pop culture name: shen 1960’s music project · pop culture name: _____ shen 1960’s music...

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Pop Culture Name: _____________________________ Shen 1960’s Music Project Background: The 1960s saw a flowering of popular music styles. Unlike the 1950s, in which the birth of rock and roll dominated the decade, jazz, pop, and folk music all gathered devoted listeners in the 1960s. Rock and roll continued to grow as a musical form, with a clear split between "hard," rebellious rock and lighter, "soft" rock—which sounded a lot like pop music. Folk music was reborn in the 1960s thanks to several young performers who wanted to rescue the musical form from what they saw as its sad decline. Bob Dylan, Joan Baez, and the group Peter, Paul, and Mary adopted folk styles—simple musical arrangements played on acoustic instruments—but filled them with political commentary on contemporary issues. Their songs addressed the problems of the civil rights movement and the Vietnam War and helped them gain huge audiences. As the decade wore on, folk merged into folk- rock as performers increasingly used electrified instruments and more sophisticated songwriting. Dylan and the group Simon & Garfunkel led the way in folk rock. Rock and roll music in the 1960s was dominated by one group: the Beatles. Launched in Liverpool, England, this four-man group first appeared in the United States in 1964 on The Ed Sullivan Show. The popularity of the Beatles remained strong throughout the decade. Other British groups followed the Beatles, creating what became known as the British Invasion. The Rolling Stones, the Animals, and the Who all soon had hits in the United States. In a strange twist, an American TV production company known as Screen Gems decided to copy the success of the Beatles by inventing a band of its own modeled on the boys from Liverpool. The Monkees consisted of four handsome actors, three of whom did not even know how to play their instruments. This did not keep them from having several number-one singles—with the music played by others. Rock music soon split into several streams. Some bands produced lighter music with pleasing lyrics to sell to pop radio stations. Other bands pursued rock music as a form of protest or a form of artistic exploration. This more mature rock music used sophisticated recording techniques and exotic instruments. Two former soft rock bands led the way: the Beach Boys with Pet Sounds (1966) and the Beatles with Sgt. Pepper's Lonely Hearts Club Band (1967). Other bands—notably those from San Francisco, California— pushed rock to have an even harder edge. The Grateful Dead, Jefferson Airplane, and Janis Joplin (1943–1970) helped create a form known as psychedelic rock. Jimi Hendrix and others experimented with sounds known as acid rock. In addition, two music festivals revealed the highs and lows of the rock and roll subculture: Woodstock (1969) and Altamont (1969).

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Pop Culture Name: _____________________________ Shen

1960’s Music Project Background: The 1960s saw a flowering of popular music styles. Unlike the 1950s, in which the birth of rock and roll dominated the decade, jazz, pop, and folk music all gathered devoted listeners in the 1960s. Rock and roll continued to grow as a musical form, with a clear split between "hard," rebellious rock and lighter, "soft" rock—which sounded a lot like pop music. Folk music was reborn in the 1960s thanks to several young performers who wanted to rescue the musical form from what they saw as its sad decline. Bob Dylan, Joan Baez, and the group Peter, Paul, and Mary adopted folk styles—simple musical arrangements played on acoustic instruments—but filled them with political commentary on contemporary issues. Their songs addressed the problems of the civil rights movement and the Vietnam War and helped them gain huge audiences. As the decade wore on, folk merged into folk-rock as performers increasingly used electrified instruments and more sophisticated songwriting. Dylan and the group Simon & Garfunkel led the way in folk rock.

Rock and roll music in the 1960s was dominated by one group: the Beatles. Launched in Liverpool, England, this four-man group first appeared in the United States in 1964 on The Ed Sullivan Show. The popularity of the Beatles remained strong throughout the decade. Other British groups followed the Beatles, creating what became known as the British Invasion. The Rolling Stones, the Animals, and the Who all soon had hits in the United States. In a strange twist, an American TV production company known as Screen Gems decided to

copy the success of the Beatles by inventing a band of its own modeled on the boys from Liverpool. The Monkees consisted of four handsome actors, three of whom did not even know how to play their instruments. This did not keep them from having several number-one singles—with the music played by others. Rock music soon split into several streams. Some bands produced lighter

music with pleasing lyrics to sell to pop radio stations. Other bands pursued rock music as a form of protest or a form of artistic exploration. This more mature rock music used sophisticated recording techniques and exotic instruments. Two former soft rock bands

led the way: the Beach Boys with Pet Sounds (1966) and the Beatles with Sgt. Pepper's Lonely Hearts Club Band (1967). Other bands—notably those from San Francisco, California—pushed rock to have an even harder edge. The Grateful Dead, Jefferson Airplane, and Janis Joplin (1943–1970) helped create a form known as psychedelic rock. Jimi Hendrix and others experimented with sounds known as acid rock. In addition, two music festivals revealed the highs and lows of the rock and roll subculture: Woodstock (1969) and Altamont (1969).

