oxford digital cultural heritage - china

32
Opening Linking Sharing Data Digital Cultural Heritage, China 30 September – 2 October 2015 China Centre Dominic Oldman ResearchSpace 1 st October 2015

Upload: dominic-oldman

Post on 15-Apr-2017

219 views

Category:

Government & Nonprofit


0 download

TRANSCRIPT

Page 1: Oxford Digital Cultural Heritage - China

Opening Linking Sharing DataDigital Cultural Heritage, China30 September – 2 October 2015

China CentreDominic OldmanResearchSpace

1st October 2015

Page 2: Oxford Digital Cultural Heritage - China
Page 3: Oxford Digital Cultural Heritage - China

Metaphacts

Page 4: Oxford Digital Cultural Heritage - China

Fixed Models & Comprehensive Models

Page 5: Oxford Digital Cultural Heritage - China

CLAROS

• Pioneering System created in 2011.• Demonstrated contextual data

harmonisation in a user friendly platform.• Provided inspiration for other

projects like ResearchSpace.• Collaboration a natural

consequence.

Page 6: Oxford Digital Cultural Heritage - China
Page 7: Oxford Digital Cultural Heritage - China
Page 8: Oxford Digital Cultural Heritage - China
Page 9: Oxford Digital Cultural Heritage - China
Page 10: Oxford Digital Cultural Heritage - China
Page 11: Oxford Digital Cultural Heritage - China
Page 12: Oxford Digital Cultural Heritage - China
Page 13: Oxford Digital Cultural Heritage - China

How can we meaningfully publish and integrate Cultural Heritage

resources?1. How do you publish internal data so external

audiences can understand it, use it, enjoy it… 2. Cultural heritage data isn’t static – how to you

keep open data up to date? What happens when something changes?

3. How do you integrate data (enrich) while maintaining local meaning and context?

4. How do we derive new knowledge and preserve it?5. How can you fulfil the requirements of a wide

range of audiences?6. How do you provide stable and sustainable

platforms for creating robust user applications?

CHOPAC

Public Engagement

Research Education

Page 14: Oxford Digital Cultural Heritage - China
Page 15: Oxford Digital Cultural Heritage - China

Problem 1The Problem with Raw Data

People (Experts)Fill in the gaps

User Interface

Business Rules

Database

Page 16: Oxford Digital Cultural Heritage - China

“The majority are seeking a known object, and utilise discipline specific search terms, showing goal-driven intent and a detailed

prior knowledge of the museum.”[Scholarly Information Seeking Behaviour in the British Museum Online Collection, (2011), Terras, Ross]

Language

Page 17: Oxford Digital Cultural Heritage - China

“…browsing in a museum environment is somewhat

problematic as users have to be fairly linear in their search

strategies with little satisfaction when searching broadly or

browsing.”[Scholarly Information Seeking Behaviour in the British Museum Online

Collection, (2011), Terras, Ross]

Linear Search

Page 18: Oxford Digital Cultural Heritage - China

Representing Culture

• Takes a long time to prepare an exhibition.• Things are arranged in very deliberate

ways to illustrate concepts.• Often need objects from other institutions

to complete the narratives.• Builds an understanding of the subject

using context.• Its asks question about relevance and

significance.

Page 19: Oxford Digital Cultural Heritage - China

“…the information explosion, far from serving the needs of the burgeoning knowledge economy, intensifies the need for quality information and expertise that libraries and librarians provide”.Beyond the Book - Schnapp & Battles

We need to stop seeing data as a second class citizen

Page 20: Oxford Digital Cultural Heritage - China

The Problem of Uninteresting Universals

Adjectives & Substantives

• “a pot” • “embossed”

Verbs and Proposition

• ‘carried’ out by• ‘motivated’ by• “Forms part of”

Page 21: Oxford Digital Cultural Heritage - China

We need to get subject experts to represent their knowledge

Page 22: Oxford Digital Cultural Heritage - China

So what are we doing?

