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PENGAPLIKASIAN GEJALA BORDERLINE PERSONALITY

DISORDER PADA PEMBANGUNAN TOKOH PROTAGONIS

DALAM SKENARIO FILM PANJANG “RAY OF LIGHT”

Laporan Tugas Akhir

Ditulis sebagai syarat untuk memperoleh gelar Sarjana Seni (S.Sn.)

Nama : Sandy Natalia

NIM : 13120210339

Program Studi : Film dan Televisi

Fakultas : Seni & Desain

UNIVERSITAS MULTIMEDIA NUSANTARA

TANGERANG

2019

Pengaplikasian gejala borderline..., Sandy Natalia, FSD UMN, 2019

ii

LEMBAR PERNYATAAN TIDAK MELAKUKAN PLAGIAT

Saya yang bertanda tangan di bawah ini:

Nama : Sandy Natalia

NIM : 13120210339

Program Studi : Film dan Televisi

Fakultas : Seni dan Desain

Universitas Multimedia Nusantara

Judul Skripsi:

PENGAPLIKASIAN GEJALA BORDERLINE PERSONALITY DISORDER

PADA PEMBANGUNAN TOKOH PROTAGONIS DALAM SKENARIO

FILM PANJANG “RAY OF LIGHT”

dengan ini menyatakan bahwa, laporan dan karya Skripsi ini adalah asli dan

belum pernah diajukan untuk mendapatkan gelar sarjana, baik di Universitas

Multimedia Nusantara maupun di perguruan tinggi lainnya.

Karya tulis ini bukan saduran/ terjemahan, murni gagasan, rumusan dan

pelaksanan penelitian/ implementasi saya sendiri, tanpa bantuan pihak lain,

kecuali arahan pembimbing akademik dan nara sumber.

Demikian surat Pernyataan Orisinalitas ini saya buat dengan sebenarnya,

apabila dikemudian hari terdapat penyimpangan serta ketidakbenaran dalam

pernyataan ini, maka saya bersedia menerima sanksi akademik berupa pencabutan


v

PRAKATA

Puji dan syukur penulis panjatkan kepada Allah YME, karena telah menyertai

penulis selama proses pembuatan skenario “Ray of Light” serta laporan tugas

akhir penulis yang berjudul “Pengaplikasian Gejala Borderline Personality

Disorder Pada Pembangunan Tokoh Protagonis Dalam Skenario Film Panjang

Ray Of Light”

Penulis tertarik untuk menulis skenario film panjang tentang borderline

personality disorder ini karena merasa masih banyak penderita gangguan

kepribadian yang tidak tahu arah hidupnya, sehingga penting bagi kita untuk

membuat karya yang mengingatkan mereka bahwa hidup pasti ada tujuannya.

Penulis membuat laporan ini dengan tujuan untuk mengetahui berbagai

gejala penderita borderline personality disorder, Sehingga penulis dapat

mengaplikasikannya secara tepat ke three-dimensional karakter utama.

Tidak lupa, saya mengucapkan terimakasih yang sebesar-besarnya kepada:

1. Mohammad Rizaldi, S.T., M.Ds. selaku ketua program studi.

2. Damas Cendekia dan Salima Hakim S.Sn., M.Hum. selaku dosen

pembimbing.

3. Perdana Kartawiyudha, M.Sn., selaku penguji.

4. Annita, S.Pd. M.F.A., selaku ketua siding.

5. Keluarga yang telah memberikan dukungan dan semangat dalam

penyusunan skripsi ini.


vii

ABSTRAKSI

Laporan tugas akhir penulis, dilatarbelakangi oleh pembuatan naskah film panjang berjudul Ray of Light. Tokoh utama dalam film panjang tersebut akan dibentuk bedasarkan karakteristik Borderline Personality Disorder (BPD) guna memperkuat three-dimensional character.

Dalam skenario Ray of light, kepergian ayahnya Alice dan pernikahan ibunya yang kedua membuat Alice merasa ditinggalkan. Semakin beranjak dewasa, Alice mulai mengembangkan karakteristik BPD. Alice menjadi semakin sulit untuk mempunyai hubungan interpersonal dengan orang lain. Dalam membuat naskah film panjang yang mempunyai character driven, three-dimensional character adalah kunci untuk membuat karakter yang kuat. Maka dari itu, penulis menggunakan beberapa teori dari berbagai buku yang berbeda untuk memperjelas karakteristik BPD sebelum mengaplikasikannya ke three-dimensional karakter Alice dalam naskah film panjang Ray of light.