Some of the most popular music of the decade originated from Motown Records in Detroit, Michigan. Merging gospel, jazz, rhythm and blues (R&B), and rock and roll, Motown founder Berry Gordy Jr. and his team of songwriters created the bands that had some of the biggest hits of the decade. Diana Ross and the Supremes, Smokey Robinson and the Miracles, the Temptations, the Four Tops, Marvin Gaye, and Stevie Wonder all got their start at Motown.

Source: http://www.bookrags.com/history/popculture/1960s-music-bbbb-04/

Assignment: Your task is to research ONE of the bands of the 1960s and create a tri-fold poster, which provides information about the influence and importance of this band to the time and rock history. You may set the poster up however you see fit but if you need an ideas, the template below is one example of what one might do. Influence the band had on society/culture (short and long term)

Band Title Background on the band, career, major songs, etc.

Analysis of their music and/or concerts (How is the music reflective of the times? In what ways did the music influence Americans?)

Your posters should be visually appealing AND rich in content. You are both providing a history on the band and their career (with a specific focus on the 1960s) AND analyzing their impact on society and the impact society/historical happenings had on them. Note: While the choice of song/concert to analyze is up to you, it must be sufficiently rich in images and potential meanings to enable you to discuss their connection to the events and ideas of the period. Be sure to attach the complete lyrics of the song to your analysis and include basic data concerning the songwriter, the release date, etc. Please be sure to discuss and analyze the lyrics of the song and make the necessary connections between the lyrics and events of the day. Specific Instructions: 1. VISUAL COMPONENT: You are to make an informational tri-fold poster on one of the bands of the

1960s. Your visual presentations must include the following: (50 points) a. SPECIFIC and FACTUAL information. b. Visual images, including those drawn by you, images you generated on the computer, images taken

from photographs and magazines, or some combination of the three. c. Neat presentation (typed text, titles/headings, information broken down into manageable chunks

rather than big blocks of text.) Posters will be shared in a museum day format – there are NO presentations required.

2. WRITTEN REFLECTION: Based on the information on your peers’ posters, you will write a

reflection in which you draw connections between the band you profiled and another band of your choosing. (20 points)

3. MUSIC: You must submit a 2-3 song play list to me to accompany your presentation. THIS PLAYLIST SHOULD BE GIVEN TO ME AT LEAST ONE DAY IN ADVANCE OF THE POSTER DUE DATE. Playlists should include 2-3 songs which you feel represent the music of that band. Music will be played on the museum day as both an example of your artist and a source of entertainment for the class. FAILURE TO DO THIS WILL RESULT IN A LOWER GRADE. You do NOT have to purchase music – we will use Spotify to create a ‘60s playlist.

4. BIBLIOGRAPHY: your poster should include a full bibliography glued to the back of the power which

cites all text sources. You do NOT need to provide image citations.

In order to create your presentation you will need to . . .

1. Research information about your artist. More specifically find out about the musical genre that they were a part of and take notes on other similar artists or songs, the history of the band and their music. Notes should highlight how the band was shaped by the decade, as well as how the band itself shaped the culture and history of the 1960s.

2. Select images that support your topic. This might include but is not limited to concert photos, historical documents (choose somewhere between 5-10+ different pictures that offer a visual representation).

3. Select the music for your presentation. You can select up to 3 songs to sample during the museum

day.

REMEMBER that if you find any information on a website that you cut and paste that is considered PLAGARISM. All information must be properly cited in your bibliography.

Musicians of the 1960s. . .

Folk-Rock –Bob Dylan, Phil Ochs, Pete Seeger, Joan Baez, Pete Seeger Motown – The Supremes, Marvin Gaye, The Four Tops, Gladys Knight and the Pips, The Temptations Psychedelic Rock: Love, Peace and Drugs – Janis Joplin, Grateful Dead, Jimi Hendrix, Jefferson Airplane, The Doors, Pink Floyd Soul – Ray Charles, James Brown, Sam Cooke, Aretha Franklin, Otis Redding The British Invasion – Beatles, The Who, The Kinks, Rolling Stones, etc. Surf Culture & Music – Beach Boys, Dick Dale Guitar Gods – Jimi Hendrix, Eric Clapton, Jimmy Page Notable others: Creedence Clearwater Revival, Buffalo Springfield

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