paula САМБ to my room again last night. i heard …her light step and the striking grace that...

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Paula 31S tary impeded that. Democracy would crawl forward at the slow and zigzagging pace of the crab. PAULA САМБ TO MY ROOM AGAIN LAST NIGHT. I HEARD HER ENTER WITH her light step and the striking grace that was hers before the ravages of her illness; in her nightgown and slippers, she climbed onto my bed and sat at my feet and talked to me in the voice she used to exchange confidences. "Listen, Mama, wake up. I don't want you to think you're dreaming. I've come to ask for your help. . . . Í want to die and I can't. Í see a radiant path before me, but I can't take that first step, something is holding me. All that's left in my bed is my suffering body, degenerating by the day; I perish with thirst and cry out for peace, but no one hears me. I am so tired! Why is this hap- pening? You, Mama, who are always talking about your f r i e n d l y spirits, ask them what my mission is, what I have to do. I suppose there is nothing to fear, death is just a threshold, like birth. I'm sorry I can't keep my memory, but I have been detaching myself from it, anyway; when I go I will go naked. The only recollection I'm taking with me is of the loved ones I leave behind; I will always be with you in some way. Do you remember the last thing I was able to whisper to you before I slipped into this long night? 'I love you, Mama,' that's what I said. I'm telling you again, now, and 1 will tell you in dreams every night of your life. The only thing holding me back a little is having to go alone; if you took my hand it would be easier to cross to the other side—the infinite loneliness of death frightens me. Help me one more time, Mama. You've fought like a lioness to save me, but reality is overpowering you. It's all useless now; give up, stop the doctors and medicines and prayers, because nothing will make me healthy again, there will be no miracle, no one can change the course of my destiny and I don't want it anyway; I have lived my time and I want to say goodbye. Everyone in the family understands that but you; I am eager to be free, you're the only one who hasn't accepted the fact that I will never be as I was before. Look at my wasted body, think of how my soul wants to escape and the terrible

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Page 1: PAULA САМБ TO MY ROOM AGAIN LAST NIGHT. I HEARD …her light step and the striking grace that was hers before the ravages of her illness; in her nightgown and slippers, she climbed

Paula 31S

t a ry i m p e d e d that . D e m o c r a c y w o u l d crawl f o r w a r d at t he s low and

zigzagging pace of t he crab .

PAULA САМБ TO MY ROOM AGAIN LAST NIGHT. I HEARD HER ENTER WITH

her light step and the striking grace that was hers before the ravages

of her illness; in her nightgown and slippers, she climbed onto my

bed and sat at my feet and talked to me in the voice she used to

exchange confidences. "Listen, Mama, wake up. I don't want you to

think you're dreaming. I've come to ask for your help. . . . Í w a n t t o

d ie and I can ' t . Í see a r ad ian t p a t h b e f o r e m e , b u t I c a n ' t t ake tha t

f irst s tep , s o m e t h i n g is h o l d i n g m e . All t h a t ' s l e f t in my b e d is m y

suf fe r ing body, degene ra t ing by the day; I pe r i sh wi th th i r s t and c ry

o u t f o r peace , b u t n o o n e hears m e . I a m so t i red! W h y is this h a p -

pen ing? You, M a m a , w h o are always talking a b o u t y o u r f r i e n d l y spirits,

ask t h e m w h a t m y miss ion is, w h a t I have t o do . I s u p p o s e t h e r e is

n o t h i n g to fear, dea th is j u s t a t h re sho ld , like b i r th . I ' m s o r r y I c a n ' t

k e e p my m e m o r y , b u t I have b e e n d e t a c h i n g myself f r o m it, anyway;

w h e n I go I will go naked . T h e only reco l lec t ion I ' m tak ing w i t h m e

is of t he loved ones I leave b e h i n d ; I will always b e wi th you in s o m e

way. D o you r e m e m b e r t he last th ing I was able to wh i spe r to you

b e f o r e I s l ipped in to this long night? 'I love you , M a m a , ' t ha t ' s w h a t

I said. I ' m tell ing you again, now, a n d 1 will tell you in d r e a m s every

n igh t of your life. T h e only th ing ho ld ing m e back a little is having

t o go alone; if you t o o k my h a n d it w o u l d b e easier t o c ross to t he

o t h e r s i d e — t h e inf in i te lonel iness of d e a t h f r igh tens m e . H e l p m e

o n e m o r e t ime , M a m a . You've fough t like a l ioness t o save m e , b u t

reality is ove rpower ing you . I t ' s all useless n o w ; give up , s t op the

d o c t o r s and m e d i c i n e s a n d prayers , because n o t h i n g will m a k e m e

hea l thy again, t h e r e will b e n o mirac le , n o o n e can change t h e

c o u r s e of my dest iny and I d o n ' t w a n t it anyway; I have lived my

t i m e and I w a n t to say goodbye . Eve ryone in t h e family u n d e r s t a n d s

t ha t b u t you; I am eager t o be f ree , y o u ' r e t he only o n e w h o h a s n ' t

accep ted the fact tha t I will never b e as I was be fo re . Look at m y

was t ed body, t h i n k of h o w m y soul wan t s to escape a n d t h e t e r r ib le

Page 2: PAULA САМБ TO MY ROOM AGAIN LAST NIGHT. I HEARD …her light step and the striking grace that was hers before the ravages of her illness; in her nightgown and slippers, she climbed

316 Isabel Allende

b o n d s ho ld ing it back. O h , vieja, this is so ha rd fo r m e , 'and:I k n o w

it is fo r you, too . W h a t can w e do? In Chile , my g r a n d p a r e n t s are

praying for m e and my fa the r is cl inging to the. poe t i c recol lec t ion of

a spectral daughter , whi le on t he o t h e r side of this c o u n t r y E rnes to

is floating in a sea of ambigui ty , still u n a w a r e t ha t h e has lost m e

forever. Actually, h e is a l ready a widower , b u t h e can ' t w e e p for m e

o r love a n o t h e r w o m a n as long as my b o d y is b r ea th ing h e r e in your

house . In o u r br ief t ime together , w e w e r e ve ry happy; I a m leaving

h im so m a n y g o o d m e m o r i e s tha t h e w o n ' t have years e n o u g h to

exhaus t therçi. Tell h i m I will never fo rsake h im, he will never be

alone; I will b e his guard ian angel, as I will b e yours . T h e twenty-

eight years you a n d I sha red w e r e happy, too ; d o n ' t t o r t u r e yourself

th ink ing a b o u t w h a t cou ld have b e e n , th ings you wish y o u had d o n e

differently, omiss ions , mis takes . . . . G e t all t ha t ou t of y o u r head!

