portfolio 2014

T O M M Y J O O

CURRICULUM VITAE, APRIL 2014PORTFOLIO FULL VOLUMELETTER OF REFERENCE

T O M M Y J O O

7

Contents

Forward

Curriculum Vitae

Professional Work

Professional Work

Academic Work

Teaching Work

Letter of Reference

Profile: 2014

Updated: JANUARY 2014

Portfolio: BATES SMART

Portfolio: ANDREW MAYNARD ARCHITECTS

Portfolio: MASTER OF ARCHITECTURE

Portfolio: MASTER OF ARCHITECTURE

09 /

11 /

19 /

79 /

107 /

131 /

165 /

9

Tommy is an architect and teacher with 6 years of professional experience. He has worked as an Associate at Bates Smart, undertaking design role, actively involved and contributed to a broad range of projects including early design and planning stages. He dedicated commitment to the highest standard in the initiation of design concepts establishing the design methodology and systems for others to assist in developing at later stages. He has a strong sense of conceptualisation and expression together with a honed ability to translate design ideas into physicality.

Along with his employment at Bates Smart, Tommy has continually worked as a freelance on a number of small scale projects including residential and retail fit-outs. Soon after his graduation, Tommy worked at Andrew Maynard Architects, from concept design, construction documentation through to its building completion. Further to his work as a practicing architect, Tommy has been teaching at university for the past 6 years. He has held many successful exhibitions and participated as jury on a number of students’ awards.

He is motivated by the artistic and social aspect of architectural design. He has a strong interest in time-based architecture within broad background in digital technology and phenomenology. His focus is to expand the understanding of architecture in order to construct proposals that are developed through the realms of the phenomenal and atmospheric, engendering an architecture that is focused on the magic of the experiential, as much as the logic of the constructional. In parallel with this approach is the understanding of the necessity to develop new tools and approaches to architectural drawing and representation required to project forward into this condition.

Design M. Arch (Hons.)B. Arch (Hons)

B. Planning and Design

ARBV, RAIA

T O M M Y J O O

BATES SMART CURRICULUM VITAE

EDUCATION/ University of Melbourne Master of Architecture (Hons) Bachelor of Architecture (Hons) Bachelor of Planning and Design

LICENCES/ Registered Architect,Victoria

PROFESSIONAL EXPERIENCEPrior to joining Bates Smart: / Andrew Maynard Architects, 2008-2010 / Studio 505, 2007 / COX Architects, 2006 / Edmond and Corrigan Pty. Ltd., 2005

Tommy joined Bates Smart in 2010, and became an Associate in 2012.

SYNOPSISTommy is a talented architect, who has been actively involved in and contributed to a broad range of projects including in the early design and planning stages. He has a dedicated commitment to the highest standard in the initiation of design concepts establishing the design methodology and systems for others to assist in developing in later stages.Tommy is particularly motivated by the artistic as well as the social aspects of architecture. His strong sense of conceptualisation and expression together with a honed ability to translate design concepts into 3D.

PROJECT EXPERIENCE

COMMERCIAL / MIXED USE / Confidential mixed use development / Chadstone Office and Hotel development (design competition), Chadstone, Melbourne

RESIDENTIAL / The Age Site, Spencer Street Development, Melbourne

/ Freemason Development, East Melbourne / StKilda Road Development, South Yarra, Melbourne

/ Queensbridge Tower, Southbank, Melbourne

HOSPITALITY / Larundel Resort, Bundoora / Crown West End development, Southbank, Melbourne

/ Crown Port Cochere redevelopment, Southbank, Melbourne

Prior to joining Bates Smart:

RESIDENTIAL / Butler Residence, Collingwod, Melbourne / Stamford Residence, Clifton Hill, Melbourne / Hill House, Clifton Hill, Melbourne / Nicholsdale Prefab House, Camberwell, Melbourne

/ U31 Masterplan, India

TOMMY JOO B Planning & Design M Arch

ASSOCIATE ROLE [PROJECT SPECIFIC ONLY]

UPDATED JANUARY 2014

C U R R I C U L U M V I T A E

12

[email protected]

+61 403 300 817

TOMMY.JOO

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QUALIFICATION

Master of Architecture With Honours, The University of MelbourneGraduated as a Top Design Student from Thesis Studios across the year level in 2008 with score of 96/100. Achieved high distinctions in all design studios at The University of Melbourne for entire academic duration.

Bachelor of ArchitectureWith Honours, The University of MelbourneCompleted the fourth year at honours level and was invited and to undertake Master Program at The University of Melbourne.

Bachelor of Planning and DesignThe University of Melbourne

LICENSE

Registered Architect I ARBV 17656 I Victoria, Australia

WORK EXPERIENCE

Bates SmartAssociate, Project Leader, Design Architect

Undertaking design role, actively involved in and contributed to a broad range of projects including the early design and planning stages. Dedicated commitment to the highest standard in the initiation of design concepts establishing the design methodology and systems for others to assist in developing at later stages.

FreelanceWorking on small scale projects including residential alteration & addition, retail fit-outs and furniture design.

Andrew Maynard Architects Project Architect, Graduate Architect

Full-time employment in a small size studio environment. Involved in every stages of architectural building process from feasibility through to the completion of the building contract. Responsible for a great deal at an executive experience capacity. Dynamic interaction with clients and contractors throughout the building process.

Studio 505, Student Architect / Internship

COX Architects, Student Architect / Internship

Edmond and Corrigan, Student Architect / Internship

2006-2007

2005

2003-2005

2011 - 2014Melbourne, Australia

2013 - 2014Melbourne, AustraliaKuala Lumpur, Malaysia

2008 - 2011Melbourne, Australia

2007Melbourne, Australia2006Melbourne, Australia2005Melbourne, Australia

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[email protected]

+61 403 300 817

TOMMY.JOO

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COMMUNICATION AND WORKING STYLE

‧ Articulate and fluent in English and Korean. ‧ Excellent communication and organisational skills. ‧ Able to work independently as well as a team. ‧ Able to coordinate design team during planning process. ‧ Confident working in a complex working environment. ‧ Self-disciplined with great management skills. ‧ Able to handle multiple assignments simultaneously. ‧ Great knowledge of design processes and scope of works. ‧ Good knowledge in preparing EOI and financial submission.

SOFTWARE SKILLS

Excellent in 2D drafting: AutoCAD and VectorWorks.Excellent in 3D modeling: Sketch Up and Rhinoceros.Excellent graphics and presentation skills in Adobe Creative Suite.Excellent in MS Office.

SELECTED ARCHITECTURAL PROJECTS

447 Collins Street, International Design CompetitionDesign Architect, Bates Smart + SnøhettaResearch-based Mixed Use Design Competition in collaboration with Snøhetta

Queensbridge Mixed Use DevelopmentProject Leader and Design Architect, Bates SmartA complex precinct-based master plan for residential, hotel and commercial project, Melbourne, Australia.

Queensbridge Tower, Project Leader and Design Architect, Bates SmartA 276 meters residential tower located above a dynamic multi-level showroom and car paring podium, which achieved a major planning permit on Southbank, Melbourne, Australia.

250 Spencer StreetProject Leader and Design Architect, Bates Smart3000 units Residential Development on the site of The Age newspaper headquarter on Spencer Street, Melbourne, Australia involving complex negotiations with States and City authorities.

Queensland Mixed Use DevelopmentProject Leader and Design Architect, Bates SmartA complex mega master plan for urban infrastructure, hotel, hospitality, residential and commercial project, Queensland, Australia.

Carlton ConnectDesign Architect, Bates SmartInstitutional development to the campus of The University of Melbourne, Australia.

2014

2012 - 2013

2011 - 2012

2011 - 2013

2012

2012-2013

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[email protected]

+61 403 300 817

TOMMY.JOO

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Jisu Design StudioConcept to Completion, FreelanceDesign of 120sqm Boutique Hair Salon and Photograph Studio in the heart of Melbourne City. Fully documented and administered the construction contract.

Butler ResidenceConcept to Completion, Andrew Maynard ArchitectsInvolved from the start of pre-design through to contract administration. Fully documented and assisted in administering the construction contract.

Hill HouseConcept to Completion, Andrew Maynard ArchitectsFully produced the documentation at an executive capacity. Involved from early stage of the design process to tender.

Stamford ResidenceConcept to Building Documentation, Andrew Maynard ArchitectsFully produced documentation drawings unassisted with high degree of control of the process and management of the project including coordinating consultants, contractors & meeting and discussions with clients.

ACHIEVEMENTS AND INVOLVEMENT

AIA Bates Smart Award, Participating JuryNominated for RIBA - ‘The President’s Medals Student Awards’Winner- ‘Growing Up’, Rooftop Design Idea CompetitionFinalist - ‘The Dialectic Bridge Competition’, AIA

Shortlist - ‘Faster and Bigger’ Shortlist - ‘The Bell Tower’

Participated - ‘Santiago De Chile’Participated - ‘Hobart Waterfront International Competition’Participated - ‘Seoul Performing Art Centre’

TEACHING WORK

Design Thesis Studio - ‘Archipelago’Design Tutor, Studio Leader, Coordinator: Prof. Phillip Goad

Compositional AnalysisTutor, Seminar Leader, Coordinator: Associate Prof. Andrew Hutson

21 Century ArchitectureArchitectural Theory Tutor, Coordinator: Dr Annmarie Brennan

Asia Pacific ModernitiesHistory Tutor, Coordinator: Associate Prof. Anoma Pieris

Master Design Studio CDE - ‘Videogame’Design Tutor, Studio Leader, Coordinator: Chair Donald Bates

2012

2008 - 2011

2009 - 2011

2010 - 2011

2008 - 2011

2011-2012, Australia2009, United Kingdom2009, Australia2008, Australia

2006, South Korea2004, Australia

2010, Chile2008, Australia2006, South Korea

Semester 2 - 2013Melbourne School of Design



Semester 2 - 2013Bachelor of Environment, UoM


15

[email protected]

+61 403 300 817

TOMMY.JOO

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Design Thesis Studio - ‘Head Trip’Design Tutor, Studio Leader, Coordinator: Prof. Phillip Goad

Master Design Studio - ‘Hotel for Inhabitants’Design Tutor, Studio Leader, Coordinator: Dr Alex Selenitsch

Compositional AnalysisDesign Tutor, Studio Leader, Coordinator: Associate Prof. Andrew Hutson

Architectural Design Studio 3 - ‘Air’Design Tutor, Coordinator: Associate Prof. Anoma Pieris

