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Opus No. 50.000

Good things are worth waiting for. Ignaz Bsendorfer founded his eponymous piano

company in 1828 dedicated to simply making the best possible instruments. It has

been an 185 year journey to reach this milestone. In an age of mass production, we

take great pride to be exclusive and original, and to continue to create instruments

that truly reflect our Viennese heritage, with our pure and inspiring sound Der

Klang, der berhrt.

From early in our history, Bsendorfer has not only focused on making performance

instruments, but also on art case grand pianos for collectors and lovers of fine design.

Our Opus No. 50.000 is inspired by two instruments that were created for the 1867

World Exhibition in Paris, both of which were neo-class ical in concept. Onewas designed

by Theophil Hansen (this year is the 200th anniversary of his birth), the famous Danish

architect who designed many major buildings in Vienna including the Parliament and the

world famous concert hall, the Musikverein, with its extraordinary Golden Hall and

BrahmsSaal. The other was designed by Anton Grosser who incorporated golden

caryatids, similar to the ones in the Musikverein, in his design. Our Opus No. 50.000 isa neo-class ical instrument forthe 21st century opulent, beautiful yet not out of place

in any setting.

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Special Veneer

CEUS Reproducing System

Disklavier

Design Your Own Piano

Viennese Sound Tradition

Investment

One major aspect of neo-classical design is the extensive use of gold. We have

embraced this idea not only by using gold leaf mouldings on the piano, but also by

painstakingly covering the entire piano frame by hand with gold leaf. In addition, the

front of the instrument features two bronze cast 24 carat gold-plated caryatids. The

traditional lost wax casting method has been used which gives them a beautiful antique

look. The original pattern was hand-carved in wood and took several months to create.

The design was inspired by the gold caryatids of the Musikverein, and from the Grosser

piano. Opus No. 50.000 is truly a golden wonder.
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Bsendorfer has a tradition of excellent piano cabinetry work using precious veneers. To

showcase this skill, our design uses four different veneers burr French walnut, French

walnut, pear wood and maple. In addition, the treble side of the instrument has a

marquetry inlay featuring a harp design a traditional motif. This harp inlay will be

unique to Opus No. 50.000, as will the specially designed 24 carat gold plated

commemorative Opus No. 50.000 plate that is inserted into the keyblock.
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For Opus No. 50000 we chose our 225 model which dates back to the time of Ludwig

Bsendorfer. This Semi-concert grand has a unique sound and can produce a wealth of

tonal colours all the way from sensitive pianis simo to powerful fortissimo. Recent

developments have further improved the artis ts ability to control the instrument and

further enhanced its total dynamic range. In addition to the standard 88 notes, it has

four extra keys in the bass to subcontra F. These additional bass strings expand the

tonal range and create additional harmonic resonances throughout the instrument,

opening up a unique, almost orchestral sound spectrum. There can only be one

Bsendorfer Opus No. 50.000, and with this number and special marquetry inlay it is

truly unique.

Here you can watch the birth of Bsendorfer Opus No. 50.000:

www.youtube.com/watch?v=cy3rkZbAedc
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