on stage magazine · 2017. 3. 21. · boston’smostillustrious round-the-clockfootfashions...
TRANSCRIPT
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WILBUR THEATREDIRECTION OF
SAMUEL H. SCHWARTZ JUJAMCYN THEATERS
mmi
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SARA FREDERICKS
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Jerome Rosenfeld presents
(in association with Frank Sugrue)
JOHN.
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3 WEEKS BEGINNING MONDAY, APRIL 3EVES. 8:30, MATS. WED. AT 2:15 £r SAT. AT 2:30
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THIS GENERATION!
"A whale of a hit! Packed with humanity and humor. Arthur Penn has staged
William Gibson's bombshell of emotion and hilarity magnificently! Better rush to
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light! An adult and charming work." —CHAPMAN, Daily News
"'Two for the Seesaw' is a finely-wrought cameo! A charming play. A fresh and
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"One of the season's blessings! A striking play." —WATTS, N. Y. Post
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—KERR, N. Y. Herald Tribune
MAIL ORDERS NOWThree Weeks Beginning Monday, April 3
Eves. 8:30, Mats. Wed. at 2:15 and Sat. at 2:30
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PLEASE ENCLOSE SELF-ADDRESSED, STAMPED ENVELOPE
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Kindly send me seats @ $ each,
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or Mat Mat.(2nd choice day and date) \J Eve. (3rd choice day and date) Q Eve.
Remittance for $ and a self-addressed, stamped envelope are enclosed.
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PROGRAM WEEK OF MARCH 13, 1961
ROGER L. STEVENS and JOEL SCHENKER present
KIM STEVENSTANLEY HILL
SAM WANAMAKER
“FAR COUNTRY”A New Play By HENRY DENKER
with
LILI DARYAS
SALOME JENS GEORGE GAYNES
Setting and Lighting by DONALD OENSLAGER
Costumes by ANN ROTH
Associate Producer LYN AUSTIN
Directed By ALFRED RYDER
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CASTIn Order of Appearance
Gordon Douglas
Martha Bernays Freud (older)
Sigmund Freud (older)
Martha Bernays Freud
Kathy
ROBERT GOODIER
SALOME JENS
STEVEN HILL
SALOME JENS
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KIM STANLEY(Elizabeth von Ritter)
Last season’s “Cheri” saw Kim Stan-ley once again demonstrate her uniquecapacity for playing any role from anadolescent girl to an aging woman. Asthe worldly Lea de Lonval her age rang-ed forward from 32 to 64. The widerange of her stage portraits, however,includes unusual character variationsas well as age groups. Her tense teen-age Sara Melody in Eugene O’Neill’s“A Touch of The Poet” was in directcontrast to the hoydenish teen-ager sheportrayed in “Picnic”. For the lattershe won the first two of the impressivearray of prizes that have dotted her
(Continued on Page 9)
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SYNOPSIS OF SCENES
The setting is the office and anteroom of Sigmund Freud’s modest flat in Vienna,where he lived and worked for more than forty years.
ACT I
Scene 1: Sigmund Freud’s office, Vienna, June 4, 1938.
Scene 2: The same. Time is just before the turn of the century.
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ACT II
Scene 1: Afternoon. Two weeks later.
Scene 2: Afternoon. Some days later.
ACT III
Scene 1: Morning*. Some weeks later.
Scene 2: June 4, 1938.
STAFF FOR “FAR COUNTRY*’
Company Manager Arthur WaxmanPress Representative Seymour KrawitzAssociate Press Representative George RossProduction Stage Manager Gerald O’BrienStage Manager Wayne CarsonCasting Director Terry FayProduction Secretary Jane GillilandProduction Assistant Michael MabryAssistant to Miss Austin Roxanne ErskineMaster Electrician Herbert C. Anstett, Jr.Assistant Electrician Gus PopielMaster of Properties Frank M. Snyder
Wardrobe Mistress Lillias XorelAssistant to Mr. Oenslager Klaus HoJm
CREDITS
Scenerv bv Chester Rakeman Scenic Studios.Electrical Equipment by Century Lighting. Cos-tumes executed by Eaves. Miss Stanlev’s clothesexecuted by Angie Costume Company. Hosiery byJesse Zimmer. Wigs by Bob Kelly and Ira Senz.Mr. Hill’s mask by Bob O’Bradovitch. Propertiesbi Newell Art Galleries and Jean Friedlander.Lighting Fixtures by City Knickerbocker. Draper-ies by Allied Studios. Sound by Sound Associates.
