perspective rus 101: integrated studio. ‘the monalisa’ (leonardo da vinci, 1505)

PERSPECTIVE

RUS 101: INTEGRATED STUDIO

‘The Monalisa’ (Leonardo da Vinci, 1505)

HAPPY

DISGUSTED

FEARFUL


ANGRY 2%

HAPPY 83%

DISGUSTED 6%

FEARFUL 6%

‘analysed by a University of Amsterdam computer using “emotion recognition” software’ (BBC)


‘EMOTION RECOGNITION SOFTWARE’

(Courtesy of HBP, USM)

PERSPECTIVEPERSPECTIVE

as an IMAGE..

mazran ismailPresented by:

“not all 3D drawings are PERSPECTIVES”

Non-perspective 3D drawings: Axonometric Projections

‘Dimetric’

‘Isometric’

‘Trimetric’

(Source: www.en.wikipedia.org)

PERSPECTIVE (from Latin ‘perspicere’-to see through)

“is an image as it is perceived by the eye”

‘Interior of St. Paul Outside the Walls, Rome’ (Giovannni Battista Piranesi, 1740)

Black & White Linear Perspective

Perspectives in different styles / approaches


(Light) Coloured Paintings (e.g. impressionism)

‘Boulevard Montmarte’ (Camille Pissarro, 1897)

‘The Boardwalk at Trouville’ (Monet, 1870)

(Bright) Coloured Paintings (e.g. expressionism)

‘Old Town II’ (Wassily Kadinsky, 1902)

‘Starry Night’ (Vincent Van Gogh, 1888)


with ‘Unconsious Mind’ (e.g. surrealism)

‘‘The Persistence of Memory’ (Salvador Dali, 1931)

‘Fauna in La Mancha’(Vladimir Kush, 2007)


Loose Sketch

‘Six’s Bridge’ (Rembrandt, 1645)


Architect’s Perspective: Santiago Calatrava

Completed building

Turning Torso, Sweden (2005)

Initial idea in sketch

Architect’s Perspective: Jørn UtzonSydney Opera House (1959-1973)

Completed building

Initial idea in sketch

Architect’s Perspective: Frank O. GehryWalt Disney Concert Hall, New York (2003)

Initial idea in sketch Completed building

Architect’s Perspective: Frank O. GehryGuggenheim Museum, Bilbao (1997)

Completed buildingInitial idea in sketch

Architect’s Perspective: Norman Foster

Initial idea in sketch Completed building

Swiss Re Headquarters, London (2004)

‘PERSPECTIVE’ as

A MEDIUM OF COMMUNICATIONin BUILT ENVIRONMENT

“to provide the people an image of how the building/project will look when it is built”

Examples : HBP Students’ perspectives

Exterior Perspectives

Exterior Perspectives


Interior Perspective Sectional Perspective


TYPES OF PERSPECTIVE DRAWING:

1)One-point Perspective2)Two-point Perspective3)Three-point Perspective

4)Multi-point Perspective (will not be covered in this lesson)

..depends onthe number of vanishing points in the perspective drawing

‘ONE-POINT PERSPECTIVE’ -used when one face of the object is perpendicular to the line of our sight/view


‘ONE-POINT PERSPECTIVE’

Vanishing point


-used when one face of the object is perpendicular to the line of our sight/view

‘TWO-POINT PERSPECTIVE’

-used when an object is not directly facing us


‘THREE-POINT PERSPECTIVE’ -used for buildings seen from above (bird’s eye view) or below (worm’s eye view)


-used for buildings seen from above (bird’s eye view) or below (worm’s eye view)


‘THREE-POINT PERSPECTIVE’

RUS 101: INTEGRATED STUDIO

ESQUISSE

DRAWING A 1-POINT PERSPECTIVE

How to DRAW A 1-POINT PERSPECTIVE ?

fundamental: 1) STATION POINT

2) HORIZON LINE

3) VANISHING POINT

4) CONVERGENCE LINES

5) GROUND LEVEL

6) PICTURE PLANE


2) HORIZON LINE

3) VANISHING POINT


5) GROUND LEVEL

6) PICTURE PLANE

the position from which the observer views the object


2) HORIZON LINE

3) VANISHING POINT


5) GROUND LEVEL

6) PICTURE PLANE

the line at which the earth and sky appear to meet / eyelevel of the viewer


2) HORIZON LINE

3) VANISHING POINT


5) GROUND LEVEL

6) PICTURE PLANE

the point(s) at which the horizon line and the convergence lines meet and diminish


2) HORIZON LINE

3) VANISHING POINT


5) GROUND LEVEL

6) PICTURE PLANE

the diagonal lines that can be drawn along receding parallel lines (or rows of objects) to the vanishing point


2) HORIZON LINE

3) VANISHING POINT


5) GROUND LEVEL

6) PICTURE PLANE

the horizontal plane representing the ground on which the viewer is standing


2) HORIZON LINE

3) VANISHING POINT


5) GROUND LEVEL

6) PICTURE PLANE

the imaginary line that slices through the cone of vision. Used to record the ‘image' that the eye sees.


2) HORIZON LINE

3) VANISHING POINT


5) GROUND LEVEL

6) PICTURE PLANE

Drawing A 1-Point Perspective: the simplest way

SITUATION: Without any plan & elevation

1) Draw the Horizon Line

Horizon Line

2) Decide the Vanishing Point (VP)

Horizon Line

VP

3) Draw the Horizontal and Vertical Lines to form the front of the object

Horizon Line

VP

Horizontal

Vertical

4) Draw in Convergence Lines

Horizon Line

VP

5) Draw again the Horizontal and Vertical lines

Horizon Line

VP

6) Complete the form of the objects

Horizon Line

VP

7) Finishing up (erase the convergence lines)

Horizon Line

VP

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‘A ONE-POINT PERSPECTIVE’(without plan & elevation)

YOUR TASK (right now)

is to look, see & sketch…

OF

WHATEVER

you think that it could be drawn in ‘1-POINT PERSPECTIVE’,

A walkway towards a building

(Source: www.en.wikipedia.org)

A walkway between two buildings

A walkway inside a building

or ANYTHING else that you could see…

as long as,

YOUR DRAWING HAS:

*Keywords in Perspective: ‘…things appear smaller the further they are away….’

as long as,

YOUR DRAWING HAS:

Horizon Line


as long as,

YOUR DRAWING HAS:


Horizon Line

Vanishing Point (VP)

as long as,

YOUR DRAWING HAS:

Horizon Line


Convergence Lines


as long as,

YOUR DRAWING HAS:

Horizon Line


Convergence Lines

Object/s


SKETCH IT…SKETCH IT… with a pencil on A3 paper

in black & white

with no ruler with no eraser

Please do it in 15 minutes..(Courtesy of HBP, USM)

perspective rus 101: integrated studio. ‘the monalisa’ (leonardo da vinci, 1505)

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