Af te r I die, w e will stay in con t ac t t h e way y o u d o w i t h y o u r grand-

pa ren t s and Granny ; I will b e in y o u as a cons tan t , s o f t p resence , I

will c o m e w h e n y o u call, c o m m u n i c a t i o n will be easier w h e n you

d o n ' t have t h e m i s e r y of m y sick b o d y b e f o r e you a n d you can see

m e as I was in t h e g o o d days. D o you r e m e m b e r tha t t i m e we

d a n c e d the paso doble in t h e s t reets of Toledo, leaping over puddles

and laughing in t h e ra in b e n e a t h o u r black umbre l la? A n d the star-

t led faces of t h e Japanese tour i s t s t ak ing p i c tu r e s of us? T h a t ' s h o w I

w a n t y o u t o see m e f r o m n o w on : two b e s t f r iends , two happy

w o m e n defy ing t h e rain. Yes, I had a g o o d life. . . . I t ' s so ha rd t o let

go of t h e wor ld ! Bu t I c a n ' t b e a r t h e m i s e r y of t he seven years Dr.

Sh ima p red i c t ed ; my b r o t h e r knows tha t , a n d he is t h e only o n e

wi th e n o u g h courage to set m e f ree . I w o u l d d o the s ame for h im.

Nicolas has never fo rgo t t en o u r o ld complicity, a n d h e has clear

ideas a n d a s e r e n e hear t . D o you r e m e m b e r h o w he d e f e n d e d m e

f r o m t h e shadows of t he d r agon at t h e w i n d o w ? You c a n ' t imagine

h o w m u c h mischief yve h id f r o m you , h o w w e fooled you to p ro t ec t

each o ther , h o w m a n y t imes you p u n i s h e d o n e for s o m e t h i n g the

o t h e r had d o n e , w i t h o u t o u r ever telling. I d o n ' t expec t you to he lp

m e die, n o o n e can ask tha t of you , only t ha t you n o t ho ld m e back

any longer. Give Nicolas a chance . H o w can he give m e a h a n d if

you never leave m e alone? Please d o n ' t grieve, M a m a . . . ."

"Wake u p , y o u ' r e c ry ing in y o u r s leep!" I hear Wil l ie ' s voice

Page 3: PAULA САМБ TO MY ROOM AGAIN LAST NIGHT. I HEARD …her light step and the striking grace that was hers before the ravages of her illness; in her nightgown and slippers, she climbed

Paula 317

c o m i n g f r o m a great d is tance , and , w i t h o u t o p e n i n g my eyes, I t r y

t o s ink f a r the r in to t he da rknes s so my daugh te r will n o t d i sappear :

this m a y be h e r last visit, 1 may never hear h e r voice again. "Wake

u p , wake u p , i t 's a n igh tmare . . . . " My h u s b a n d is shaking m e .

"Wai t f o r m e , Paula! I w a n t to go wi th you!" I sc ream, and t h e n he

t u r n s on the l ight and tries t o p u t his a r m s a r o u n d m e , b u t I p u s h

h i m away b r u s q u e l y because she is smi l ing at m e f r o m t h e doorway,

l i f t ing o n e h a n d t o wave goodbye b e f o r e vanishing d o w n t h e hallway,

h e r wh i t e n igh tgown f loat ing like wings and h e r ba re fee t barely

b r u s h i n g the ca rpe t . Beside m y b e d are h e r r abb i t f u r s l ippers .

J u a n c a m e t o pa r t i c ipa t e in a t w o - w e e k theological seminar . H e

was very busy analyzing G o d ' s mot ives , b u t h e f o u n d a way t o

s p e n d h o u r s w i t h m e and w i t h Paula. Ever s ince giving u p his

M a r x i s t conv ic t ions to devo te h imse l f t o divine s tudies , s o m e t h i n g

I c a n n o t p u t m y fìnger o n has changed in his p e r s o n : t h e slightly

t i l ted head , t h e s lower ges tures , t h e m o r e c o m p a s s i o n a t e gaze, t he

m o r e r e s t r a i n e d v o c a b u l a r y — n o w h e d o e s n ' t e n d each s e n t e n c e

w i t h a swear w o r d , as h e used to. D u r i n g this visit I p l an t o shake

t ha t air of so l emni ty a lit t le; it w o u l d b e t o o m u c h if rel igion kil led

his sense of h u m o r . My b r o t h e r desc r ibes h imse l f in his ro l e as pas -

t o r as a manager of suffering; h is h o u r s a re ea ten u p wi th c o n s o l i n g

a n d t r y i n g t o h e l p p e o p l e w h o have n o h o p e , in a d m i n i s t e r i n g t h e

scarce r e s o u r c e s available f o r t h e dying, t he d r u g addic t s , t he p r o s -

t i tu tes , t h e a b a n d o n e d ch i ld ren , a n d o t h e r w r e c k s in t h e m u l t i t u d i -

n o u s C o u r t o f Mirac les t ha t m a k e s u p humani ty . H i s h e a r t c a n n o t

s t r e t c h far e n o u g h t o e m b r a c e so m u c h pa in . Since h e lives in t h e

m o s t conse rva t ive a rea of t h e U n i t e d States, t o h i m Ca l i fo rn i a

s e e m s like a l and of w e i r d o s . By c h a n c e , h e w i t n e s s e d a gay p a r a d e ,

an e x u b e r a n t D ionys i an carnival , a n d t h e n in Berkeley, h e a t t e n d e d

f r enz i ed d e m o n s t r a t i o n s fo r a n d against a b o r t i o n , poli t ical wrang le s

on t h e univers i ty c a m p u s , a n d a conven t ion of s t r e e t evangelists

s h o u t i n g the i r d o c t r i n e s a m i d beggars a n d aging h ipp ies , t h e last

r e m n a n t s of t h e sixties, still w i th t h e i r shell neck laces a n d f lowers

p a i n t e d on t h e i r cheeks . Horr i f ied . , J u a n l e a r n e d t ha t a t t he s e m i -

n a r y cour ses a r e o f f e r e d in The Theology of the Hula Hoop and How to

Earn a Living Making Fun of the-Bible. Every t ime th is be loved b r o t h e r

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j j g Isabel Allende

c o m e s , w e m o u r n Paula 's f o r t u n e , f i nd ing s o m e r e m o t e c o r n e r of

t h e h o u s e w h e r e n o o n e cań see us, b u t w e also laugh as w e did w h e n w e w e r e young, w h e n w e w e r e d iscover ing the w o r l d and

thought w e w e r e invincible. I can tell h i m even the m o s t secret things I l isten to his counsel as I rattle pans m t h e k i tchen to cook u p n e w vegetarian dishes for h i m — a poin t l ess l abo r s ince h e barely

pecks at his f o o d : his n o u r i s h m e n t is ideas a n d b o o k s . H e spends

long h o u r s a lone w i t h Paula, I t h ink , praying. H e n o l o n g e r wagers

she will ge t well ; h e says t h a t t h e p r e s e n c e of h e r spi r i t in t h e house

is ve ry s t rong , t h a t she is c lear ing spi r i tual pa ths t o us a n d sweep-

ing o u r lives c lean of trivia, leaving only t h e essent ial . I n h e r

wheelchai r , vacan t -eyed , mot ion les s , pa le , she is an angel o p e n i n g

d o o r s t o t h e divine so w e may g l impse its immensi ty .