Architectural Design Studio 1 - ‘Earth’Design Tutor, Coordinator: Dr Janet McGaw

PUBLICATION AND EXHIBITION

Design Thesis Exhibition - ‘Archipelago’Dear Patti Smith Gallery, Fitzroy, Victoria, Australia

Design Studio Exhibition - ‘Game Over’Architecture Faculty, The University of Melbourne, Victoria, Australia

Design Studio Exhibition - ‘Videogame’Architecture Faculty, The University of Melbourne, Victoria, Australia

Design Thesis Exhibition - ‘Head Trip’Atrium, Architecture Faculty, The University of Melbourne, Victoria, Australia

BATES SMART - ‘Journal’Online Publication

RAIA National Architecture Conference - ‘Critical Vision’, 2008EYES 2008 - ‘Hotel for Inhabitants’, Advanced Design Studio CEYES 2007 - ‘Temptation Island’, Advanced Design Studio AEYES 2006 - Architectural Design Studio 4AEYES 2005 - Architectural Design Studio 3A

REFEREES

Roger Poole - Chairman, Bates Smart

Kristen Whittle - Design Director, Bates Smart

Andrew Maynard - Director, Andrew Maynard Architects

Mark Austin - Director, Andrew Maynard Architects

Andrew Hutson - A/Prof, The University of Melbourne

Anoma Pieris - A/Prof, The University of Melbourne

Peter Raisbeck - Dr, The University of Melbourne




Semester 1 - 2011Bachelor of Environment, UoM

Semester 1 - 2010, Bachelor of Environment, UoM

November, 2013 Design Thesis Studio, MSD

June, 2013Design Studio, MSD

April, 2013 Design Studio, MSD

November, 2012Design Thesis Studio, MSD

October, 2012 Academic Achievement

April, 20082008200720062005

[email protected]

[email protected]

[email protected]

[email protected]

[email protected]

[email protected]

[email protected]

FULL VOLUME

P O R T F O L I O

FULL VOLUME

B A T E S S M A R T

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Associate, Project Leader, Design Architect

Undertaking design role, actively involved in and contributed to a broad range of projects including the early design and planning stages. Dedicated commitment to the highest standard in the initiation of design concepts establishing the design methodology and systems for others to assist in developing at later stages.

Left Top / 446 COLLINS ST OP. BConcept Diagram

Left Bottom / 446 COLLINS ST OP. BVideo Conference

Right / 446 COLLINS ST OP. B

External Visualisation

4 4 7 C O L L I N S S T R E E T - O P T . B

447 Collins Street is a landmark site in Melbourne and arguably the best commercial development opportunity in Australia.The development of the site is a game changing project for the city of Melbourne and is set to entirely reshape the focus of western CBD. This is Melbourne’s opportunity to create a genuine, world-class 21st century business hub. The essential qualities of 447 Collins Street need to be born out of the connected dynamic and creative spirit that courses through Melbourne’s streets and laneways It should extend, celebrate and symbolise the noble and rich personality of Melbourne’s culture which is revered throughout the world.

Client CBUS Pty LtdDetails Mixed Use Development

24

BATES SMART

Left Top / 446 COLLINS ST OP. BExternal Elevation

Left Bottom / 446 COLLINS ST OP. BConcept Model

Right / 446 COLLINS ST OP. BMassing Study

26

BATES SMART

27

PROFESSIONAL WORK

Left Top / 446 COLLINS ST OP. BExternal Visualisation

Left Bottom / 446 COLLINS ST OP. BConcept Model

Right / 446 COLLINS ST OP. BSection

28

BATES SMART

29

PROFESSIONAL WORK

Left Top / 446 COLLINS ST OP. AConcept Sketch

Left Bottom / 446 COLLINS ST OP. AVideo Conference

Right / 446 COLLINS ST OP. A

External Visualisation

4 4 7 C O L L I N S S T R E E T - O P T . A

447 Collins Street is a landmark site in Melbourne and arguably the best commercial development opportunity in Australia.The development of the site is a game changing project for the city of Melbourne and is set to entirely reshape the focus of western CBD. This is Melbourne’s opportunity to create a genuine, world-class 21st century business hub. The essential qualities of 447 Collins Street need to be born out of the connected dynamic and creative spirit that courses through Melbourne’s streets and laneways It should extend, celebrate and symbolise the noble and rich personality of Melbourne’s culture which is revered throughout the world.

Client CBUS Pty LtdDetails Mixed Use Development

32

BATES SMART

Left Top / 446 COLLINS ST OP. AExternal Elevation

Left Bottom / 446 COLLINS ST OP. AMassing Model

Right / 446 COLLINS ST OP. AMassing Study

34

BATES SMART

35

PROFESSIONAL WORK

Left Top / 446 COLLINS ST OP. AExternal Visualisation

Left Bottom / 446 COLLINS ST OP. AExternal Visualisation

Right / 446 COLLINS ST OP. BGround Floor Plan

36

BATES SMART

37

PROFESSIONAL WORK

42

BATES SMART

Left Top / QUEENSBRIDGE TOWERSketch of Ground Showroom

Left Bottom / QUEENSBRIDGE TOWERPhysical Model

Right / QUEENSBRIDGE TOWERExternal Visualisation

queensbridge tower

ModeL

84

QUEENSBRIDGE TOWER

BUILDING CONCEPT

PROPOSED SHOWROOMSKETCHES

53

Q U E E N S B R I D G E T O W E R

Queensbridge Tower is a complex of luminous cylindrical forms, the tallest which is 276 meters high making it the second tallest building in Melbourne - a world standard residential tower.The tower plan is an asymmetrical bundle of three cylindrical forms joined by a constant arc. The tower form is tall and elegant. Every view of the building offers highlights and shadows, slimming and elongating the tower. A special warm platinum silver glass has been designed to enhance the reading of the building as a ‘curtain of light’ which changes constantly according to the position of the viewer.

Client Schiavello Group Pty LtdDetails High Rise Apartment TowerArea 107,000 sqm (GFA)

queensbridge tower

VisuALisAtion

81

44

BATES SMART

queensbridge tower

buiLding ConCePt

3.14PROPOSED APARTMENTTYPICAL APARTMENT FLOOR PLAN

74

45

PROFESSIONAL WORK

Left Top / QUEENSBRIDGE TOWERVisualisation of Ground Floor Entrance

Left Bottom / QUEENSBRIDGE TOWERPodium Visualisation

Right / QUEENSBRIDGE TOWERTypical Residential Floor Plan

QUEENSBRIDGE TOWER

BUILDING CONCEPT

3.5PROPOSED SHOWROOMGROUND FLOOR

54

46

BATES SMART

Left / QUEENSBRIDGE TOWERGround Floor Plan

Right / QUEENSBRIDGE TOWERResidents Amenities Floor Plan

Iw illse eif itsp ossib leo npen tho usea nda men itie slev els,b utfr om initia lstu dy� we need abo ut2sta irs( @m ax19 0hi ghri ser) tore ach 4mf tof and beca use that sove r18 rise rs,w ene eda land ing75 0mi nlon gin the midd le... I�llh avea loo kan d

QUEENSBRIDGE TOWER

BUILDING CONCEPT

3.7PROPOSED AMENITIESLOWER AMENITIES - LEVEL 10

62

47

PROFESSIONAL WORK

QUEENSBRIDGE TOWER

BUILDING CONCEPT

PROPOSED AMENITIESSKETCHES

61

48

BATES SMART

Left / QUEENSBRIDGE TOWERSketch of Podium Rooftop Floor

Right / QUEENSBRIDGE TOWERExternal Visualisation

Carlton ConnectAccommodation and Site Study May 2010

Design Proposal

52

BATES SMART

Left / CARLTON CONNECTExternal Visualisation

Right / CARLTON CONNECTSketch



Design Proposal

53

PROFESSIONAL WORK

C A R L T O N C O N N E C T

The Carlton Connect Initiative is an ambitious strategy to unite the smartest people who share a desire to tackle some of our biggest sustainability and social resilience challenges and a passion for designing new ideas and technologies to help secure Australia’s prosperity.

Client The University of MelbourneDetails Institution, Research and Learning Centre

Carlton ConnectAccommodation and Site Study January 2011


54

BATES SMART

Left Top / CARLTON CONNECTConcept Sketch of Floor Plan

Left Bottom / CARLTON CONNECTExternal Visualisation

Right / CARLTON CONNECTInternal Atrium Visualisation

55

PROFESSIONAL WORK

56

BATES SMARTEXTERNAL VIEWSC H A D S T O N E

Both towers will capitalise on leafy views over Melbourne’s south-eastern suburbs to the CBD. Like the shopping centre they will have a Malvern East address.

Client CFS Retail Trust and local private investor Gandel GroupDetails Office and Hotel

BUILDING CONCEPT

57

PROFESSIONAL WORKEXTERNAL VIEWS

Left / CHADSTONEConcept Sketch

Right / CHADSTONEExternal Visualisation

58

BATES SMART

CANOPY PLAN1.500

Left / CHADSTONEGround Floor Plan

Right / CHADSTONEProgramme Diagram

59

PROFESSIONAL WORK

MASSING

60

BATES SMART

61

PROFESSIONAL WORK

Top / CHADSTONEExternal Visualisation

62

BATES SMART

2 5 0 S P E N C E R S T R E E T

Bates Smart has prepared a Masterplanning Planning Permit application for ISPT, for the former Age site on the corner of Lonsdale and Spencer Streets. The objective of the masterplan is to rejuvenate the west end of the CBD by opening up six development parcels on the 1.7-hectare site.Each parcel will have a residential tower varying in height, housing a total of 3,000 apartments. Each tower will have a unique presence, while relating back to the central precinct identity.

Client ISPT Pty LtdDetails Masterplan of High Rise Apartment TowersArea 327,000 sqm (GFA)

250 SPENCER STREET 7� 7�

5.0 TOWER / 5.2 CONCEPT SKETCH

5.2CONCEPT SKETCH

Left / 250 SPENCER STREETConcept Sketch

Right / 250 SPENCER STREETExternal Visualisation

250 SPENCER STREET 108 108

6.0 VISUALISATION

64

BATES SMART


2.0 PUBLIC/PRIVATE REALM / 2.1 STREET ACTIVATION

IDENTIFYING ACTIVE STREET FRONTAGE/ B.O.H. SERVICES

2.1STREET ACTIVATION

LOBBY

RETAIL

SERVICE / LOADING / B.O.H.