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Oh with ihe CAST(Continued)
career, the New York Drama Critics’and the Donaldson Awards for the sea-son’s best performance by an actress ina supporting role. Born in New Mexico.Miss Stanley attended the University ofNew Mexico and the University of Tex-as. She made her Broadway debut in“Montserrat” after serving an appren-ticeship with the Equity Library Thea-tre and off-Broadway groups. After ap-pearances in “The House of BernardaAlba”, “The Chase”, and “Picnic”, shewas raised to star billing in HortonFoote’s “The Travelling Lady”. Herperformance in the television adapta-tion of this drama earned her the Syl-vania Award, which set her off on an-other prize-winning streak, to collectthe Drama Critics’ and Donaldson A-wards, this time for season’s best act-ress with her vivid portrayal of the un-inhibited chanteuse in “Bus Stop”. Sub-sequently, she played the many-facedheroine of Arthur Laurents’ “A Clear-ing in The Woods”, and went to London,where her British debut as Maggie inTennessee Williams’ “Cat on A Hot TinRoof” brought her the accolade of thecritics for the best performance of theseason. Her first film appearance, inPaddy Chayefsky’s “The Goddess” earn-ed her rich praise from press and pub-lic alike. Her television dramas haveincluded “A Young Lady of Property”and “Tomorrow” by Horton Foote, Clif-ford Odets’ “Clash by Night”, also “Jo-ey” and “The Glass Wall” and Joan ofArc in “You Are There”.
STEVEN HILL(Sigmund Freud)
Mr. Hill is a product of the Univer-sity of Washington and the MarineCorps. He abruptly left his father’sSeattle furniture store to venture toChicago where he began his profes-sional career in radio. He workedregularly in radio the next eightmonths and strengthened by his suc-cess, he invaded New York. Here, jobswere more sporadic. But he did land astage role in Ben Hecht’s “A Flag IsBorn” and an audition with Elia Kazanwho made him a charter member of thenow famous Actors Studio. His secondBroadway show was “Mr. Roberts”which afforded him the security thatcomes with being in a great smash hit.This was followed by “Sundown Beach”a short-lived play but a podium thatgave Mr. Hill critical paens of praise.A short stretch in Hollywood followedand upon his return he won critical ac-claim once again in Clifford Odets’ hitplay, “The Country Girl”. He returned
(Continued on Next l’age)
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Oh £tdye- with the CAST(Continued)
to television and appeared in topflightspectaculars, among them, “The Bridgeof San Luis Rey”, “For Whom The BellTolls”, “The American”, “The Saccoand Vanzetti Story”, and most recentlyas Legs Diamond in “The Untouch-ables”. When Mr. Hill has completedhis evening performances, he escapesfrom the metropolitan hurly burly toa rustic eyrie in Pomona, New York,where he has been building his ownhome on an acre and a half of verdantground. He is the doting father of fourchildren who, occasionally, assist himin what he laughingly calls “farming”.