"Paula is gett ing ready to leave t he wor ld . She is exhausted, Juan.

" W h a t d o y o u p lan t o d o ? "

"I w o u l d he lp h e r d ie if I k n e w how." " D o n ' t even t h ink of iti You w o u l d ca r ry a b u r d e n of guilt tor

t he res t of y o u r days." «But I will feel even m o r e guilty if I leave he r m th is mar ty r -

d o m . . . . W h a t will h a p p e n if 1 d ie b e f o r e she does? Imag ine tha t

I ' m gone , w h o w o u l d take care of her? " T h a t m o m e n t ha sn ' t c o m e , y o u gain n o t h i n g by ge t t ing ahead

of yourself . Life a n d d e a t h have the i r t i m e . G o d never sends us suf-

fe r ing w i t h o u t t h e s t reng th to b e a r i t . "

"You're p r each ing at m e , Juan , like a pr ies t . . . .

"Paula d o e s n ' t be long to you . You shou ld n o t p r o l o n g h e r h ie

artificially, b u t ne i t he r shou ld y o u s h o r t e n i t ." " H o w far does 'art if icial ' go? Have you seen the hospi ta l I have

downsta i r s? I con t ro l every f u n c t i o n of h e r body ; I m e a s u r e every

d r o p of w a t e r t ha t goes in to h e r sys tem, and ther.e a re a dozen b o

ties and syringes o n h e r table. A n d s ince she c a n ' t swallow for h e r -

self, if I d o n ' t f e e d h e r t h r o u g h t ha t t u b e m h e r s t o m a c h , she wi

d ie of h u n g e r w i th in a w e e k . " ^ " W o u l d y o u b e able t o w i t h h o l d f o o d f r o m her?

" N o never. Bu t if i k n e w h o w t o speed u p he r d e a t h w i t h o u t

pain , I t h i n k I w o u l d d o it. If I d o n ' t , s o o n e r o r la ter Nicolás will,

a n d it i sn ' t fair fo r h i m to take o n t ha t responsibility. I have a han -

Page 5: PAULA САМБ TO MY ROOM AGAIN LAST NIGHT. I HEARD …her light step and the striking grace that was hers before the ravages of her illness; in her nightgown and slippers, she climbed

Paula 319

fu l of s leeping pills I 've b e e n keep ing for m o n t h s , b u t I d o n ' t k n o w

if t hey ' r e e n o u g h . "

" O h , Isabel. . . . H o w m u c h can you su f fe r?"

"I d o n ' t know. I t h ink I ' m at t he e n d of my s t rength . If only I

cou ld give h e r my life and d ie in h e r place. I ' m lost, I d o n ' t k n o w

w h o I a m , I t r y t o r e m e m b e r w h o I was o n c e b u t I f ind only dis-

guises, masks, p ro jec t ions , t h e c o n f u s e d images of a w o m a n I can ' t

recognize . A m I t he femin is t I t h o u g h t I was, o r t he fr ivolous girl

w h o appea red on television w e a r i n g n o t h i n g b u t os t r ich feathers?

T h e obsessive m o t h e r , t h e un fa i th fu l wife , t he fearless adventurer , o r

t he cowardly w o m a n ? A m I t h e p e r s o n w h o he lped poli t ical fugi-

tives find asylum o r t he o n e w h o r an away because she c o u l d n ' t

h a n d l e fear? Too m a n y con t rad ic t ions . . . . "

"You're all of t h e m , a n d also t h e samura i w h o is ba t t l ing

d e a t h . "

"Was batt l ing, Juan . I 've los t . "

Di f f icu l t t imes. Weeks of such anxiety t ha t I d o n ' t w a n t t o see any-

o n e ; I can barely speak o r ea t o r sleep; 1 w r i t e f o r h o u r s o n end . I

k e e p losing weight . Un t i l now, I was so busy fighting Paula 's illness

t ha t I could deceive myself, imagine t ha t I could w i n this ba t t le of

T i tans , b u t n o w tha t I k n o w Paula is going, m y e f for t s a re absurd .

She is w o r n ou t ; tha t ' s w h a t she tells m e in d r e a m s at n ight and

w h e n I wake at d a w n and w h e n I a m walking in t h e fo res t and the

b r eeze carr ies h e r w o r d s t o m e . O n t h e sur face , eve ry th ing seems

m o r e o r less t he s a m e — e x c e p t f o r t h o s e u r g e n t messages, h e r ever-

w e a k e r voice asking for he lp . I a m n o t t he only o n e w h o hears it,

t h e w o m e n w h o he lp m e care f o r h e r a re beg inn ing to say the i r

adieus . T h e masseuse dec ided it was n o t w o r t h w h i l e t o c o n t i n u e h e r

sessions because , as she said, " O u r girl is n o t r e s p o n d i n g . " T h e

phys io therap i s t called, s t a m m e r i n g , t o n g u e - t i e d wi th apologies,

unt i l finally he confes sed tha t Paula 's i ncurab le illness was af fec t ing

his energy. T h e den ta l hygienis t c ame , a y o u n g w o m a n Paula 's age,

wi th t h e same long ha i r a n d th ick eyebrows , so m u c h like h e r they

cou ld pass for sisters. Every two weeks , s h e cleans Paula 's t e e t h wi th

great, delicacy, so she w o n ' t h u r t her, t h e n hu r r i e s away w i t h o u t let-

t ing m e see he r face, t r y i n g t o h i d e h e r e m o t i o n s . She r e fu se s t o

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320 Isabel Allende

charge anything; u p till now, t he r e ' s b e e n n o o p p o r t u n i t y for he r to

h a n d m e a bill. W e w o r k together , because Paula b e c o m e s rigid

w h e n anyone tr ies to t o u c h h e r face; only I can o p e n h e r m o u t h and

b r u s h h e r t ee th . Th is visit I no t i ced t h e hygienist was w o r r i e d ; n o

m a t t e r h o w carefully I d o d i e daily cleaning, t h e r e a re p r o b l e m s

w i t h Paula 's gums . Dr. Sh ima o f t e n c o m e s by o n the way f r o m w o r k

a n d br ings m e messages f r o m his I C h i n g sticks. W e s t and close to

t he b e d , ta lking a b o u t t h e soul and accep t ing dea th . " W h e n she

leaves us, I will feel a great void ," h e says. " I ' m used t o Paula now,

she ' s very i m p o r t a n t in my life." Dr . F o r r e s t e r seems uneasy, too .