65

PROFESSIONAL WORK


2.0 PUBLIC/PRIVATE REALM / 2.2 ACCESS

TRAFFIC / SERVICE

2.2ACCESS

TRAFFIC / SERVICE

Left / 250 SPENCER STREETSketch of Upper Ground Floor Plan

Right / 250 SPENCER STREETSketch of Lower Ground Floor Plan

66

BATES SMART


6.0 VISUALISATION


5.0 TOWER / 5.3 TOWER STUDIES

5.3TOWER STUDIES


�.0 PODIUM / 4.1 CONCEPT SKETCH

4.1CONCEPT SKETCH

Left Top / 250 SPENCER STREETExternal Visualisation

Left Bottom / 250 SPENCER STREETConcept Sketches

Right / 250 SPENCER STREETExternal Visualisation

67

PROFESSIONAL WORK


6.0 VISUALISATION

LARUNDEL

68

BATES SMART

L A R U N D E L

One of Australia’s finest country estates within 75 mins from Melbourne by road and 20 mins by helicopter to its dockland heliport and hanger. The impeccably restored historic homestead of grand proportions and exquisite interiors is set within one of Australia’s most extensive and internationally renowned private gardens. The estate of some 2,500 acres of scenic country with its abundant water supply creates a context for agricultural practice, sporting pursuits and entertainment that is without parallel in Australia.

Client Shandong Ruyi Details Hospitality

Left / LARUNDELConcept Sketch

Right / LARUNDELMasterplan

69

PROFESSIONAL WORK

Top / LARUNDELExternal Visualisation

Right / LARUNDELFloor Plan of VIP Villa

70

BATES SMART

71

PROFESSIONAL WORK

Top / LARUNDELInternal Visualisation

Right /LARUNDELFloor Plan of Villa

72

BATES SMART

Right / LARUNDELExternal Visualisation

73

PROFESSIONAL WORK

74

BATES SMART

G A S T R O P U B

Hidden inside Melbourne’s Crown Casino, Merrywell is the mastermind of American for an establishment that was know for great American gastro pub food.

Client The CrownDetails Hospitality, Entertainment

75

PROFESSIONAL WORK

Left / GASTRO PUBNighttime View of Terrace

Right / GASTRO PUBDaytime View of Terrace

D

C

B

A

AA

6 7 8 9 10 11 12 13 14

Drawing No.

Date

Scale

Project No.

Drawn

Revision

1/243 Liverpool StreetEast Sydney NSW 2010 AustraliaT 02 9380 7288 F 02 9380 7280email [email protected]://www.batessmart.com.au

ABN 70 004 999 400

1 Nicholson StreetMelbourne VIC 3000 AustraliaT 03 8664 6200 F 03 8664 6300email [email protected]://www.batessmart.com.au

Revision Date Description Initial Checked

Plot File

Plot Date

Check all dimensions and site conditions prior to commencement of any work, the purchase or ordering of anymaterials, fittings, plant, services or equipment and the preparation of shop drawings and/or the fabrication ofany components.Do not scale drawings - refer to figured dimensions only. Any discrepancies shall immediately be referred to thearchitect for clarification.All drawings may not be reproduced or distributed without prior permission from the architect.

* EB TA AM TMT

* * * *


* * * * *

Checked

05 May 2011 - 7:50pmM:\10700-10799\m10720_crown\127_westend_corner_redev\ca...

...

Level 1 Plan

1:100

M10720/127

5 May 2011

02.01

Gastro Pub

D

C

B

A

AA

6 7 8 9 10 11 12 13 14

Drawing No.

Date

Scale

Project No.

Drawn

Revision


ABN 70 004 999 400



Plot File

Plot Date


* EB TA AM TMT

* * * *


* * * * *

Checked


...

Roof Plan

1:100

M10720/127

05 May 2011

02.03

Gastro Pub

76

BATES SMART

D

C

B

A

AA

6 7 8 9 10 11 12 13 14

Drawing No.

Date

Scale

Project No.

Drawn

Revision


ABN 70 004 999 400



Plot File

Plot Date


* EB TA AM TMT

* * * *


* * * * *

Checked


...

Ground Level

1:100

M10720/127

05 May 2011

02.00

Gastro Pub

15 14 13 12 11 10 9 8 7 615 14

Drawing No.

Date

Scale

Project No.

Drawn

Revision


ABN 70 004 999 400



Plot File

Plot Date


* EB TA AM TMT

* * * *


* * * * *

Checked


...

North Elevation

1:100

M10720/127

05 May 2011

07.01

Gastro Pub

77

PROFESSIONAL WORK

FULL VOLUME

A N D R E W M A Y N A R D A R C H I T E C T S

79

Project Architect, Graduate Architect

Full-time employment in a small size studio environment. Involved in every stages of architectural building process from feasibility through to the completion of the building contract. Responsible for a great deal at an executive experience capacity. Dynamic interaction with clients and contractors throughout the building process.

80

ANDREW MAYNARD ARCHITECTS

H I L L H O U S E

Rather than repeating past mistakes and extending from the rear in a new configuration, the proposal was to build a new structure on the rear boundary, the southern edge of the block, upon the footprint of what had been, until now, the back yard. The new structure faces the sun, the pure cantilevered box above acts as the passive solar eave, cutting out summer sun, while letting winter sun flood in.

Following the decision to build at the rear of the block a ubiquitous modern box was first imagined. Soon it seemed necessary to pursue the opportunity to activate this new, once shaded, now sunny facade. A seat along the new northern facade? Perhaps a series of steps like the Scalinata della Trinità dei Monti? But how does one lounge in the sun on steps. Perhaps a slope instead .... And the hill house evolved/emerged.

Client BaystonDetails Residential

andrewmaynardarchitects

Suite� 12,� 397� smith� street,� fitzroy� 3065victoria� australiat.� 613� 9939� 6323f.� 613� 8640� 0439

[email protected]�

Left / HILL HOUSEConcept Diagram

Right / HILL HOUSEDaytime View of Proposal

82


83

PROFESSIONAL WORK

Left / HILL HOUSEView of Courtyard

Right Top / HILL HOUSEView of Living and Kitchen Space

Right Bottom / HILL HOUSEView of Rooftop

84

ANDREW MAYNARD ARCHITECTSHILL HOUSE

85

PROFESSIONAL WORK

Left / HILL HOUSEView of Entrance

Right Top / HILL HOUSEView of Rooftop

86


DRAWING No.

SHEET No. REV

SCALES DATE

DRAWN

Andrew Maynard Architects

CH

EC

KED

MA

TJThese drawings are the copyrightof Andrew Maynard Architects PtyLtd and are not to be reproduced

without written approval.Figured dimensions takeprecedence over scaled.

If required, refer to architects forfurther information.

PROJECT

CLIENT

ABN: 1911 74 80 636SUITE 12, 397 SMITH ST

FITZROY, VICTORIA, 3065 t :+613 9939 6323 f : +613 8640 0439

[email protected]...|..|.||..::.|-||...|.|...::|||:...||...|-||..

REVISIONNo. DATE

STAGE

DRAWING TITLE

PROJECT No.MELWAYS

ALTERATION & ADDITION TO76 THOMSON STREET

NORTHCOTE

090202

Alister & Leisa Bayston

architectsmaynardandrew cissued to Quantity Surveyor

CONSTRUCTION DOCUMENATION

.. 27.04.1013.10.10

/13 ..

90

750

nom 15300

7200

2400

nom

. 6

80

0

800

150

10

00

29

00

nom

. 2

90

0

1500

300

300

750

strip timber flooringRL +10.11

connector01 D

02strip timber flooringRL +10.11

dining02

kitchen

05

living

04

1.

2.

SLOPE

SLOPE

FA

LL

230

1200

90

nom

. 1300

90

750

90

nom

. 5650

1000

90

1340 1100

nom

. 9200

stud wall cut to match curve

1. 2.

300

400

230

first floor structure shown dashed

150

EQ

EQ

19

00

760

1200

900 670

line of glazing above shown dashed

polishedconcrete floor

entry

03

drainage belowshown dashed

SLIDE W02a

1.

nom. 53202800

15

00

230

entry

externalstore

externalstore

externalstore

RL +10.47

kitc

hen

join

ery

wall cut on curve,nominal thickness

D03

RL +10.33

RL +10.42

column & retaining wallto engineer's detail

JOIN 04

W05

D13

D07

D06

line of level change

line of glazing aboveW03

line of glazing aboveW04

MS

steel reveal

turf

open

ing

turf

steel gate

JOIN 02island bench

JOIN 03kitchen overhead unit

spiral staircase

refer to CD14for joinery detail

D04

D05

2880

2.3.4.

top of retainign wallfinished wall flushwith existing floor

connector

stud frame over retaining wall,to engineer's detail

2400

steps3 no. @

250 each

CL

2400CL

line

fof

extg

hou

se

nom

. 9200

title boundary

title boundary

1570

FALL

FALL

D08

1900

1140

CS041:100

CS

03

1:1

00

SLOPE

D01

W02b

W02c

JOIN 01[entertainment unit]

refer to CD08for column set-out

polished concrete floorRL +10.47

CL of post

CL

FALL

articulation line in slab

150

downpipe

UP

clea

r in

tern

al

300

existing timber pailing fenceto be trimmed & overlaps to proposed masonry wall

depending on post location

roof

str

uctu

re a

bove

sho

wn

dash

ed

roof structure above shown dashed

11

40

downpipe

f/c sheetcladding

UP

column to engineer's detail

930

set-out point on internal edge of party wall

MATERIAL & FINISHES KEYGSRKLACCONATFC

- clear glass- flat steel roofing, colorbond [black] finish- Lysaght Kliplock colorbond [black] finish- Alucobond cladding- polished concrete floor- artificial turf- compressed sheet, paint finish

MRPLYVYLPBTFMSCP

- masonry wall- plywood, clear finish- vinyl finish- plasterboard, paint finish- strip timber t&g flooring- mild steel, penetrol finish- carpet

proposed detail ground floor planscale 1:50

proposed detail ground floor plan

1:50

CD07

nom. 2650

90800

to suit720 leaf door nom. 1750

90

1400

to s

uit

spir

al s

tair

cas

e

90

90

700

CL900

to suit620 leaf door

nom. 1600

90

R=1100change in floor finishto run through flush

& wraps aroundthe wall

800 1575 860 90

90

70

0E

QE

Q

901800

70

90

proposed first floor set-out planscale 1:50

87

PROFESSIONAL WORK

artificial turfover natural ground batten out to create fall on steel plate

aggie drainin crushed rock

water proof membranelaps down over

tale of slab

substratesteel awining

artificial turfover drainage

aggie drainin crushed rock

fall on concrete slab

DETAIL 14 scale 1:10 DETAIL 15 scale 1:10 DETAIL 16 scale 1:10

concrete slab toengineer's detail

natural ground line

reinforcedconcrete slabto engineer's

detail

extruded polustyrne insulationbehind plastic wrap & geotech fabric

top hat to manufacturer's detail

15

0

Alucobond cladding

Colorbond flashing

artificial truf overwaterproof membrane

as per manufactuere's detail

refer to engineeringfor structural detail

refer to engineering

DETAIL 11 scale 1:10 DETAIL 12 scale 1:10 DETAIL 13 scale 1:10

Colorbond flashing

Kliplock Colorbond roofing

Alucobond cladding warps around fascia & opening revealrefer to manufacturer's detail

f/c sheetpaint finish

Alucobond cladding warps aroundfascia & opening reveal

refer to manufacturer's detail

Alucobond cladding to underside of structure

W06

floor structure to engineer's detail.

