photographs without negativesthe photo paper and exposing it in the darkroom. your choice of objects...

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Page 1: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

photographs without negatives

Page 2: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

A Photogram does not require a camera or a negative. It is made by placing objects directly on the photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints.

Hannah L. Shanks, 2011

Page 3: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

The Kiss, Man Ray 1922

Page 4: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

Hints:

1. Your choice and arrangement of objects creates meaning.

2. The object’s shadow is white; the exposed paper is black.

3. Objects that are opaque (do not let light through) will make hard “shadows.” Objects that are transparent or semi-transparent will let light through (creating an x-ray effect).

4. More opaque objects may require more exposure to get light through (just like a “dense” negative).

5. Objects that lay flat on the paper create hard edges; 3-dimensional objects create blurred edges.

6. Moving objects during parts of the exposure can create overlapping and blended elements.

7. Test strips will help determine exposure and time in developer (at least a minute, but you can go up to three minutes). Make sure you are getting minimum black.

Page 5: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

Objects with transparency and unique shapes work well. Arrange objects deliberately or randomly.

Page 6: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011
Page 7: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

Try layering or overlapping objects for effect.

Page 8: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

Move objects at different stages of exposure to create the illusion of movement or animation.

Page 9: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

Look for intricate patterns in natural things. A photogram can record shapes and textures, just like an X-ray.

Soap Bubbles, Berenice Abbott, 1945

Page 10: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

You can show an action and tell a story in your photogram.

Page 11: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011
Page 12: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

C C H S S t u d e n t E x a m p l e s F a l l 2 0 1 2

Page 13: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

Water by Abby Cottrill, 2012

Page 14: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

Lace by Abbey Ojemann, 2012

Page 15: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

Leaves by Alana Gushue, 2012

Page 16: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

Falling Feathers by Emma Reichheld, 2012

Page 17: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

Vinyl by Julian Hochmuth, 2012

Page 18: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

Puzzle by Luke Cogliano, 2012

Page 19: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

Lightbulbs by Natalie Hobson, 2012

Page 20: photographs without negativesthe photo paper and exposing it in the darkroom. Your choice of objects and their arrangement create unique one of a kind prints. Hannah L. Shanks, 2011

Assignment:

You must create TWO photograms.

For your first, focus on design: ★ transparency ★ reflection ★ arrangement ★ layering ...and so on. Choose the most interesting objects or substances you can find. Experiment!

For your second photogram, focus on creating meaning: ✴ stage a scene ✴ use an object or objects

meaningful to you ✴ say something about an issue--

something you want to see in the world or something that bothers you

Untitled, Heinz Hajek-Halke, 1950