP 1 OF 4 [Q MAGAZINE] SPREAD RHP 2 OF 4



Quantity: N/A

Inks: CMYK

Notes/Misc: N/A


chanical at 100%

Date: 08/16/13 09:47AM

Page: 2


Round 2

Proofreader

Project Mgr

Ad Design

Graphic Service

Brand Mgr

Approved to Release



80 70 70 10010.2 7.4 7.4 100 100 100100 100 60 100 100 70 70 30 30 100 100 60 100 100 100 10070 70 30 30 100 100 60 70 70 4070 70 30 30 100 40 100 40 40 100 10 40 40 20 70 70 3.1 2.2 2.270 40 40 75 66 6650 40 4025 19 19B 0 0 0 0

100 70 30 100 10 25 50 75 90 100100 60 100 70 30 100 60 40 70 4070 30 100 40 40 100 40 100 40 70 40 70 40 40 340 70 40 70 40 40100 60A



201852_PRL_AD17022_COLL_NAT_ADS_FA13_Q MAG_CONCESPRD_X3B_MDAUGUST 16, 2013 9:47 AM


8 8 8 M A D I S O N A V E N U E N E W Y O R K 3 0 0 W O R T H A V E N U E P A L M B E A C H

R A L P H L A U R E N C O L L E C T I O N . C O M

Ralph Lauren CollectionRalph Lauren Collection Ralph Lauren Collection Ralph Lauren CollectionRalph Lauren Collection

B:11.125 in

B:18.25 in

T:10.875 in

T:18 in

S:10.375 in

S:17.5 in

[Q MAGAZINE] SPREAD RHP 4 OF 4[Q MAGAZINE] SPREAD LHP 3 OF 4



Quantity: N/A

Inks: CMYK

Notes/Misc: N/A


chanical at 100%

Date: 08/16/13 09:47AM

Page: 2


Round 2

Proofreader

Project Mgr

Ad Design

Graphic Service

Brand Mgr

Approved to Release



80 70 70 10010.2 7.4 7.4 100 100 100100 100 60 100 100 70 70 30 30 100 100 60 100 100 100 10070 70 30 30 100 100 60 70 70 4070 70 30 30 100 40 100 40 40 100 10 40 40 20 70 70 3.1 2.2 2.270 40 40 75 66 6650 40 4025 19 19B 0 0 0 0

100 70 30 100 10 25 50 75 90 100100 60 100 70 30 100 60 40 70 4070 30 100 40 40 100 40 100 40 70 40 70 40 40 340 70 40 70 40 40100 60A



201852_PRL_AD17022_COLL_NAT_ADS_FA13_Q MAG_CONCESPRD_X3B_MDAUGUST 16, 2013 9:47 AM


8 8 8 M A D I S O N A V E N U E N E W Y O R K 3 0 0 W O R T H A V E N U E P A L M B E A C H

R A L P H L A U R E N C O L L E C T I O N . C O M

Ralph Lauren CollectionRalph Lauren Collection Ralph Lauren Collection Ralph Lauren CollectionRalph Lauren Collection

B:11.125 inB:18.25 in

T:10.875 inT:18 in

S:10.375 inS:17.5 in

[Q MAGAZINE] SPREAD RHP 4 OF 4[Q MAGAZINE] SPREAD LHP 3 OF 4

Seamlesslyjoinedstrandsof18krosegoldcombinetoformtheHeliororing.Theringsrangefromclassicallysimpletofullpavésetdiamonds,from$1,865.AlsoavailablearetheHelioroPendantsonLa Catena necklaceoronasilkcord,from$3,745.

helioro by kim.

simply,

beautifully

irresistible.

T:18.00”

T:10.875”

B:18.25 ”

B:11.125”

Q M

agaz

ine

– Fa

ll 20

13

(982

6)

9826 q-mag 2013-fall 3rings_01.indd 2-3 08/21/13 4:47 PM

Seamlesslyjoinedstrandsof18krosegoldcombinetoformtheHeliororing.Theringsrangefromclassicallysimpletofullpavésetdiamonds,from$1,865.AlsoavailablearetheHelioroPendantsonLa Catena necklaceoronasilkcord,from$3,745.

helioro by kim.

simply,

beautifully

irresistible.

T:18.00”T:10.875”

B:18.25 ”B:11.125”

Q M

agaz

ine

– Fa

ll 20

13

(982

6)

9826 q-mag 2013-fall 3rings_01.indd 2-3 08/21/13 4:47 PM

80 70 70 10010.2 7.4 7.4 100 100 100100 100 60 100 100 70 70 30 30 100 100 60 100 100 100 10070 70 30 30 100 100 60 70 70 4070 70 30 30 100 40 100 40 40 100 10 40 40 20 70 70 3.1 2.2 2.270 40 40 75 66 6650 40 4025 19 19B 0 0 0 0

100 70 30 100 10 25 50 75 90 100100 60 100 70 30 100 60 40 70 4070 30 100 40 40 100 40 100 40 70 40 70 40 40 340 70 40 70 40 40100 60A


CAROLINA HERRERA206815_CHNY_Q - SUPPLEMENT TO QUEST

206815_CHNY_Q - SUPPLEMENT TO QUEST_X2_ELAUGUST 23, 2013 5:24 PM

NEW

YO

RK 2

12 2

49 6

552

| LO

S AN

GEL

ES 3

23 7

82 9

090

| D

ALLA

S 21

4 21

9 60

60 |

BAL

HAR

BOUR

305

867

759

0 |

CAR

OLI

NAH

ERRE

RA.C

OM

760 MADISON AVENUE 212.988.9191 717 FIFTH AVENUE 212.339.5950 AMERICANA MANHASSET 516.627.6001

GIORGIO ARMANI CORPORATION 114 FIFTH AVENUE, NEW YORK, NY 10011 T. 212.209.3589 F.212.209.3789Q magazine (4C) POSITION: SPREAD INSERTION: sept 2013 DUE DATE: August 26 TRIM: 18x10.875 BLEED: .125’’ ALL SPECS: DIGITAL

6 2 5 m a d i s o n av e n u e 6 7 5 5 t h av e n u e 1 1 8 s p r i n g s t r e e t t h e s h o p s at c o lu m b u s c i r c l e 2 1 5 1 b r oa dway

s t ua rt w e i t Z m a n . c o m

FW13_SW_HIGHLAND.indd 1 8/20/13 1:52 PM

SHOP THE ENTIRE COLLECTION AT JCREW.COM.

QM002_Ads_FA13.indd 2 8/20/13 7:41 AM

Q_Mag_Fall_DennisBasso.indd 1 8/20/13 5:59 PM

THE COUNTRY CLUBOF THE CARIBBEAN

C a l l y o u r t r a v e l p r o f e s s i o n a l o r 1 . 8 6 6 . 5 6 0 . 8 8 5 4w w w . C a s a d e C a m p o . C o m . d o

p e t e d y e g o l f t e n n i s p o l o / e q u e s t r i a n v i l l a s s h o o t i n g m a r i n a s p a t h e b e a C h C l u b b y l e C i r q u e

WALLYFINDLAY.COMSTAY CURRENT ON EXHIBITIONS AND GALLERY EVENTS

WALLY FINDLAY GALLERIES124 EAST 57TH STREET, NEW YORK, NY 10022

TEL (212) 421 5390 FAX (212) 838 2460 165 WORTH AVENUE, PALM BEACH FL 33480

TEL (561) 655 2090 FAX (561) 655 1493

M U L T I P L E S AND FINE PRINTS NOW ON VIEW IN NEW YORK AND PALM BEACH

B R AQU E

CA L D E R

CHAGALL

GIACOMETTI

LAM

MATISSE

MATTA

MIRÓ

MOORE

PICASSO

TAMAYO

ZÚÑIGA


Q20/ FA L L 2 0 1 3

CONTENTS FALL 2013

46

62

86

56

F E A T U R E S

46LIVING LEGEND Faye Dunaway was a beauty out of another era, but someone who always managed to come out on top—a true survivor. Q’s own Liz Smith examines this brilliant star: her rise, reputation, and what could still be to come (and the classic movie Dunaway wishes she could forget!).

56A LEGACY RESTORED With commanding brushstrokes, assured lines, and a hard and direct approach, Tony Viramontes’ fashion illustrations not only captured the ’80s—they helped define the decade. A new book by Dean Rhys Morgan puts Viramontes’ visual legacy on dazzling display. Daniel Cappello takes a look at the legacy of a brilliant career cut too short.

62FALL FASHIONS For all your fall fashion needs, Elizabeth Meigher and Alex R. Travers hit the runways and report back on the trends. Follow along as Meigher and Travers pick up on spectacularly streamlined dresses and some fresh takes on Christian Dior’s New Look, which gained popularity in the ’50s.

76MAGNIFICENT OBESSESSIONS Exploring the world of Persol—and the passion behind the Italian brand—Elizabeth Quinn Brown ventures to the “Persol Magnificent Obsessions: 30 Stories of Craftsmanship in Film” exhibition, which speaks to obsessive creation as it exists in a number of industries.

80WES GORDON: DESIGN LEADER Alex R. Travers sits downs with the talented young designer Wes Gordon to talk about his eponymous line and his first runway show. Gordon, who will present his ninth collection this season, is a marvel—a designer who continues to impress both fashion editors and clients alike.

86BAILEY AND THE SHRIMP David Bailey started taking photographs early in his twenties, and hasn’t stopped since. Here, Elizabeth Meigher investigates the great photographer; his great muse, Jean Shrimpton; and the Manhattan photo shoot that kicked off their road to stardom.

C O V E R

American actress Faye Dunaway on the set of the 1968 film The Thomas Crown Affair, which was directed by Norman Jewison and written by Alan Trustman.


Q22/ FA L L 2 0 1 3

CONTENTS FALL 2013

31

36

43

D E P A R T M E N T S

31NOSTALGIA A montage of fashionable images and leafy scenes from our favorite—and most nostalgic—season: fall.

34JEWELRY Maple brooches, pearl earrings, snake bracelets, and skull necklaces—oh, my! It’s a season of fabulous new intro- ductions from some of the best jewelry brands and designers.

36 COOL AND CLASSIC COATS From camel hair to autumnal red, from oversize buttons to buttoned-up, there’s no better time to invest in the greatest staple of all, an overcoat.

42SHE SLEEPS IN BEAUTY Everything a lady needs to accessorize herself and her boudoir, from silk-and-glass pillows and sacred scents to long-sleeved leather gloves.

43MANLY THINGS A Bentley for wheels, a Cartier Tank, retro-inspired stringback driving gloves... All the accessories that a guy’s guy might ever want and need.

44IN THE NECK OF TIME As temperatures begin to drop, there’s no need to cover up your fashion sense—unless, of course, you’re talking this season’s trend: the turtleneck.

94Q FOCUS A look at the parties of summer, from the Fitch’s Corner Horse Trials in Millbrook to Shark Attack Sounds in Montauk, as PYTs everywhere rev up for fall...

104BEAUTY Get gussied up with products from brands like Deborah Lippmann and Lush. Oh, and Chanel, darling. Don’t forget Chanel.

106EVENING LOOKS When black tie calls, is it okay to show some leg and go a little short? This season, Q weighs in on definitive looks that are right for evening occasions.

110SHOPPING INDEX To help you on your fashion journey, a listing of where to buy the looks featured in our pages.

112HOROSCOPES What do the stars have in store for you?

34

Coc

ktai

l Col

lect

ion

robertocoin.com 1-800-853-5958


LILY HOAGLAND E X E C U T I V E E D I T O R

ELIZABETH QUINN BROWNA S S O C I A T E E D I T O R

ALEX TRAVERSA S S I S T A N T E D I T O R

DAVID PATRICK COLUMBIAE D I T O R - I N - C H I E F

JAMES STOFFELC R E A T I V E D I R E C T O R

ELIZABETH MEIGHERE D I T O R

DANIEL CAPPELLOF A S H I O N D I R E C T O R

VALERIA FOXA R T D I R E C T O R

HILARY GEARYS O C I E T Y E D I T O R

JOANNA BAKERC O - F O U N D I N G E D I T O R

Quest Media, LLC.S. CHRISTOPHER MEIGHER III

C H A I R M A N A N D C . E . O .

ARLENE LEFKOEA C C O U N T I N G M A N A G E R

KATHLEEN SHERIDANA S S I S T A N T T O T H E C . E . O .