DRAWING No.

SHEET No. REV

SCALES DATE

DRAWN


CH

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KED

MA




PROJECT

CLIENT



[email protected]...|..|.||..::.|-||...|.|...::|||:...||...|-||..

REVISIONNo. DATE

STAGE

DRAWING TITLE

PROJECT No.MELWAYS


NORTHCOTE

090202




.. 27.04.1013.10.10

/13 ..

existing

+16.87FFL of proposed addition

+16.51FCL of proposed addition+14.11FFL of proposed addition+13.52FCL of proposed addition+12.42RL of proposed roofparapet+10.47FFL of proposed addition

+1

6.8

7F

FL

of p

ropo

sed

addi

tion

+1

6.5

1F

CL

of p

ropo

sed

addi

tion

[fir

st f

loor

]

+1

4.1

1

FF

L of

pro

pose

d ad

diti

on[f

irst

flo

or]

+1

3.5

2F

CL

of p

ropo

sed

addi

tion

[liv

ing/

kitc

hen]

+1

2.4

2R

L of

pro

pose

d ro

ofpa

rape

t

+1

0.4

7F

FL

of p

ropo

sed

addi

tion

+1

0.1

1F

FL

[con

nect

or]

+1

2.4

2R

L of

prop

osed

roof

par

apet

+1

0.1

1F

FL

[con

nect

or]

existingexisting

wat

erta

nkre

fer

to s

pec

s.

titl

e bo

unda

ry

kitchen

11

entry

08

JOIN 04

RL of proposed roof parapet [connector]+12.42

FCL of proposed addition+13.52

FFL of proposed addition +14.11

FCL of proposed addition +16.51

RL of proposed addition+16.87

FFL of proposed addition +10.47

drainage in crushed rockall run-off to be directed to

existing local point of discharge

footing to engineer's detailfooting to engineer's detail

natural ground line

21

00

30

50

21

0024

00

floo

r to

cei

ling

floo

r to

cei

ling

open

ing

open

ing

JOIN 02kitchen overhead unit

JOIN 03island bench

AT

SR

CONCON

MSsteel reveal

AT

joinery 01 behind

structure behindshown dashed

D03

W06a

adjoining neighbour's property

provide room for weep hole drainagebetween new & adjoining masonry wall

MR

FC02

aluminiumlouvres

PB

20

00

22

50

masterbedroom

07

w/c

09

en-suite

08

AC

PB

CP

PB PB PB VIN VIN VIN VIN

PB PB

VIN VIN

KL

21

00

AT

PLY

FC03

MS

D12D13

D15 D16D17

PLY

lintel to engineer's detail

fall on slab

Kliplock spring roofrefer to specs. for details

D11

slab & insulation undersideto engineer's detail

spiral staircase 250



MRPLYVYLPBTFMSCP

- masonry wall- plywood, clear finish- vinyl finish- plasterboard, paint finish- strip timber t&g flooring- mild steel, penetrol finish- carpet

detail section 02scale 1:50

proposed detail section

1:50

CD10

DETAIL 17 scale 1:5

drop boltfall

on slab

D03

pivot hinge box

concrete floorpolished finish

outside inside

88


DRAWING No.

SHEET No. REV

SCALES DATE

DRAWN


CH

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KED

MA




PROJECT

CLIENT



[email protected]...|..|.||..::.|-||...|.|...::|||:...||...|-||..

REVISIONNo. DATE

STAGE

DRAWING TITLE

PROJECT No.MELWAYS


NORTHCOTE

090202




.. 27.04.1013.10.10

/13 ..



MRPLYVYLPBTFMSCP

- masonry wall- plywood, clear finish- vinyl finish- plasterboard, paint finish- strip timber t&g flooring- mild steel, penetrol finish- carpet proposed detail section

1:20

CD12

proposed detail sectionscale 1:20

R=1100change in floor finishto run through flush

& wraps aroundthe wall

ensuite09

FFL

FCL

shower floor waste

2

1

4

plan

bathtub[size TBC]

elevation 1

sect

ion

of c

urve

d w

all

21

0024

00

250

470

VIN

CL

VIN

D14

mirrorR=350

elevation 2

W08

VIN

wall not at true elevation

JOIN 05

VIN

1700

fall to shower waste

G

20

00

bathtub shown dashed

W07

elevation 2

1700

W07

hydronic toweldryer

bathtub[size TBC]

elevation 3

15

50

150

nom

. 1

40

0

to s

uit

corn

er b

ath

nom. 1400

to suit corner bath

800

dashed line on wall indicates vinyl finish

hydronic towel rail

shampoo/soap dispensersupplied by owner

950

650

EQ

CL

EQ

3

EQ

1800

1700

wall mounted light centred on mirror

W07

VIN

vinyl finish to sidesof corner bath

notes:- location of tapwares & mirrors to be confirmed on site- refer to specs for fitting information

PB PB VIN

700

90

dashed line on wallindicates vinyl finish

W08

1000500

shower mixer

20

00

1000

bath mixer

fall to shower waste

vinyl finish to sidesof corner bath

VIN

PB

extractor fan aboveshown dashed

extractor fan above shown dashed

fall on floor toshower waste

ceiling mountedshower head

wall mounted lightcentred on mirror

mirror

shaving mirrorrefer to specs. location TBC on site

JOIN 05

tap mixerlocation TBC on site

D14[w.i.r.]

2 x GPO inside cupboard

VINYL

CARPET

floor finish to runthrough flush

wall finish to run through flush

VINYL

VINYL

VINYL

CARPET

W07

CORNER BATHSHOWN DASHED

wall finish torun through

flush

refer to CD 17 for joinery detail

89

PROFESSIONAL WORK

DRAWING No.

SHEET No. REV

SCALES DATE

DRAWN


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PROJECT

CLIENT



[email protected]...|..|.||..::.|-||...|.|...::|||:...||...|-||..

REVISIONNo. DATE

STAGE

DRAWING TITLE

PROJECT No.MELWAYS


NORTHCOTE

090202




.. 27.04.1013.10.10

/13 ..

proposed door/window schedule

1:50

CD17

bottom unit - steel plate

900

200

300

150

300

CL

2100

2500

1800

SEC 01

JOIN02

top of island bench

CL

tap mixerlocation TBC on site

plan 02

PLN

01

JOIN

02

PLN

02

JOIN

02

steel flat

laminate

eq eq 545915

plan 01

CL

150

450

top unit

bottom unit - cupboard

2100

bottom steel plate

01

08

17 17

exposed flex

17

17

exposed flex

08

17

17

17

1708

18

18

18 18

set-

out

from

edg

e of

is

land

ben

ch

island bench belowshown dashed

JOIN 02 [kitchen overhead unit]

line of ceiling

ele

JOIN 02 _perspective[kitchen overhead unit]

18

JOIN 03[kitchen island bench]

drawer

dishwasher

drawerOB

dishwasher bin bin

dishwasher

switch forwall & overhead

pendant light

OB

dishwasher

08

NOTE:Radius of all curves - 300mm throughout

18

2800

upper steel benchtop

7501

10

0

uppe

rlow

er

2700

lower steel benchtop

200

100

200

2300 140260

switch for entry downlight& spiral stair pendant light

670

390

40

870

40

600160 820 300 420 270110 600 1120 110420

300

760

40

900

580

45

200steel rod

GPO & switch for wall lightsGPO & switch for entry downlight& spiral stair pendant light

02

10

04

08

18

02

20mm shadow gapsbetween steel plates & laminex cupboards

20mm shadow gapsbetween all steel plates & laminex cupboards

undermount double sinks

2 no. pull-out bins

45mm kicker

switch forwall & overhead

pendant light

steel plate wraps around the dishwasher switch for entry downlight& spiral stair pendant light

steel rod

undermount double sinks

mixer tap

JOIN 03 _perspective 01[kitchen bench]

perspective 02

perspective 03

plan 01[upper steel benchtop]

plan 02[upper cupboards]

plan 03[lower cupboards]

line of lower steel plate shown dashed

1

2

3 4

elevation 03 elevation 01 elevation 02 elevation 04

- melamine drawer

01 - fixed shelf

02 - adjustable shelf

03

04

05

06

07

08

09

10

11

12

- stainless benchtop

- stone benchtop

- laminate benchtop

- shelves overhead

- steel plate

- chrome hanging rail

- kicker

- no kicker [20mm allowance]

JOINERY KEY

- timber veneer

13 - paint finish

14 - mirror

15 - coloured mirror splashback

16 - fluro light

17 - steel rod

18 - fixed curve section

NOTES:

- Hinges: Hafele, Blum, Hettich [or similar quality], concealed joinery hinged with a minimum 165 degree opening- Handles: finger pulls or cut-outs TBC- Drawer runners: to match Blum 'motion softclose runners'- Carcass: to be 18mm melamine faced board, colour TBC

*all design & details for joinery to be discussed with cabinet maker at appropriate time

09 - chrome hanging rail 18 - fixed curve section

NOTES:

- Hinges: Hafele, Blum, Hettich [or similar quality], concealed joinery hinged with a minimum 165 degree opening- Handles: finger pulls or cut-outs TBC- Drawer runners: to match Blum 'motion softclose runners'- Carcass: to be 18mm melamine faced board, colour TBC

*all design & details for joinery to be discussed with cabinet maker at appropriate time

90


B U T L E R R E S I D E N C E

Nestled within the undulated roofline of one of Fitzroy’s famed MacRobertson warehouses, sits a roof terrace with a difference - complete with canopy and turf. This, the vertical and architectural pinnacle of the Butler House, fills the void that effects so many inner-city dwellings - a lack of outdoor space. Further to this, the warehouse apartment had a number of innate thermal and acoustic shortcomings - making it less-than-ideal for occupancy by a family with 2 rambunctious young boys. Balancing intimacy with privacy came to be a significant consideration for this young family and is achieved via shrewd adaptability of spaces.

