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    Ediia de anul acesta, nanat de Administraia Fondului Cultural Naional se va desfura nlunile septembrie-octombrie n trei orae din Romnia: Bucureti (20 septembrie), Iai la Teatru Fix(11 octombrie) i Cluj- Napoca la Centrul de cultur urban Casino (25 octombrie).Scopul proiectului Noaptea alb a creatorilor i designerilor de produs(ninat n anul 2012)

    este valorizarea produselor de autor i create de designeri de produs din Romnia prin realizareaevenimentelor de ni la nivel naional. Realizm o selecie riguroas a participanilor, cu standardenalte de creativitate i calitate.Obiectivul general este construcia transparent i obiectiv a unei comuniti viabile la nivel naionala creatorilor i designerilor de produs, punnd accentul pe debut, calitate, ncurajarea intervenieiculturale i importana simbiozei tradiie-contemporan. Schimbarea mentalitii c obiectele de autorsunt inferioare unei opere de art este, de asemenea, un obiectiv important al proiectului. Nu esteo competiie ntre creatorii i designerii prezeni n cadrul evenimentului, ci va o comunitate bine

    nchegat a celor mai buni i a celor ce pot deveni buni.Proiectul Noaptea alb a creatorilor i designerilor de produs, n anii 2012 i 2013 a fost nalist laGala Societii Civile, seciunea Art i cultur. De asemenea, voluntarii si au fost nominalizai din2012 la Gala Naional a Voluntarilor, seciunea Art i cultur.

    Mihaela Ion & Teodora Vldescuiniiatoarele proiectului

    Asociaia Atelierul de Creaie a fost creat n anul 2011 cu scopul de a susine i promova n mod

    constant valorile contemporane culturale romneti cu implicaii directe n industria creativ adesignului de produs. Ne implicm din 2011 n promovarea educaiei culturale prin evenimenteleorganizate n diferite orae din Romnia, n protejarea i valoricarea culturii tradiionale romneti

    n contemporaneitate, i din 2014 ncurajm mobilitatea cultural prin intermediul evenimentelorde prol din strintate la care suntem parteneri media: Trgul internaional de produse de autorFrankfurt Messe, DaWanda Designmark, Handwerk&design Munchen, Tendence Frankfurt.Din 2010, nainte de a avea un statut juridic, am creat proiectul Revista Atelierul (www.revista-atelierul.ro ievents.revista-atelierul.ro), singura revist dedicat artizanilor i designerilor de produs din Romnia,

    revist ce a fost i printat n anul 2011, de asemenea, prin fonduri AFCN (revista gsindu-se n librriii spaii de consum de cultur din Iai, Braov, Cluj-Napoca, Trgu-Mure, Constana, Timioara,Buzu, Oradea). Avem peste 50 de voluntari n cadrul asociaiei, am realizat peste 20 de proiectededicate designerilor de produs n diferite orae din Romnia i suntem parteneri viabili pentru oriceeveniment cultural de prol. n patru ani am publicat mai mult de 10 reviste n format online. Deasemenea, suntem co-organizatorii trgului de produse LaBazar de la festivalul urban Femei pe Mtsari.

    ISBN 978-973-0-17599-8

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    This years edition, funded by The Administration of Cultural and National Fund, will take place in themonths of September and October in three Romanian cities: Bucharest (20th September), Iai (11th

    October at Teatru Fix) and Cluj-Napoca (25th October, at the Center for Urban Culture Casino).The purpose of The white night of product creators and designers project (grounded in 2012) is

    the valorisation of handmade designer goods created by Romanian product designers, by organizingniche events at a national level. We select our participants rigorously and we have high creativity andquality standards.

    The general objective is transparently and objectively building a viable national community of productdesigners and creators, focusing on debut, quality, encouragement of the cultural intervention andthe importance of the symbiosis between tradition and contemporary. Another important objective ofthe project is changing the general belief that handmade designer goods are inferior to an art piece.It is not a competition between the designers and creators that participate in the event, there will be

    a tight community of the best artists and the ones that can become the best.The project The white night of product creators and designers was one of the 2012 and 2013 nalistsat the Civil Society Gala, Arts and Culture section. Moreover, its volunteers were nominated starting

    with 2012 at the National Volunteers Gala, Arts and Culture section.

