philips - edition peters...tenor bass a p - las, a pp-las,soulful (q = c.84) poco rit. a p-las,...

Contemporary

PhiliPs

No. 72301

Sorowfull Songesfor SATB a cappella

SoloTenor

Soprano

Alto

Tenor

Bass

He

mp

Contemplativeq = c.50

mm

pp lontano

mm mm mm mm

mm

pp lontano

Edition Peters No. 72301Copyright © 2012 by Hinrichsen Edition, Peters Edition Limited, London

T. Solo

S.

A.

T.

B.

dolce e espressivo

is not dead, that some time- had a fall.

5

mm mm mm mm mm

mm mm mm mm

mm

pp lontano

Stood forward from the ensemble

Sir Thomas Wyatt

He is not dead, that somtime had a fall.The Sun returnes, that hid was under clowd.And when Fortune hath spit out all her gall,

I trust, good luck to me shall be alowd.For, I have seen a ship in haven fall,

After that storme hath broke both maste, & shroud,The willow eke, that stoupeth with the winde,Doth rise againe, and greater wood doth binde.

I. The lover hopeth of better chance

Julian Philips

Chorus: humming with slighly open mouth.Plain, instrumental sound.

(sim.)

(sim.)

T. Solo

S.

A.

T.

B.

The Sun re turnes,- that hid was un der-

19

mm mm mm mm mm

mm mm mm

mm mm mm

mm

pp lontano

mm

T. Solo

S.

A.

T.

B.

clowd. And when For

mf

tune- hath

più marcato

spit out

13

mm mm

poco cresc.

mm mm mm mm

mm mm

poco cresc.

mm mm

mm

poco cresc.

mm

poco cresc.

mm

3

3

(sim.)

2

Tenor

Bass

A

p

- las, a

pp

las,-

Soulful(q = c.84)

poco rit.

A

p

las,- a

pp

las,-

A

p

las,- - - - - -

pp

A

p

las,- - - - - -

pp

T.

B.

a

mf

las,- for

p leggiero

steal ing- of a kisse,

Now faster(q = c.112)1

4

mf

for

p leggiero


a

mf

las,- Ma

mp leggiero

dame,- for

p leggiero


a

mf

las,- Ma

mp leggiero

dame,- for

p leggiero


II.To his love whom he had kissed against her will.

Alas, Madame, for stealing of a kisse,Have I so much your minde therein offended?

Or have I done so grievously amisse:That by no meanes it may not be amended?Revenge you then, the rediest way is this: Another kisse my life it shal have ended.For, to my mouth the first hart did suck:

The next shal clene out of my brest it pluck.

Julian PhilipsSir Thomas Wyatt

7

T.

B.

Have

mp più legato e dolce

I so much your minde there in- of fen

mf

- ded?-

7

Have


I so much, minde there in- of fen

mf

- ded?-

Have


I so much, minde of fen

mf

- ded?-

so


much, minde of fen

mf

- ded?-

T.

B.

Or

p leggiero

have I done so grie vous- ly- a misse:- That

mp210

Or

p leggiero


mp

Or

p leggiero


mp

Or

p leggiero

have I done so grie vous- ly- a misse:-

8

Soprano

Alto

Tenor

Bass

Dri

pp hushed

ven- by de sire- I did this dede To

Secretive chorale(q = c.60)

Dri

pp hushed


Dri

pp hushed


Dri

pp hushed


S.

A.

T.

B.

dan ger- my self- with out- cause why: To

pp

trust thun - true not

14


pp



pp



pp


Julian Philips

Driven by desire I did this dedeTo danger my self without cause why:

To trust thuntrue not like to spede,To speake and promise faithfully:But now the proofe doth verifie,

That who so trusteth ere he know,Doth hurt himself and please his foe.

III. Of sodaine trusting

Sir Thomas Wyatt

3

3

3

3

13

S.

A.

T.

B.

like to spede, To speake

p

and pro mise-

7


p

and pro mise-


p

and pro mise-


p

and pro mise-

S.

A.

T.

B.

faith ful- ly:- But

pp ma cresc.

now the proofe doth

Poco più animato2

10

faith ful- ly:- But

pp ma cresc.

now the proofe doth

faith ful- ly:- But

pp ma cresc.

now the proofe doth

faith ful- ly:- But

pp ma cresc.

now the proofe doth

S.

A.

T.

B.

ve ri- fie,- That

mp

who so trust eth- ere he know

13

ve ri- fie,- That

mp


ve ri- fie,- That

mp


ve ri- fie,- That

mp


3

3

3

3

14

Soprano

Alto

Tenor

Bass

Playful(q = c.120)

had

p

A

p leggiero

La dy- gave me a gift she had

A

p leggiero

La dy- gave me a gift she had

A.

T.

B.

not,

sfz

toke

p5

And

p

I re ceived her gift which I toke

And

p

I re ceived her gift which I toke

Julian PhilipsSir Thomas Wyatt

A Lady gave me a gift she had not,And I received her gift which I toke not,

She gave it me willingly, and yet she would not,And I received it, albeit, I could not,

If she give it me, I force not,And if she take it againe she cares not.