Unwanted sound transmission was something of a constant at the Butler House. A very open, vertical path of stairs allowed sounds to travel to all corners of the dwelling - their path helped by ubiquitous reflective surfaces in steel and concrete. The challenge was to reduce sound transmission, but not to a point of isolation - the family still very much enjoyed the connection allowed by cross-level communication. The solution was found in celebrating the very thing that made this house different - it’s vertical nature.

Client ButlerDetails Residential

Right / BUTLER HOUSEView of the Roof

92


Left Top / BUTLER HOUSEView of Living Space

Left Bottom / BUTLER HOUSEView of Staircase to Roof Deck

Right / BUTLER HOUSEView of Timber Screen

93

PROFESSIONAL WORK

94


F R E E L A N C E

95

PROFESSIONAL WORK

Left / BUTLER HOUSENight View of Roof Deck

96


Left / BUTLER HOUSEView of Children’s room

Right / BUTLER HOUSEView of Timber Screen and Kitchen

97

PROFESSIONAL WORK

98


DRAWING No.

SHEET No. REV

SCALES DATE

DRAWN


CH

ECK

ED

MA

TJThese drawings are the copyright

of Andrew Maynard ArchitectsPty Ltd and are not to be

reproduced without writtenapproval. Figured dimensions

take precedence over scaled. Ifrequired, refer to architects for

further information.

PROJECT

CLIENT



[email protected]

...|..|.||..::.|-||...|.|...::|||:...||...|-||..

No. DATE

STAGE

DRAWING TITLE

PROJECT No.MELWAYS

ALTERATIONS TO368 Gore Street

Fitzroy , VIC 3065

080721

Andrew and Jennifer Butler

architectsmaynardandrew c

CONSTRUCTION DOCUMENTATION

.. 10.06.09..

key [materials & finishes]:

BM - Butynol watermembraneG - clear glazingPLY - plywoodAT - artificial turf

D -

ROO

F / 0

3[p

ropo

sed

stru

ctur

e]

PRELIMINARYnot for construction

Proposed (roof perspective)not to scale

last truss to remain

existing corrugated ironroof sheeting to remainwhere possible

proposed stud framed wall

existing timber battensto remain

proposed roof deck structure

existing ridge beam to remain

trim existing trussand make openingto provide access

truss strenghtening memberrefer to engineer's detail

no works to front partof the roof

CD 1414/24

Roof - Proposed Perspective

N.T.S.

99

PROFESSIONAL WORK

DRAWING No.

SHEET No. REV

SCALES DATE

DRAWN


CH

ECK

ED

MA

TJThese drawings are the copyright





PROJECT

CLIENT



[email protected]

...|..|.||..::.|-||...|.|...::|||:...||...|-||..

No. DATE

STAGE

DRAWING TITLE

PROJECT No.MELWAYS

ALTERATIONS TO368 Gore Street

Fitzroy , VIC 3065

080721

Andrew and Jennifer Butler



.. 10.06.09..

key [materials & finishes]:

BM - Butynol watermembraneG - clear glazingPLY - plywoodAT - artificial turf

A -

MEZ

ZANI

NE /

03[m

ezza

nine

box

ing]

nom.2000 3610600

1.2.

3.4.

5.6.

nom. 600 600 6001400

370

nom

. 100

0

existing opening existing opening existing opening

void void

JOIN 04 A

storage1.

2.3.

4.5.

6.

JOIN 04 Bstorage

130 edge of

mezzanine

500

nom. 3010

nom.1380

1000

nom

. 150

0

set o

ut o

ned

ge o

f exi

stin

gw

indo

w

set o

ut o

ned

ge o

f exi

stin

gw

indo

w

Mezzanine boxing set-out planscale 1:50

JOIN 4AJOIN 4B

stairs142mm step down

max 1000

Mezzanine boxing set-out planscale 1:50

edge of mezzanine level

nom. 1500

nom. 6210

142mm step down

opening under

JOIN 4B

existing floor structure

existingopenings

MEZZANINE BOXING not to scale

MEZZANINE BOXING Structural Set-outnot to scaledetail 01 - ground fl oor (section)

scale 1:10

front view - perspective (internal elevation 3)not to scale

sectional perspective (internal elevation 3)not to scale

300 300

opening under

existingopenings

sectional perspective (internal elevation 3)

rear view - perspective (internal elevation 3)not to scale

PRELIMINARYnot for construction

N

CD 0303/24

Mezzanine Boxing - Plans / Perspectives

1:50N.T.S

100


S T K I L D A H O U S E

Client GaleDetails Residential




Left Top / ST KILDA HOUSEConcept Diagram

101

PROFESSIONAL WORK

DRAWING No.

SHEET No. REV

SCALES DATEAndrew Maynard Architects

CH

ECK

ED

MAThese drawings are the copyright





PROJECT

CLIENT



[email protected]

...|..|.||..::.|-||...|.|...::|||:...||...|-||..

REVISIONNo. DATE

STAGE

DRAWING TITLE

PROJECT No.MELWAYS

ALTERATIONS TO7 POLLINGTON STREET,

ST KILDA

090105

Michael & Bianca Gale



.. 25.01.10DRAWN

MM/TJ

/25

materials/finishes key:G SRKLMSCPTDMITC01

- clear glass- Flat steel roofing, colorbond [black] finish- Lysaght kliplok colorbond [black] finish.- mild steel, penetrol finish.- permeable concrete paving- hardwood timber decking- mirror- compressed sheet, black paint finish: Applied batten

..

proposed ground set-out plan / A.1scale 1:50 N

ramp downat 2 degrees

wall overshown dashed

externalstore

D

01

D

02

W

03

W

06

2.

1.

4 23105

D

06

roof lineshown dashed

landscape tofuture detail

.R01

skylight overshown dashed

wall over shown dashed

1000

JOIN 01overhead

JOIN 02island bench

step

up

800

2600

D

03

2350

D

04

D

05

W

02

W

01

W

09

D

09

JOIN 03

polished concrete floor

04

strip timber flooring

03

ms


07

RL +10.32

slid

e

vinyl floorrecessed line of slab toallow floor levels to

run through flush

W

07

ms

ms

ms

W

04

RL +10.48

RL +10.48

02RL +10.33

recessed line of slab to allow floor levels to run through flush

polishedconcrete

floor

JOIN 04entertainment

joinery

JOIN 05laundry

step up

D

07

ms

JOIN 06 astore

W

10

rampdown

[refer to crosssection]

make goodexisting wall

[no works][no works]

polishedconcrete

floor

step up

step u

p

step u

p

.R02

glazed roof over

.R03

skylightover

RL +10.48

step up

RL +10.48

RL +10.82

ste

p u

p

RL +10.14

RL +10.32

W

08

01D

16

servicesroof line above show

n dashed

ms

ms

ms

RL +10.48

roof line above shown dashed

slide

D

08

ramp downat 2 degrees

column

timber battens

timber battens

fire rated wallon boundary

W

05

for steel revealsrefer to specification

refer to cross section 03for studio & glazed link

JOIN 06 bstore

06


08



stud wall for plumbing, tanking and lining

line ofslab under

line ofslab under

line of slab under downpipe

over

external

line of slab under

D

14

D

15


fixed

rebated section over, shown dashed. refer to perspective.

D.P

D.P

D.P

D.P

wall over shown dashed

12

elec.switchboard

steel supports for glazed roof over shown dashed

line ofslab under

line ofslab

under

JOIN 09amedicine cabinet

extg

tree

to b

e re

tain

ed

ram p upat 2 degrees

RL +10.48

RL +10.32

ramp at 2 degrees

RL +10.00

levels

extgRL +10.82

CD08proposed set-out plan

1:50

RL +10.14

G SRKLMSCPTDMITC01


TC02FC01FC02FC03EPLYMPLYPPLYCON

materials/finishes key:G SRKLMSCPTDMI

- clear glass- Flat steel roofing, colorbond [black] finish- Lysaght kliplok colorbond [black] finish.- mild steel, penetrol finish.- permeable concrete paving- hardwood timber decking- mirror

TC01TC02FC01FC02FC03PLYEPLYMPLYPPLYCON

- compressed sheet, black paint finish: Applied batten- hardwood timber cladding [vertical], black stain finish- compressed sheet, black paint finish- compressed sheet, red paint finish- compressed sheet, green paint finish- 6mm plywood, clear finish- external plywood, black stain finish- marine grade plywood, clear finish- marine grade plywood, red paint finish- polished concrete floor

8

DRAWING No.

SHEET No. REV


CH

ECK

ED






PROJECT

CLIENT



[email protected]

...|..|.||..::.|-||...|.|...::|||:...||...|-||..

REVISIONNo. DATE

STAGE

DRAWING TITLE

PROJECT No.MELWAYS

ALTERATIONS TO7 POLLINGTON STREET,

ST KILDA

090105

Michael & Bianca Gale



.. 25.01.10DRAWN

MM/TJ

/25

materials/finishes key:G SRKLMSCPTDMITC01


..

detail section 01

scale 1:20

2100

TITL

E B

OU

ND

AR

Y

FIRE RATED WALL6mm compressed sheet

over 13mm fyrchek[refer to spec]

paint finish

160

MGP stud wall

parapetwall

concrete slabto engineer's detail

150

03

07

FFL +10.32

natural groundline

FFL +10.48

roof structure toengineer's design

40x40mmtimber battensfixed to curved

jarrah strap20x35mm

black colorbondcapping

compressedsheet

PB

concrete slab toengineer's design

polished finish

PB

PB

8mm ply

40x40mmtimber battensfixed to curved

jarrah strap20x35mm

blackcolorbond

capping

double glazed skylight

8mm ply

PB

timbert&g strip flooringbattened off slab

R

01

8mm ply

timbert&g strip flooringbattened of slab

8mm ply

concrete edgebeam to

engineer'sdetail

D

01

recess in slabto allow timberflooring runflush

80

colorbondsheet roofing

40x40mmtimber battens fixed to curvedjarrah strap20x35mm

compressed sheet

roof structure toengineer's design

line of awningbehind

RL +16.34

FCL +15.94

02

20mm non-shrinklevelling mortar bedto engineer's detail.

