psychoacoustics of the pathologic ear
TRANSCRIPT
PSYCHOACOUSTICS OF THE PATHOLOGIC EAROzarks Technical Community College
HIS 110
Psychoacoustics and HL
Recall that acoustics are physical properties of a sound that are measureable (intensity, frequency, wavelength)
Having a hearing loss does not change the acoustics of sound or the soundwave itself
Hearing loss changes our psychoacoustic perceptions of sound
Important Terms to Understand
Dynamic Range (DR)=the range of intensities from the softest sounds we can hear to the loudest sounds we can hear
Image f
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: heari
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• In normal-hearing individuals, the DR of our ears is 140 dB SPL (from 0-140 dB)
• When we are referring to hearing loss and the fitting of HAs, the dynamic range refers to the range of intensities from the threshold of hearing (red circles) to the loudness discomfort level (“L”=loudest tolerable sound intensity)• On the audiogram at
right, the DR at 500 Hz is 80 dB HL and at 4000 Hz is 55 dB HL
Important Terms to Understand Linear vs. Non-linear
Linear refers to an equal input-output system. For example, in a linear hearing aid, for every additional 10 dB that comes into the microphone, the amount of gain or volume coming out of the speaker is increased by 10 dB.
Non-linear refers to a system in which the output of a system in not equal to the amount of input to the system. For example, in a non-linear hearing aid, for every additional 10 dB into the microphone, only an extra 5 dB of gain or volume may be put out by speaker.
Non-Linearity of the Basilar Membrane
In NORMAL hearing individuals, the basilar membrane is NON-LINEAR in the way that it responds to different sound intensities and frequencies In other words, what comes in is not what comes
out If you double the input to the basilar membrane, the
output less than doubles If you add a second tone at a different frequency, the
response to the first tone decreases (Two-tone suppression)
If you play two tones (say 1000 & 1200 Hz) a third tone can appear (at 800 Hz) (Cubic Difference Tone)
Non-Linearity to Sound Intensities
In the cochlea, specifically, on the basilar membrane: when sound intensity
(dB) is increased, the magnitude of the movement of the basilar membrane does not grow directly in proportion to that sound intensity
If it had a linear response, the plot at right would result in a perfectly-straight, diagonal line
Image from: sciencedirect.com
The Purpose of the Cochlea’s Non-Linearity
….to fit the huge range of sound pressures that our ears are capable of detecting (dynamic range) into the auditory system
Sensorineural Hearing Loss
Most common type of hearing loss Diagnosed by elevated
air- and bone-conduction thresholds (worse than 20 dBHL) on the audiogram
SNHL is usually associated with damage to the outer hair cells of the cochlea
What happens when there is OHC loss in the cochlea?
The response of the basilar membrane becomes more linear Loud sounds are not compressed as they
once were As a result, loudness recruitment occurs
Loudness Recruitment
Recruitment is an abnormal loudness perception in individuals with hearing loss Oftentimes, patient’s with hearing loss report
that sounds that were once a comfortable volume are now uncomfortably loud
Patient’s with SNHL have an elevated threshold (sound has to be louder for them to hear it); however, the loudness discomfort level does not change (it is the same as it was when they had normal hearing) As a result, the rate of loudness growth to their
ears is much more rapid This results in loudness recruitment
What else happens when there is OHC loss in the cochlea?
In a healthy cochlea, the basilar membrane is very sharply tuned to specific frequencies (i.e. a 2000 Hz tone results in activation of a very narrow, specific area on the basilar membrane)
In cochlear hearing loss, the loss of outer hair cells results in a broadening of frequency tuning on the basilar membrane (i.e. a 2000 Hz tone activates a broader area on the basilar membrane) This results in reduced frequency selectivity (usually
occurring in the high frequencies most significantly), which results in difficulty understanding speech, especially in noise.
SNHL and Timbre
Timbre is composed of the whole spectrum of sound—not just the pitch Timbre is what allows us to distinguish two
musical instruments, even when they are playing the same note of identical frequency
Due to the reduction in frequency selectivity in SNHL, the ability to hear changes in timbre is impaired. it will be more difficult for the to tell the
difference between different vowel sounds or to distinguish musical instruments
Sound Localization in HL
Sound localization abilities are reduced with hearing loss Most patients show a reduced ability to use
interaural time and intensity differences This is especially true in individuals with
asymmetrical hearing loss In addition, people with high-frequency
hearing losses are usually not able to make use of the directional information provided by the pinna
Conductive Hearing Loss
•CHL is due to a problem with transmission/conduction of sound from the outer ear to the inner ear
•Common causes: wax, fluid, otosclerosis
•Remember CHL can often be treated medically or surgically
Psychoacoustics and CHL
In cases of CHL, the cochlea is healthy As a result, patient’s with conductive hearing loss do not
experience distortion of sounds because they still have normal frequency tuning/selectivity on the basilar membrane
As long as sounds are loud enough, they hear clearly Patients will report:
Sounds are softer than normal Different tonal quality from normal, depending on the
frequencies affected If low frequency CHL, patient’s might say sound is tinny or
Mickey Mouse-like due to mainly hearing high frequency input If high frequency CHL, they might say that sounds are muffled,
mumbly, or have too much bass due to loss of consonant information