Af t e r h e r last examina t ion , she was s i lent fo r a l ong t i m e whi le she

t h o u g h t over h e r diagnosis , and finally she said t ha t f r o m a clinical

p o i n t of view lit t le had changed ; never the less , she said, Paula seems

less and less w i t h us: she sleeps t o o m u c h , h e r eyes a re glassy, she

d o e s n ' t r eac t t o noises anymore , h e r ce rebra l f u n c t i o n s a re d imin -

ished. Bu t in spi te of everything, she is m o r e beau t i fu l : he r hands

and ankles a re finer, h e r n e c k longer, h e r pale cheeks dramatical ly

emphas i ze h e r l o n g b lack eyelashes. H e r face has an angelic expres -

sion, as if finally she h a d ob l i t e ra ted all d o u b t a n d f o u n d the divine

f o u n t she h a d sought so resolutely. She is so d i f f e r en t f r o m me! I

c a n ' t recognize anyth ing of m e in her . O r of my m o t h e r o r my

g r a n d m o t h e r — e x c e p t t h e large, da rk , slightly me lancho ly eyes.

W h o is th i s daugh te r of m i n e ? W h a t acc iden t of c h r o m o s o m e s navi-

gat ing f r o m o n e gene ra t i on t o t he n e x t in t h e m o s t r e c o n d i t e spaces

of t he b l o o d a n d h o p e d e t e r m i n e d this girl?

Nicolas and Celia keep us company; w e spend m u c h of the day

in Paula's r o o m , closed n o w against t he cold. In t he summer , t he chil-

d r e n played o n t h e t e r r ace in the i r plastic pool l i t tered wi th dead

mosqu i toes a n d bits of soupy cookies whi le o u r invalid res ted benea th

a parasol , b u t n o w that a u t u m n is gone and win te r is beginning, the

house has d r a w n in to itself and w e all ga ther in Paula's r o o m . Celia is

a c o n s u m m a t e ally, gene rous and stable; she has b e e n act ing as my

assistant fo r several m o n t h s . 1 d o n ' t have t he hear t to work , and with-

o u t he r I wou ld be c r u s h e d b e n e a t h a m o u n t a i n of paper. She usually

has a child in he r a r m s o r dangling o n a hip, and he r b louse unbut -

t o n e d t o nurse Andrea . This g randdaughte r of m i n e is always happy;

she plays by herself and falls asleep on t h e floor sucking t h e c o r n e r oi

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Paula 321

a diaper, so qu ie t tha t we forget w h e r e we p u t h e r and, unless we ' r e

careful , could step on her. As soon as I learn to live wi th sadness, Î

will take on my g randmother ly duties. Î will th ink u p stories for the

chi ldren, bake cookies, m a k e puppe t s and colorful cos tumes to fill the

thea te r t r u n k . Ï need Granny; if she were he re she would be nearly

eighty, a slightly dot ty and eccentr ic old lady wi th only a handfu l of

hair o n he r head , b u t wi th h e r talent fo r raising children intact.

I t s e e m s this year will never end , yet I d o n ' t k n o w w h e r e all t he

h o u r s a n d days have gone . I n e e d t ime . T i m e to clear away c o n f u -

sion, heal w o u n d s , a n d r e n e w myself. W h a t will Ï be like at sixty?

N o t o n e cell of t he girl I was r e m a i n s in t he w o m a n ï a m today, only

m e m o r y , e n d u r i n g a n d persever ing. H o w long will it t ake to travel

t h r o u g h this da rk tunne l? M o w long to get back on my feet?

I k e e p Paula's l e t te r in t h e s ame tin b o x tha t con ta ins M e m e ' s

relics. I take it o u t s o m e t i m e s , reverently, like a holy ob jec t , imagin-

ing t h a t it con ta ins t h e exp lana t ion I long for, t e m p t e d t o r ead it b u t

also paralyzed by supers t i t ious fear. I ask myself why a young,

healthy, deeply in love w o m a n in t he m i d d l e of h e r h o n e y m o o n

w o u l d wr i t e a le t ter t o be o p e n e d a f t e r he r dea th? W h a t d id she see

in h e r n igh tmares? W h a t mys te r ies lie h i d d e n in t he life of my

daugh te r? Sor t ing t h r o u g h o ld snapshots , I see he r again f r e sh and

vital, always wi th an a r m a r o u n d h e r h u s b a n d , h e r b ro the r , o r h e r

f r iends ; in all of t h e m , e x c e p t h e r w e d d i n g p ic tures , she is in b lue

j eans a n d a s imple b louse , h e r ha i r t ied w i t h a kerchief , w i t h o u t

a d o r n m e n t . T h a t is h o w I m u s t r e m e m b e r her , b u t tha t smi l ing girl

has b e e n rep laced by a me lancho ly f igure s u b m e r s e d in so l i tude and

silence. "Le t ' s o p e n the le t te r , " Celia u rged fo r t h e t h o u s a n d t h t ime .

In t he last f ew days, I have b e e n unab le t o c o m m u n i c a t e w i t h Paula;

she is n o t visiting m e now. Before , t he m i n u t e I s t e p p e d t h r o u g h the

d o o r I perce ived h e r thirs t , h e r musc le c r amps , t he var ia t ions in h e r

b l o o d p r e s s u r e and t e m p e r a t u r e , b u t n o w I c a n ' t sense h e r n e e d s in

advance. "All r ight , le t ' s o p e n i t ," I agreed finally. I w e n t t o ge t t h e

box ; shakily, I b r o k e the w a x seal, o p e n e d t h e envelope , a n d t o o k

o u t two pages w r i t t e n in Paula 's p rec i se hand , and read a loud . H e r

clear w o r d s came- to us f r o m a n o t h e r t ime .

/ do not. want to remain trapped in my body. Freed from it, I will-be

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322 Isabel Allende . .

closer co those 1 love, no matter if they are at die: four corners of the planet. It

is difficult, to express the love I leave behind, the depths of the feelings that join

me to Ernesto, to my parents, to my brother, to my grandparents. I know you

will remember me, and as long as you do, I will be with you. I want to be cre-

mated and have my ashes scattered outdoors. I do not want a tombstone with

my name anywhere, I prefer to live in the hearts of those I love, and to return

to the earth. I have a savings account; use it to help children who need to go to

school or to eat. Divide my things among any who want a keepsake—actually,

there is very little. Please don't be sad, I am still with you, except I am closer

than I was before. In another time, we will be reunited in spirit, but for now

we will be together as long as you remember me. Ernesto. . . . I have loved you

deeply and still do; you are an extraordinary man and I don't doubt that you

can be happy after I am gone. Mama, Papa, Nico, Grandmother, Tío Ramón;

you are the best family I could ever have had. Don't, forget me, and . . . let's

see a smile on those faces! Remember that we spirits can best help, accompany,

and protect, those who are happy. I love you dearly.