C O N T R I B U T I N G P H O T O G R A P H E R S

DREW ALTIZERHARRY BENSONBILLY FARRELLPATRICK MCMULLANCLINT SPAULDINGHANNAH THOMSON

C O N T R I B U T I N G W R I T E R S

BARBARA BANCROFTLIZ SMITHTAKI THEODORACOPULOSMICHAEL THOMAS

B O A R D O F A D V I S O R S

BRUCIE BOALT EDWARD LEE CAVE

BARBARA CORCORAN JED H. GARFIELD

CLARK HALSTEADHOWARD LORBER PAMELA LIEBMAN

ELIZABETH STRIBLINGROGER W. TUCKERMAN

PETER TURINOWILLIAM LIE ZECKENDORF

© QUEST MEDIA, LLC 2013. All rights reserved. Vol. 9, No. 2. Q-Quintessential Style is published quarterly, 4 times a year. Yearly subscription rate $32.00. Two-year rate $50.00. Q, 420 Madison Avenue, Penthouse, 16th floor, New York, NY 10017. 646.840.3404 fax 646.840.3408. For address

changes, please call: 646.840.3404. Postmaster: Send address changes to: Q-Quintessential Style, 420 Madison Avenue, Penthouse, 16th floor, New York, NY 10017.

S U B S C R I P T I O N I N Q U I R I E S

Call 646.840.3404, ext. 106

LINDA LANE SOPER 612.308.4159 P A L M B E A C H

EMILIO ZERBONI 011.39.031.267.797M I L A N

LISA ROSENBERG 917.576.8951 G R E E N W I C H

BINA GUPTA 852.2868.1555H O N G K O N G

Fall Winter 2013 Trunk ShowsLondon - Sept 11 & 12

Nashville - Sept 23 & 24

San Francisco - Sept 26, 27, 28

111 East 61st Street, New York

212.355.4440

paolaquadretti.com

Paola QuadrettiWashington DC - Sept 30 and Oct 1, 2

Boston - Oct 3, 4, 5

New York - Oct 7, 8, 9

ELIZABETH MEIGHER

EDITOR


EDITOR’S LETTER

American journalist and author Jim Bishop (1907–1987) wrote, “Autumn carries more gold in its pocket than all the other seasons.” I especially love this image of autumn because it carries with it the bright yellow leaves of fall, freshly carved and smiling jack-o’-lanterns, caramel-colored cider doughnuts, and the golden glow from wood-burning fireplaces only found in the crisp months of fall. I have always considered fall a season of rejuvenation and new beginnings, as students head back to school and everyone prepares to dig into the richness of the season after the restful and relaxing days of summer. Truman Capote said it perfectly in Breakfast at Tiffany’s: “Aprils have never meant much to me, autumns seem that season of beginning, spring.”

This issue of Q doesn’t disappoint when it comes to all of the latest and greatest that fashion has to offer. As always, our goal at Q is to provide readers with current looks and accessories that are both fresh and effortless, timeless and attractive. We hope that within our pages you will find staples and investment pieces that will last a lifetime. Check out our fashion roundup for the newest looks this season in every color of the rainbow.

For more fashion, don’t miss Alex R. Travers’ article on rising star Wes Gordon. The former Oscar de la Renta and Tom Ford intern, who turned to Carolyn Bessette-Kennedy and Gwyneth Paltrow (circa Great Expectations) as muses for his Resort 2014 collection, is definitely one to watch. With their rich colors and custom brocades, Gordon’s clothes have a luxe, elegant quality reminiscent of de la Renta’s and an understated elegance evocative of Tom Ford.

For fashion in the raw, read Q and Quest fashion director Daniel Cappello’s piece “A Legacy Restored,” in which Daniel journeys back to the heyday of haute couture, the 1980s, and unearths a visual memory left by remarkable fashion illustrator Tony Viramontes, whose designs are the subject of a new book by Dean Rhys Morgan. “Sitting down with Dean to pore over Tony’s fast-paced, edgy, and exhilerating drawings was intoxicating—much like the 1980s themselves,” says Cappello. “Dean pays a great tribute to an artist we almost forgot. His book is a must-have for anyone who appreciates beauty.”

This issue of Q also offers readers an array of accessories, including everything from bags and baubles to footwear and eyewear for both men and women. Q and Quest associate editor Elizabeth Quinn Brown writes about the renowned Italian eyewear company Persol. In the 1960s, Persol glasses came to the fore when they started being worn by top personalities of the period—not only pilots and sportsmen, but also film and television stars such as Greta Garbo, Steve McQueen, and Faye

Dunaway, who chose Persol both on the set and in everyday life.Speaking of Faye Dunaway, Liz Smith writes a poignant piece

on the legendry actress who, according to Smith, “was too big for her time.” As Smith describes her, “With her hooded gaze, the lush mouth of her youth and those incredible cheekbones, Dunaway was a true American exotic. And for a while, she was one of the most fascinating actresses in the world.” Nevertheless, it’s exciting to know that, according to Smith, Faye Dunaway’s “golden moment…is still ahead of her.” u

Counterclockwise, from top right: Prada Twin Pockets Bag in

marine; Jean Shrimpton photographed by David Montgomery, circa

1965; Persol sunglasses with signature detailing; Chanel two-tone

leather pump; TOD’S leather-trimmed camel coat; Steve McQueen

and Faye Dunaway in The Thomas Crown Affair, 1968; TOD’S

brown leather buckle boot; a look from Wes Gordon’s Resort 2014

collection; Tiffany & Co. rings; David Hemmings and Veruschka

in a scene from Michelangelo Antonioni’s Blow-Up, 1966.

NEW YORK LONDON PARIS ZURICH SÃO PAULO DUBAI

THE LAST THING YOU THINK ABOUTIS OFTEN THE MOST REAL.

MANAGE REAL RISK. MANAGE REAL VALUE.

aristitle.comargolimited.com

ARIS TITLE INSURANCE CORPORATIONPROTECTING THE WELL-INFORMED ART AND COLLECTIBLES WORLD.

ARIS is the sole underwriter of ATPI® art title insurance. The ARIS name,

logo and ATPI® are U.S. and international trademarks of ARIS.

ATPI® policies are issued by ARIS Title Insurance Corporation in the U.S. or in conjunction

with other insurance company subsidiaries of Argo Group International Holdings, Ltd., an

international underwriter of specialty insurance and reinsurance products.

WELL-INFORMED ART AND COLLECTIBLES

S is the sole underwriter of ATPI® art title insurance. The ARIS name,

o and ATPI® are U.S. and international trademarks of ARIS.

AT

wit

ARGO-0471_Aris_Quest_ad.indd 1 8/14/12 3:20:59 PM














AT

wit















AT

wit















AT

wit


Liz Smith > Liz calls herself the 2,000-year-old gossip columnist. These days she’s been having fun with her website, which features twenty famous women: WowOWow.com (aimed at the largest demo-graphic coming on the web—women who weren’t born yesterday!). In her latest “Living Legend” column for Q, Liz chronicled the career of Faye Dunaway, a star who would have shined brighter in the genre of film noir. Liz hopes the best is yet to come for the actress, and thereby includes a quote from Walt Whitman: “The untold want by life and ne’er granted/Now, voyager, sail thou forth, to seek and find.”

Patrick McMullan > The premiere nightlife photographer in New York City, longtime Quest and Q contributor Patrick McMullan’s work appears regularly in New York, Allure, Interview, Details, Tatler, Paper, Hamptons, Ocean Drive, and Gotham. A contributing editor at Vanity Fair, McMullan’s book, Kiss Kiss, is a compilation of over 1,000 black-and-white and color images from his vast body of work, capturing the famous, the infamous, the beautiful, the talented, and everyone in be-tween puckering up. Said the late, great Andy Warhol, “If you don’t know Patrick McMullan, you ought to get out more!”

< Alex Travers As a born-and-raised New Yorker, fall is Alex’s favorite season. For this issue, he sat down with designer Wes Gordon to talk about his eponymous fash-ion line. “Wes crafts with a poet’s eye for detail,” tells Alex. In addition to the fashion story, he sifted through thousands of looks to put together this season’s Fall Fash-ion Roundup (page 56). “It’s one of my favorite things to do,” he says. “I consider myself very lucky.” Alex is the assistant editor of both Quest and Q .

Elizabeth Quinn Brown > Elizabeth serves as the associate editor of Quest and Q magazines, where she writes the “Young and the Guest List” column. For this issue, she ventured to the Museum of the Moving Image—in Queens—to experience the “Persol Mag-nificent Obsessions: 30 Stories of Craftsmanship in Film” exhibi-tion to write “Magnificent Obsessions.” And as Beauty Editor, she collected the best—and sometimes the brightest—products for fall (page 104). Elizabeth resides in the East Village, where she enjoys eating People’s Pops and wearing graphic T-shirts.

< Daniel Cappello is the fashion director of Quest and Q. In “A Legacy Restored,” Daniel journeys back to the heyday of haute couture, the 1980s and unearths a visual memory left by the unforgettable fashion illustrator Tony Viramontes, whose work is the subject of a new book by Dean Rhys Morgan. “Sitting down with Dean to pore over Tony’s fast-paced, edgy, and exhilerating drawings was intoxicating—much like the 1980s themselves,” says Daniel. “Dean pays a great tribute to an artist we almost forgot. His book is a must-have for anyone who appreciates beauty.”

56

80

46

76

94


Q28/ FA L L 2 0 1 3

CONTRIBUTORS

The best place to spend time is where time stands still

natural beauty and a rich heritage have drawn families here for centuries. Legendary experiences are infused with traditions, unfaltering attention to detail,

and uncompromised personal service. Pampered pleasures include a private sand beach with cabana service, the OH! Spa, farm-to-table dining,

and a myriad of complimentary daily resort activities.

401.584.7000 888.552.2588 OCEANHOUSERI.COM

OH_Ad_Q_Fall_2013.indd 1 8/22/13 4:24 PM

Pink Pony is Ralph Lauren’s initiative

in the fight against cancer.

Our mission is to reduce disparities in cancer care

in medically underserved communities and ensure that

treatment is available at an earlier, more curable stage.

Twenty-five percent of the purchase price of Pink Pony products

will benefit the Pink Pony Fund of the Polo Ralph Lauren Foundation.

To learn more, please visiT

RALPHLAUREN.COM/PINKPONY

Pink Pony RALPH LAUREN

AD16963_Pink_Pony_Pro_Bono_Ad_Q Mag_Single_F13.indd 1 8/16/13 11:17 AM030QFall13_PinkPony.indd 2 8/28/13 5:28 PM

FA L L 2 0 1 3 / Q31


NOSTALGIA

Sophia Loren photographed

in South Wales, 1965

> FALL ACTIVITIES


Q32/ FA L L 2 0 1 3

NOSTALGIA

1

This page: 1. Prince Charles in a family tartan kilt and Princess Diana in a suit by Bill Pashley at Balmoral Castle, 1981; 2. An English Springer Spaniel leaps for the sharp-

tail in the field; 3. Model Marisa Berenson photographed by Brian Duffy, 1960’s; 4. Bianca Jagger and Nathalie Delon, 1974; 5. Wedding of Jacqueline Bouvier and John

F. Kennedy at Hammersmith Farm, Newport, Rhode Island, September 12, 1953; > Opposite page: 1. Brigitte Bardot and Alain Delon in St. Tropez; 2. Brigitte Bardot in a

classic fall trench; 3. The open road 4. Actress Natalie Wood in New York City, 1961. Photo by William Claxton. 5. Faye Dunaway in a scene from The Thomas Crown Affair.

4

4

5

3

2

FA L L 2 0 1 3 / Q33


NOSTALGIA

2

1

3

4

5


Q34/ FA L L 2 0 1 3

JEWELRY

1. CINDY CHAO Maple Leaves brooch in diamonds, yellow diamonds, and brown

diamonds; price upon request. 2. KARA ROSS Wide Section Cuff in chili lizard;

$345. 3. IRENE NEUWIRTH Bracelet in rose gold, black onyx, mint chrysoprase,

rubies, carnelian, pink tourmaline, diamonds, and Mexican fire opal; $26,260.

4. MIKIMOTO Lure earrings in pearls, water opal, and diamonds; price upon re-

quest. 5. MIRIAM HASKELL Reminiscence pearl necklace; $475. 6. TIFFANY & CO.

Flower ring in diamonds, sapphires, aquamarines, and tsavorites; $42,000.

7. ELVA FIELDS Paired Parfaitement necklace; $308. 8. JUDITH RIPKA Reverse

Oasis cuff: topaz, tourmaline, mother of pearl, diamonds; price upon request.

Natalie Wood was born Natalia Nikolaevna Zacharenko in San Francisco to Russian immigrant parents. Though born in the United States, Wood spoke English with a Russian accent: “I’m very Russian, you know,” she once explained. Wood’s Russian accent might have been a part of her allure, but it wasn’t her only distinguishing charac-teristic; she was, inarguably, a natural beauty both on- and offscreen. And, speaking of accents, what better way to accentuate your look than with an eye-catching bauble (or few)? Here, we introduce some key new pieces of jewelry for fall from some of our favorite designers.