Page 23: Oxford Digital Cultural Heritage - China

Type

sCo

ncep

tual

voc

abul

arie

s, th

esau

ri, e

tcAppellations

Provide names for real things

ActorsPeople and Groups

Who

Pers

pecti

ves Identity

EventsTemporal

ThingsPhysical and Conceptual

ThingsPhysical and Conceptual

EventsTemporal

Putting context and meaning back into data

Page 24: Oxford Digital Cultural Heritage - China

Object type: tanto; short sword-sheath; menuki; kozuka; hilt; fuchi-kashira; blade Museum number: 1992,0523.2Description: Sword blade (tanto); with mounting (short sword-sheath; kozuka; hilt; menuki; fuchi-kashira). Blade: made of steel; signed. Sheath: made of black lacquered wood. Hilt: with gold mekugi; made of wood and skin (ray). Kozuka: crane in high-relief coloured metal inlay on silver ground; inscribed. Menuki: in shape of corn?; made of gilded metal. Fuchi-kashira: made of black lacquered metal. Soshu school blade and Goto school metal fittings.Producer name: Made by: Goto Ichijo (metal fittings); Made by: Shintogo Kunimitsu (blade) Culture/period: Meiji Era (metal fittings); Kamakura Period (blade) Date: 14thC (early; blade); 19thC (late; metal fittings)Production place: Made in: Japan (Asia,Japan)Materials: wood; steel; silver; ray skin; metal; lacquer; gold Technique: lacquered; inlaid ; high relief; gilded; colour Inscriptions:Inscription Type: signatureInscription Script: JapaneseInscription Position: blade, tang, obverseInscription Content: 国光 ; Inscription Transliteration; Kunimitsu, etcCurator's comments: Harris 2005 - 'Hira zukuri' tanto blade with the slight 'uchizori' curve of the late Kamakura period. The blade has 'itame' with 'mokume' grain with 'jifu utsuri' and much 'chikei'. The 'suguha hamon' is of fine 'nie' with 'kinsuji'. The maker, Shintogo Kunimitsu, is feted as the founder of the Soshu tradition at Kamakura in the late Kamakura period.Bibliography: Harris 2005 fig. 11, col. pl. 11, 12 bibliographic detailsLocation: G93/case10Exhibition historyExhibited: 2006 Oct 13-, BM Japanese Galleries, 'Japan from prehistory to the present'Subjects: arms/armour term details;Acquisition name: Purchased through: Eskenazi Ltd biography; Purchased from: Christie's biography; Previous owner/ex-collection: Dr Walter A Compton biographyAcquisition date: 1992Acquisition notes: Bought at Christie's (lot 226) by Eskanazi Ltd at the BM's request. Former collection of Walter A Compton.Department: AsiaRegistration number: 1992,0523.2

Production(Event)

Inscription(Event)

Authoring(Event)

Exhibition(Event)

Things

Types

Information Objects

Expressions

Works

Places

Existence(Event)

Destruction(Event)

Appellation

Acquisition(Event)

Actors

Visual Items

This context is easy for subject experts to add!

Page 25: Oxford Digital Cultural Heritage - China

Knowledge Transfer

Page 26: Oxford Digital Cultural Heritage - China

PerspectiveVocabularies

PeoplePlacesTime

Semantic Alignment

RelationshipsConnectionsSimilarities

PerspectiveVocabularies

PeoplePlacesTime

ProductionEvents

InscriptionsEvents

Dimensions

AuthoringEvents

Things

Publishing Events

Images

Relationships

Relationships

Subjects

AcquisitionEvents

Relationships

Relationships

Relationships Relationships

ProductionEvents

InscriptionsEvents

Dimensions

AuthoringEvents

Things

Publishing Events

Images

Relationships

Relationships

Subjects

AcquisitionEvents

Relationships

Relationships

Relationships Relationships

Page 27: Oxford Digital Cultural Heritage - China

Object CollectionsCIDOC CRM

Page 28: Oxford Digital Cultural Heritage - China

Immoveable Object Photographic Archive CIDOC CRMCRMDig

Page 29: Oxford Digital Cultural Heritage - China

Bibliographic CIDOC CRM FRBRoo

Page 30: Oxford Digital Cultural Heritage - China

Building non-technical mapping tools

Page 31: Oxford Digital Cultural Heritage - China

Digital Argument Requires Context

• Digital representation – Should not be a poor surrogate of reality. • Rather a platform for the externalisation

of argument.Observation

Belief

Proposition Belief Value

Concluded that

that Hold to be

Belief Adoption

adopted

InferenceMaking

Used as a Premise

This isn’t a belief of the original organisations

Page 32: Oxford Digital Cultural Heritage - China

Dominic OldmanHead of ResearchSpace

British [email protected]

Contextual