    The Atelierul de Creaie association was founded in 2011 with the purpose of supporting and

    constantly promoting the contemporary Romanian cultural values, with direct involvement in thecreative industry of product design. Since 2011, we are involved in promoting cultural educationthrough the events organized in various Romanian cities, and protecting as well as capitalizing thetraditional Romanian culture in the contemporary context. Since 2014 we encourage the culturalmobility through the prole events abroad that were media partners to: Frankfurt Messe International

    Fair, DaWanda Designmark, Handwerk&Design Mnchen, Tendence Frankfurt.In 2010 we created the Revista Atelierul project (www.revista-atelierul.ro, events.revista-atelierul.ro), theonly Romanian magazine dedicated to the product designers and one-o products creators. In 2011

    the magazine could be also found in print thanks to AFCN funding and was available in bookstoresand culture consumer spaces in Iai, Braov, Cluj-Napoca, Trgu-Mure, Constana, Timioara, Buzu,Oradea. We have over 50 active volunteers in the association, we organized over 20 events aimed atproduct designers in various cities in Romania and we are reliable partners for any niche culturalevents. In four years, we published over 10 online issues of our magazine, and we are co-organizers

    of the LaBazar products fair, part of the Femei pe Mtsari event in Bucharest.

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    Ldition de cette anne, nance par les fonds de lAdministration du Fonds Culturel National, auralieu aux mois de septembre et octobre en trois villes de Roumanie: Bucarest (20 septembre), Iassy - auFix Thtre (11 octobre) et Cluj-Napoca au Casino du parc central (25 octobre).Le but du projet La nuit blanche des crateurs de produit et des chefs de marque reprsente la miseen valeur des produits des crateurs roumains, en organisant des vnements de march de niche

    au niveau national. Nous avons mis en place un processus de slection rigureux pour les artistesparticipants au projet, ayant des hauts standards de qualit et crativit.Lobjectif gnral du projet est la construction transparente et objective dune communaut nationaledes crateurs de produit et des chefs de marque qui soit viable, en mtant laccent sur leur dbut, laqualit des produits, lencouragement de lactivit culturelle et limportance de la symbiose tradition-contemporanit. Un objectif important du projet est aussi de changer la mentalit selon laquelle lesproduits des crateurs serainet infrieurs par rapport une oeuvre dart.Dans le cadre de lvnement ce ne sera pas une comptition entre les crateurs et les chefs de

    marque, mais il stabliera une communaut bien lie de ceux qui sont les meilleurs et de ceux quipeuvent devenir les meilleurs.Aux annes 2012 et 2013, le projet La nuit blanche des crateurs de produit et des chefs de marquesest qualie parmi les nalistes au Gala de la Socit civile, la section Art et culture. De plus, lescollaborateurs bnvoles du projet ont t proposs pour la liste des gagnants du Gala National desbnvoles en 2012, pour la section Art et culture.

    LAssociation Atelierul de Creaie (lAtelier de Cration) a t fonde en 2011 pour soutenir etpromouvoir de faon constante les valeurs contemporaines de la culture roumaine qui ont unimpact direct sur lindustrie de la cration de produit. Depuis 2011, nous contribuons la promotionde lducation culturelle par les vnements que nous avons organiss dans de diverses villes deRoumanie, la protection et la mise en valeur de la culture roumaine traditionnelle lpoquecontemporaine et depuis 2014 nous encourageons la mobilit culturelle par lintermdiaire desvnements de niche ltranger, auxquels nous nous constituons en partenaires mdia: La foireinternationale des produits des crateurs Frankfurt Messe, DaWanda Designmark, Tendence