SAM WANAMAKER(Dr. Joseph Breuer)
Mr. W^anamaker is back in the Amer-ican theater after more than ten yearsof professional self-expatriation in Eng-land. Mr. Wanamaker, who directed andappeared opposite Ingrid Bergman inthe Broadway success, “Joan of Lor-raine”, made his debut in “Cafe Crown.”One of his last New York assignmentsprior to beginning a decade of consider-able activity in England, was as directorand leading actor in “Goodbye My Fan-cy.” In London, he has been star and/ordirector and/or producer of a multitudeof plays including “The Country Girl,”“The Shrike,” “Purple Dust,” “The BigKnife.” “The World of Sholem Alei-chem,” “The Lover,” “The Three PennyOpera,” “The Rainmaker” and “A Hat-ful of Rain.” He has appeared in a var-iety of films, notably “Give Us ThisDay” in which he co-starred with LeaPadovani and also in “Christ in Con-crete.” Mr. Wanamaker has been one ofthe leading producers of television dra-ma over BBC. At Stratford-on-Avontwo years ago, he was awarded the cov-eted role of Iago in “Othello.” He alsois the founder of Liverpool’s NewShakespeare Theater where he producedand played in Arthur Miller’s “A ViewFrom the Bridge,” “Tea and Sympathy,”“The Iceman Cometh,” “Cat on a HotTin Roof,” “The Rose Tattoo” and atleast a dozen other plays. He interrupt-ed his long British residence only onceto come to this country to direct SirCedric Hardwicke and Lili Palmer in“Caesar and Cleopatra” and also a tour-ing production of “The Guardsman.”
LILI DARVAS(Amalie Freud)
Miss Darvas needs no introduction tothis play’s mileu. She is Budapest-bornand not far removed from the “gemut-lichkeit’ of Strauss-swept Vienna. MissDarvas is the widow of playwright Fer-
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Oh with the CAST(Continued)
enc Molnar, to whom she was marriedin Budapest in 1926 and to whom shestayed married until his death in 1952.
It was a happy alliance, professionallyand maritally. At least ones a year, MissDarvas turned up in the Vienna and Bu-
dapest theatre in a play written espec-
ially for her by her husband. She madeher initial appearance before Budapest
audiences as Juliet in Shakespeare’s un-
dying romance. She was a leading mem-ber of Max Reinhardt’s theatrical com-panies for almost a decade playing in
Vienna, Berlin, the Salzburg Festivals
and almost every European capital. Herparts ranged from Goethe to Schiller toGoldoni to G. B. Shaw. The Molnarsbeat the climax of the Nazi scourge byone year and fled to America in 1938.Promptly, she mastered English and en-
tered the American stage in such worksas Rose Franken’s ‘‘Soldier’s Wife”,Kaufman and Hart’s “Bravo”, and withMaurice Evans in his famed “G. I. Ham-let”. She co-starred with Melvyn Doug-las in “Waltz of the Toreadors”. Lastseason, she had a featured role in “Che-ri” wherein she performed with MissStanley.
SALOME JENS(Martha Bernays Freud)
Wisconsin born, Salome Jens literally
leaped into prominence off-Broadway
when she got critical hosannahs for herportrayal in “The Balcony”. The per-formance won her the Clarence Derwent
(Continued on Page 12)
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Oh £tage with the CAST( Continued)
Award for the season of 1960. But shehad fared well, if less conspicuously, in
other off-Broadway gambits as Arthur
Schnitzler’s “Affairs of Anatole”, Iones-
co’s “The Bald Soprano”, “Deirdre of
the Sorrows” and John Dos Passes’
“USA”. She also had her innings on the
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Broadway stage in “The Disenchanted”and “Sixth Finger in a Five FingerGlove”. Nor is she a stranger to tele-vision. She has been viewed in KraftTheatre, Studio One, Camera Three andThe Play of the Week’s “The CherryOrchard”. Soon, moviegoers will see herin the title role of a film entitled, “An-gel Baby” in which she impersonatesan evangelist in the backwoods countryof Georgia. All of which adds up to thefact that Miss Jens is an actress ofsome virtuosity.