8mm ply

ms

W

07

g

PBPB

PB

20mm non-shrinklevelling mortar bedto engineer's detail.

[refer to joinery drawings]

steelflat plate

awning

CD16proposed detail section

1:20

G SRKLMSCPTDMITC01


TC02FC01FC02FC03EPLYMPLYPPLYCON

materials/finishes key:G SRKLMSCPTDMI

- clear glass- Flat steel roofing, colorbond [black] finish- Lysaght kliplok colorbond [black] finish.- mild steel, penetrol finish.- permeable concrete paving- hardwood timber decking- mirror

TC01TC02FC01FC02FC03PLYEPLYMPLYPPLYCON

- compressed sheet, black paint finish: Applied batten- hardwood timber cladding [vertical], black stain finish- compressed sheet, black paint finish- compressed sheet, red paint finish- compressed sheet, green paint finish- 6mm plywood, clear finish- external plywood, black stain finish- marine grade plywood, clear finish- marine grade plywood, red paint finish- polished concrete floor

16

102





N I C H O L S D A L E P R E - F A B

Client RicardoDetails Residential

Left Top / NICHOLSDALE PRE FABConcept Diagram

MODULE ONE OVER SHOWN DASHED

D

06

step

up

fridge

D

05

step

up

step up

D

04

line of extg house

step

up

new slab on ground

RL +95.87

store B

06

up

polished concrete floor

RL +95.87

kitchen

10up


RL +95.69

dining / study

11


RL +95.32

living

12

D

08

deck

13

RL +95.51

sub-floor accessto be determined on site

retaining wallrefer to engineer's detail

columns toengineer's detail

columns to engineer's detail

structural beam overrefer to engineer's detail

circular opening in deck to suit extg tree& nom. 300 diametre

mesh gratingrefer to specs.

for details

pebbled finish

extg concrete floor

RL +96.05

store A

05

existingbearer over

bi-fold door

metal deck roof over

glazed roof over

step

up

up

EQ

EQ

940

1.

2.

3.

1.

2.

700

to s

uit

frid

ge

1300

2100

9061

0

1700

800

1000

nom

.192

090

0

720 leaf fridge

nom

. 480

0

reta

inin

g w

all l

ength

to

suit

mod

ules

& n

atura

l gro

und

le

vel

pos

ts n

orm

inally

spa

ced

at 1

200 c

/c T

BC

.

deck to suit Module 4 & 5to suit Module 2 & 3

new masonry retaining wallwith stud wall over

refer to engineer's detail

1300

nom

. 720

0

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inin

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all l

ength

to

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mod

ules

& n

atura

l gro

und

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2400 le

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h T

BC

. dec

k

retaining wallrefer to engineer's detail

D

01

D

02

D

03a

D

03b

aggie drain undershown dashed

footing under shown dashed

provide access tokitchen plumbing

from rear to allowinstallation

of laundry tubto western side

of partition

internal garden

3000

kitc

hen

R=350R=350

R=3501.

3.2.

4. 5.

6.

7.

8.

to suit 90 to suit 90

90 910 1140 90

900

nom. 49503850nom. 2960

6500

EQEQ 800

350

1500

w/c

08

D

07

extg slab

RL +95.82

store C

07

allow access toplumbing

(supply of h+c& waste) for future

installation ofshower cubicle

to s

uit

820 le

af

1250

JOIN 02island bench

JOIN 01

stairs09

D/Wbelow

150

column

270

90

1500

90

stair

s

w/cnew vanity

unit(owner to

supply)

fitting to be supplied by owner & installed by builderside access P trap required to be discussed on site

line of extg house

existingbearer over

DRAWING No.

SHEET No. REV


CH

ECK

ED






PROJECT

CLIENT



[email protected]

...|..|.||..::.|-||...|.|...::|||:...||...|-||..

REVISIONNo. DATE

STAGE

DRAWING TITLE

PROJECT No.MELWAYS

ALTERATIONS AND ADDITION TO11 NICHOLSDALE ROAD,

CAMBERWELL

080611

Ricardo & Mithzay De la Espriella

c


.. 07.01.10

1 50 1:100

DRAWNTJ

/25

architectsmaynardandrew

N

detailed plan - lower levelscale 1:50

RL +95.32

RL +95.69

RL +95.51

RL +95.87

RL +95.87extgRL +96.05

extgRL +95.82

levels

proposed detail lower plan

1:50

CD1111

materials/finishes key:G MRTFCONPBTDFBPNT

- clear glass- metal roofing- timber flooring- concrete- plasterboard- hardwood timber decking- coloured glass splash back- paint finish

DRAWING No.

SHEET No. REV


CH

ECK

ED






PROJECT

CLIENT



[email protected]

...|..|.||..::.|-||...|.|...::|||:...||...|-||..

REVISIONNo. DATE

STAGE

DRAWING TITLE

PROJECT No.MELWAYS

ALTERATIONS AND ADDITION TO11 NICHOLSDALE ROAD,

CAMBERWELL

080611

Ricardo & Mithzay De la Espriella

c


.. 07.01.10

1 50 1:100

DRAWNTJ

/25

architectsmaynardandrew

exis

ting

0.4

m h

igh

bric

k w

all

exis

ting

1.6

m h

igh

fenc

e

exis

ting

1.6

m h

igh

fenc

e

exis

ting

gas

hea

ting

uni

t

exis

ting

0.4

m h

igh

bric

k w

all

nom. 1130

stairs08

new floor finish assupplied by owner

RL +98.04

informal lounge

03

existing openingto be blocked

by owner

new floor finish assupplied by owner

RL +98.04

study

02

1700

2100[no works]

[no works]

stair

s

stairs

Module 1

2960

no works toexisting window

new stud wall

1000

handrail refer tobalustrade detail

up

up

metal deck roof

glazed roof

louvres over

line of extg house line of extg house

1000

3670

3750

roof

24601700

4950

Mod

ule

1

150

EQ

EQ

OPEN

BELO

W

1240

3600ro

of

2670

Module 4 & 5 below shown dashed

Module 2 & 3 below shown dashed

N

detailed plan - upper levelscale 1:50

detailed plan - upper level

1.

line of glazing

2.

3.4.5.

6.

7.

8.

9.

10.

11.

850

1120

1000

R = 350

line of existing floorRL = 98.04

external step to match finish of internal stairs

2170

1000

180mm risersthroughout

stairs to be constructed from armour ply with paint finishcolour T.B.C.refer to specs. for details

stair detailN.T.S.

1000

line

of e

xistin

g flo

or

114

0

120mm openingthroughout

to comply BCArequirement

30 x 2mmsteel flat

balustrade detailN.T.S.

60

12 x 12 squaresteel rodswhite paint finish

line of existing floor

60 x 50unequal angle

120

proposed detail upper plan & details

1:50

CD1212

materials/finishes key:G MRTFCONPBTDFBPNT

- clear glass- metal roofing- timber flooring- concrete- plasterboard- hardwood timber decking- coloured glass splash back- paint finish

40

180

hardwood

plywood

103

PROFESSIONAL WORK

104


U R B A N O R C H A R D

A cities gardens can be more than a decorated landscape. Like the built environment, green spaces can work with us to make an integrated urban environment rather than isolated pockets of manicured greenery. We propose a garden that contributes a SOCIAL space, creates a low impact and sustainable ECONOMIC model, beautifies the URBAN landscape and improves our urban areas impact on the ENVIRONMENT.We propose that rather than only producing a beautiful, green rooftop space, we also create a greater, and achievable urban gesture. We propose a working garden that is wonderful to visit, great to have events at, while also producing food much like Cuba’s Market Gardens.

Client Committee for Melbourne’s Future Focus GroupDetails Public Space

Left / URBAN ORCHARDConcept Diagram

Right / URBAN ORCHARDExternal Visualisation

Premise

Gardens can be more than a decorated landscape. Like the built environment, green spaces can work with us to make them integrated within the urban environment rather than isolated pockets of manicured greenery. We propose a garden that contributes a SOCIAL space, creates a low impact and sustainable ECONOMIC model, beautifies the URBAN landscape and improves our urban areas impact of the ENVIRONMENT.

We propose that rather than only producing a beautiful, green rooftop space, we also create a greater, and achievable urban gesture. We propose a working garden that is wonderful to visit, great to have events at while also producing food much like Cuba’s Market Gardens.

Closed the food loop - reuse food waste

At the moment we bring food from many hundreds of kilometres away into urban centres. After the food is consumed by-products and food waste are placed in landfill. This food waste can easily be put back into the food loop by converting it to fertiliser.

Closed the food loop - Cuba as model

Cuba’s Market Gardens first arose as a community response to lack of food security after collapse of Soviet Union. Empty sites throughout urban areas are used for growing food where it is eaten thus no vehicular transport is necessary. More than 200 gardens in Havana supply its citizens with more than 90% of their fruits and vegetables while also creating more lively and integrate neighbourhoods and beautifying urban areas. 80% of the profits from Cuba’s market gardens go back to the people working in them. Through the removal of vehicles from food production Cuba’s market garden’s provide an ideal model for a sustainable series of green roofs that contribute to the urban environment and provides a sustainable local economic model.

Food scraps = global warming

Melbourne has a diverse and rich food culture. As such Melbourne transport’s a large variety of foods into the city and produces an extremely large amount of food waste. Decomposing food scraps contribute to roughly 10% of man-made greenhouse gases in the form of Methane. If we captured this Methane we can easily convert the Methane into a free, clean energy source. The by product of this process is fertiliser which can be put back into the system to create more roof top produced food rather than more landfill.

It is estimated that 2 million homes in the UK could be run entirely on methane generated energy if London were to collect and process all of its food scraps. If London adopted clean, free methane energy this would radically change London’s environmental footprint while also drastically reducing the need for transport and landfill for food scrap waste.

Embodied oilRemove automotive transportation from the food loop and the transportation of food waste to landfill will not only reduce road congestion, furthermore it will reduce the amount of oil carbon based fuels used in the production of food.

Biogas systemBy adding an affordable low tech biogas plant to the roof top garden, small biogas plants can be handmade, we can process waste from local restaurants to generate all of the energy required for the garden while pushing surplus energy into the energy usage of the building. The by product of this process is fertiliser which can be used in the roof top garden while surplus fertiliser can be branded GROWING UP and sold as an additional product from the roof top garden. Processing food waste means that less landfill gas is released into the atmosphere. Food waste is changed into liquid fertilizer and biogas.