    Frankfurt, Handwerk&design Munchen.Depuis 2010, avant dacqurir un statut juridique, nous avons cre le projet Revista Atelierul (Lemagazine Atelierul) (www.revista-atelierul.ro et events.revista-atelierul.ro), le seul magazine ddiaux artisans et aux crateurs de produit. Le magazine a t distribu sur format papier en 2011 avecle nancement de AFCN (le magazine sest trouv dans des librairies et despaces de cosommationculturelle Iassy, Braov, Cluj-Napoca, Trgu-Mure, Constanta, Timioara, Buzu, Oradea). Nousavons plus de 50 bnvoles travaillant pour lassociation, nous avons ralis plus de 20 projets ddisaux crateurs de produit dans de diverses villes de Roumanie et nous sommes un partenaire viable

    pour la ralisation de nimporte quel vnement culturel dans ce domaine. Dans les quatre derniresannes, nous avons publi plus de 10 ditions du magazine en ligne et nous avons aussi organis lafoire de produits Labazar dans le cadre de lvnement Femmes dans la rue Mtsari.

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    Like us: www.facebook.com/revista-atelierulFollow us:https://twitter.com/atelierulonline

    Pin us: http://pinterest.com/atelierul/Issuu: www.issuu.com/atelierul

    Mail us: [email protected]

    EchipaNopii albe a creatorilor i designerilor de produs:

    Mihaela Ion Teodora VldescuGabriela Gorgan Anca IonescuRaluca Dumitru Daniela Lazr

    Valentin Grosoiu Daniel Mircea Eliza Ene tefan Blea

    Corina Andone Simona AndreiRamona Croitoru Gabriela Gheorghe

    Echipa Revistei Atelierul este format din: Rucsandra Obretin, Ruxandra eiu,

    Andreea Scarlat, Andreea Costai, Andreea Darie, Cecilia Guran, Gabriela Galamaga,Ema Patrichi i muli ali prieteni dragi i susintori.

    http://www.facebook.com/revista-atelierulhttps://twitter.com/atelierulonlinehttp://pinterest.com/atelierul/http://pinterest.com/atelierul/http://pinterest.com/atelierul/http://pinterest.com/atelierul/https://twitter.com/atelierulonlinehttp://www.facebook.com/revista-atelierul
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    ASSAMBLAGEcoala de bijuterie contemporan

    Assamblage coala de Bijuterie Contemporan a fost ninat n luna octombrie a anului 2010 lainiiativa designerului David Sandu. n lipsa unor instituii care s vizeze nsuirea n mod specica domeniului bijuteriei la un nivel tehnic i artistic, Assamblage a pus bazele unei noi generaii dedesigneri i autori de bijuterie contemporan care se ridic la standarde internaionale.

    n cei patru ani de activitate, coala a susinut aproximativ 85 sesiuni de cursuri i numr peste

    300 absolveni. Assamblage coala de Bijuterie Contemporan a devenit astfel o temelie i un punctde referin puternic n dezvoltarea bijuteriei de autor din Romnia i a contribuit la crearea uneicomuniti nchegate de artiti autohntoni care au depit nivelul autodidactismului i au acumulatnoiuni tehnice i conceptuale pentru armarea lor ca designeri de sine stttori.

    Assamblage School of Contemporary Jewelry was founded in October 2010 at the initiative of designerDavid Sandu. In the absence of institutions that specically target the learning of the domain of jewelry

    at a professional level, Assamblage founded a new generation of contemporary jewelry designers andauthors rising to international standards.In three years of activity, the school has held approximately 70 training sessions and has over300 alumni. Assamblage School of Contemporary Jewelry has become a foundation and a strongreference point in the development of design jewelry in Romania. Assamblage helped to createa cohesive community of artists who have achieved and accumulated technical and conceptual

    notions for their assertion as individual designers.

    Assamblage Lcole de Bijou Contemporain a t fond en octobre 2010 linitiative du designerDavid Sandu. En labscence dinstitutions qui visent spciquement lappropriation du domaine dubijou au niveau technique et artistique, Assamblage a cr une nouvelle gnration de designers etauteurs de bijou contemporain qui sont la hauteur de standards internationaux.Pendant les quatre annes dactivit, lcole a organis environ 85 sessions de cours en enregistrantplus de 300 diplms. Assamblage Lcole de Bijou Contemporain est devenu ainsi une base et unfort point de rfrence dans le dveloppement du bijou dauteur de Roumanie et a contribu la

    cration dune communaut unie dartistes autochtones qui ont dpass le niveau dautodidactismeet qui ont accumul des notions techniques et conceptuelles pour sarmer comme des designersautonomes.