GEORGE GAYNES(Frederick Wohlmuth)
It is a far cry from Helsinki, Finland,where George Gaynes was born, to theAmerican stage. He appeared for thefirst time on a stage in Lausanne, Swit-
zerland, in Moliere’s “La Malade Imag-inaire” in 1937 and then the war inter-rupted his thespian career. He servedfor the duration in the Royal Navy asa Lieutenant and Seaman. Anchored
(Continued on Page 14)
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in for a wonderful treat. Added to regular menu,
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WARMUTH’S PORTSIDE RESTAURANT, 278-280-284 Devonshire St. A name famous for fine foodsince 1895. Open dally (except Sun.) from 11
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GAMSUN, 21 Hudson St. Chinese food at its fin-est. Superb Cantonese favorites. Daily incl. Sun.
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CHEZ LUCIEN, 121 Mass. Ave., Boston. Formerlywith French Line. Imported wines. Dinner 5 :30-
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CLUB HENRI IV, 96 Winthrop St.. Harvard Sq.EL 4-8388. Cuisine. Vin Francais. Private Par-ty Room, 12-2; 6-9. Sat. 6-10:30. Closed Sun.
Italian Cuisine
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Japanese Cuisine
SUKIYAKI ROOM, 337 Massachusetts Avenue, (nr.Symphony Hall). Japanese dishes cooked right
at your table. Daily 5-11 p.m. KE 6-0656.
COCKTAIL LOUNGESTHE BARN at 1200 Beacon Street. An authenticbarn transported from New Hampshire and builtinto the cellar of the hotel. A unique cocktaillounge. Open daily from 4 p.m. Music.
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Oh ith the CAST( Continued)
down in New York after the holocaust,he resumed as an actor-singer in Gian-Carlo Menotti’s musical drama, “TheConsul”, which led him to Cole Porter'smusical show, “Out of this World.” Thiswas followed by a leading role in themusical success, “Wonderful Town” andthen a long run in the London repro-duction of “The Bells Are Ringing.” In“Far Country,” Gaynes will be playinga non-singing, dramatic role for thefirst time on Broadway in this play.
BOSTON UNIVERSITYSchool of Fine and Applied Arts
Presents
“BRAND”By Henrik Ibsen. World premiere of the James Forsyth version. Directedby Samuel Hirsh. Original music by Gardner Read. March 2, 3, 4.
“THE MERRY WIVES OF WINDSOR”An Opera by Nicolai. Staged by Adelaide Bishop. Directed by Ludwig
Bergmann. March 16, 17, 18.
“YERMA”By Lorca. Directed by Peter Kass, Council of Participating Directors.
May 4, 5, 6.
BOSTON UNIVERSITY THEATRE264 HUNTINGTON AVENUE KE 6-9121
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THANK YOU THEATER-GOERSOF NEW ENGLAND
for making the Show of the Month Club one of the largest and mostsuccessful theater clubs in America.To date our members have been offered all of the top attractions
of the season, including: “Camelot,” “Face of a Hero,” “Five Finger Ex-ercise,” “Critic's Choice,” “Do-Re-Mi,” “My Fair Lady,” the Royal Ballet(Sadler's Wells), “Show Girl” with Carol Channing, the “InternationalRevue” with Marlene Dietrich, “Once Upon A Mattress,” Dore Scharv’s“Devil’s Advocate,” the Moiseyev Dancers from Soviet Russia, and “TheFar Country” starring Kim Stanley.
Altogether, 22 attractions have been offered our members so far thisseason. Members will continue to be offered attrac * until Oct. 1, 1961.Our members always purchase tickets before K sale and accept
only those attractions which appeal to them. They are under no obligationto accept tickets for any attraction they do not care to see.The total cost of membership for the entire year is five dollars for two
persons.Membership is closed for the current season. However, if you would
li\e a membership application for the 196^62 season mailed to you whenmembership is reopened, simply send us your name and address now.
SHOW OF THE MONTH CLUB49 Portland Street, Boston 14, Mass.
69th Annual TTincent Show
“Winning Ways”for the benefit of the Vincent Memorial Hospital
Original Musical Story writtenand performed by Vincent Club members
April 4, 5, 6, 7, 8 at 8:30 P. M.Matinee Saturday April 8 at 2:30 P. M.
New England Mutual HallBox Office opens March 20th CO 7-1379
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