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  • DISCOVERING DALMATIA

    The week of events in research and scholarship

    Student workshop | Public lecture | Colloquy | International Conference

    18th-23rd May 2015

    Ethnographic Museum, Severova 1, Split

    PrograMME and Book of aBSTraCTS

  • dISCoVErIng daLMaTIa

    (Un)Mapping Diocletians Palace.Research methods in the understanding of the experience and meaning of place

    Painting in Ancona in the 15th century with several parallels with Dalmatian painting

    Zadar: Space, time, architecture. Four new views

    DISCOVERING DALMATIADalmatia in 18th and 19th century travelogues, pictures and photographs

    Institute of Art History Centre Cvito Fiskovi Splitwith the University of Split, Faculty of Civil Engineering, Architecture and Geodesyand the Ethnographic Museum in Split

    18th-23rd May 2015Ethnographic Museum, Severova 1, Split

    Guide to the week of events in research and

    scholarship

    Student workshop

    Public lecture

    Colloquy

    International Conference

    Organized by

  • Workshop of students from the University of Split, Faculty of Civil Engineering, Architecture and Geodesy - University study of Architecture and Faculty of Humanities and Social Sciences - Department of Sociology

    Hrvoje Bartulovi (Faculty of Civil Engineering, Architecture and Geodesy = FGAG), Saa Begovi (3LHD, FGAG), Ivo ovi (Politecnico di Milano), Damir Gamulin, di.di., Ivan Juri (FGAG), Ani Leburi, (Department of Sociology), Iva Rai Stojanovi (Institute of Art History), Nelija Rudolfi (Manufaktura, Society of Psychologists, Split), Ana verko (Institute of Art History Centre Cvito Fiskovi, FGAG)

    Damir Gamulin, di.di.

    Pino Gamulin, media artist, Anita Karaman, MArch, Mirko Menegelo, MArch

    Graduate students of architecture: Bruno Bartulovi, Marin Bodroi, Maria Britvi, Paola Frani, Ana Mikuli, Edo Murti, Ana Mustapi, Ivana Pamukovi, Nikolina ProliGraduate students of sociology: Antonija Bitunjac, Gorana Bulovi, Arijana Glibi, Tea Gutovi, Christy Koor, Teuta Stipii

    (Un)Mapping Diocletians Palace.Research methods in the

    understanding of the experience and meaning of place

    Organisation and mentoring team

    Research and design

    Research and materials production

    Participants

  • Public lecture

    The lecture will be held within the context of the academic project of the Institute of Art History entitledFine arts and communication of power in the early modern period (1450-1800): historical Croatian regions at the borders of Central Europe and the Mediterranean,under the aegis of the Croatian Science Foundation.

    International Conference

    Joko Belamari, Cvijeta Pavlovi (University of Zagreb, Faculty of Humanities and Social Sciences), Milan Pelc, Ana verko, Elke Katharina Wittich (Fresenius University of Applied Sciences, AMD Hamburg)

