presentation of research june 2015

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The performance of expertise on social media by creative and cultural workers Karen Patel Birmingham City University, Birmingham, UK

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Page 1: Presentation of research June 2015

The performance of expertise on social media by creative

and cultural workersKaren Patel

Birmingham City University, Birmingham, UK

Page 2: Presentation of research June 2015

The social media use of creative and cultural workers• What is the role of social media use in the everyday lives of creative

and cultural workers?• How is expertise performed on social media?

• What insights can these provide about the culture of the creative industries?

Page 3: Presentation of research June 2015

What do I mean by social media?“Social media are Internet-based channels that allow users to opportunistically interact and selectively self-present, either in real-time or asynchronously, with both broad and narrow audiences who derive value from user-generated content and the perception of interaction with others.”Carr and Hayes (2015:50)

Page 4: Presentation of research June 2015

Why expertise?

“An individual may style himself an expert and be penalised by nothing stronger than sniggers” (Goffman, 1959:68)

Page 5: Presentation of research June 2015

Defining expertise• “The product of a symbolic attribution of status and authority,

changing over time” (Arnoldi, 2007:50)• “The condition where a particular community of actors possess

specialist knowledge that cannot be adjudicated on its own terms by actors from outside the community” (Prince, 2010:4)• “Expertise may be substantiated through reputation, or more formal

modes of accreditation” (Smith Maguire and Matthews, 2014:10)

Page 6: Presentation of research June 2015

Defining expertiseA social process, involving a generally positive consensus about someone’s knowledge and competency in a particular field. This is substantiated by reputation, which is forged through experience in the field and relationships with others.

Page 7: Presentation of research June 2015

Expertise and the digital

Professional and ‘lay’ expertise

STS (Science and Technology Studies) Co-creative expertise

Page 8: Presentation of research June 2015

Expertise in the creative industriesArt Worlds (Becker, 2008)

“Art worlds routinely create and use reputations, because they have an interest in individuals and what they have done and can do.” (p.351)

Page 9: Presentation of research June 2015

• Self as project to work on• Self as product to be marketed

Importance of reputation and expertise

Page 10: Presentation of research June 2015

Social - digital“Current definitions of reputation hinge on its dynamic, co-constructed nature as a process dependent on both direct and symbolic experiences between individuals or between individuals and organizations […] Online tools such as Twitter are therefore a logical extension of existing and emerging public relations practices, a site where professionals can engage in reputation management for themselves”(Gilpin, 2011: 236)

Page 11: Presentation of research June 2015

MethodFramework of Candace Jones (2002) signalling expertiseDraws on performance work of Goffman (1959)

• Institutional context – platform norms, (e.g. hashtags), and the context of her profession, her University.• Signalling content – identity, performance, relationships• Signalling strategies – status enhancement, reputation building,

impression management

Page 12: Presentation of research June 2015

Pilot study• Birmingham based artist• Also an art teacher• Completing a PhD• Twitter and Instagram

Page 13: Presentation of research June 2015

Reputation building

Page 14: Presentation of research June 2015

Qualifying signals

Page 15: Presentation of research June 2015

Signalling as expertise

Page 16: Presentation of research June 2015

Considerations• Anonymity• Sampling and time• Platform conventions