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    Alina ConstatinCeramics

    Alina Constantin este absolvent a Universitii de Arte Bucureti, specializarea ceramic. A fost atras dematerialul ceramic nc din adolescen. Mai exact de ipsos, din care a realizat c poate crea cu ajutorul lui, dela obiecte cu suprafee foarte ne i delicate, pn la unele cu suprafee vibrante i riguroase. Iar de aici a fostdoar un pas pn la descoperirea porelanului, acum, materialul ei preferat. De cele mai multe ori se inspirdin natur, i plac animalele i joaca lor.Este atras i de cultura asiatic, i plac n mod special motivele de decor cu oxid de cobalt. De asemenea,

    deseori se folosete de elemente geometrice n lucrrile ei. E atent la partea practic a obiectelor, ceea ce estefoarte important pentru un artist i viitor designer ceramist. Cel mai mult i place s gndeasc relaia dintrefuncionalitatea obiectului i elementele sale decorative. i vede obiectele cumprate de ctre oamenii careapreciaz materialele tradiionale i i-ar plcea s le vad folosite mai ales de ctre cei tineri, care se mulumescdeseori doar cu materiale accesibile precum plasticul.

    Alina Constantin is a graduate of the University of Arts Bucharest, specializing in ceramics. She was drawn to theceramic material since adolescence. Specically to plaster, from which she realized that with his help she couldcreate objects surfaces from very ne and delicate to some vibrant and rigorous. And here was only a step up to

    discover porcelain, now her favorite material. Most of the times she gets inspired by nature, she loves animalsand their play.Shes also attracted to the Asian culture, she particularly likes the motifs of the cobalt oxide decor. Also, she oftenuse geometry in her work. Shes attentive to the practical side of things, which is very important for an artist anda future ceramic designer. Most of all she likes to think the relationship between the functionality of the objectand its decorative elements. She sees her objects bought by people who appreciate traditional materials andshed love to see them used mostly by young people, who are often pleased only with accessible materials,

    such as plastic.

    Alina Constantin est diplm de lUniversit des Arts de Bucarest, spcialise dans la cramique. Elle a tattire la cramique depuis ladolescence. Spciquement pour le pltre, de qui elle a ralis quavec sonaide elle pourrait crer des surfaces de lobjet de trs nes et dlicates peu dynamique et rigoureuses. Etici est seulement une tape pour dcouvrir la porcelaine, maintenant, sa matire prfre. La plupart dutemps quelle obtient inspire par la nature, elle aime les animaux et leurs jeux. Elle est aussi attire par laculture asiatique, elle aime particulirement les motifs de la dcoration de loxyde de cobalt. En outre, elleutilise souvent la gomtrie dans son travail. Elle prte attention laspect pratique des objets, qui est trsimportant pour un artiste et un futur designer cramique. Par-dessus tout, elle aime penser la relation entreles fonctionnalits de lobjet et ses lments dcoratifs. Elle voit ses objets achets par des personnes quiapprcient les matriaux traditionnels et elle aimerait les voir utiliss principalement par des jeunes gens, quine se contentent souvent uniquement avec des matriaux accessibles, tels que le plastique.

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    Art3lier

    n Art3lier, micul nostru proiect de familie, dorim s regsim drumul spre natur mpletind oparte din suetul nostru cu idei transpuse n lemn, os i piele. ncercm s surprindem prinsimplitate, de aceea preferm s punem cuvintele deoparte i s lsm creaiile nostre s nespun povestea.

    In Art3lier, our little family project, we want to rediscover the road that leads back to nature,

    weaving a bit of our soul with ideas transposed into wood, bone and leather. Were tryingto amaze with simplicity, thats why we prefer to put words aside and let our creations tell

    our story.

    Dans Art3lier, notre petite entreprise familiale, on veux recherche de la route qui mne lanature, tisser notre me avec des ides traduites en bois, os, et cuir. En essayant de surprendreavec la simplicit, cest pour cela que nous prfrons mettre les mots de ct et laisser noscrations raconter notre histoire.