1

8

3

4

25

7

6

FA L L 2 0 1 3 / Q35


JEWELRY

1. IVANKA TRUMP Black & White earrings with black diamond briolettes in

oxidized white gold; $8,300. 2. HERMÈS Double-row bracelets in gold and

diamonds: “Collier de Chien” in white gold ($40,600), “Kelly” in rose gold

($37,900), and “Kelly” in white gold ($39,800). 3. SHEER ADDICTION Courtney

necklace; $225. 4. H. STERN Iris ring in rose gold and noble gold; $5,600.

5. CHANEL Bracelet in plexiglass, metal, and thread; $1,425. 6. JENNIFER MEYER

Triple-drop earrings in gold, amethyst, and pink and blue sapphire; $35,000.

7. ROBERTO COIN Martellato snake bracelet in rose gold with cognac diamonds;

$8,300. 8. GOLD & GRAY Pyrite, spinel, and diamond Skull necklace; $680.

Lauren Bacall is a New York native, born in the Bronx on September 16, 1924. She originally made a name for herself in the 1944 Humphrey Bogart film To Have And Have Not, and continued to distinguish herself as a leader in film noir. With her outbreak in noir, and her signature husky voice, Bacall became a legend in her own time. Thinking back to her 1944 breakout film, Q has got to thinking about what we must “have.” And we can’t think of better must-haves than snake bracelets, skull necklaces, briolette earrings, or sweeping rings of noble gold.

1

2

3

4

5

8

7

6

2


Q36/ FA L L 2 0 1 3

COATS3

Catherine Deneuve, the breathtaking beauty who gained fame for her roles in the films Repulsion and Belle de Jour, is always adept at style-related magic. Pictured here in 1965 with her husband at the time David Bailey, the actress personifies elegance in her white knee-length coat. So can you, with any one of these great finds for fall, which are sure to keep you looking your best with a Deneuve-like dazzle.

1. SANDRO Rev up your fall wardrobe with Sandro’s black leather moto

jacket; $1,035. 2. TOD’S Turn heads with Tod’s red leather bomber; $3,645.

3. J. MENDEL The unique and unforgettable rust muskrat chevron degrade

long-front zip vest with American and Finn raccoon; $8,850. 4. MARC JACOBS

The coco baby llama mid-length wrap coat by Marc Jacobs effortlessly blends

style and comfort; $1,800. 5. MICHAEL KORS Be the cause of envy in Michael

Kors’ olive and white camo mink stole; $19,995. 6. JENNI KAYNE Sleek and

simple: Jenni Kayne’s overcoat; $895. 7. MASSIMO ALBA The Venezia coat

in rust is perfect for a crisp fall day; $1,715. 8. NANETTE LEPORE Original,

smart, and sexy: the gravity peacoat by Nanette Lepore; $598.Cool And Classic Coats

1

4 5

7 86

1 1 0 E a s t 5 5 t h S t r e e t N e w Yo r k , N e w Yo r k 1 0 0 2 2

Te l e p h o n e : ( 2 1 2 ) 7 5 5 - 7 3 7 2 F a x : ( 2 1 2 ) 7 5 5 - 7 6 2 7

w w w . b e l g i a n s h o e s . c o m


Q38/ FA L L 2 0 1 3

SHOES

1. CHRISTIAN LOUBOUTIN Pure French chic: Christian Louboutin’s Gruotta

in black suede with black satin bow and 45-mm. heel; $995. 2. ALTUZARRA

Kick off the fall season in high gear with the Gianvito Rossi for Altuzarra

checkered-print patent leather pump; $830. 3. CHANEL With a heel evocative

of a maritime cleat knot, Chanel’s two-toned leather pump in balletic pink and

black is sure to impress; price upon request. 4. CARMEN MARC VALVO Strap

on Carmen Marc Valvo’s burgundy point-toe Mara pump—in kidskin leather

with adjustable ankle strap and padded insole—and make a statement; $520.

5. SALVATORE FERRAGAMO There’s no way to dim the luster of Ferragamo’s

patent leather T-strap heel with ankle tie—a must-have for fall; $795 at select

Salvatore Ferragamo boutiques nationwide. 6. JIL SANDER The immaculately

designed black heel with ankle strap by Jil Sander; price upon request.

Romy Schneider lit up the silver screen starting from an early age. The Austrian-born actress began her film career at 15 and went on to work with esteemed directors such as Luchino Visconti and Orson Wells. In the 1970s, she continued to work in France with director Claude Sautet on five films. Photographed here in Paris in 1962—look-ing less jeune fille than the 15-year-old character in the 1955 biopic Sissi that made her famous—Schneider brims with inimitable elegance. She was able to find a style all her own, especially when it came to footwear. And with the great shoe selections out this season, so will you.

BelowThe Ankle

3

1

2

4

6

5

FA L L 2 0 1 3 / Q39


BOOTS

Diane von Furstenberg may be considered New York style in-carnate. Most celebrated for introducing the knitted jersey wrap dress in 1974, the designer has since gone on to create a global lifestyle brand known around the world as DvF. Each season, von Fursten-berg brings an energy to Fashion Week that is pure and exhilarat-ing. Pictured above in 1970 with her first husband, Prince Egon of Fürstenberg, Diane dons a pair of knee-high boots. This fall, channel your effortless von Furstenberg–like style with any of our latest finds.

1. SALVATORE FERRAGAMO Slip in to Ferragamo’s black leather boot with

circle cut-out; $1,490 at select Salvatore Ferragamo boutiques nationwide.

2. RALPH LAUREN The black suede boot with chain tassel from Ralph Lauren

Collection; $1,450 at select Ralph Lauren stores. 3. CHANEL An above-the-

knee boot with some true grit: Chanel’s black leather high boot with chains;

price upon request. 4. CHRISTIAN LOUBOUTIN Red all over: Christian Loubou-

tin’s Armurabotta in rouge imperial nappa leather with 120-mm. heel; $1,795.

5. ALTUZARRA The white nappa and patent leather thigh-

high boot by Gianvito Rossi for Altuzarra; $3,090. 6. TOD’S

The brown leather buckled boot; $1,325. 7. J.CREW A fall

staple: J.Crew’s Rory leather ankle boot; $328. Long Legs To Boot

4

6 7

2 2

3

5

1


SUNGLASSES

Françoise Hardy, the stunningly gorgeous French actress and singer, has always been an icon in film, music, and fashion. Her hit song “Mon amie la rose” blossomed into a successful career—one that inspired Balenciaga’s former designer, Nicolas Ghesquière who consistently had photographs of Hardy up on his inspiration boards. Pictured above, she looks dashing in white sunglasses; it’s no wonder we look to the star for style inspiration. You can’t go wrong with a solid pair of shades.

1. JIL SANDER Stun them all when you step out in these Jil Sander shades, fea-

tured in the fall runway show; price upon request. 2. PRADA Add some floral fun

to your eyewear this season with Prada’s 26PS sunglasses; $495 at Sunglass

Hut. 3. DKNY Simple and chic: DKNY’s 4107 sunglasses; $70 at LensCrafters.

4. TORY BURCH Tory Burch’s 9026 sunglasses are sure to make you shine;

$175. 5. MIU MIU Miu Miu’s 08OS sunglasses have a feline and feminine edge;

$315. 6. COACH Featuring consummate fall colors, Coach’s 8056 sunglasses

are theis season’s must-have accessory; $158 at Sunglass Hut. 7. KUBORAUM

The Kuboraum T0.01 collection is based on a revolutionary concept that com-

bines a frame from the past with another from the present; price upon request.

Perfect Shades

1 2 3

4

5

7

6

FA L L 2 0 1 3 / Q41


BAGS

Audrey Hepburn received the Academy Award for Best Actress for her lead role as Princess Ann in the 1953 William Wyler film Ro-man Holiday. She was again nominated for her 1964 performance as Eliza Doolittle in My Fair Lady. Though she didn’t walk away with the Academy Award, Hepburn—who in real life carried a handbag like no other—remains in our hearts the fairest of ladies. Take her cue and carry any of these bags, and you’ll be among fall’s fairest, too.

1. JIMMY CHOO Solar Large handbag in black rabbit fur; $2,450.

2. LONGCHAMP Le Pliage Patch Exotic in wool and suede; $660. 3. KARA ROSS

Circ in royal blue ostrich, black patent leather, and natural ring lizard with

gold hardware and black onyx; $2,550. 4. PERRIN PARIS Attelage Frou Frou in

goatskin, lambskin, and wood; $3,950. 5. LOVE, ALEX The Bay, an oversized

hobo in grained calfskin with nickel hardware; $1,545. 6. NANCY GONZALEZ

Black crocodile and calf hair soft Wallis bag; $3,360. 7. HERMÈS Constance Cart-

able in box calfskin; $11,400. 8. MARK CROSS Madison Mini Doctor in python

color block of blush and plum; $3,495. 9. ASPREY Wiltshire shoulder bag in

mushroomand fox ostrich; $8,450. 10. MAX MARA JBag in red ostrich; $5,950.

The Makings Of A Lady

1

2

3

4

7 8 9 10

5

6


ACCESSORIES

Audrey Hepburn has been ranked by the American Film In-stitute as the third greatest female screen legend in the history of American cinema. She’s also secured fashionable standing in the In-ternational Best-Dressed List Hall of Fame. Perhaps we’ll remember her most for her 1961 role as Holly Golightly in Blake Edwards’ film adaptation of the Truman Capote novella Breakfast at Tiffany’s. Del-icate and demure even in her sleep, it’s easy to imagine Hepburn’s Holly dreaming about jewels from Tiffany. Here, we’ve gathered some dreamworthy finds for the modern woman, from the sleekest of nightwear to the softest and most sacred of scents.

1. KARA BY KARA ROSS Narrow Skin Wrap Cuff with cabochon buttons in

gold and oil spill lizard; $245. 2. HANRO OF SWITZERLAND Enjoy the sweet-

est of dreams in Hanro’s black tank cami ($118) and high-cut brief ($55).

3. LALIQUE Coutard cushions from Lalique Maison in ivory silk and black glass

hand-beading; $1,400–3,300. 4. CIRE TRUDON Keep your boudoir smelling

sacred with Cire Trudon’s Spiritus Sancti room spray, a holy perfume of altar

candles and amber incense; $190. 5. PERRIN PARIS Baggala gloves in kid

goat; $640. 6. HERMÈS E-Cover silk case for iPad 3 in Barenia calfskin and silk;

$860. 7. ASPREY Cigarette clutch in sterling silver; $6,700. 8. MARK CROSS

Grace box in saffiano calf color block of plum and luggage; $2,250.

She Sleeps In Beauty

Q42/ FA L L 2 0 1 3

2

4

3

5

6 7

8

1

FA L L 2 0 1 3 / Q43


ACCESSORIES

1. AUTODROMO The beautifully crafted stringback driving gloves in drum-dyed leather and cotton crochet will take you back to a simpler era of leisure every time you slip them

on for a drive; $110. 2. CARTIER Cartier’s Tank Solo Watch in steel and leather is as classic as they come; $3,500. 3. BENTLEY The GT Speed Convertible in dark cashmere is

the fastest four-seat convertible in the world, at top speeds of 202 mph; bentleymotors.com. 4. ASPREY The alligator tumbler allows for a hefty pour; $295. 5. PUIFORCAT

For the ultimate bachelor pad: the Jean E. Puiforcat cocktail shaker ($35,000) and shot glass ($640). 6. TIMOTHY OULTON Masculine chic: the Raleigh Spitfire Cases in mini

($495), small ($595), medium ($795), and large ($895). 7. TIFFANY & CO. Keep keys organized on the Tiffany 1837 valet key ring in stainless steel with sterling silver; $200.

James Dean was the ultimate tough guy who came to define and embody the 1950s. As troubled Los Angeles teenager Jim Stark in 1955’s Rebel Without A Cause, Dean accelerated to the height of his fame as a cultural icon of teenage disillusionment. Today, there’s little room for disillusionment with the likes of these suave markers of male style. So go ahead and race away in the lap of lux-ury, from a Cartier Tank to the handcrafted Bentley GTC.