I don’t want to create green house gases. All I really want to do is make you an obese burden

on the healthcare system.

"

'

'

'

'

"URBANORCHARD

As wheelie bins go to collect food waste or distribute produce between rooftops fruit and vegetable can be

sold along the joinery

Food waste is collected from restaurants and stores within a

1 to 2 block radius and returned to the Biogas plant on the roof for conversion to power + fertiliser.

UV lights are powered by methane generated energy. UV lights allow food production to continue 24/7,

similar to a hydroponic garden. UV lights also add a green glow to Melbourne skyline, illustrating

Melbourne’s commitment to a sustainable urban environment.

GROWING UP THE BLUEPRINT TO GREEN-ROOF MELBOURNE

Fruit and vegetable are delivered straight from the roof to the store front

or street vendor below. There is also a small store on the roof to

cater for casual users and events.

Elmich ‘versidrain’ water filters reduce evaporation and retain moisture

Return of habitat

New depth allows better rootpenetration

Better distribution of weight and avoidance of point loads.

Rather than visible water tanks, which only suggest good water usage,

we propose a broader strategies that can be implemented to make water work for us in numerous ways.

Existing building

Water collection layerWater storage

Pedestrian circulation

Thermal mass removes heat from soil which helps avoid the soil baking in summer.

Planter box

Services

Elmich ‘versidrain’ water filters ensure that soil is constantly damp

Each rooftop / store can specialise in particular produce or mix their produce. The entire process is based on produce and waste been walked between venues.

grapes!

strawberry

veggies

orchard

green wall cascades down concrete facade so that parts of the roof top can be seen from far down Collins Street

access to University of Melbourne’s research area

timber facade

University of Melbourne’s research area

vegetation / orchard

wheelie binsbiogas plant

Store fronts at the base of each

GROWING UP building

""visitors can buy produce, snacks and a smoothie

from the bar

" "visitors can come and buy an apple

or smoothie & enjoy the view

"or...visitors can choose to pick their

own produce"

Growing UP wheelie bins and stroage.Bins are used for the collection of food waste from

local restaurants and shops. Waste is converted into power and fertliser in the biogas plant.

BIOGAS PLANTGas motorGenerator

Gas storage

Deck area used for both circulation and seating

Solar panels

Planter Box around entire boundary

Stairs to Melb Uni Research Area

Meeting and Info spotChill out Area

Communal Area

Huge green wall and ‘Growing UP’ signage draped down concrete wall allowing long views down Collins Street.

Rooftop Store with smoothie, snack, fruit and veggie.Reception and/or bar

ENTRY TO ROOFTOP

Planter Box around entire boundary

Gate to Melb Uni Research Area

Melb Uni Research Back of House+water tanks

Melbourne University Research Area

Event Area Garden Bed

Garden Bed

Garden Bed

PLAN

DETAIL SECTION

EXPLODED AXONOMETRIC

FULL VOLUME

A C A D E M I C W O R K

107

Master of Architecture

He is motivated by the artistic and social aspect of architectural design. He has a strong interest in time-based architecture within broad background in-between digital technology and phenomenology. In parallel with this approach is the understanding of the necessity to develop new tools and approaches to architectural drawing and representation required to project forward into this condition.

110

M. ARCH

H O T E L F O R I N H A B I T A N T S

Sometimes we wish that we can travel back the time and revisit the past, to restore our lost memories. 2046 is a future city, where these lost memories can be recaptured. It does not fit into any time zone because it is not important anymore. And this city has a unique and mysterious separation from the rest of the world that has layers of history and architecture.The design proposal is a hotel for inhabitants;where these people come and stay permanently, in search of their memories. It is located in Hong Kong and the hotel associateswith an old existing building ‘Chungking Mansion’ that have feeding urban legend and rumors – both good and bad. Because of its isolation of the city ‘2046’ and its alienation from the outside the world, the hotel itself is disappearing from the context, hiding itself inside the Chungking Mansion.The hotel ‘2046’ is about corridors and the horizontal motion.The Corridors are no longer a circulation or a journey, but it is the desired place and a destination. Every action, behaviour and programs take its place in the corridors, and this linear space provokes and stimulates the inhabitants in searching their memories

_a _b _c _d _e _f _g _h _i _j _k _l _m _n _o _p _q

inside the Chungking Mansion in many different aspects. These are placed, in-between and even penetrate through the existing as another series of an urban fabric as well as controlling views and overlooking to the ‘past’.Past and nostalgia comes from a definition of longing for something unattainable. The more things change, the more we try to stay the same. We desire to recapture our memories in this ever changing world. This is the universal truth of our life that we long to fix what has already become unfixable. There is a great level of intimacy between the 2046 and the Chungking Mansion, however is distinctively separated. Inhabitants of the hotel want to recapture their memories of the past, and will soon realize this is unattainable; that is why no one has ever come back from 2046.

Tutor Dennis PriorDetails Advanced Design Studio C

111

ACADEMIC WORK

_a _b _c _d _e _f _g _h _i _j _k _l _m _n _o _p _q

Middle / HOTEL FOR INHABITANTSUnfolded Section and Elevation

112

M. ARCH

_a_b_c_d_e

_f

_g

_h

_i

_j

_k _l _m _n

_o

_p

_q

reading area

circulation / smoking lounge

writing room

circulation lounge

circulation / smoking loungerest room

“You want to create a place in the world where what we think is nice, we can keep it that way. It’s like the Hong Kong that we pictre� in� our� films� is� something� from� our� impressions,� from� our�

memories,� a� certain� wonderful� moment� of� our� city.”

Wong Kar-Wai

113

ACADEMIC WORK

_a_b_c_d_e

_f

_g

_h

_i

_j

_k _l _m _n

_o

_p

_q

reading area

circulation / smoking lounge

writing room

circulation lounge

circulation / smoking loungerest room

“You want to create a place in the world where what we think is nice, we can keep it that way. It’s like the Hong Kong that we pictre� in� our� films� is� something� from� our� impressions,� from� our�

memories,� a� certain� wonderful� moment� of� our� city.”

Wong Kar-Wai

Middle / HOTEL FOR INHABITANTSFloor Plan

114

M. ARCH

Left Top / HOTEL FOR INHABITANTSConcept Diagram

Left Bottom / HOTEL FOR INHABITANTSConcept Diagram

Right / HOTEL FOR INHABITANTSExternal Visualisation

116

M. ARCH

Top / HOTEL FOR INHABITANTSMassing Study

Bottom / HOTEL FOR INHABITANTSMassing Study

117

ACADEMIC WORK

Top / HOTEL FOR INHABITANTSExternal View

Bottom / HOTEL FOR INHABITANTSInternal View

120

M. ARCH

D I A L E C T I C B R I D G E

Zeitgeist and nostalgia occur simultaneously. Zeitgeist, a city of independence and privacy based on technology and without human interaction has resulted in a condition of loneliness and alienation. Nostalgia, the state of mind exists as an idealized antithesis to the dehumanized condition of our future city. Zeitgeist is a developing, constantly in a state of flux while Nostalgia is a ‘frozen’ city, resisting change in a permanent state of stasis.The bridge is a one-way connection from the frozen city of the present to an evolving future. This bridge will work as a facilitator of decision through a series of conditions on the bridge; travelers will be forced to decide between the present and the future. The bridge is a constant reminder of the loneliness and alienation of Zeitgeist, whilst stimulating a longing for Nostalgia.The bridge consists of various traveling conditions. You start the journey comfortably with space for partner before being directed through a confined space. This narrow oppressive space is surrounded by screens obscuring any visual reference to your position or to your traveling companions. However, when you reach the river, you are deposited into a vast space of chaos. Each of the singular journeys reaches this point in different times and location. You are alone – in a crowd. Therefore this solitude is contemplation on your possible future in Zeitgeist and ever recurring present.

Tutor Dennis PriorDetails Advanced Design Studio C

Bottom / HOTEL FOR INHABITANTSView of Entrance

121

ACADEMIC WORK

Top / HOTEL FOR INHABITANTSView of Bridge

Bottom / HOTEL FOR INHABITANTSView of Bridge

122

M. ARCH

Left / THE ISLANDExternal Visualisation

Right / THE ISLANDConcept Diagram

123

ACADEMIC WORK

T H E I S L A N D

The title of this design proposal is ‘Temptation Island’, which is located in Seoul, Korea, in the middle of Han River, which is flowing across the entire city. The design proposal for this island is to accommodate programs that are adults themed, or provocative, which seems to be highly conservative in the culture of Korea, at the same time to capture the urban night life of Seoul.The driving concept of this design is exhibitionism and voyeurism. It could be interpreted in a sexual disposition of human. The intention for this concept exhibitionism and voyeurism is in the network of human and circulation within the island.And this concept results in the design and form where the building ribbons are interweaving and congested. People, audience and the activities are exposed and can be seen from any perspectives. And everywhere you walk or wander around the island, you will immediately have the feeling of ‘being watched’ by others.

Tutor Peter Raisbeck and Karen BurnsDetails Advanced Design Studio A

124

M. ARCH

Top / THE ISLANDLandscape Diagram

Bottom / THE ISLANDFloor Plan

125

ACADEMIC WORK

Top / THE ISLANDMovement Diagram

Bottom / THE ISLANDElevation

126

M. ARCH

B A L A C L A V A C O M M U N I T Y H O U S I N G

Community housing is defined as an affordable rental housing that is owned and managed by the local city council. Before any architectural methodology to take its place, it is significant to identify the means of the dweller’s habitation and their adaptation to the context. The means of sharing facilities in community housing has been re-examined in the design. People often find it unwilling to use such largely accommodated sharing facilities and also causes high maintenance problems. Here, the sharing facilities have been minimized and shared kitchen and dining happens only between two units and it can also be seen as housemates but with clear private space definitions of their own. The design will cause a result, the housing process of a dwelling.

Tutor Paul WalkerDetails Advanced Design Studio B

Dwelling is thus connected in a certain way with ‘thinking’ and ‘image’. In the image, the thinking may be sought, and vice versa. To understand a deeper insight into this, we must make the different perceptions of dwelling a subject of study.

Standardized dwelling creates a distinction between ‘at home’ and ‘a home’, between a house and a place to stay. The moment dwelling becomes mass-‐produced residential units, the problem of existence and identity re-‐emerges.