Paula.

W i n t e r is back and it w o n ' t s top raining; it 's cold, and you are worse

every day. Forgive m e for having m a d e you wait so long, Paula. . . .

I 've b e e n t o o slow, b u t n o w I have n o doub t , your let ter is so revealing!

C o u n t on m e , I p romise I will he lp you, jus t give m e a little m o r e

t ime. I sit bes ide you in t he qu ie t of your r o o m in this w in te r tha t will

b e e ternal fo r m e , t he two of us alone, just as w e have b e e n so o f t e n

over diese m o n t h s , and I o p e n myself to pain w i thou t of fe r ing any

resistance. I rest my head on your ches t and feel the irregular bea t of

your heart, t he w a r m t h of your skin, the slow rhy thm of your breathing;

I close my eyes and for a few instants imagine tha t you are simply

sleeping. Bu t s o r r o w explodes wi th in m e wi th t he f u r y of a sudden

s t o r m and I feel your n ightgown g r o w d a m p with m y tears while a

visceral m o a n b o r n in t h e dep th s of t h é ea r th rises t h rbugh my body

like a spear and fills my m o u t h . T h e y assure m e you are n o t suffering.

H o w d o they know? It may b e that in t h e end you have b e c o m e

accus tomed t o t h e i ron a r m o r of paralysis, and have forgot ten the

taste of a peach o r the s imple pleasure of r u n n i n g your fingers

th rough your hair, b u t your soul is t r a p p e d and yearns to be free-

T h e r e is no resp i te f r o m this obsession; I k n o w that I have failed in

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Paula 323

the m o s t i m p o r t a n t challenge of my life. Enough! Jus t look at t he

ru ins of wha t is left of you, Paula . . . dear God! This is the p r e m o n i -

t ion you had on your h o n e y m o o n , and why you w r o t e the letter.

"Paula is already a saint, she is in heaven and suffer ing has washed

away all h e r sins," says Inés , your scar red Salvadoran nurse w h o spoils

you like a baby. H o w lovingly w e care for you! You are never alone,

day o r night; every ha l f -hour w e move you, to main ta in wha t little

flexibility you halve left; w e m o n i t o r every d r o p of wa te r and every

g r a m of food; you receive your medic ines on a precise schedule;

be fo re w e dress you w e ba the you and massage you wi th lot ion to

keep your skin healthy. " I t ' s incredible wha t you 've b e e n able to do;

she w o u l d n ' t d o diis well in any hospi ta l ," says Dr. Forrester . "She

can live seven years," Dr. Shima predic ts . For what? You are like d ie

fairy-tale Sleeping Beauty in he r glass coffin, excep t tha t n o p r ince

will c o m e to save you wi th a kiss; n o o n e can w a k e you f r o m this final

d r e a m . Your only exit, Paula, is dea th . N o w I can da re th ink it, say it

to you , and wri te it in m y yellow pad. I call u p o n my sturdy grandfa-

the r and m y clairvoyant g r a n d m o t h e r to he lp you cross t he th reshold

and be b o r n on the o the r side; I especially s u m m o n Granny, your

g r a n d m o t h e r wi th the t r anspa ren t eyes, the o n e w h o d ied of s o r r o w

w h e n she had to be separa ted f r o m you. I call h e r to c o m e wèiûi h e r

go lden scissors to cut the s t rong th read that keeps you t ied to your

body. H e r p h o t o — w h e n she is still young, wi th the h in t of a smile

and liquid eyes—is near y o u r bed , as are those of all your guiding

spirits. C o m e , Granny, c o m e for y o u r granddaughter , I plead, b u t I

fear tha t ne i ther she n o r any o t h e r shade will c o m e to l if t this chalice

of anguish f r o m m e . I will be a lone bes ide you to take you by the

hand t o t he very doo rway to death , and , if î can, I will cross t h rough

wi th you.

C a n I live in your s tead? C a r r y y o u in m y b o d y so you can

r ecove r t he fifty o r sixty years s to len f r o m you? I d o n ' t m e a n

r e m e m b e r you, b u t live y o u r life, be you, let y o u love and feel and

b r e a t h e in m e , let my ges tu res b e yours , m y voice y o u r voice. Let

m e b e erased, dissolved, so t ha t you take possess ion of m y body, oh ,

Paula, so t ha t your inexhaus t ib le a n d joyful g o o d n e s s may c o m -

pletely replace my l i felong fears, my pa l t ry ambi t ions , my dep le t ed

vanity. To vent my suffer ing, I w a n t t o s c r eam to m y last b rea th ,

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324 Isabel Allende

r e n d my clothing, pull o u t my hai r , -smear myself w i t h ashes, b u t I

have lived half a c e n t u r y u n d e r ru les of p r o p e r behavior ; I am. an

e x p e r t in suppress ing w r a t h a n d bear ing pa in , so I have n o voice for

sc reaming . M a y b e the d o c t o r s a re mis t aken and t h e m a c h i n e s lie,

m a y b e y o u are n o t entirely unconsc ious and y o u a r e aware of m y

state of m i n d ; I m u s t n o t dis t ress you w i t h m y weep ing . I a m

d r o w n i n g in c h o k e d - b a c k grief. I go ou t s ide o n t h e t e r r a c e w h e r e

t h e r e is n o t e n o u g h air t o feed my sobs o r e n o u g h ra in t o c ry m y

tears . I get in to my car and drive away f r o m t h e t o w n t o w a r d t h e

hills; a lmos t blindly, î r each the fores t w h e r e I go t o walk , t h e haven

w h e r e I so o f t e n c o m e to b e a lone a n d th ink . I p lunge in to t he

w o o d s a long pa ths m a d e r o u g h wi th w i n t e r ' s debr is . I r u n , t r i pp ing

over b r a n c h e s and rocks , p u s h i n g t h r o u g h t h e s a tu r a t ed g r e e n e r y of

th is vast bosky space, so like t h e fores ts of my c h i l d h o o d , t h e o n e s I

c rossed t h r o u g h o n mu leback , fol lowing b e h i n d m y grandfa ther . My

fee t a re heavy w i t h m u d a n d m y c lo thes a r e d r i p p i n g and m y soul is

b leed ing , and as it g rows dark , and w h e n finally I can go n o fa r ther

a f t e r walk ing and s tumbl ing and s l ipping a n d ge t t ing u p to flounder