ManlyThings

1

2

3

4 5 7

6


Q44/ FA L L 2 0 1 3

MEN’S APPAREL

1. HERMÈS Crewneck pullover in wool and cashmere ($1,350) and straight, narrow lambskin trousers ($6,000). 2. BELSTAFF Linden military blazer ($1,595), Berwick trouser

($495), and Harold shirt ($1,595). 3. RAG & BONE Bonded-cable merino sweater ($595) and slim suit pant in wool and mohair ($350). 4. RALPH LAUREN Gray turtleneck

sweater ($695), charcoal wool sportcoat ($1,695), and green corduroy pants ($395), all from Ralph Lauren Black Label. 5. MICHAEL BASTIAN Hand-knit Aran oversized neck

gaiter ($960), tiger-camo button-down ($345), and mini-stripe formal pant ($525). 6. BURBERRY PRORSUM Wool Aran sweater ($1,995), tapered-leg linen herringbone

trousers ($795), and animal-print sunglasses ($200). 7. GANT Jaquard Roller ($240), Glencheck Smarty Pants ($295), and leather slip case ($395), all from GANT Rugger.

Robert Redford might have been awarded French knighthood, but he will always be the prince of American cool on these shores. The prolific actor, director, and producer has always borne his own sense of chic, whether in aviators or a turtleneck. This fall, design-ers paid close attention to men’s necklines, featuring Aran rolls, sleek turtlenecks, and high, buttoned-up collars. Adopt some of the looks from these designers, and you’ll be rolling right on trend.

In The Neck Of Time

12

4

3

5

6 7

FOR RESERVAT IONS PLE ASE CALL 1.888.5.CHAT WAL • THECHAT WALNY.COM THE CHAT WAL NE W YORK • THE L AMBS CLUB • RED D O OR SPA

130 WEST 4 4TH STREE T, NE W YORK , NY 10 036


Q46/ FA L L 2 0 1 3

Living LegendFaye Dunaway

b y L i z S m i t h

noir lady. Half-truths or deadly lies—and often a gun—were the weapons of this cinema staple. Although Faye would win her Oscar playing the ruthless exec in Network, it was Chinatown in which she gave her defining performance. The role she was born to play.

Dunaway is a star who was born 30 years too late. She was made for mystery and evocative black and white. She could have given Bette and Joan and Barbara Stanwyck a run for their dramatic, neurotic money. She had her intrinsic propensity for brilliant, grand, unapologetic overacting. Nothing hesitant about Faye Dunaway. A straightforward throwback to a time when movie stars thrilled millions with the curl of a lip, an arched eyebrow, a whispered threat, or a

“Tell me the truth.”“She’s my sister.” (Slap!)“She’s my daughter.” (Slap!)“Sister.” (Slap!)“Daughter.” (Slap!)“She’s my sister and my daughter! Get it? Or is too tough

for you?”Any film fan worth his salt knows that famous Faye

Dunaway scene from Roman Polanski’s famed Chinatown (slaps, courtesy of a very frustrated Jack Nicholson.)

Chinatown was, in many ways, the last true noir film (albeit, in color). And Miss Dunaway a true, mysterious, and tragic

Faye Dunaway and Warren Beatty in

Bonnie and Clyde (1967). > Opposite: Faye

Dunaway in promotional material for

the film Amanti (a.k.a. A Place for Lovers

or Le Temps des Amants), directed by

Vittoria De Sica for MGM (1968).


Q48/ FA L L 2 0 1 3

declaration of love—perhaps true? With her hooded gaze, the lush mouth of her youth, and those incredible cheekbones, Dunaway was a true American exotic. And for a while, she was one of the most fascinating actresses in the world.

Born in Bascom, Florida, Faye attended the University of Florida and Boston University. She graduated having majored in theater. Then, the striking young woman joined the American National Theatre and Academy. She appeared on Broadway in A Man for All Seasons and Hogan’s Goat, both of which were well reviewed.

Hollywood beckoned and she had smallish but showy roles in The Happening and Hurry Sundown, which was Otto Preminger’s tribute to Southern white trash. Dunaway objected to Preminger’s dictatorial attitude and this was the beginning of the actress being labeled “difficult.” (Why nobody ever considered Preminger difficult is hard to imagine.) Despite the tensions, Faye captured a Golden Globe

nomination and was named “Star of the Year” for 1965. Still basically unknown, she immediately went into Warren

Beatty’s Bonnie and Clyde. This catapulted her to the top echelon of stars. (Natalie Wood rejected the role.) Faye’s hard/soft performance, her unusual beauty, and the way she wore Theadora Van Runkle’s incredible 1930s fashions made her an instantly iconic and recognizable face of the late 1960s. Nobody looked quite like her, nobody looked like her at all!

She received her first Oscar nomination for Bonnie and Clyde. She then had another big hit with The Thomas Crown Affair. Steve McQueen was cool. Faye Dunaway was icy. They looked beautiful together. The film was another hit.

However, with the old studio system dying a ghastly death, Faye floundered for the next four years in films such as The Extraordinary Seaman, Little Big Man, The Woman I Love, Doc, The Arrangement, Oklahoma Crude, Puzzle of a Downfall Child (a brilliant but ignored performance) and A Place for Lovers (the place where at least she found romance with co-star Marcello Mastroianni, effectively breaking up her first, early marriage.)

She also had a seductive turn in The Three Musketeers, as the infamous Milady de Winter. If she was not quite up to the lure of Lana Turner in the 1948 version, she was still mighty dangerous, in and out of bed. By that point, Faye’s public image had begun to spin into the realm of “diva”—though that phrase for a demanding movie or music star had yet to be coined. In fact, on the set of The Three Musketeers, it was rumored that in the scene where Faye is supposed to strangle Raquel Welch with a heavy wooden rosary, Faye did it a bit too realistically. Not that there was sympathy for Miss Welch. She was known as a difficult star herself. True or not, it made for lively gossip.

And then, Faye received the second “role of a lifetime” when Roman Polanski cast her as Mrs. Mulwray in the beautifully chilly and tensely violent Chinatown. She starred opposite Jack Nicholson, a scene-stealer if there ever was one, but Dunaway held her own as the icy wife of a missing mogul who had a more than a few secrets of her own. Was she a deadly femme fatale or a hapless victim? Faye was top-to-toe a fabulous movie star, beginning to perfect a series of mannerisms that

Photo of Faye Dunaway taken by Jerry Schatzberg in 1970 that served

as the 64th Festival de Cannes poster in 2011. > Opposite, clockwise

from top left: Faye Dunaway photographed by Jerry Schatzberg in 1970;

Dunaway in Bonnie and Clyde (1967); Marcello Mastroianni and

Faye Dunaway in A Place For Lovers (1968); Robert Redford and Faye

Dunaway in Three Days of the Condor (1975); Faye Dunaway photo-

graphed by Jerry Schatzberg; Faye Dunaway on the set of Bonnie and

Clyde (1967); Dunaway with her husband Terry O’Neill; on the set

of The Thomas Crown Affair with Steve McQueen.


Q66/ W I N T E R 2 0 1 2

were fascinating to behold. She was once again nominated for an Oscar. But lost, perhaps because Polanski had been so vocal about how hard she was to work with.

After that, she was a throwaway in the spy thriller Three Days of The Condor with Robert Redford (no chemistry at all between these two superstars) and looked gorgeous and distressed in the smash hit The Towering Inferno. She seemed to be drifting offtrack again when she took the role of the madly driven T.V. executive in Network.

Working with Peter Finch, William Holden, and Robert Duval energized her. Her by-now familiar quirks and intensity fit the role perfectly. And finally, she took the Academy Award. (She was famously photographed relaxing the morning after at the Beverly Hills Hotel pool. The picture was taken by her second husband, Terry O’Neill.)

But as is so often true after an Oscar win, things start to

go south. She was first billed in the aptly titled Voyage of the Dammed and saw visions in The Eyes of Laura Mars.(This made money, but critics were unimpressed.) She also appeared in The Champ in 1970, not looking her best and rather ignored in the praise heaped on Jon Voight and Ricky Schroder. She was sensational on T.V. as evangelist Aimee Semple McPherson, but her co-star Bette Davis complained Dunaway was impossible to work with (pot and kettle, there!)

She played Eva Perón in a T.V. movie based on the life of the Argentine legend, and was delightfully—for those who enjoy that sort of thing—over-the-top.

Faye Dunaway, 1967; Steve McQueen and Faye Dunaway in The Thomas

Crown Affair (1968). > Opposite: Faye Dunaway and Robert Redford in Three

Days of the Condor (1975); Portrait of Faye Dunaway circa 1965.

FA L L 2 0 1 3 / Q51


Q52/ FA L L 2 0 1 3

And then came—drum roll!—Mommie Dearest, the screen version of Christina Crawford’s scathing tell-all on her famous mother. I can’t imagine what anybody expected from this, given the material. Frank Perry directed, with an eye toward excess. Faye, apparently, threw herself into being Joan Crawford with magnificent, unrestrained gusto. Faye hadn’t written the script, nor had she had a hand in editing, so who will ever know if she was encouraged to tone it down? (Or if there were subtler takes.)

The performance is brilliant, daring, poignant—but so outrageous it explodes into camp instantly. Within a week of its release, there were “Mommie Dearest” parties being held all across the country. Faye’s every utterance had become legendary, and we needn’t even talk at length about the Kabuki makeup “no wire hangers” scene. In truth, Faye wasn’t doing anything she hadn’t in a number of other films; these were her mannerisms. But playing Crawford brought them out in vivid high relief. Faye would forever more blame “Mommie” for the downturn in her career. (Director Frank Perry simply omitted it from his biography.) The reality was that Faye had been a

star since 1966. Her “big time” was coming to an end, anyway. She just happened to go out in a blaze of derision. (Though I happen to think of it as glorious.) Her next film would be an unfortunate potboiler, The Wicked Lady, which only enhanced her image as an eye-popping virago.

Afterward, it was up and down—a fine, gritty turn in Barfly with Mickey Rourke, and superb with Peter Ustinov in a lush T.V. adaptation of Agatha Christie’s Dinner for Thirteen. But there were too many like Supergirl or Terror in the Aisles. She kept a hand in features and television, sometimes scor- ing (Albino Aligator, The Twilight of the Gold, a T.V. version of Rebecca where she was delicious as the pretentious Mrs. Van Hopper.)

But mostly she just kept keeping on. Her résumé is vast, no matter the quality. She divorced Terry O’Neill, had a nasty bit of business over their child, Liam, married and eventually divorced musician Peter Wolf.

In recent years, she has been almost manically committed to putting Terrence McNally’s tale of Maria Callas, Master Class, onscreen. It has proceeded in fits and starts, but is said

Faye Dunaway on the set of The Thomas Crown Affair (1968); Dun-

away and husband Peter Wolf. > Opposite, clockwise from top left: Faye

Dunaway in Mommy Dearest, (1981); Faye Dunaway at Vanity Fair’s

2005 Oscar Party at Mortons in LA; Faye Dunaway and Warren Beatty

in Bonnie and Clyde (1967); Faye Dunaway by Terry O’Neill for Vanity

Fair; Faye Dunaway stars with Dustin Hoffman in Little Big Man (1970);

Dunaway in The Thomas Crown Affair; Faye Dunaway in Hurry Sundown

(1967); Chinatown movie poster (1974); Dunaway and Jack Nicholson

in Chinatown (1974); Bonnie and Clyde (1967); Dunaway and Johnny

Depp in Don Juan DeMarco (1994).

Q54/ FA L L 2 0 1 3

now to be done and ready for release. It is surely a role for all aspects of her larger-than-life personality.

Faye Dunaway was too big for her time. I end as I began—had she appeared in 1943, she would have wiped the studio floors with the great stars of that era. As it was, despite her bitterness over Mommie Dearest, Faye had a good run. And she has never stopped working, always looking for the next Bonnie and Clyde, Chinatown, or Network.

She is an artist committed to her art. Her great, golden moment, I think, is still ahead of her. She puts in mind a quote from Walt Whitman: “The untold want by life and ne’er granted/Now, voyager, sail thou forth, to seek and find.” u

Opposite, clockwise from top left: Faye Dunaway in Chinatown (1974);

Faye Dunaway and Steve McQueen on the set of The Thomas Crown

Affair (1968); Dunaway and Steve McQueen on set of The Thomas

Crown Affair; Still of Faye Dunaway in The Arrangement (1969); a scene

from The Thomas Crown Affair. > This page: Steve McQueen as Thomas

Crown and Faye Dunaway as Vicki Anderson in The Thomas Crown Affair.


Q56/ FA L L 2 0 1 3

The hard outlines, bold colors, and

overt glamour of Pierre Cardin’s haute

couture lent themselves to Viramontes’

pen and paintbrush, as this drawing,

completed for Madame Figaro’s guide

to the 1986 collections, makes clear.