Kata kunci : Borderline Personality Disorder, Character Driven, Three-dimensional Character, naskah


viii

ABSTRACT

Writter’s final report is based on the making of feature length script “Ray of Light”. The main character in the script is based on Borderline Personality Disorder (BPD) characteristic to strengthen the three-dimensional of the main character

In the script, Alice’s father abandonment and her mom second marriage makes Alice feel left behind by her own family. As time goes by, Alice has developed BPD characteristics that make it harder for her to have a bounding relationship with other people. To make a script with character driven plot, the three-dimensional character should be clear and accurate. Writter analysed BPD characteristic by combining several theory, referring to books about BPD, before applying it to the three-dimensional character of Alice in the feature length script “Ray of Light”.

Keywords: Borderline Personality Disorder, Character Driven, Three-dimensional Character, script


ix

DAFTAR ISI

LEMBAR PERNYATAAN TIDAK MELAKUKAN PLAGIAT .................... II

HALAMAN PENGESAHAN SKRIPSI ............................................................ IV

PRAKATA ............................................................................................................ V

ABSTRAKSI ...................................................................................................... VII

ABSTRACT ....................................................................................................... VIII

DAFTAR ISI ........................................................................................................ IX

DAFTAR GAMBAR ........................................................................................ XIV

DAFTAR TABEL ............................................................................................... XV

DAFTAR LAMPIRAN .................................................................................. XVII

BAB I PENDAHULUAN .................................................................................... 19

1.1. Latar Belakang ........................................................................................ 19

1.2. Rumusan Masalah ................................................................................... 20

1.3. Batasan Masalah ...................................................................................... 21

1.4. Tujuan Skripsi ......................................................................................... 21

1.5. Manfaat Skripsi ....................................................................................... 21

BAB II TINJAUAN PUSTAKA ......................................................................... 23

2.1. Skenario ................................................................................................... 23

2.2. Struktur Skenario.....................................................................................21

2.2.1. Act 1........................................................................................................22


x

2.2.2. Act 2.........................................................................................................22

2.2.3. Act 3.........................................................................................................23

2.2. Naskah plot driven .................................................................................. 25

2.3. Naskah Character Driven ....................................................................... 25

2.3.1. Karakter .................................................................................................. 26

2.4. Background Story dan Ghost .................................................................. 28

2.5. Three Dimensional Character ................................................................ 29

2.5.1. Fisiologi .............................................................................................. 30

2.5.1.1. Membuat Fisiologi Karakter..........................................................29

2.5.2. Sosiologi ............................................................................................ 32

2.5.2.1. Membuat Sosiologi Karakter..............................................................31

2.5.3. Psikologi ................................................................................................ 35

2.5.3.1. Membuat Psikologi Karakter...............................................................34

2.6. Kepribadian ................................................................................................ 37

2.6.1. Gangguan Kepribadian ............................................................................ 38

2.7. Borderline Personality Disorder ............................................................... 38

2.7.1. Gejala Borderline Personality Disorder ......................................... 38

2.7.2. Diagnosa Gejala Borderline Personality Disorder ......................... 40

2.7.2.1. Suasana Hati.....................................................................................35

2.7.2.2. Citra Diri ......................................................................................... 38

2.7.2.3. Hubungan Interpersonal .................................................................. 41

2.7.2.4. Pemikiran, Percobaan, ancaman bunuh diri .................................... 40

2.7.2.5. Perilaku Impulsif (Mencari Sensasi) ............................................... 42


xi

2.7.2.6. Kekosongan Psikologis ...................................................................... 43

2.7.2.7. Kemarahan ........................................................................................... 43

2.7.2.8. Ide Paranoia atau Kehilangan Sentuhan Realita. ................................ 43

2.7.2.9. Penyembuhan Borderline Personality Disorder .................................. 44

2.8. Asal mula Terjadinya BPD pada penderita ............................................. 44

2.9. Perkembangan Kepribadian anak ............................................................ 44

2.10. Hubungan dengan orang tua .................................................................... 45

2.11. Reaksi anak terhadap perceraian ............................................................. 45

BAB III METODOLOGI .................................................................................. 47

3.1. Gambaran Umum ....................................................................................... 47

3.2. Sinopsis ...................................................................................................... 48

3.3. Posisi Penulis ............................................................................................. 49

3.4. Peralatan ................................................................................................... 49

3.5. Tahapan Kerja .......................................................................................... 50

3.5.1. Ide Cerita..................................................................................................48

3.5.2. Penulisan Logline.....................................................................................49