o n , I d r o p to m y knees , tear m y blouse , r i p p i n g off b u t t o n s , a n d

w i t h my a r m s o p e n e d in to a cross a n d m y b reas t naked , I s c r eam

y o u r n a m e , Paula. T h e ra in is a m a n t l e of d a r k crysta l a n d s o m b e r

c louds lower a m o n g the black t r ee tops a n d t h e w i n d b i tes at m y

breas ts , t u r n s m y b o n e s to ice, s c rubs m e clean inside wi th its

swirling, w i n t r y ta t ters . I b u r y my h a n d s in t h e m u c k , claw o u t w e t

c lods of d i r t , a n d r u b t h e m o n my face and m o u t h , I c h e w l u m p s of

saline m u d , I gu lp t h e acid o d o r of h u m u s a n d medic ina l a r o m a of

eucalyptus . "Har th , w e l c o m e my daughter , receive her , t ake h e r t o

y o u r b o s o m ; M o t h e r G o d d e s s Ear th , he lp u s , " I beg Her , a n d m o a n

in to t h e n ight falling a r o u n d m e , calling y o u , calling you . Far in t h e

d is tance , a flock of wi ld ducks passes, and they c a r r y your n a m e t o

t h e sou th . Paula . . . Paula . . .

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E P I L O G U E

Chrìstmas 1992

NEAR DAWN ON SUNDAY, DECEMBER 6 , AFTER A

miracu lous n igh t in w h i c h t h e veils t ha t c o n -

ceal reality w e r e p a r t e d , Paula d ied . I t was at

f o u r in t h e m o r n i n g . Mer life e n d e d w i t h o u t s truggle, anxiety, o r

pain; in h e r passing t h e r e was only t h e abso lu te peace a n d love of

t hose of us w h o w e r e w i t h her . She d ied in m y a r m s , s u r r o u n d e d by

he r family, t he t hough t s of t hose absen t , and the spir i ts of h e r

ances tors w h o h a d c o m e to h e r aid. She d ied wi th t he s ame p e r f e c t

grace tha t charac te r ized all t h e acts of h e r life.

For s o m e t ime , I had sensed t h e e n d . I k n e w wi th the s ame

i r r e fu tab le cer ta in ty wi th w h i c h I awakened o n e m o r n i n g in 1963

k n o w i n g that , only a f ew h o u r s b e f o r e , a d a u g h t e r h a d b e e n c o n -

ceived in my w o m b . D e a t h c a m e w i t h a l ight s tep . Paula 's senses

had b e e n closing d o w n , o n e by one , d u r i n g the p rev ious weeks ; I

t h ink she cou ld n o t hea r any longer, h e r eyes w e r e a lmos t always

closed, and she d id n o t r eac t w h e n w e t o u c h e d o r m o v e d her. I nex -

orably, she was d r i f t i ng away. I w r o t e a le t te r to my b r o t h e r desc r ib -

ing the s y m p t o m s i m p e r c e p t i b l e t o o t h e r s b u t evident to m e , look-

ing ahead w i t h a s t range m i x t u r e of anguish and relief. J u a n

answered wi th a single sen tence : I a m praying fo r h e r a n d for you.

To lose Paula was u n b e a r a b l e t o r m e n t , b u t it w o u l d b e w o r s e t o

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326 Isabel Allende

watch h e r slowly agonize t h r o u g h t h e seven years f o r e s e e n by the I

Ch ing sticks. T h a t Saturday, Inés c a m e early a n d w e p r e p a r e d the

basins of wa te r to ba the Paula and wash he r hair ; w e se t o u t her

c lo thes f o r t he day, and changed he r sheets , as w e d id each m o r n -

ing. As w e began t o r emove he r n igh tgown, w e n o t i c e d she was

d e e p in an a b n o r m a l sopor , like a swoon , lifeless, and w e a r i n g the

express ion of a child, as if she had r e t u r n e d to t h e i n n o c e n t age

w h e n she used to c u t flowers in G r a n n y ' s garden . I k n e w t h e n that

she was ready for he r last adven tu re a n d , in o n e blessed ins tant , the

c o n f u s i o n a n d t e r r o r of this year of aff l ic t ion vanished, giving way to

a d i a p h a n o u s tranquillity. " D o you m i n d , Inés , I w a n t t o b e alone

w i t h he r , " I asked. Inés t h r e w herself o n Paula and kissed her . "Take

m y sins w i t h you, a n d t r y to And forgiveness for m e u p t h e r e , " she

p leaded , and she d id n o t w a n t t o leave unt i l I a ssured h e r that: Paula

h a d h e a r d h e r and w o u l d se rve as h e r messenger . I w e n t to advise

m y m o t h e r , w h o hu r r i ed ly d res sed a n d c a m e d o w n to Paula 's r o o m .

T h e t h r e e of us w e r e a lone , a c c o m p a n i e d by t h e cat, c r o u c h e d in a

c o r n e r w i t h h e r i n sc ru t ab le a m b e r pupi l s f ixed on the b e d , waiting.

Wil l ie was do ing the m a r k e t i n g and Celia a n d Nicolas never c o m e

o n Saturdays, tha t ' s t he day they clean the i r a p a r t m e n t , so I calcu-

lated w e had several h o u r s t o say o u r farewells w i t h o u t i n t e r r u p -

t ions. M y daughter- in- law, however, w o k e tha t m o r n i n g wi th a pre-

s e n t i m e n t and , w i t h o u t a w o r d of exp lana t ion , le f t h e r h u s b a n d to

t h e h o u s e h o l d chores , p i cked u p h e r t w o ch i ldren , a n d c a m e t o see

us. She f o u n d m y m o t h e r o n o n e side of t he bed a n d m e o n the

o ther , silently caressing Paula. She says tha t t h e m i n u t e she en te red

t h e r o o m , she no t i ced h o w still t he air was, and wha t a del ica te light

enve loped us, and she real ized tha t t h e m o m e n t w e m o s t feared

and , a t t he s ame t ime , des i r ed h a d c o m e . She sat d o w n w i t h us

whi le Ale jandro played wi th his toy cars on the whee lcha i r and

A n d r e a d o z e d on t h e r u g , c lu tch ing h e r securi t^ b lanket . A couple

of h o u r s later, Wil l ie and Nicolas arr ived; they, t oo , n e e d e d no

explana t ion . T h e y l ighted a f i re in t he f i replace and p u t on Paula's

favori te mus ic : Moza r t and Vivaldi conce r to s a n d C h o p i n noc tu rnes .