This September, as bloggers flock to the front row at New York Fashion Week, “muploading” images of runway looks snapped by their handheld phones and iPads, and as sites like Style.com stream videos of the shows, the fashion world will have the chance to observe, remember—and honor—another time and era, when the beauty of ateliers’ creations and couture was captured by the pencil and the paintbrush—not the push of a “send” button. More specifically, the beau monde will have a chance to celebrate the bright, beautiful, and baroque work of the late fashion illustrator Tony Viramontes, whose dreamy, theatrical drawings of iconic couture by the likes of Valentino, Chanel, Jean Paul Gaultier, and Dior, among others, came to define the high-fashion ideal of the 1980s.

Now, for the first time since his death in 1988, Viramontes’

A Legacy Restored

b y D a n i e l C a p p e l l o

i l l u s t r a t i o n s b y t o n y V i r a m o n t e s

One of Viramontes’ most recognizable

works—an illustrated sable-trimmed

evening suit by Karl Lagerfeld for Chanel

Haute Couture originally drawn in 1984

for Prosper Assouline’s La Mode en

Peinture—was described by the artist in

his diaries, in which he noted how the

temperature of the room changed as the

model made her entrance.

visual genius will be on full display in a comprehensive monograph of his oeuvre—Bold, Beautiful, and Damned: The World of 1980s Fashion Illustrator Tony Viramontes (Lau-rence King Publishing), by the British print dealer Dean Rhys Morgan. The book will be available for sale in September exclusively at Bergdorf Goodman, which is also devoting its windows for the month to the artist’s work. And, for anyone wishing to own a piece of iconic fashion history, 1stdibs.com is offering an exclusive online sale of 25 original Viramon-tes fashion illustrations and portraits, as well as a dozen of his in-the-moment Polaroids, which offer a rare and intimate snapshot into the high-flying world of ’80s fashion.

When Viramontes came onto the scene in the late 1970s, his hard and direct style was a marked contrast to the prevailing soft-pastel school of fashion illustration. Though different, his style was by no means a hindrance; in fact, it might have been just what the world was waiting for, and anticipating. He got his start in 1979 at The New York Times and was greeted with

This page: A 1988 portrait of Rene Russo, whose allure and charisma

spoke directly to the illustrator’s imagination, and who would come to

define the epitome of Viramontes’ ideal female beauty. > Opposite page:

A brigade of Halstonettes model Halston knitwear for Tony Viramontes

in 1983. Halston’s clean, fluid style of dressing had become a trademark

of the languid jet set and of the denizens of Studio 54.

immediate success. Soon, he was being commissioned by fash-ion bibles in both the United States and Europe, for the kinds of placements that were normally devoted to photographers. From Lei and Per Lui in Italy to Vogue in the United States, from The Face in Britain to Jill, Marie Claire, and Le Monde in France, editors descended. And so his brilliant—if too brief—career was off to a dazzling start, though it would often (if not always) be overshadowed by his friend and mentor, Antonio Lopez, with whom he shared “a certain street sensibility,” as Rhys Morgan describes it in his introduction to the book.

Q58/ FA L L 2 0 1 3

This page: Illustration of an

off-the-peg suit from the

1983 Yves Saint Laurent Rive

Gauche collection. Saint Laurent’s

innovative and rebellious color

combinations frequently brought

out the best in Viramontes.

> Opposite page: An unusually

conservative ensemble by

Versace is laid down with Vira-

montes’ signature confidence and

brushwork in this drawing for

the April 1984 issue of Vanity.

Q60/ FA L L 2 0 1 3

Apart from editorial, Viramontes also worked on the ad cam-paigns for the reigning elite in fashion, including Yves Saint Lau-rent, Valentino, Versace, Chanel, Perry Ellis, Claude Montana, and Rochas cosmetics. Jean Paul Gaultier, who contributes the foreword to the book, describes Viramontes as “a shooting star who was able to unite in a single image several diverse elements: photos redrawn or highlighted in marker pen (a genre that he initiated and went on to pioneer), illustration, collage, design, graphics and finally FASHION.” Unlike many other artists and photographers, according to Gaultier, Viramontes “really loved, adored and worshipped fashion!” Perhaps this is why his influ-ence and style have, for Gaultier, left their mark not just on the period, but on fashion more generally.

Viramontes was also an exemplary portraitist; among the iconic women he drew were Paloma Picasso, Rene Russo, and Diana Ross. It’s almost as if he had been led to them from his early teens, when he began to cast for and create his own pantheon of female beauty—those whose allure and charisma spoke directly to his imagination.

His striking images are of strong, dominant, aggressive, yet feminine women, and sensuous men, all smoldering and smoky-eyed, vibrating with New Wave energy. Tony Viramontes was possessed of great artistic potential, but he died, during the height of the AIDS crisis, in 1988 at the age of only 33. And though we might wonder what could have been had he lived, we’re lucky to have Rhys Morgan, who enthusiastically and un-dauntedly unearthed and reconstructed the visual Viramontes legacy, which, shimmering brightly to this day, remains a pow-erful voice from an overpowering moment in fashion history. u

Black It’s sleek. It’s

sexy. And it never

goes out of style.

This season, black

lured audiences

in with its infectious

appeal and

suprising savvy.

Ra

lph

La

ure

n

b y A l e x R . T R A v e R s A n d e l i z A b e T h M e i g h e R

Fall FashionsC

ou

rte

sy o

f re

spe

ctiv

e d

esi

gn

ers

FA L L 2 0 1 3 / Q63


Re

be

cca

Ta

ylo

r

Gio

rgio

Arm

an

i

Ka

ufm

an

fra

nco

Yig

al

Azr

ou

ël

Blu

ma

rin

e

Eli

e T

ah

ari

Ds

qu

are

d2

Os

car

de

la

Re

nta

Ba

len

cia

ga

Ca

lvin

Kle

in C

oll

ect

ion

Ba

rba

ra B

ui


Q64/ FA L L 2 0 1 3 Feld

er

Feld

er

Ma

rch

es

a

Co

urt

esy

of

resp

ect

ive

de

sig

ne

rs

Ph

ot0

Cre

dit

Red We just can’t take

our eyes off of it.

The color’s sanguine

complexion—no matter

the shade—worked

wonders this season,

for both day and

evening looks.

Os

car

de

la

Re

nta

Tim

o W

eil

an

d

Bil

ly R

eid

Nin

a R

icci

Po

ust

ov

it

Acn

e S

tud

ios

Q U I N T E S S E N T I A L S T Y L EJ.

Cre

w

Ba

len

cia

ga

White Pure. Simple.

Elegant. Still, with

all its qualities,

white’s timeless

allure can’t be

beat. Here are

some looks from

the Fall and

Resort seasons

that held

us in thrall.

FA L L 2 0 1 3 / Q67

Pro

en

za S

cho

ule

r

Tem

pe

rle

y L

on

do

n

Ba

len

cia

ga

Yig

al

Azr

ou

ël

Co

urt

esy

of

resp

ect

ive

de

sig

ne

rs

Q66/ FA L L 2 0 1 3 Na

me

Go

es

He

re

Na

me

Go

es

He

re

Na

me

Go

es

He

re

Va

len

tin

o

J.C

rew

Re

be

cca

Ta

ylo

r

Ca

lvin

Kle

in C

oll

ect

ion

Dio

r H

au

te C

ou

ture

Ca

roli

na

He

rre

ra

Jil

Sa

nd

er

Na

me

Go

es

He

re

Sp

ort

ma

x

Co

urt

esy

of

resp

ect

ive

de

sig

ne

rs

FA L L 2 0 1 3 / Q69


Blue The best part about

this invigorating color

is its ability to pop. This

season, we saw several

shades of blue, and

count ourselves as fans

of the electric genre.

Dia

ne

vo

n F

urs

ten

be

rg


Pink This season,

designers took the

cutesy color and

spun it into something

magical. We dare

you not to fall in love

with the couture

dress on Sasha Luss,

pictured here.

Se

e b

y C

hlo

éP

rad

a

Dri

es

van

No

ten

Osc

ar

de

la

Re

nta

Cé

dri

c C

ha

rlie

r

Ch

loé

J.C

rew

FA L L 2 0 1 3 / Q71

Va

len

tin

o H

au

te C

ou

ture

Co

urt

esy

of

resp

ect

ive

de

sig

ne

rs

The New LookIn the 1950s, Christian

Dior cinched waists

and flared skirts,

giving them trumpet

hemlines. We’re

glad it’s back.


Yo

hji

Ya

ma

mo

to

La

nv

in

Pra

da

Co

urt

esy

of

resp

ect

ive

de

sig

ne

rs

Ro

cha

s

Dio

r

Lou

is V

uit

ton

Do

nn

a K

ara

n

Cu

shn

ie e

t O

chs

Ma

rc J

aco

bs

He

rvé

Lé

ge

r b

y M

ax

Azr

ia

Tom

Fo

rd

Pra

ba

l G

uru

ng

Ba

lly

FA L L 2 0 1 3 / Q75Ca

roli

na

He

rre

ra

Co

urt

esy

of

resp

ect

ive

de

sig

ne

rs


Streamlined Whether cut into short

slips or full-length

columns, these

body-hugging looks

went flying down the

runways, blowing

our minds.

Q76/ FA L L 2 0 1 3

As an Italian—well, as a person who is one eighth Ital-ian, but can gesticulate with the best of them—I identify with the Italian culture. (My yacht, which I have yet to purchase, will be docked at Porto Fino instead of Saint Tropez.) To me, Italy emphasizes the experience, whether that means relishing an hour at the Brunello Cucinelli store on Madison Avenue (or the factory in Solomeo) or a hearty meal with my 18 cousins (and lots and lots of bread). Perhaps, it’s the “experience” of

Persol—the Italian brand of eyewear crafted, by hand, over the course of 30 steps—that resonates with my spirito. It’s about exquisiteness, not efficiency. And the product, a pair of vintage-inspired shades that won’t ever be passé, speaks to such a tradition.

Persol was established in Turin, Italy, in 1917, when Gi-useppe Ratti, a photographer and owner of Berry Opticians, crafted a pair of “protector” glasses, which were designed for

Magnificent Obsessions

b y E l i z a b E t h Q u i n n b r o w n

Co

urt

esy

of

MG

M M

ed

ia L

ice

nsi

ng

, U

nit

ed

Art

ists

, T

he

Ko

ba

l C

oll

ect

ion

at

Art

;

Co

urt

esy

of

Un

ive

rsa

l S

tud

ios

Lic

en

sin

g,

LLC

. Q U I N T E S S E N T I A L S T Y L E

This page: Johnny Depp cap-

tured Hunter S. Thompson’s

character in Fear and Loathing

in Las Vegas (above); Persols,

with signature detailing (below).

> Opposite page: Faye Dunaway

and Steve McQueen in The

Thomas Crown Affair.

Q78/ FA L L 2 0 1 3

Ca

tch

Me

if

Yo

u C

an

© D

W S

tud

ios,

LLC

., A

ll R

igh

ts R

ese

rve

d;

Co

urt

esy

of

Pa

ram

ou

nt

Pic

ture

s,

Ph

oto

fest

; C

ou

rte

sy o

f Je

an

nin

e O

pp

ew

all

; C

ou

rte

sy o

fMG

M M

ed

iaL

ice

nsi

ng

, T

he

ad

ora

Va

n R

un

kle

cost

um

ed

esi

gn

dra

win

gs,

Ma

rga

ret

He

rric

k L

ibra

ry,

Aca

de

my

of

Mo

tio

nP

ictu

re A

rts

an

d S

cie

nce

oration, and this exhibition, with its emphasis on the bril-liant work and fascinating process of a wide range of crafts, including acting, costume design, cinematography, editing, production, design, and sound design, as well as directing, reveals the essential link between meticulous and yes, ob-sessive, crafstmanship and artistic originality,” says David Schwartz, chief curator of the Museum of the Moving Image in New York.

On display through November 10 are props created by pro-duction designer Jeannine Oppewall for Catch Me If You Can, including Leonardo DiCaprio’s character’s conterfeit Harvard University diploma; notebooks with scribbles from Jennifer Connelly as she prepared for her role in Requiem for a Dream; and original sketches by Theadora Van Runkle, costume de-signer for Bonnie and Clyde and The Thomas Crown Affair, both starring Faye Dunaway. Really, the exhibition is as rich—culturally and otherwise—as a vacation to Italy. Well, almost. u

pilots with rounded, rubber-lined lenses and an elastic instead of arms. By 1924, the eyewear was comprised of 41 parts re-quiring 43 operations for assembly. The brand was named in 1938—a derivation of “per il sole” which translates from Italian to “for the sun”—and, soon, the “Arrow” (the detail on the arms) and the “Maflecto” (the system of cylinders on the arms that give the glasses a flexibility) were introduced as signature. Years (and 35-plus patents) later, Persol opened a boutique on Rodeo Drive in 1991, choosing Los Angeles to host its brick-and-mortar debut.