    Joko Belamari, Nela Gubi, Cvijeta Pavlovi, Milan Pelc, Ana verko

    Mirjana Malovan, Iva Rai Stojanovi, Ivana Tadi

    Discovering Dalmatia.Dalmatia in 18th and 19th century

    travelogues, pictures and photographs

    Academic Committee

    Organizing Committee

    Assistants

    Painting in Ancona in the 15th century with several parallels

    with Dalmatian painting

  • Discovering Dalmatia is a week-long programme of the Institute of Art History Centre Cvito Fiskovi in Split. It is devoted to cultural and his-torical aspects of the Croatian littoral that, with their many-layered links with the overall Mediterranean and European world, gradually began to be discovered during the 18th and 19th centuries, when many travel writers and visual artists on their Grand Tours started regularly to visit the east-ern coast of the Adriatic.There are two fundamental reasons why Dalmatia became a major des-tination of the European Grand Tour in the 18th and the 19th century: it represented a fountainhead of Ancient forms, knowledge of which helped in the quest for the universal language of architecture; furthermore, it was almost uncharted territory inspiring the Enlightenment intellectuals to discover and get to know the world.Ancient architecture presented the dominant cultural infrastructure of that period in Europe. The outline of the European Grand Tour embraces places that preserved the traces of those idealised times. However, travel writers also collected information of another kind; on the topography and customs, language and religion, the physical and human geography, in other words, of the area about which they wished to learn and write.Within the programme, a workshop will be held on the topic entitled (Un)Mapping Diocletians Palace: Research methods in the understanding of the experience and meaning of place. The workshop will be devoted to a monument that has been one of the most powerful magnets for Grand Tourist in their stay on the Croatian Adriatic. The mentors in the research team (a psychologist, sociologist, designer, media artist, art historian and a few architects) will point the students in the direction of various interpre-tative methods of applied social sciences, of architecture and urban plan-ning and design, endeavouring jointly to develop a research methodology according to the scale of the very specific historical space, of a format for the qualitative presentation of space via different media.Bearing it in mind that the Adriatic has for centuries been a space connected in cultural historical and economic terms by hundreds of threads, in the context of this one-week programme, we want to open up one more topic the artistic links between the two shores, which were particularly close in the medieval and Renaissance periods, and a number of related phenomena. Matteo Mazzalupi will give a lecture, along the lines of these observations, entitled Painting in Ancona in the 15th century with several parallels with Dalmatian painting, derived from his doctoral dissertation, and from the articles that he has published in the meantime. The lecture will be held within the context of the academic project of the Institute of Art History entitled Fine arts and communication of power in the early modern period (1450-1800): historical Croatian regions at the

  • grandToUr10

    borders of Central Europe and the Mediterranean, under the aegis of the Croatian Science Foundation.Attempting one more time to weigh the arguments that the Zadar Forum, with all the stratification of historical monuments of two millennia that it reflects, is indeed a phenomenon of the world heritage, as part of the programme Discovering Dalmatia a scholarly colloquium entitled Zadar: space, time, architecture. Four new views will also be organised. Four lectures that will be devoted to diverse aspects of the development of the architecture and town planning of Zadar and its renovation will put forward supporting arguments for the proposition that the historical centre of the city possesses indeed all the characteristics of exceptional universal value.The concluding part of this week-long programme consists of an international conference entitled Discovering Dalmatia. Dalmatia in 18th and 19th century travelogues, pictures and photographs, in which these topics will be analysed and evaluated in terms of literary theory and the theory and history of art and architecture.The workshop and the conference stem from the research project Dalmatia a destination of the European Grand Tour in the 18th and the 19th century of the Institute of Art History, under the aegis of the Croatian Science Foundation.This collaborative venture of the Institute of Art History, the Ethnographic Museum, located in the centre of Diocletians Palace, faculties of Split University and colleagues coming from all over Europe will, we believe, in interdisciplinary research and dialogue fulfil the overall aim of the events of the week: to identify, problematise and integrate the issues related to the phenomenon of recording the space, predominantly in Dalmatia.We also wish to evoke and in a new way renew the aims behind the classic Grand Tour, that is, address the current need for a direct perception of the Croatian cultural and artistic heritage in a more thoroughgoing and sophisticated manner.

  • PROGRAMME

    Monday, May 18Ethnographic Museum, Diocletian's palace

    Student Workshop

    12.00Opening

    12.30Introduction to workshop programme, group assignments and research

    14.00Lunch Break

    15.00Fieldwork

    18.00 19.00Results and analysis of fieldwork

    Tuesday, May 19Ethnographic Museum, Diocletian's palace

    Student Workshop

    9.30Fieldwork

    12.30-13.00Coffee Break

    17.00LectureIva Rai StojanoviCase Study: The perception of Villa Januevec after its destruction and reconstruction

    17.40 18.30Results and analysis of fieldwork

    Public Lecture

    18.30 19.15Matteo MazzalupiPainting in ancona in the 15th century with several parallels with dalmatian painting

    Wednesday, May 20Ethnographic Museum, Faculty of Civil Engineering, Architecture and Geodesy

    Student Workshop

    9.30 - 18.00Group work session

    Colloquy

    17.00Joko BelamariTransformations of the Zadar forum continuity in change

    17.30Laris BoriEarly Modern transformations of the town of Zadar

    18.00 18.15Coffee Break

    18.15Ana verkoThe Sanmichelis city gate in Zadar: necessity and art, tradition and innovation

    18.45Antonija MlikotaValorization of the urban heritage in the renovation of the historic center of Zadar after World War II

    19.15Discussion

  • Thursday, May 21Ethnographic Museum, Faculty of Civil Engineering, Architecture and Geodesy

    Student Workshop

    9.30 - 18.00Group work session

    International Conference

    9.00 Registration

    10.00Welcoming remarks

    10.301st ses