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    LanaLana este un tnr designer de mod din Romnia, actualmente locuind la Londra i lucrnd n prezent lalucrarea de doctorat n Art i Mod. A fcut parte din programul Digital Print Design la designerul londonezMary Katrantzou. Lana poate considerat un artist care se manifest prin intermediul modei, de aceea haineleei se pot regsi expuse la numeroase galerii de art sau n muzee, mai degrab dect n magazine.Dup ce n timpul copilriei i al adolescenei a publicat multe cri de poezie premiate, Lana i-a prezentatmanifestul su artistic n dou creaii de design care au luat pe sus ziarele i site-urile de pe tot globul: rochiaFacebook (inclus de inuentul site TrendHunter.com n 2012 Top Trends) i Rochia Etno. De asemenea, esteprimul designer romn care a colaborat ocial cu brandul Puma, avnd propriul design pe o jachet numitPuma T7 Etno Shake by Lana. Cu 9 colecii distincte n portofoliu, pe care le descrie a nite preri purtabile,

    Lana a obinut aprecierea juriului cu ocazia mai multor concursuri de design: Puma Creativity Award 2012,Young Creative Chevrolet Award-Romania (2012, 2013), etc. Recent a fost inclus de Forbes n Top 30 sub 30.

    Lana is a young Romanian fashion designer living in London, and a recent graduate who is currently researchingfor her PhD in Arts and Fashion.You can consider Lana an artist manifesting her beliefs through fashion- youwould nd Lanas clothing in an art gallery or in a museum, rather than in a shop. Her work was presented atLondon Fashion Week 2014/International Fashion Showcase, Holon Design Museum, Kalmar Art Museum andMalmo Design Centre- Sweden, National Village Museum Bucharest, Cultural Institutes, Art Galleries, DesignWeeks, etc. After she published many awarded poetry books during her childhood and teenage years, Lana

    showcased her artistic manifesto in two design creations that took blogs and newspapers around the world bystorm: The Facebook Dress (included by the notorious site TrendHunter.com in the 2012 Top 20 Trends) and TheEtno Dress. Now she is the rst Romanian designer to ocially collaborate with Puma, and have her very owncustom print on a Puma jacket named T7 Etno Shake Puma by Lana and she also designed as a member ofthe digital print design team at Mary Katrantzou. With 8 distinct collections in her portfolio which have consisted,until now, in wearable opinions- as she describes her clothes-, Lana has won the jurys appreciation in various

    design competitions. She was included by Forbes in Top 30 under 30.

    Lana est une jeune styliste roumaine base Londres o elle fait son doctorat en son doctorat en Arts et

    fashion. Lana est une artiste qui manifeste ses croyances travers de la mode- vous trouverez des vtementsLana dans une galerie dart ou dans un muse, plutt que dans un magasin. Son travail a t prsent laLondon Fashion Week 2014 / Fashion vitrine internationale, Design Museum Holon, Kalmar Muse dArt etDesign Centre de Malm en Sude, le Muse National Village Bucarest, instituts culturels, des galeries dart,conception semaines et plus. Aprs avoir publi des nombreux livres de posie attribues au cours de sonenfance et adolescence, Lana projettent ses croyances artistiques dans ses deux crations de conception quiont des blogs et des journaux travers le monde par la tempte: La robe Facebook inclue par le site de notoritTrendHunter.com dans les 2012 Top 20 Tendances) et la robe Etno. Lana est le premier crateur roumain collaborer ociellement avec Puma pour une veste personnalis T7 Etno Agiter Puma par Lana et continue

    enrichie ses experiences artistiques en faisant partie de lquipe de conception pour Mary Katrantzou. Avec seshuit collections quelles dene comme des manifestes qui peuvent tre portes dans la rue - Lana a gagn desprix de design de produit: Puma Prix de la crativit, Pasarela / Institut Franais de la Mode- naliste de concours,Young Creative Chevrolet Award-Roumanie, etc. Elle a t inclue par Forbes Magazine en Top 30 de moins de 30.