And the brand continues to show an appreciation for Califor-nia—who wouldn’t, given a history of support from shiny, shiny stars like Greta Garbo and Steve McQueen?—with “Persol Magnificent Obsessions: 30 Stories of Craftsmanship in Film.” The exhibition, which opened in 2011, shows examples of cine-ma that echo the passion that exists within the world of Persol.

“In filmmaking, craftsmanship is expressed through collab-

Q U I N T E S S E N T I A L S T Y L EC

ou

rte

sy o

f M

GM

Me

dia

Lic

en

sin

g C

ore

co

lle

ctio

n,

Ma

rga

ret

He

rric

k L

ibra

ry,

Aca

de

my

of

Mo

tio

n P

ictu

re A

rts

an

d S

cie

nce

; C

ou

rte

sy o

f T

icTo

ck S

tud

ios

This page, clockwise from top left: Theadora Van Runkle

designed the costumes for Faye Dunaway in The

Thomas Crown Affair; Jennifer Connelly, who starred in

Requiem for a Dream; pairs of Persols. > Opposite

page, clockwise from top left: A sketch by Van Runkle;

Jeannine Oppewall was the production designer for

Catch Me If You Can; a sketch by Oppewall.

Wes Gordon: Design Leaderb y A l e x R . T R A v e R s


Q80/ FA L L 2 0 1 3

This page: A sleeveless dress

with peplum bodice from Wes

Gordon’s 2014 Resort collection.

> Opposite: An ivory compact

fitted wool jacket with gold

medallion and fitted wool flare

pant from the Fall 2013 collec-

tion shown at Gramercy Theater.

We

s G

ord

on

We

s G

ord

on

FA L L 2 0 1 3 / Q83


Wes Gordon always knew he wanted to be a designer. “I think at the same time I wanted to be a designer, I wanted to start my own collection,” he says. From the time he showed his first capsule collection in a hotel room during a blizzard, he managed to start working with some great stores. This Septem-ber will mark his ninth collection—and first runway show—un-der the Wes Gordon name.

Anyone who has followed Wes Gordon’s career could sen-sibly agree that now is the perfect time to take the step into runway. “When you start off you don’t know the right ways to do things, but you also don’t know the wrong ways to do things, so you kind of figure out your own voice a little bit,” he tells me. This could be one reason he threw himself into the challenge of creating his own collection at such a young age.

I met Gordon for the first time in his Manhattan studio, a medium-sized space on Nassau Street, just south of City Hall Park. The neighborhood isn’t typically a legendary staging post for young designers. But it appeals to Gordon, who I sense does not want be like everybody else.

As a student, Gordon went to London to study at Central Saint Martins. “I read biographies of designers who went to Central Saint Martins,” he says. “I didn’t know anything about it, but I knew I had to go there.” The school is one of the world’s

A look from the Fall 2013 presentation at Gramercy Theatre; Wes Gordon

in his Manhattan studio (inset). > Opposite: Five looks, including Gordon’s

favorite camisole dress with trumpet hemline, from Resort 2014.

leading centers for art and design education, and counts Alexan-der McQueen, Phoebe Philo, and Riccardo Tisci as graduates. In a place that breeds creativity, I ask him if it was hard to stand out. “If you want to do anything in London that stands out,” he says, “you have to be the craziest; you have to be the boldest; you have to be the wildest.” This youthful enthusiasm may have been the catalyst for his success in art school. “It’s so fun to have that opportunity to spend time in a place where there aren’t re-ally rules,” he recounts. “You’re not thinking about restrictions, you’re just thinking about, ‘Let’s try this; let’s do this,’ and that’s very much—in a lot of ways—the spirit of London.” Many of the stories Gordon tells about London relate to the city’s ability to nurture young talent. But, as an American, he knew he want-ed come to New York to start his company.

All of Gordon’s garments are made in New York. “The re-sources are incredible here,” he beams. “The Garment District has skyscrapers full of buildings that are cutting button holes and making zippers.” Gordon seems very aware of what’s around him, and is well-known in fashion circles for using luxe, one-of-a-kind fabrics. I ask him about one of his dresses I saw the week before made from a material called scuba: Unlike neo-prene, which is heavy and stiff—“They’re like armor,” he says, referring to jackets and dresses made out of the stuff—scuba is lightweight, a stretched polyester that is “more like Spanx.” Clearly he is quite drawn to the fabric. “We’ve been doing it [scuba] for three seasons now. We get it from one mill in Italy, then it goes to another mill in Italy to be printed.” An assis-tant named Remy brings over a yellow-and-white jacket from the Resort collection made out of the material. “This is scuba. It’s much lighter. It’s easier to wear, so we do a fitted dress with it—and ladies love it,” he grins.

When I ask Gordon about the ladies he would most like to dress, there is no hesitation in his response. “It’s always Cate Blanchette.” Still, he can include the first lady as a fan. I look at him curiously when he tells me how he found out about Mrs. Obama wearing his jacket. “Michelle Obama wearing a metallic houndstooth jacket,” he pretends to read from a Twitter app on his phone. “I’m like, what?! We made a metallic houndstooth jacket. Sure enough I start looking at pictures, and it was so amazing. So cool. Very cool.”

As a designer, Wes Gordon is true to himself. And for his most recent 2014 resort collection, he did one of his favorite things. He created a dress—a gorgeous navy-blue camisole number in a stretch silk-cotton blend with trumpet hemline—that was clean, simple, and timeless. “Really pretty,” he responds to my compli-ment. “That’s my favorite dress.” u


This page: A look, using

ostrich feathers and

embroidered tulle, from

Wes Gordon’s Resort 2014

collection. > Opposite: A

lace top from the Fall 2013

collection, which model

Hilary Rhoda wore in May

2013 to the Costume Insti-

tute Ball at the Met.

FA L L 2 0 1 3 / Q85

We

s G

ord

on

Bailey AndThe Shrimp

b y E l i z a b E t h M E i g h E r

FA L L 2 0 1 3 / Q87


This page, left to right: David Hemmings

in a scene fom Blow-Up, 1966; Jean

Shrimpton, circa 1965. Photo by David

Montgomery; > Opposite: Jean Shrimpton

by David Bailey for Vogue, 1962.

Above, clockwise begining at upper left: Jean Shrimpton &

Terence Stamp, London, 1963, by Terry O’Neill; David Hem-

mings and Veruschka in a scene from Blow-Up, 1966; Jean

Shrimpton wearing pearls and knitwear for a David Bailey

shoot in 1965; Jean Shrimpton and boyfriend Terence Stamp

photographed by David Bailey at Heathrow Airport in 1965;

Jean Shrimpton by Richard Avedon, 1969; Penelope Tree by

Richard Avedon, 1967; Michelangelo Antonioni’s Blow-Up

(1966); > Opposite: Veruschka in a scene from Blow-Up, 1966.


It all began in 1960 when Jean Shrimpton was working with photographer Brian Duffy in a studio neigh-boring David Bailey’s. Bailey was working for British Vogue at the time, and quickly took a shine to Shrimpton (who could blame him, as she’s arguably one of fashion’s most beautiful models). Bailey booked the budding model for a slew of jobs, also marking the beginning of their four-year relationship that lasted through 1964. When describing Shrimpton, Bai-ley recounts, “she was magic and the camera loved her too. In a way she was the cheapest model in the world —you only needed to shoot half a roll of film and then you had it. She had the knack of having her hand in the right place, she knew where the light was, she was just a natural.”

When Bailey met Shrimpton he was still relatively new to the fashion world; and the 18-year-old Shrimpton, a recent graduate of the Lucie Clayton Modelling School, was, she remembers, “as green as a spring salad.” London was expe-riencing a period of optimism and hedonism, and a cultural revolution that brought upon the catch phrase: “Swinging London.” The ultra-cool couple’s first 14-page spread for British Vogue was such a hit with readers that the magazine decided to send the pair to Manhattan, a city also undergoing its own fashion, musical and cultural transition. This move-ment was later labeled the “Youthquake” by none other than American Vogue Editor-in-Chief Diana Vreeland.

With no hair or makeup artist, Bailey and Shrimpton were instructed to shoot mid-priced British fashions against the New York cityscape. Instead, equipped with just a camera and an old teddy bear, the duo roamed Manhattan’s gritti-er side, combining raw street photography with fashion and art. The pair created “Young Idea Goes West,” a portfolio for British Vogue that includes endless iconic images of Jean Shrimpton, aka “The Shrimp.” Thin and misty-eyed, wan-dering the streets of Manhattan in the latest fashions, while carrying the sad teddy bear, Shrimpton leans against parking signs and peruses local haunts from the Harlem ghettos to the impoverished Lower East Side.

“Young Idea Goes West,” was published in the April, 1962 issue of British Vogue. These revolutionary photos captured people’s attention, namely that of American Vogue Edi-tor-in-Chief Diana Vreeland. In the spring of 1963, Vreeland summed the 25-year-old artist and his 20-year-old girlfriend to her office. “It was pissing bloody rain and we couldn’t get a taxi so we had to walk,” Bailey later recalled of their fate-ful meeting with fashion’s most powerful editor. “Jean was crying the whole way, saying, ‘We can’t meet Diana Vreeland like this. We look like a couple of drowned rats.’ ” When they finally made it to her office (which was, in Bailey’s words, a “magic cave—all dark, with leopard-print carpet, red-lac-quer walls, and Rigaud candles”), Vreeland caught sight of the pair and cried, “Stop! They are adorable. The English have arrived!” In a matter of weeks he was shooting covers for the magazine, and within a year David Bailey—and The Shrimp—were an international sensation.

FA L L 2 0 1 3 / Q


Q90/ FA L L 2 0 1 3

Bailey’s ascent at Vogue was meteoric. At the height of his productivity, Bailey shot 800 pages of Vogue editorial in a single year. Penelope Tree, a former girlfriend, described him as “the king lion on the Savannah: incredibly attractive, with a danger-ous vibe. He was the electricity, the brightest, most powerful, most talented, most energetic force at the magazine.” Ameri-can Vogue’s creative director Grace Coddington, who was also a model at that time, remembers “It was the Sixties, it was a raving time, and Bailey was unbelievably good-looking. He was everything that you wanted him to be – like the Beatles but accessible – and when he went on the market everyone went in. We were all killing ourselves to be his model, although he hooked up with Jean Shrimpton pretty quickly.”

Bailey was the first person behind the lens, at least in Brit-ain, to become as desired and as distinguished as the rock stars, models and movie icons he photographed. Italian direc-tor Michelangelo Antonioni even made a film, Blow-Up, based on David Bailey’s life, although Bailey was never particularly happy with the choice of David Hemmings to play the role of the magnetic young photographer. “I don’t know why they didn’t use Terence Stamp. He was less of a sissy than Hem-mings, and at least he was from the East End like me... I saw it in New York in one of those cinemas across the street from Bloomingdale’s with Catherine Deneuve,” Bailey told Vogue in 1999; “Actually, I thought it was a bit silly.”

The mythological coolness of a David Bailey photograph is rooted in the “Swinging London” scene of the early 1960’s,-a youth-oriented phenomenon that emphasized the new and the modern—it was more than just mini skirts and music, it was

This page, clockwise: Jean Shrimpton by David Bailey, 1963; Jean Shrimpton

for Yardley advertisement, 1960’s; David Bailey proof sheets of The Beatles,

1965; Jean Shrimpton by David Bailey; Sue Murray by David Bailey; Jean

Shrimpton by David Bailey, 1961; Shrimpton by Jeanloup Seiff for Harper’s

Bazaar, 1964; Jane Birkin and John Barry by David Bailey, 1960’s.

This page, clockwise: Jean Shrimpton by David Bailey, 1961; Jean

Shrimpton by David Bailey for Vogue UK, 1968; Sue Murray by David

Bailey for Vogue, 1965; Jean Shrimpton by David Bailey 1960’s; Jean

Shrimpton, box of pin-ups series, 1965, photo by David Bailey; Jean

Shrimpton and Marie Lise Gres, photo by David Bailey, 1961; Jean

Shrimpton in Dior by David Bailey, Vogue, 1963; Mick Jagger by

David Bailey, 1964; Shrimpton and Bailey by Terry O’Neill, ‘60’s.


a cultural revolution. The “Swinging London” vibe was best reflected in a project entitled David Bailey’s Box Of Pin-Ups, published in 1964: a box of poster-prints of 1960’s celebri-ties including Terence Stamp, The Beatles, Mick Jagger, Jean Shrimpton, PJ Proby, Cecil Beaton, Rudolf Nureyev, Andy Warhol and the notorious East End gangsters the Kray twins.