Conster what this is and tel not,For I am fast sworne I may not.

IV. A riddle of a gift geven by a Ladie.

Solo

2 soli

16

A.

T.

B.

not,

sfz19

She

mp

gave it me wil

molto legato

ling- ly,- and yet, she

She

mp

gave it me wil

molto legato

ling- ly,- and yet, she

S.

A.

T.

B.

would

p

not,

sfz13

would

p

not,

sfz

would And

mp

I re ceived- it, al be- it,- I

would And

mp

I re ceived- it, al be- it,- I

S.

A.

T.

B.

could

p

not,

mf

force

p

not,

sfz217

could

p

not,

mf

force

p

not,

sfz

could If

mf

she give it me, I

marcato

force

could If

mf

she give it me, I

marcato

force

could If

mf

she give it me, I

marcato

force

could If

mf

she give it me, I

marcato

force

Tutti:

ten.

ten.

17

Soprano

Alto

Mar

p

vell- no more al tho- The songes, I sing do

Flowingq = c.112

Mar

p

vell- no more al tho- The songes, I sing do

do

p

Sir Thomas Wyatt Julian Philips

Marvell no more althoThe songes, I sing do mone:

For other life then wo, I never proved none.

And in my hart also,Is graven with letters depeA thousand sighes and mo:

A flood of teares to wepe.

How may a man in smartFinde matter to rejoyce?

How may a moorning hartSet foorth a pleasant voyce.

Play who so can, that part:Nedes must in me appere:How fortune overthwart

Doth cause my moorning chere.

Perdy these is no man,If he saw never sight:That perfitly tell can

The nature of the light.

Alas: how should I than,That never taste but sowre:

But do, as I began, Continually to lowre.

But yet perchance some chanceMay chance to change my tune:

And when (Souch) chance doth chance: Then shall I thank fortune.

And if I have (Souch) chance:Perchance ere it be long:

For (Souch) a pleasant chance.To sing some pleasant song.

V. The lovers sorowfull state maketh him write sorowfull songes,

but (Souche) his love may change the same.

21

S.

A.

mone:

mp

For

p

o ther- life than wo, I ne ver- pro ved-

5

mone:

mp

For

p

o ther- life than wo, I ne ver- pro ved-

mone:

mp

o

p

ther- life than wo, than wo ne ver- pro ved-

S.

A.

none. And

p

in my hart al so,- Is gra ven-

19

none. And

p

in my hart al so,- al so,-

I ne ver- pro ved- none.

p

none.

p

Is gra ven-

S.

A.

with let ters- depe

mp

A

p

thou sand- sighes and mo: A

13

let ters- depe

mp

thou

p

sand- sighes and mo, A

let ters- depe

mp

thou

p

sand- sighes and mo, and mo:

with let ters- depe

mp

A

p

thou sand- sighes and mo: A

22

ContemporaryP

hiliP

S

Sorow

full Songes

Edition Peters N

o. 72301

w w w.e d i t i o n p e t e r s . c o m

Julian Philips studied music at Emmanuel College, Cambridge, and his compositions have been performed at major festivals and venues including the Proms, the Tanglewood Music Festival, Welsh National Opera and Glyndebourne. A significant composer of operatic music, Philips’ work includes Followers, The Yellow Sofa, and Knight Crew (libretto by Nicky Singer), commissioned by Glyndebourne (2010). Welsh National Opera commissioned two chamber operas, Dolffin and Wild Cat. Other works include two ballets for English National Ballet, Les Liaisons Dangereuses and The Snow Queen. Julian Philips is honorary Fellow of, and was made head of Composition at, the Guildhall School of Music in 2004. he has also taught at Cambridge.

Julian Philips studierte Musik am Emmanuel College in Cambridge. Seine Kompositionen sind bei führenden Festivals und in renommierten häusern erklungen, darunter die BBC Proms, das Tanglewood Music Festival, Welsh National Opera und das Opernfestival im englischen Glyndebourne. Philips ist ein bedeutender Opernkomponist, und seinen Schaffen umfasst die Bühnenwerke Followers, The Yellow Sofa sowie Knight Crew (2010), ein Auftragswerk für Glyndebourne auf ein libretto von Nicky Singer. Zwei Kammeropern, Dolffin und Wild Cat, entstanden im Auftrag der Welsh National Opera. Zu weiteren Werken gehören zwei Ballette für das English National Ballet, nämlich Les Liaisons Dangereuses und The Snow Queen. Julian Philips ist „honorary Fellow“ der Guildhall School of Music, wo er 2004 zum leiter der Kompositionsabteilung ernannt wurde. Außerdem lehrte er in Cambridge.

Julian Philips

philips - edition peters...tenor bass a p - las, a pp-las,soulful (q = c.84) poco rit. a p-las,...

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