W e m u s t call E rnes to , they dec ided , b u t his t e l e p h o n e in N e w York

d i d n ' t answer a n d they c o n c l u d e d he was still 011 his r e t u r n flight

f r o m Ch ina and could n o t be located . T h e petals f r o m Wil l ie ' s last

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Paula 327

roses w e r e beg inn ing to fall on t he n ight table a m o n g the m e d i c i n e

bo t t l e s and syringes. NicolávS w e n t o u t to buy flowers, and short ly

a f t e r r e t u r n e d w i t h a r m f u l s of t he f lowers Paula had chosen for h e r

w e d d i n g : t h e smell of t u b e r o s e a n d iris sp read so fdy t h r o u g h the

h o u s e wh i l e t h e hou r s , each s lower than the last, b e c a m e tangled in

t h e clocks.

At m i d a f t e r n o o n , Dr . Fo r r e s t e r c a m e by a n d c o n f i r m e d tha t

s o m e t h i n g had c h a n g e d in h e r pa t i en t ' s cond i t ion . She d id n o t

d e t e c t any fever o r signs of pain , Paula 's lungs w e r e clear, and ne i -

t h e r was this a n e w ons laught of porphyr ia , b u t t h e c o m p l e x m e c h a -

n i s m of h e r body was barely func t ion ing . " I t s eems t o be a cerebra l

h e m o r r h a g e , " she said, and suggested calling a n u r s e to b r ing oxy-

gen t o t he house , in view of t he fact t ha t w e h a d agreed f r o m the

beg inn ing w e w o u l d never take h e r back to a hospi ta l , b u t I ve toed

tha t . T h e r e was n o n e e d to discuss it; e v e r y o n e in t h e family had

c o n c u r r e d tha t w e w o u l d n o t p r o l o n g h e r agony, only m a k e h e r

c o m f o r t a b l e . Unobtrus ively , t he d o c t o r sat d o w n nea r t he f i replace

t o wait , she , t oo , caught u p in t he magic of t ha t u n i q u e t ime . She

w o u l d s p e n d all n igh t w i t h us, n o t as a physician, b u t as t h e f r i end

she h a d b e c o m e . H o w s imple life is, w h e n all is said and d o n e . . . .

In this year of t o r m e n t , I had gradually b e e n le t t ing go: f irst I said

g o o d b y e to Paula 's intel l igence, t h e n t o h e r vitality and h e r c o m -

pany, now, finally, I h a d to pa r t wi th h e r body. I had lost everything,

a n d my d a u g h t e r was leaving m e , b u t t h e o n e essential t h ing

r e m a i n e d : love. I n t he end , all I have l e f t is t he love I give her.

I w a t c h e d the sky g r o w da rk b e y o n d t h e large w i n d o w s . At t ha t

hou r , t he view f r o m the hill w h e r e w e live is ex t r ao rd ina ry ; t he

w a t e r of t h e Bay is like p h o s p h o r e s c e n t steel as t he l andscape t u r n s

t o a f r e sco of shadows and lights. As n igh t a p p r o a c h e d , t he

exhaus ted ch i ld ren fell asleep on t h e floor, covered w i t h a b lanke t ,

a n d Wil l ie bus i ed h imsel f in t he k i tchen p r e p a r i n g s o m e t h i n g to eat ;

w e had only recen t ly realized tha t n o n e of us had ea ten all day. H e

c a m e back a f t e r a whi le wi th a tray a n d a b o t d e of c h a m p a g n e w e

h a d saved all year f o r t he m o m e n t w h e n Paula w a k e d again in this

wor ld . I c o u l d n ' t eat , b u t I toas ted m y d a u g h t e r so she w o u l d awake

h a p p y in a n o t h e r life. We l ighted candles , a n d Celia p icked u p h e r

gui tar and sang Paula 's songs; she has a d e e p , w a r m voice t ha t s e e m s

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3.28 Isabel Allende

. to issue f r o m the ea r th itself, a n d h e r s is ter - in- law loved, t o hea r her.

"Sing jus t f o r m e , " she wou ld coax Celia, " s ing l o w " A w o n d r o u s

lucidity a l lowed m e t o live t h o s e h o u r s fully, w i t h p e n e t r a t i n g in tu-

i t ion and all five senses alert , as well as o t h e r s w h o s e ex is tence I

h a d n ' t b e e n aware of. T h e w a r m g low of t h e cand les i l lumina ted my

d a u g h t e r — s i l k e n skin, crystal bones , t h e shadows of h e r eye-

l a s h e s — h o w sleeping forever. T ranspor t ed by t h e in tens i ty of our

feel ing for Paula, and t h e loving c o m r a d e s h i p w o m e n share dur ing

t h e f u n d a m e n t a l ri tuals of life, my m o t h e r , Celia, a n d I improvised

the last ce remon ies : w e sponged Paula 's body, a n o i n t e d h e r skin

w i t h cologne, d ressed h e r in w a r m c lo th ing so she w o u l d n ' t feel

cold , p u t t he rabbi t f u r s l ippers on h e r feet , a n d c o m b e d h e r hair.

Celia p laced p h o t o g r a p h s of Ale jandro a n d A n d r e a in h e r hands:

" L o o k o u t fo r t h e m , " she asked. I w r o t e o u r n a m e s o n a p iece of

paper , b r o u g h t m y g r a n d m o t h e r ' s bridal o range b lo s soms a n d o n e

of G r a n n y ' s silver t easpoons , a n d p laced all of t h e m on Paula's

b reas t f o r h e r t o take as a r e m e m b r a n c e , a long w i t h my grand-

m o t h e r ' s silver m i r r o r , because I r e a s o n e d t h a t if it h a d p ro t ec t ed

m e fo r fifty years, surely it w o u l d safeguard Paula d u r i n g t ha t last

crossing. N o w Paula was opal , alabaster, t r a n s l u c e n t . . . a n d so cold!

T h e cold of d e a t h c o m e s f r o m wi th in , like a blazing, in te rna l b o n -

fire; w h e n I kissed her, ice l ingered on m y lips l ike a b u r n . Ga the red

a r o u n d h e r b e d , w e looked t h r o u g h old p h o t o g r a p h s a n d r e m e m -

b e r e d the happ ie s t t i m e s of t he past , f r o m the first d r e a m in wh ich

Paula revealed herself t o m e , l ong b e f o r e she was b o r n , t o he r comic

fit of jealousy w h e n Celia a n d Nicolas w e r e m a r r i e d . W e ce lebra ted

t h e gif ts she h a d given us in life, and all of us said goodbye and

prayed in o u r o w n way. As t h e h o u r s w e n t by, s o m e t h i n g s o l e m n and

sacred filled t h e r o o m , jus t as o n t h e occas ion of A n d r e a ' s bir th.