The box was a rare and unique commercial release, reveal-ing the changing status of the photographer as one who could sell a collection of prints in this manner. (Opposition to the presence of the Kray twins from fellow photographer Lord Snowdon was the primary reason that an American edition of the “Box” never appeared, nor a British second edition issued.) The recent sale for a copy of David Bailey’s Box Of Pin-Ups is reported at “north of £20,000.”

Along with Terence Donovan and Brian Duffy, David Bailey captured the 1960’s Youthquake that evolved from Swinging London-- a culture of fashion and celebrity chic. These three photographers mixed with actors, musicians and royalty, and ultimately found themselves elevated to iconic status, or as Norman Parkinson dubbed them: “the Black Trinity.” u

Above, left to right: Veruschka

and David Hemmings in Blow-Up,

1966; Jean Shrimpton by David

Bailey, 1964; > Opposite: Jean

Shrimpton photographed in 1965.

FA L L 2 0 1 3 / Q93


COAST TO COAST MANHATTAN

Q Focus1

2

4

3



1. Amanda Sheppard and Eugenia Miranda 2. Atmosphere

3. Vishna Subick 4. Eva Vai 5. Stephanie Nelson, Serena

Merriman, and Chessy Slater 6. Tim Monaghan and Sarah

Winters 7. Samantha Lopez-Edwards 8. Jessica Joffe

9. Anastaisa Rogers and Melanie Berliet BFA

ny

c.co

m

Chelsea On July 23, L-Atitude—the far-flung fashion e-com-merce site featuring clothing, jewelry, and accessories sourced from 10 destinations and 150 designers, artisans, concept stores, and hotels—hosted a garden party at the High Line Hotel in New York. Guests gathered beneath a Rajasthani tent to toast the Resort 2014 collection, which showcases pieces like embroidered kaftans, embellished straw totes, antique jewelry, and Babouche slippers. Among the faces perched on Moroccan poufs or wearing bindis were Meredith Melling Burke, Jennifer Creel, Sabine Heller, Mara Hoffman, and Genevieve Jones.

FA L L 2 0 1 3 / Q95

5

96

8

7


Q96/ FA L L 2 0 1 3

COAST TO COAST MILLBROOK

Q Focus1

3

25

4


COAST TO COAST MILLBROOK

1. A group of girls 2. Sam Allen, Meredith Travers, and

Chris Spitzmiller 3. Atmosphere 4. Friends 5. Kirk Henckels

and Fernanda Kellogg 6. Alexandra Kasmin 7. Chrissy

Gaffney and Jennifer Oken 8. Libet Johnson and Cece Cord

9. Boyd Martin with Emily Hottensen and Fernanda Kellogg

10. Irina Erickson 11. Elizabeth Binder and Nilani TrentMa

ry H

illi

ard

Fitch’s Corner On July 21, the Fitch’s Corner Horse Trials Spectator Luncheon celebrated its 20th anniversary in Mill-brook, New York. The event was hosted by Fernanda Kellogg, Kirk Henckels, and Fernanda Gilligan and sponsored by Fresh Gour-met, Houlihan Lawrence, and J.McLaughlin. This year, Barbara and Donald Tober were presented with the Fitch’s Corner Award for philanthropic support as “their love of horses is manifested in their unwavering support of the Millbrook equestrian community and also at Yellow Frame Farm, home for many retired show horses.”

6

8

10 11

97


COAST TO COAST CALIFORNIA

Q Focus1

2

3

4


COAST TO COAST CALIFORNIA

1. Michael Ostrow, Heather Mnuchin and Roger Stoker

2. Jacqui Getty and Crystal Lourd 3. Kate Mulleavy and

Laura Mulleavy 4. Lizzie Tisch 5. Angelique Soave and

Susan Casden 6. Aaron Fox 7. Harold Koda 8. Monique

Lhuillier and Cameron Silver 9. Ina TreciokasPa

tric

k M

cMu

lla

n

5 6

8

9

FA L L 2 0 1 3 / Q99

Beverly Hills On June 26, the West Coast Friends of the Costume Institute honored Andrew Bolton at a dinner hosted by Susan Casden and Lizzie Tisch at the Beverly Hills Hotel. It’s one of my favorite events of the year, apart from the Party of the Year,” said Bolton to Women’s Wear Daily, referring to the annual Costume Institute Gala at the Metropolitan Museum of Art. “We knew the [‘Punk: Chaos to Couture’] show would generate some controversy, though I wish there wasn’t quite so much. But punk provokes a lot of emotions. I myself think it was quite a romantic movement.”

7



Q Focus1

4

5

2

6

3



1. Izak Zenou 2. Emily Weiss and Sofia Barrenechea

4. Annabelle Dexter-Jones 5. Amy Astley 6. Katie

Schecter, Ava Rose, and Hannah Bronfman 7. Selita

Ebanks 8. Rachel Roy 9. William Lauder, Anna

Wintour, and Fabrizio Freda 10. Emily VanCampBFA

ny

c.co

m;

Pa

tric

k M

cMu

lla

n

7

8

9

10

4

Midtown Clinique hosted its “Dramatically Different” party to celebrate the brand’s iconic moisturizer—recently reformulated after 45 years. For decades, the product has been a favorite of leading la-dies—East Coast and West Coast—craving a healthy glow. Emily Van-Camp, the actress who embodies the fresh-faced aesthetic of Clinique, spoke about beauty saying that her icon was Audrey Hepburn and that her life could have been “dramatically different” had she continued to pursue a career in ballet. Also in attendance were Kelly Bensimon, Brendan Fallis, Stacy Keibler, Amy Sacco, and Stefano Tonchi.

FA L L 2 0 1 3 / Q101


Q102/ FA L L 2 0 1 3

COAST TO COAST HAMPTONS

Q Focus1 2

3


COAST TO COAST HAMPTONS

1. Jessica Hart 2. A reveler 3. Jenne Lombardo, Athena

Calderone, and Chelsea Leyland 4. Alessandra Codinha

5. Jeffrey Jah, Theophilus London, and Ben Watts 6. Liz

Prutting, Meaghan Burke, Chau Prutting and Alexandra

Lanci 7. Samuel Deutsch and Natalie ObradovichBFA

ny

c.co

m,

cou

rte

sy o

f

Be

n W

att

s a

nd

Mil

kM

ad

e.c

om

5

6

7

4

Montauk Oh, Fourth of July weekend in the Hamptons—I wish I knew how to quit you... On July 5, Ben Watts hosted the 11th annual Shark Attack Sounds at the Montauk Yacht Club with co-hosts Jeffrey Jah and Mazdack Rassi. The young and the guest list depart-ed New York, bypassing towns like East Hampton and Southampton for the tip of Long Island: Montauk. The MilkMade.com-sponsored event attracted thousands, including Annie Georgia Greenberg, Nur Khan, and Steven Rojas. Given the success of Shark Attack Sounds, I think we can agree that, at this point, #Shhh is sort of moot...

8Q U I N T E S S E N T I A L S T Y L E

Q104/ FA L L 2 0 1 3

BEAUTY HAIR AND SKIN

34

5

6

2

1

1. JACQUELINE DE RIBES was a beauty, and a constant on best-dressed list after best-dressed list. 2. ERNO LASZLO The Phormula 3-9 Eye Repair firms and stimulates circulation; $175. 3. LUSH The Ocean Salt Facial Scrub mimics a day at the beach, plus a splash of lime and vodka; $35.95. 4. BLISS The Triple-Oxygen Ex-“glow”-sion Vitabead-Infused Moisture Cream provides a boost of radiance with ingredients like micro-algae; $64. 5. JURLIQUE A blend of extracts from a variety of roses, a bottle of Rosewater Balancing Mist Intense Deluxe Edition contains 10,000 petals; $60. 6. DAVINES The OI/Shampoo delivers shine and softness with roucou oil, which is richer than carrots in beta-carotene; $26. 7. EMINENCE The Hungarian company’s Clear Skin Probiotic Cleanser, with ingre-dients like yogurt, addresses acne-prone skin in a revolutionary way; available at Kimara Ahnert (212.452.4252). 8. ORIBE Soft Dry Conditioner Spray—the counterpart to the brand’s Dry Texturiz-ing Spray—absorbs oil while softening your strands; $35.

7

3

8FA L L 2 0 1 3 / Q105


BEAUTY MAKEUP

5

6 7

21

1. KATE MOSS may not be as fresh-faced at 39 as she was when she started modeling at 14, but then there’s makeup... 2. FLOWER Drew Barrymore’s collection of cosmetics includes a rainbow-y range of lacquers; $4.98. 3. MAKE UP FOR EVER The brand debuts a collection of 76 brushes, for everything from make-up appli-cation to body painting. 4. CLARINS The Crayon Kohl is available in eight shades of long-lasting pencil; $25. 5. DEBORAH LIPPMANN

The Fall 2013 collection, “Jewel Heist,” shines like a diamond with varnishes like Fake It ’Til You Make It; $19. 6. TOPSHOP The Lip Bullet guarantees color that’s as bold as its name, pictured in Rockabilly; $16. 7. FRESH Pucker up for fall with the Sugar lip treament in a festive, flirty color like Berry; $22.50. 8. CHANEL This season, Les 4 Ombres is available in Mystère with shadows of Golden Khaki, Golden Ivory, Silver Taupe, and Matte Khaki; $59. 9. CLÉ DE PEAU The Shiseido-owned company’s first foray into fragrance, the Rose Synactif Eau de Parfum; $300.

9

4

1

3


Q106/ FA L L 2 0 1 3

EVENING LOOKS

4

2

5

Autumn evenings signal a return to the social circuit. When dressing up for the season’s black-tie events, look to the classically elegant for inspiration—then turn to trusted designers to achieve the perfect look. 1. AUDREY HEPBURN wore one of the most famous black dresses in history, by Givenchy, for the opening scene of Breakfast at Tiffany’s. The original dress was deemed too short by the studio’s standards, so Paramount had Edith Head redesign and lengthen the bottom. While floor-length is always safe, Q also believes inshowing a little leg when the dress is right. 2. FABERGÉ Émotion ring in 18-kt. yellow gold, pink and white diamonds, sap-phires, tourmalines, and spinels. Price upon request. 3. LELA ROSE Boatneck draped dress with full skirt in ivory and fuschia. $1,695. 4. ELIE SAAB

Royal purple sleeveless round-neck satin-back crêpe and silk Georgette long dress with peplum waist. Price upon request. 5. SALVATORE FERRAGAMO Crystal minaudière. Price upon request.

41

FALL 2 0 1 3 / Q107


EVENING LOOKS

5

23

1. BRIGITTE BARDOT was once crowned the “most beautiful woman in the world,” and her beauty and fashion sense were immitated across the globe. Though she shocked the establishment by wearing a mere mini skirt to the Élysée Palace, she could also be counted on to dress to the nines. 2. BOTTEGA VENETA Just one look, and you’ll know why the Watteau Intreccio Impero Ayers Stretch Knot is a masterpiece of design and artisanal craftsmanship. $1,750. 3. MANOLO BLAHNIK Keep it simple with ordered chaos: Manolo Blahnik’s rose Chaos heel is a perfect fit. $725. 4. VALENTINO Valenti-no’s embroidered stone gown from Fall/Winter 2013 conjures a sense of European romance. $33,000. 5. ASPREY With a nod to the brand’s floral heritage, Asprey’s jewelry designers have created the Daisy Heritage Earrings. Each daisy has a yellow brilliant-cut dia-mond at the center and is surrounded by individually set marquise- cut diamonds in platinum to form the petals. Price upon request.

5Q U I N T E S S E N T I A L S T Y L E

Q108/ FA L L 2 0 1 3

EVENING LOOKS

13

41. AVA GARDNER was the ultimate sex symbol of the 1940s and ’50s. She intrigued us from the start in film noir pictures like Whistle Stopand The Killers. She had a confident sense of style both in person and onscreen, favoring sexy gowns and luxe accessories. This season, when glamour calls, channel your inner Ava with a beau-tifully draped dress, leg-friendly heel, and luxurious accessories of your own. 2. JUDITH RIPKA The Allegria cuff in 18-kt. gold with guava chalcedony, pink tourmalines, and white diamonds. $23,000. 3. RALPH LAUREN Bordeaux suede cage sandal from Ralph Lauren Collection. $750. 4. MARCHESA Silver dropped-shoulder gown with

tulle-draped sleeves and floral embroidery. $9,950. 5. IVANKA TRUMP The Patras earrings with aquamarine

and diamonds in 18-kt. white gold are named after the Greek city and

represent a reinvention of the artistic design of the Art Deco era, which was boldly influenced by

Greek culture and history.

