on mirrors, tables and walls (and yes, girls too), now in context

53
art mirrors art 2014 © © On mirrors, tables and walls (and yes, the girls too); but now in the context(s)

Upload: art-mirrors-art

Post on 08-May-2015

95 views

Category:

Art & Photos


0 download

DESCRIPTION

In a way, a sequel to the previous slides (http://www.slideshare.net/art-mirrors-art/gerard-ter-borch-an-elective-affinity-of-mirrors-and-brothels), about the mirrors of Gerard ter Borch. This time I try to show how mirrors had been depicted by many other Dutch painters of the Golden Age (including Pieter Codde, Caspar Netscher, Gabriël Metsu, Frans van Mieris, Pieter de Hooch, Cornelis de Man & Pieter Janssens Elinga). It is not a complete list by any means, but representative enough to also see the major changes with both 'mirror technology' and its perception and use by the society. You can also read the posting in my blog about this painters, and their mirrors: http://artmirrorsart.wordpress.com/2013/09/12/1212/

TRANSCRIPT

Page 1: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

On mirrors, tables and walls (and yes, the girls too); but now in the context(s)

Page 2: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

The broader (European) context

Page 3: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

And more narrow Dutch context

Mirrors in the works by:

Frans Hals

Pieter Codde

Caspar Netscher

Gabriël Metsu

Frans van Mieris

Pieter de Hooch

Cornelis de Man

&

Pieter Janssens Elinga

Page 4: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

The siege (and fall) of Antwerp in 1585

Page 5: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Frans Hals (1582 – 1666)

Self-portrait (c.1630)

Page 6: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Portrait of a Dutch Family (1630)

No mirrors !

Page 7: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Pieter Codde (1599 – 1678)

Self-portrait (c.1630)

Page 8: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Cavaliers and Ladies (1633)

Table mirror set

Page 9: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Sebastien Stoskopff - Vanity (c.1630s)

A beauty set?

Page 10: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Woman combing her hair in front of a mirror (с.1625)

Page 11: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Woman at her toilet (1630)

Page 12: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Woman holding a mirror (1625)

Page 13: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

What is the meaning of that mirror?

She holds the mirror, not look at it

Page 14: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

(presumably) Self-portrait (c.1675)

Caspar Netscher (1639 – 1684)

Page 15: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

The visit (c. 1658) (after Gerard ter Borch’s Paternal Admonition)

Page 16: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Lady at her toilette (c.1670)

Page 17: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Young woman with a magnifying glass (?) (1667)

A magnifying glass – or a medallion of her future husband?

Page 18: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Venus with Cupid (??)(c.1660s)

Page 19: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Girl Standing before a Mirror (1668)

Mirror is a symbol of virginity – or a readiness to part with it?

Page 20: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Rembrandt - Young woman trying earrings (1654)

Page 21: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Portrait of a lady at her toilette, attended by a negro page with a dish of fruit

Or a bride with large dowry?

Page 22: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

A lady washing her hands (1657) … or preparing to be ‘consumed’ ?

Page 23: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

What is the meaning of this whole scene?

Page 24: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Mother combing her son (1669)

Does she play with a mirror? Or with the symbol of her future marriage?

Page 25: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Gabriël Metsu (1629-1667)

(presumably) Self-portrait (c.1652)

Page 26: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Lady at the mirror (1667)

Page 27: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Not one, but two mirrors!

Page 28: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

A Man Visiting a Woman Washing Her Hands (c. 1662)

…but the mirror is turned away.

Page 29: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

The Intruder (c. 1660)

…she actually doesn't’t mind to see (and to show him her ‘ mirror’)

Page 30: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Woman reading a letter (1662)

Wall mirror, decorated with a ribbon

Page 31: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

A Hunter Visiting a Woman at her Toilet ( c. 1661)

Is her mirror ready to be shown?

Page 32: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

A Woman at her Mirror (1657)

One of a very few mirrors in these paintings that is actually ‘used‘

Page 33: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Lady at a Virginal

Why would they cover the mirror? Only to protect from the sun?

Page 34: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Frans van Mieris (1635-1681)

Self-portrait (c.1667)

Page 35: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Woman in her bedroom with a dog (1670)

Mirror migrates from a table…

Page 36: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Woman before the mirror (c.1670)

… to a wall – creating an entirely different way to look at herself!

Page 37: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Pieter de Hooch (1629-1684)

Self-portrait (c.1655)

Page 38: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Woman with a Water Pitcher, and a Man by a Bed (or The Maidservant) (1667)

Mirror firmly occupies the wall

Page 39: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Leisure Time in an Elegant Setting (1663)

Mirror shrinks to a beam of light

Page 40: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

The bedroom (1658)

Page 41: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

One mirror, or two?

Page 42: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

And is the right one actually the mirror? Jan de Beer - The Birth of the Virgin (1520)

Page 43: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Cornelis de Man (1621-1704)

Self-portrait (c.1670s)

Page 44: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

The Music Lesson (c.1670)

Mirror on a wall allows more interesting situations

Page 45: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Geographers at Work (c.1675)

Liberating mirrors from a ‘female-only’ status

Page 46: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Pieter Janssens Elinga (1623-1684)

Perspective boxes

Page 47: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

3D models of the Dutch houses of Golden Age

Page 48: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Interior with a painter, his wife, and a maid (1676)

Still two different mirrors in a living room

Page 49: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Interior with seated husband, his wife, and a maid (1670)

Gradually a table mirror migrates to another place

Page 50: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Reading woman (1668) Maid in a Dutch house (1655) Wall mirrors will

lose the tables underneath

Page 51: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

One simple conclusion is that during the Golden Age the mirrors transformed from ‘ table gadgets only’ to hybrid formats, including wall mirrors, with different patterns of use.

Page 52: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

The second transformation is more elusive: mirrors seemingly lost their symbolic connotation of a sexual (matrimonial) marker, digressing to a merely functional gadget.

Page 53: On mirrors, tables and walls (and yes, girls too), now in context

art  mirrors  art    2014  © ©

Art Mirrors Art

http://artmirrorsart.wordpress.com