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    ABContemporary JewelleryAm crescut de mic copil, nconjurat de conceptul de imagine, respectiv fotograe, ind inuenat de cei doi prinicare sunt fotogra. Aceast inuen m-a determinat s urmez o facultate n domeniul artistic, cu specializareapictur. Dei am terminat pictura, acest lucru nu m-a oprit s apelez i la alte forme de exprimare artistic: foto,video, sculptura, instalaia. ntlnirea cu bijuteria, ca form de exprimare, nu este o pur ntmplare. Mi-am dorit

    ntotdeauna s creez sculpturi de mici dimensiuni, iar expunerea lor s e facut prin intermediul interaciuniidirecte cu consumatorul de art sau de frumos. n bijuterie, folosesc un material cald, natural, lemnul - elementorganic ce se pliaz ca o mnu pe persoana care poart un astfel de accesoriu. Dac n pictur se folosetecontrastul dintre culori, n bijuterie, se creeaz un contrast ntre material i form. Pe lng lemn, aleg materialeprecum: metalul, piatra, ceramica, pluta, rinile.

    Piesele AB Contemporary Jewellery se pot ncadra n curentul eco, innd cont c folosesc resturi din lemn. Sepoate spune c reciclez o bucat care a fost cndva un organism viu, dndu-i o alt conotaie: creez forme, dintr-unmaterial dat de natur, pentru cineva care a fost nsui creat de natur.

    I grew up as a child, surrounded by the concept of image or photography being inuenced by my both parents whoare photographers. This inuence led me to pursue an art college with a degree in painting. Although I graduatedfrom painting college, this did not stop me to turn to other forms of artistic expression: photography, video, sculpture,installation.The intersection with jewelry as a form of expression it is not a pure accident. I always wanted tocreate small sculptures and their exposure to be made through direct interaction with the consumer of art andbeauty.In jewelry, I am using a warm material which is natural wood - organic element that folds like a gloveto a person who wears such an accessory. If in the painting techniques is used the contrast between colors, in

    jewelry, it used the contrast between material and form. Besides wood, I choose materials such as metal, stone,ceramic, cork, resin.

    AB Contemporary Jewellery pieces can t in the eco current considering that I am using scrap wood. You can saythat I recycle a piece that was once a living organism and I am giving it a dierent connotation: I create forms

    from a material that was given by nature, for someone who has been created by nature itself.

    Jai grandi comme un enfant, entoure par le concept de limage ou la photo, tant inuenc par mes deuxparents qui sont photographes. Cette inuence ma amen aller luniversit dart o jai choisi la peinturecomme spcialisation. Mme si jai ni la specialisation de peinture, cela ne ma pas arrter utiliser dautresformes dexpression artistique: photographie, vido, sculpture, installation.Rencontre avec des bijoux comme une forme dexpression, cest nest pas un pur hasard. Jai toujours voulu crerde petites sculptures et leur exposition se fait travers une interaction directe avec le consommateur de lart et dela beaut. En bijoux, jutiliser un matriau chaud, bois naturel - lment organique qui se plie comme une gantsur une personne qui porterait un tel accessoire. Si le contraste entre les couleurs est utilis dans la peinture,en bijoux est utilis un contraste entre la matire et la forme. Outre le bois, je choisis des matriaux tels que le

    mtal, la pierre, la cramique, le lige, rsine. AB Contemporary Jewellery pices peuvent tenir dans le courantcologique parce que jutilise de morceaux de ferraille de bois. On peut dire que je recycler une pice qui taitautrefois un organisme vivant, en lui donnant une connotation dirente: Je cre des formes dun matriaudonn par la nature, pour quelquun qui a t cr par la nature elle-mme.