2

FALL 2 0 1 3 / Q109


EVENING LOOKS

12

3

41. SOPHIA LOREN has always embraced her exotic looks with an equally exotic sense of style. She never shies away from her confident curves or dramatic facial features; in fact, she tends to draw attention to them and enhance them. This fall, why not call attention to yourself in bold diamonds and sapphires, a gold-laced clutch, or a vibrant red dress of your own? 2. JIMMY CHOO The Cloud clutch in lemon lace and metallic mirror leather is infused with feminine elegance. $1,695. 3. TIFFANY & CO. The Tiffany fringe necklace of round and baguette diamonds in platinum, from the American luxury jewelry brand’s 2013 Blue Book Collection. Price upon request. 4. DIANE VON FURSTENBERG From the woman who gave us the little wrap dress comes the perfect red dress for evening: Diane von Furstenberg’s red silk Chopette dress ($645), paired with von Furstenberg’s Devon heels in beet ($398). 5. HARRY WINSTON Sunset by Harry Winston, a sapphire and diamond ring with 18.51-ct. cushion-cut sapphire and baguette diamonds totalling 1.25 carats, set in platinum. Price upon request.

5


Q110/ FA L L 2 0 1 3

SHOPPING INDEX

SHOP ’TIL YOU DROP!

A> Altuzarra: altuzarra.com.

> Asprey: 212.688.1811 or asprey.com.

> Assouline: 212.989.6769 or www.assouline.com.

> Autodromo: autodromo.com.

B> Baccarat: us.baccarat.com.

> Barneys New York: 888.222.7639 or barneys.com.

> Belstaff: 814 Madison Ave., 212.897.1880.

Romy Schneider, or “the ideal woman” as Coco Chanel once called her, had an un-forgettable face and exquisite taste when it came to fashion.

To help you on the journey toward a fash-ion sense of your own, we’ve compiled a list-ing of all the vendors featured in this issue, along with some of our go-to favorites.

In between shopping, be sure to keep up with Quest and Q online for the latest fash-ion news: visit questmag.com and follow us on Twitter at twitter.com/questmag.

> Bentley: bentleymotors.com.

> Bergdorf Goodman: 888.774.2424 or

bergdorfgoodman.com.

> Bloomingdale’s: 800.777.0000 or

bloomingdales.com.

> Bottega Veneta: 212.371.5511 or

bottegaveneta.com.

> Bulgari: 800.BVLGARI or bulgari.com.

> Burberry Prorsum: 877.217.4085 or burberry.com.

C> Calvin Klein: 866.513.0513 or calvinklein.com.

> Carmen Marc Valvo: carmenmarcvalvo.com.

> Carolina Herrera: 212.249.6552 or

carolinaherrera.com.

> Cartier: 212.446.3400 or cartier.com.

> Chanel: 800.550.0005 or chanel.com.

> Christian Dior: 212.249.5822 or dior.com.

> Christian Louboutin: 212.396.1884 or

christianlouboutin.com.

> Cindy Chao: cindychao.com.

> Cire Trudon: ciretrudon.com.

> Coach: 800.444.3611 or coach.com.

> Cynthia Vincent: 646.707.3830 or

cynthiavincent.net.

D> David Webb: 942 Madison Ave., 212.421.3030.

> David Yurman: 877.908.1177 or davidyurman.com.

> de Grisogono: 212.439.4220 or degrisogono.com.

> Diane von Furstenberg: dvf.com.

> diptyque: 971 Madison Ave., 212.879.3330.

> DKNY: dkny.com.

> Dolce & Gabbana: 212.249.4100 or

dolceandgabbana.com.

E> Elie Saab: eliesaab.com.

> Elie Tahari: elietahari.com.

> Elva Fields: 502.354.0415 shop.elvafields.com.

FA L L 2 0 1 3 / Q111


SHOPPING INDEX

> Emilio Pucci: emiliopucci.com.

> Etro: 212.317.9096 or www.etro.it.

F> Fabergé: 694 Madison Ave., 646.559.8848.

G> GANT: 646.367.5416 or us.gant.com.

> Ghurka: ghurka.com.

> Giorgio Armani: 877.361.1176 or armani.com.

> Gold & Gray: 818.621.8657 or goldandgray.com.

> Gucci: 877.482.2430 or gucci.com.

H> H. Stern: hstern.net.

> Hanro: hanrousa.com.

> Harry Winston: harrywinston.com.

> Havaianas: us.havaianas.com.

> Hermès: 800.441.4488 or hermes.com.

I> Indian Bazaar: shoplatitude.com.

> Irene Neuwirth: At Jeffrey New York,

212.206.1272.

> Ivanka Trump: ivankatrump.com.

J> J.Crew: 800.562.0258 or jcrew.com.

> Jennifer Meyer: At Barneys New York.

> Jil Sander: jilsander.com.

> Jimmy Choo: 866.JCHOO.US

or jimmychoo.com.

> John Galliano: johngalliano.com.

> Judith Ripka: judithripka.com.

K> Kara Ross: kararossny.com.

> Kendall Conrad: kendallconraddesign.com.

> KOTUR: koturltd.com.

> Kuboraum: kuboraum.com.

L> Lalique: 888.488.2580 or lalique.com.

> Lanvin: 646.439.0381 or lanvin.com.

> Lela Rose: 212.947.9204 or lelarose.com.

> Longchamp: longchamp.com.

> Louis Vuitton: 866.VUITTON or vuitton.com.

> Love, Alex: lovealex.com.

M> Manolo Blahnik: 212.582.3007 or

manoloblahnik.com.

> Marchesa: At Neiman Marcus, Saks Fifth Avenue,

and marchesa.com.

> Mark Cross: markcross1845.com.

> Marni: 212.343.3912 or marni.com.

> Max Mara: 212.879.6100 or maxmara.com.

> Michael Bastian: At Bergdorf Goodman, Barneys New

York, or michaelbastiannyc.com.

> Michael Kors: 800.908.1157 or michaelkors.com.

> Mikimoto: 800.223.4008 or mikimotoamerica.com.

> Miriam Haskell: 212.764.3332 or

miriamhaskell.com.

> Miu Miu: miumiu.com.

> Monique Lhuillier: moniquelhuillier.com.

N> Nancy Gonzalez: At Neiman Marcus or

nancygonzalez.com.

> Neiman Marcus: 800.533.1312 or

neimanmarcus.com.

O> Oscar de la Renta: 888.782.6357 or

oscardelarenta.com.

P> Perrin Paris: 987 Madison Ave., 212.585.1893.

> Porsche Design: porsche-design.com.

> Prada: 888.977.1900 or prada.com.

> Puiforcat: puiforcat.com.

R> rag & bone: 866.509.3695 or rag-bone.com.

> Ralph Lauren: 888.475.7674 or ralphlauren.com.

> Rebecca Taylor: 888.485.6738 or

rebeccataylor.com.

> Reem Acra: 730 Fifth Ave., Suite 205, 212.308.8760.

> Roberto Coin: At Neiman Marcus or Roberto Coin,

800.853.5958 and us.robertocoin.com.

> Roger Vivier: 212.861.5371 or rogervivier.com.

> Rolex: 800.36.ROLEX or rolex.com.

S> Saint Laurent Paris: 212.832.7100 or ysl.com.

> Saks Fifth Avenue: 877.551.SAKS or

saksfifthavenue.com.

> Salvatore Ferragamo: ferragamo.com.

> Shoshanna: At Saks Fifth Avenue, saks.com.

> Smythson: 212.265.4573 or smythson.com.

> Stella McCartney: stellamccartney.com.

> Stuart Weitzman: 212.823.9560 or

www.stuartweitzman.com.

T> Tiffany & Co.: 561.659.6090 or tiffany.com.

> Timothy Oulton: timothyoulton.com.

> Tod’s: 650 Madison Ave.,

212.644.5945, or tods.com.

> Tom Ford: 212.359.0300 or tomford.com.

> Tory Burch: toryburch.com.

V> Valentino: 212.772.6969 or valentino.com.

> Versace: 888.721.7219 or versace.com.

W> Wempe: 212.397.9000 or wempe.com.

Y> Yigal Azrouël: 212.929.7525 or

yigal-azrouel.com.

Aquarius Jan. 20 to Feb. 18You say that you’re drowning, but don’t be dramatic—drama is for sorority sisters and, well, Amanda Bynes. Whatever the hiccup, be it personal or professional, pick up a hobby like baking or pilates and just keep swimming, just keep swimming...> Amethyst brooch by Tiffany & Co.

Pisces Feb. 19 to Mar. 20 So, you’re hoping to make a splash at Fashion Week? Q says splurge on that vintage or vin-tage-inspired item you’ve been eyeing. (And no, we’re not talking about overalls à la Man Repeller.) Think boxy bag (Mark Cross, y’all) or statement coat.> Aquamarine earrings by Asprey

Aries Mar. 21 to Apr. 19 Put some pep in your step with a visit to the salon. (Q suggests Marie Robinson or Valery Joseph.) A whole new ’do can mean a whole new you, so add some bangs with your buck or experiment with highlights. Diamonds aren’t a girl’s best friend—stylists are.> Diamond brooch by Tiffany & Co.

Taurus Apr. 20 to May 20Don’t think of fall as an end to your summer fun, but rather a chance to rejolt your professional life. Reconnect with old friends and start going to all the new non-sandy places you have been reading about. Fall in N.Y.C. is merely Montauk with jeans, so be prepared to get weird.> Emerald earrings by Tiffany & Co.

Gemini May 21 to June 20 If you were a wine, you’d be a rosé—some-thing in the middle of red and white. You do your own thing, which makes you so, well, you! Sometimes (and this is one of those sometimes), you are best off being single and ready to min-gle—take advantage!> Pearl ring by Tiffany & Co.

Cancer June 21 to July 22

We get it, Cancer. You’re trying to redefine your-self. (Midlife crisis, much?) You can buy as many Porsches as you want—depending on your bud-get—but you can’t reclaim your youth. Grow up, and appreciate the age you are. Really, it’s a won-derful one for a million reasons.> Ruby necklace from Tiffany & Co.

Leo July 23 to Aug. 23Recently, you’re more comfortable—nay, confi-dent—in your skin, thanks to hours at Equinox or Pure Yoga or SoulCycle. You’ve felt the burn and now it’s time to drop it like it’s hot, which (according to the stars) means getting gussied up for a girls night out. Two words: vodka soda. > Peridot earrings by Asprey

Virgo Aug. 24 to Sept. 22“Grr, baby, very grr” equals the way you feel. Spice up your love life with a visit to Agent Provocateur, whether you’re shopping for your-self or for your partner. Nothing says romance like a pink box with a black ribbon. (Except, maybe, a blue box with a white ribbon.)> Sapphire necklace by Tiffany & Co.

Libra Sept. 23 to Oct. 22Libra, it’s that time of the month, and we all know what that means... Party like it’s your birthday! So surround yourself with your best friends, sev-eral nice bottles of champagne, and smile! Any and all troubles will seem less daunting when you remind yourself what’s really important.> Tourmaline ring by Asprey

Scorpio Oct. 23 to Nov. 21Fall favors the bold, and you, dear Scorpio, are the boldest. It’s time to harvest the seeds you’ve been planting (personal and professional) and reap the rewards. Oh, and you heart your autumn birthday. Cadbury’s and ruffles and whisky for you—and your friends—to celebrate!> Topaz ring by David Yurman

Sagittarius Nov. 22 to Dec. 21

Always honest and affectionate, Sagittarius men and women are goal-driven individuals who are great at getting what they want (wink, wink). So, this fall, take advantage on that infectious charm that comes so natural to you—you’ll be surprised at the wonders it works.> Tanzanite earrings by Tiffany & Co.

Capricorn Dec. 22 to Jan. 19To everything (turn, turn, turn), there is a sea-son (turn, turn, turn)... This season, everything is love. Single? You won’t be, after an evening at Doubles. Not single? An afternoon of apple picking can add some spice—and some spiced cider—to your relationship.> Garnet ring by David Yurman


Q112/ FA L L 2 0 1 3

FALL HOROSCOPES

RESIDENTIAL DESIGN ~ INTERIOR DESIGN AND DECORATION ~ CONSTRUCTION MANAGEMENT(203) 966-0048 ~ WADIAASSOCIATES.COM

A nEW GrEEnWICh rESIDEnCE, DESIGnED by WADIA ASSOCIATES.

SCAn TO SEE MOrE phOTOS Of ThIS AnD OThEr CuSTOM DESIGnED hOMES

q fall 2013

Documents

q magazine spread rhp

natl ads

graphic services

studio artist

print specsstock

polo ralph lauren201852

spread build201852

inq magazine spread