Poetic dwelling seems to be just a memory, while the modern home, bureaucratized to mere rented property, appears to have failed in freeing society from its classes.

Dwelling might then be experienced not so much as a mechanistic relationship but more a poetic paradox, thus continuing experiences of existential challenges to uncertainty. In history, dwelling and archi-

tecture have been somersaulting concepts of moral value and sublime beauty.

People dwell. It is a primal urge. They dwell in a cave, a tent or a hut. Ultimately their abode on earth was to be called ‘housing’. It has its origins in primitive dwelling. The dwelling is a place of return and departure, the nomad’s endless ritual. When people congregate, they collect dwelling in a housing block, a stronghold, which, together with other dwelling units, makes up the city. The dwelling is a room, where life is lived from birth to death. Man builds architecture of existence. The dwelling depicts architecture as a story: an illustrated story.

Basically, people are not aware of the fact that they dwell. They withdraw from their conscious and active lives, have a rest, are passive; sometimes they dwell according to the government’s or the construction market’s idea of dwelling.

So we can conclude that the practice of dwelling has become more individual in two respects: firstly as a strategy for standing out in society and secondly as a masquerade of the emotions. It has moreover, become an expression of the collective identity.









Right / BALACLAVA COMMUNITY HOUSINGSection

127

ACADEMIC WORK

















128

M. ARCH

Left / BALACLAVA COMMUNITY HOUSINGShared Laneway View

Right / BALACLAVA COMMUNITY HOUSINGFloor Plan

129

ACADEMIC WORK

Program

01_community garden02_children’s play deck03_train waiting area

04_entrance to train station05_community workshop06_convenient store07_car accessible lane08_sports deck09_public laundry10_extended outdoor living11_BBQ area

12_street parking13_new underground access14_backyard15_public toilet001_grass

002_stone paving

003_sand004_timber deck

FULL VOLUME

T E A C H I N G W O R K

131

Senior Tutor and Lecturer

Further to his work as a practicing architect, Tommy has been teaching at university for the past 6 years. He has held many successful exhibitions and participated as jury on a number of students’ awards.

134

MELBOURNE, AUSTRALIA

A R C H I P E L A G O

Archipélago represents a collective individuals.We started the studio with one clear intention: thesis students should have complete freedom to set up their own individual agendas. This studio encouraged individual research and self-initiated projects with the confidence to present and ability to embrace the nature of critical discourse. We conducted series of seminars, intensive workshops, debates and self-critiques which have produced independent thinkers who are able to work collaboratively. I, the studio leader, would like to congratulate these 9 archipélagoes for their endless effort and trust they had for this studio. Architecture is an act of realisation that is to create something real, from a vague imagination into physicality. This is only a bridge and we are now one step closer to our continent. Pursue and pursue...

Course Master of ArchitectureDetails Design Thesis

Left / ARCHIPELAGOFinal Exhibition

Right / ARCHIPELAGOWorkshop

137

Left / ARCHIPELAGOFinal Exhibition - Jannette Le

140


Right / ARCHIPELAGOFinal Exhibition - Jayden Kenny

141

TEACHING WORK

143

TEACHING WORK

Bottom / ARCHIPELAGOFinal Exhibition

Bottom / ARCHIPELAGOFinal Exhibition - Marc Micuta

144


Left Top / ARCHIPELAGOAdilah Shah Ikram

Left Bottom / ARCHIPELAGOJayden Kenny

Right / ARCHIPELAGOJack Pu

147

TEACHING WORK

V I D E O G A M E

We experience everything through media. Meanwhile, we are simplified by its technical manipulation. The reality is no longer real, it’s hyper-real. “We live in a world where there is more and more information, and less and less meaning.” The media fully reconstruct our perceived reality. The space you are in, the environment you are experiencing now, have become fully advertisable through image-music-text. “You no longer watch TV, it is TV that watches you.” You are the information, you are social, you are the event, you are involved, you have the word to say.Each laser of the pixel touches us, pierce us through, of computer cards that retain our preferred sequence, of the genetic code that controls us, of cells that inform our sensory system. Technology is now the extension of our body. Image-music-text are the pixels of the screen, our blank eyes. We (the audience) are the space. We will ask you to create an architectural space formed by image-music-text. Let us deconstruct its meaning and translate in no particular order. Let us collapse the dimensional hierarchy of 2D and 3D but work in 4-dimensional life. Be ready to explore, import and export, do and undo, fail and we will try again. Let us create a tangible past, a visible continuum which reassures us about our end. Let us resurrect its disappearance through the architectural proposition. We will focus on your personal finding which will inform your final building project.It’s VIDEOGAME.

Course Master of ArchitectureDetails Design Studio C, D, E

Left and Right / VIDEOGAMEPatrick Hegarty and Jayden Kenny

148


149

TEACHING WORK

Left / VIDEOGAMEPatrick Hegarty

150


Bottom / VIDEOGAMEMid Term Exhibition - Jayden Kenny

Top / VIDEOGAMEWorkshop

151

TEACHING WORK

Bottom / VIDEOGAMEMid Term Exhibition - Katie Checken

Top / VIDEOGAMEFinal Exhibition - Gianni Dal Forno

153

TEACHING WORK

H E A D T R I P

This studio continues to explore the notion of time in both the natural and man-made physical world. We aim to explore individual work within the framework of time-based architecture that is designed and understood in 4 dimensions of perception. We will take numerous trips and author our own island of fictional states. We will navigate this critical space between the actual and the imagined, a space where architecture can enter into new relations with the territories of emotion and fiction.The Brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us. Let’s take a trip to a place where we can wander off the map, through the speculative landscape of dreams and desire, on a future safari onto brave new worlds that have mutated from our ownWe will be investigate the play of the ‘being’ as a trip, a life trip and the legacy that it leaves behind.The brief is to design an environment of being for your author. Design a space with a deliberate intention of provoking and manipulating specific emotion, while poets, writers and composers will unashamedly spin narratives aiming to resonate, intellectually and emotionally, with the reader and the audience. Can your built environment ‘act’ in this sense? You must use the palette of physical means which affect the mind. You are free to choose your own site. You will then be asked to have the third trip to this place on your own, with a bag full of emotional connotation of the author. Enjoy and see you again with your written postcard.Oh ephemeral, we become lighter than air, taking leave of the earth, becoming significantly insignificant to everything left behind.How would you want to be ‘remembered’ after its being? While the being provoked the client in the waves of emotion, how would this environment sustain or decay its presence? Would it ruin and dismantle over the time, or would it maintain its presence? Continuity or impermanence? This project is an open agenda, generated from the creative observation and interpretation. You may propose a new program or design an object.

Course Master of ArchitectureDetails Design Thesis Left / HEAD TRIP

Final Exhibition

Right / HEAD TRIPFinal Exhibition

155

Left / HEAD TRIPFinal Exhibition - Yueying Tan

156


Right / HEAD TRIPFinal Exhibition

ARCHITECTURE DESIGN THESIS EXHIBITION - ‘HEAD TRIP’Atrium, Architecture FacultyMELBOURNE SCHOOL OF DESIGN, THE UNIVERSITY OF MELBOURNE

157

TEACHING WORK

158


Left / HEAD TRIPBarbara Chung

Right Top / HEAD TRIPRayal Anand Yelamarthi

Right Bottom / HEAD TRIPRayal Anand Yelamarthi

141140

RAYA

L AN

AND

YELA

MATH

I

EPIL

OGUE

141140

RAYA

L AN

AND

YELA

MATH

I

EPIL

OGUE

159

TEACHING WORK

135134

HEID

I KW

AN

PALI

MPSE

ST C

ITY

135134

HEID

I KW

AN

PALI

MPSE

ST C

ITY

160


201200

JADE SHIE MING YEW

POET’S WALK

161

TEACHING WORK

Left Top / HEAD TRIPHeidi Kwan

Left Bottom / HEAD TRIPHeidi Kwan

Right / HEAD TRIPJade Yew

139138

RAYA

L AN

AND

YELA

MATH

I

EPILOGUE

“Reality is an influence of our mind our mind through the sense of perception”Ayn Rand

Reality is what we make it.

Out internal state of mind transforms our vision of the outside world.

The capacity to realise that reality exists outside of our mind.

The mind has a way to shape one’s vision of things, making us take sides during a situation that requires a decision.

The project begins with an attempt to understand how decisions are made, more interestingly the process of how a person makes decisisons. Initial the main idea adopted was that “reality had a way of influencing the consciousness”, this consciousness defines the internal state of mind. It allows the mind to create its own set of rules and make decisions.

The project is developed through the use of this basic logic.

Using myself as a basis to understand the logic, the project is a home for my client 30 years in future. My client is a character developed based on my personal experiences. An anatomy of the mind diagram was developed; which tries to explain how my clients mind is broken down to key words and how different things are invisioned in his mind.

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TEACHING WORK

Left / HEAD TRIPRayal Anand Yelamarthi

Right Top / HEAD TRIPRayal Anand Yelamarthi

Right Bottom / HEAD TRIPRayal Anand Yelamarthi

L E T T E R O F

R E F E R E N C E

Date 28/10/10

To Whom it may concern,

Tommy Joo worked as a graduate architect at Andrew Maynard Architects from July 2008 until to November 2010.

During his time at AMA, Tommy proved highly capable, diversifying his contribution to the business when and as required. Tommy was involved in every stages and aspects of AMA’s projects consistently showing skills and great disposition. He illustrated process and aptitude beyond his experience level, managing each project with a little guidance from the directors.

Tommy has become a well rounded architect. From early design phase, through docu-mentation to contract administration, Tommy has shown a good understanding of the challenges and responsibilities involved in the architectural process. He has a wonderful attitude towards architecture, he has excellent design skills as well as mature and me-thodical set of management skills.

Beyond his natural design talents Tommy competently expanded his areas of responsibil-ity providing client management and project support to the Directors. He has had a great deal of interaction with clients, consultants and builders and has been competent and professional throughout all these dealings. Tommy has also brought significant changes to the office and its operation by implementing new office organisation tools and sys-tems.

Tommy’s departure from AMA is a big loss. Hopefully he will one day return to us. I would be pleased to answer any questions about Tommy’s work whilst at AMA.

Kind regards,

Andrew MaynardDirector


ANDREWMAYNARDARCHITECTS


Suite 12, 397 Smith Street, Fitzroy

Melbourne, Victoria 3000

T 61 [3] 9939 6326

F 61 [3] 8640 0439

[email protected]

www,andrewmaynard.com.au

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