pipeline for animated short

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1 Pipeline for Animated Short 1. Preproduction: establishing a story, visualising the world, planning out the action. a) Project start: responding to inspirational material thumbnail sketches, draft plans, ideas for sound design b) Analysis and discussion: establishing a range of research for support and further development of the idea selection of core art works/artists, referencing past cultural products, responding to feedback c) Art Direction and storytelling: Initial designs of sets and characters and story refinement according to story structure composition practices, shape tests, collages, mood drawings, thumbnail storyboards, initial script writing, gathering material for base soundtrack d) Concepts and Script: Finalising concepts of animation’s world and characters having a refined script for animation. e) Pre-visualizing the Animation: Storyboarding, Animatic. creating presentable storyboards, constructing an animatic with initial soundtrack, f) Pre-viz: blocking out the world of animation, setting cameras etc. all to be further used in production. g) Ending preproduction: Preparing the project to move to its production stage. animation’s dope sheets; gathering visual references for modelling; looking into tutorials needed for project’s challenges; preparing lists of objects to be modelled, establishing a production schedule ( an economic plan of animation production)

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Page 1: Pipeline for Animated Short

1

Pipeline for Animated Short

1. Preproduction: establishing a story, visualising the world, planning out the action.

a) Project start: responding to inspirational material • thumbnail sketches,

• draft plans,

• ideas for sound design

b) Analysis and discussion: establishing a range of research for support and further development of the idea

• selection of core art works/artists,

• referencing past cultural products,

• responding to feedback

c) Art Direction and storytelling: Initial designs of sets and characters and story refinement according to story structure

• composition practices,

• shape tests, collages,

• mood drawings,

• thumbnail storyboards,

• initial script writing,

• gathering material for base soundtrack

d) Concepts and Script: Finalising concepts of animation’s world and characters having a refined script for animation.

e) Pre-visualizing the Animation: Storyboarding, Animatic. • creating presentable storyboards,

• constructing an animatic with initial soundtrack,

f) Pre-viz: blocking out the world of animation, setting cameras etc. all to be further used in production.

g) Ending preproduction: Preparing the project to move to its production stage.

• animation’s dope sheets;

• gathering visual references for modelling;

• looking into tutorials needed for project’s challenges;

• preparing lists of objects to be modelled,

• establishing a production schedule ( an economic plan of animation

production)

Page 2: Pipeline for Animated Short

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2. Production: Building a Virtual World, Animating: a) Blocking the world.

• defining the spaces for further judgements

• Creating base shaders for further developments.

• Extracting the world into components for further development

b) Character’s modelling. • Blocking the shapes,

• refining model,

• judging the overall looks: adding details and tweaking

c) Refining separate environments, • bringing in the details, objects

d) UV layout . Preparing characters and environment for texturing

e) Lighting the scene and elements • Creating key lighting system

• Creating unique lighting systems according to scenes

f) Texturing:

• combining painted, photographed textures,

• using advanced texturing for reach of desired looks

g) Scene animation: animating characters, lights, elements in the scene.

• Reference for animation (finding videos, recording etc.)

• Blocking out the action

• Inbetweening animation

• Refining the performance

h) Rendering: • Creating render passes for complex scenes (Beauty, Occlusion, DOF, etc)

• Researching into render settings.

Page 3: Pipeline for Animated Short

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3. Postproduction: Bringing the Animated Short together:

a) Compositing: enhancing the looks of the animation

• Replacing/bringing in other elements (sky, grass etc.)

• enhancing colours, effects the feel etc.

b) Designing other film’s element’s (title, credits, opening and closing sequences etc.)

c) Final Editing: bringing post-produced sequences to final editing

d) Product Promotion:

• DVD and CD covers,

• posters,

• synopsis,

• The Making of etc.

e) Delivery and presentation.