T h e two m o m e n t s a re m u c h alike: b i r t h and d e a t h are m a d e of the

s a m e fabric . T h e air b e c a m e m o r e and m o r e s t i l l^we m o v e d slowly,

in o r d e r n o t to d i s t u rb o u r hea r t s ' r epose . W e w e r e filled with

Paula 's spiri t , as if w e w e r e all o n e be ing and t h e r e was no separa-

t i on a m o n g us: life a n d d e a t h w e r e jo ined . Fo r a f e w hours , we

e x p e r i e n c e d t ha t reality t he soul knows , absen t t i m e o r space.

I s l ipped in to b e d b e s i d e my daughter , c radl ing h e r against my

b o s o m , as I had w h e n she was young. Celia r e m o v e d the cat, and

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Paula 329

a r r a n g e d the two s leeping ch i ld ren so the i r bod ies w o u l d w a r m

thei r aun t ' s feet . Nicolas t o o k his s is ter ' s h a n d ; Wil l ie and my

m o t h e r sat o n e i ther side, s u r r o u n d e d by e therea l beings, by m u r -

m u r s and t e n u o u s f ragrances f r o m t h e past , by ghos t s and appar i -

t ions , by f r i ends and relatives, living and dead . All d u r i n g the s low

night , w e wai ted , r e m e m b e r i n g t h e dif f icul t m o m e n t s , b u t especially

the h a p p y ones , telling stories, c ry ing a little a n d smil ing a lot, h o n -

o r ing t h e l ight of Páula as she sank d e e p e r a n d d e e p e r i n t o t h e final

sleep, h e r breas t barely r is ing at s lower and s lower intervals . H e r

miss ion in this wor ld was t o u n i t e all t hose w h o passed t h r o u g h h e r

life, a n d tha t night w e all fel t she l te red b e n e a t h h e r s t a r ry wings,

i m m e r s e d in tha t p u r e s i lence w h e r e p e r h a p s angels re ign. Voices

b e c a m e m u r m u r s , t he shape of objec ts and t h e faces of o u r family

began t o fade , s i lhouet tes fu sed and b l e n d e d ; sudden ly I real ized

that o t h e r s w e r e a m o n g us. G r a n n y was t h e r e in h e r perca le dress

and m a r m a l a d e - s t a i n e d a p r o n , wi th h e r f r e sh s cen t of p l u m s a n d

large b l u e eyes. Tata, wi th his Basque b e r e t and r u s t i c cane was sit-

t ing in a cha i r near t h e b e d . Beside h i m , I saw a small, s l ender

w o m a n wi th Gypsy fea tures , w h o smiled at m e w h e n o u r glances

m e t : M e m e , I suppose , b u t I d i d n ' t da re speak t o h e r f o r fear s h e

wou ld s h i m m e r and vanish like a mirage. In o t h e r c o r n e r s of t h e

r o o m , I t h o u g h t I saw M a m a Hi lda w i t h h e r kn i t t ing in h e r hands ,

m y b r o t h e r J u a n , praying bes ide t he n u n s and ch i ld ren f r o m Paula 's

school in Madr id , my fa ther- in- law, still young , a n d a c o u r t of kindly

old p e o p l e f r o m the ger ia t r ic h o m e Paula used to visit in h e r chi ld-

h o o d . On ly a wh i l e later, t h e unmis t akab l e h a n d of T í o R a m ó n fell

on m y shoulder , and I clearly h e a r d Michae l ' s voice; to m y right, I

saw I l d e m a r o , looking at Paula w i t h t h e t e n d e r n e s s h e r e se rved jus t

f o r her . I felt E r n e s t o ' s p r e s e n c e mater ia l iz ing t h r o u g h the w i n d o w -

pane ; h e was ba re foo t , d r e s s e d in a ik ido a t t i re , a solid f igure t ha t

c rossed the r o o m w i t h o u t t o u c h i n g t h e floor a n d l eaned over t h e

b e d t o kiss his w i fe o n t h e Hps. " S o o n , my beau t i fu l girl; wa i t fo r m e

o n t h e o t h e r s ide , " he said, a n d r e m o v e d the cross he always w o r e

a n d p laced it a r o u n d he r neck . T h e n I h a n d e d h i m t h e w e d d i n g r ing

I had w o r n fo r exactly o n e year, a n d ; h e s l ipped it o n Paula 's fìnger,

as he had the day they w e r e m a r r i e d . T h e n I was again in t h e p o r -

t e n t o u s d r e a m I had in Spain, in t he s i lo -shaped t o w e r filled wi th

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330 Isabel Allende

doves, but n o w my daugh te r w a s n ' t twelve, she was twen ty-e igh t

years young; she was n o t wea r ing h e r checked overcoa t b u t a wh i t e

tunic , and h e r ha i r was n o t pu l led back in to a ponyta i l b u t hang ing

loose to h e r shou lders . She began t o rise, a n d I wi th her, c l inging t o

t h e c lo th of h e r dress . Again I h e a r d M e m é ' s voice: No one can go

with her, she has drunk the potion of death. . . . Bu t I p u s h e d u p w a r d

w i t h my last s t r eng th a n d grasped h e r hand , d e t e r m i n e d n o t t o let

go, a n d w h e n w e r e a c h e d t h e t o p of t he t o w e r I saw t h e r o o f o p e n

and w e a scended together . O u t s i d e , it was already d a w n ; t h e sky was

s t r eaked wi th gold a n d the c o u n t r y s i d e b e n e a t h o u r f ee t g leamed ,

w a s h e d by a r e c e n t rain. We flew over valleys a n d hills, a n d finally

d e s c e n d e d in to a fo res t of anc i en t r e d w o o d s , w h e r e a b r e e z e rus t l ed

a m o n g the b r a n c h e s a n d a bo ld b i rd def ied w i n t e r w i t h i ts sol i tary

song. Paula p o i n t e d t o t he s t r eam; I saw f resh roses lying a long its

banks and a wh i t e p o w d e r of calc ined b o n e s o n t h e b o t t o m , a n d I

h e a r d t h e m u s i c of t housands of voices w h i s p e r i n g a m o n g t h e t rees ,

ï fel t myself s inking in to t ha t coo l water , and k n e w tha t t h e voyage

t h r o u g h pa in was e n d i n g in an abso lu te void. As I dissolved, I h a d

t h e revelat ion t ha t t h e void was filled wi th eve ry th ing t h e universe

holds . N o t h i n g a n d everything, at once . Sacramenta l light a n d

u n f a t h o m a b l e darkness . I a m t h e void, I a m eve ry th ing t h a t exists, I

a m in every leaf of t h e forest , in every d r o p of t h e dew, in e v e r y

par t ic le of ash ca r r i ed by t h e s t r eam, I a m Paula and I a m also

Isabel, I a m n o t h i n g and all o t h e r things in this l ife a n d o t h e r lives,

immor t a l .

G o d s p e e d , Paula, w o m a n .

W e l c o m e , Paula, spirit .