3.5.3. Penulisan Sinopsis...................................................................................50

3.5.4. Pembuatan Draft Sequence......................................................................50

3.5.5. Riset.........................................................................................................51

3.6. Acuan ........................................................................................................ 54

3.6.1. Studi Literatur..........................................................................................53

3.6.1. Studi Visual.............................................................................................53

3.6.2.1. Fathers and Daughters.........................................................................54


xii

3.6.2.2. Welcome to Me....................................................................................55

BAB IV ANALISIS ............................................................................................. 58

4.1. Analisa Borderline Personality Disorder...................................................56

4.2. Gejala Borderline Personality Disorder (BPD).........................................56

4.3. Dampak Borderline Personality Disorder................................................57

4.4. Pendalaman Karakter..................................................................................61

4.4.1. Mengenal Psikologi Protagonis...............................................................62

4.4.2. Mengenal Fisiologi Protagonis................................................................65

4.4.3. Mengenal Sosiologi Protagonis...............................................................68

4.5. Three-Dimensional Character...................................................................67

4.5.1. Psikologi Protagonis...............................................................................74

4.5.1.1. Psikologi Alice.....................................................................................74

4.6.2. Sosiologis Protagonis.............................................................................82

4.6.3. Fisiologi Protagonis.................................................................................87

4.6.3.1. Fisiologi Protagonis..............................................................................88

4.7. Pengaplikasian ke dalam naskah ...............................................................84

4.7.1. Act 1.........................................................................................................91

4.7.1.1. Scene 2..................................................................................................92

4.7.1.2. Scene 2.................................................................................................93

4.7.1.3. Scene 5.................................................................................................94

4.7.1.4. Scene 7.................................................................................................95

4.7.1.5. Scene 6.................................................................................................96

4.7.2. Act 2.......................................................................................................101


xiii

4.7.2.1. Scene 21.............................................................................................101

4.7.2.2. Scene 45.............................................................................................102

4.7.2.3. Scene 69.............................................................................................103

4.7.3. Act 3.....................................................................................................104

4.7.3.1. Scene 90.............................................................................................105

4.7.3.2. Scene 92.............................................................................................106

4.7.3.3. Scene 92 Bagian 2..............................................................................107

BAB V PENUTUP ............................................................................................. 109

5.1. Kesimpulan ........................................................................................... 109

5.2. Saran ...................................................................................................... 110

DAFTAR PUSTAKA ..................................................................................... XVII


xiv

DAFTAR GAMBAR

Gambar 2.1. Paradigma Three-act Structure.........................................................22

Gambar 3.1. Skema Tahapan Kerja.......................................................................52

Gambar 3.2. Fathers and Daughter ...................................................................... 54

Gambar 3.3. Film Welcome to Me.........................................................................55

Gambar 4.1. Naskah Ray of Light scene 2............................................................92





Gambar 4.6. Naskah Ray of Light scene 13.........................................................98

Gambar 4.7. Naskah Ray of Light scene 16 & 17..............................................100

Gambar 4.8. Naskah Ray of Light scene 21........................................................101

Gambar 4.9. Naskah Ray of Light scene 45........................................................102

Gambar 4.10. Naskah Ray of Light scene 69......................................................103





xv

DAFTAR TABEL

Tabel 4.1. Pemahaman Dampak BPD ................................................................... 60

Tabel 4.2. Psikologi Alice ..................................................................................... 74

Tabel 4.3. Hasil Pengaplikasian BPD pada psikologi Alice ................................. 79

Tabel 4.4. Sosiologi Alice ..................................................................................... 82

Tabel 4.5. Hasil Pengaplikasian BPD pada sosiologi Alice...................................84

Tabel 4.6. Fisiologi Alice.......................................................................................88

Tabel 4.7. Hasil Pengaplikasian BPD pada fisiologi Alice....................................89

Tabel 4.8. Pengaplikasian BPD act 1 scene 2........................................................92

Tabel 4.9. Pengaplikasian BPD act 1 scene 2........................................................93

Tabel 4.10. Pengaplikasian BPD act 1 scene 5......................................................94



Tabel 4.13. Pengaplikasian BPD act 1 scene 13....................................................98

Tabel 4.14. Pengaplikasian BPD act 1 scene 16 & 17...........................................99

Tabel 4.15. Pengaplikasian BPD act 1 scene 21..................................................101







xvii

DAFTAR LAMPIRAN

LAMPIRAN: Formulir Bimbingan.....................................................................XVI

NASKAH RAY OF LIGHT ............................................................................... XVII


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