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    Rizi DesignRIZI este un studio creativ care abordeaz designul ca mediu de comunicare adaptat contextului. RIZI propunesoluii integrate de comunicare vizual oine i online i custom design pentru obiecte, instalaii i interioarecomerciale. Elementele care stau la baza conceptelor RIZI sunt integrarea n context, comunicarea ecient amesajului, experiena interaciunii i valoarea adugat.RIZI este expresia interaciunii profesionale a cuplului Alina Rizescu i Bogdan tefnescu combinat cu mixulde know-how i creativitate a echipei extinse ce cuprinde developeri, artiti vizuali, productori de mobilier itextile, constructori i ingineri. Alina a terminat Arhitectura, are o experien de 4 ani n presa de design din

    Romnia, a activat 3 ani ca arhitect la Barcelona i se dedic designului pentru evenimente, spaii comercialei urbane. Bogdan are studii n economie, comunicare i producie multimedia, a lucrat n domeniul nanciar,pres, radio i ONG, este project-manager al platformei idependente de art Formaje i se ocup de strategiade comunicare i implementare a conceptelor de design.

    RIZI is a creative studio that approaches design as a context oriented communication medium. RIZI bringsvisual communication integrated solutions for both oine and online projects and custom design for objects,

    installations and commercial spaces.The elements behind RIZIs concepts are design in context, eective communication, great user experience and

    added value. RIZI is the expression of the professional interaction between Alina Rizescu and Bogdan tefnescucombined with the mix of know-how and creativity of the extended team, consisted of developers, visual artists,furniture and textile manufacturers, constructors and engineers. Alina nished architecture, has four yearsbackground in Romanian design media, has worked for over 3 years as an architect in Barcelona and is focusedon design for events, commercial and urban spaces. Bogdan studied economy, communication and multimediaproduction, worked in nance, journalism, radio and NGOs, is the project manager for independent art platform

    Formaje and deals with communication and implementation strategies for the design concepts.

    Rizi est un Studio cratif qui approche le design comme un moyen de communication oriente vers le

    contexte. Rizi propose des solutions de communication visuelle intgres pour des projets online et oine,complmentaires a la conception personnalise pour les objets, installations et espaces commerciaux.Les lments a la base les concepts de rizi sont lintgration dans le contexte, la communication ecace, unebonne exprience de lutilisateur et la valeur ajoute.Rizi est lexpression de linteraction professionnelle du couple Alina Rizescu et Bogdan tefnescu combineavec lexprience et la crativit de lquipe largie, compose de dveloppers web, artistes visuels, desfabricants, des constructeurs et des ingnieurs.Alina a tudie larchitecture, a quatre ans dexprience dans la presse spcialise roumaine, a travaill pendantplus de 3 ans comme architecte baronne et se ddie au design pour dvnements, espaces commerciaux eturbains. Bougon a tudi lconomie, communication et production multimdia, a travaill dans la nance, le

    journalisme, la radio et les ONG, est le chef de projet pour la plate-forme dart indpendante Formaje et traitedes stratgies de communication et de mise en uvre pour les concepts de design.

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    Oana StoicaCeramicsAtelierul Oana Stoica Ceramics ncorporeaz toate preocuprile mele ce in de domeniul ceramicii, de laceramica sculptural pn la designul de obiect. Interesul pentru domeniul ceramicii a nceput odat cuperioada liceului, Liceul de Arte Plastice Nicolae Tonitzadin Bucureti. Dup liceu am urmat n paralel cursurileFacultii de Arte Decorative i Design, Bucureti, sectia ceramic i pe cele ale Facultii de Sociologie. Amcontinuat cu un masterat tot n domeniul ceramicii, domeniu prin care reuesc s mi materializez cel maibine ideile. Obiectele create n atelier presupun un proces complet, pornind de la concept pn la realizareamanual propriu-zis a acestora. Obiectele mbin funcia utilitar cu funcia estetic, ecare dintre acesteaind unic prin combinaia de culori, texturi i forme. De multe ori, obiectele sunt caracterizate de contrast,

    ntre texturi i culori, linii. Inspiraia din natur este i ea prezent, dnd uneori note suprarealiste obiectelori seturilor de obiecte create. Creaiile mele subliniaz importana frumosului n viaa cotidian, nevoia de a ne

    nconjura cu lucruri ce ne genereaz emoie estetic i care ne mbuntaesc viaa prin acest fapt.

    Oana Stoica Ceramics Studio incorporates all my concerns related to ceramics, from sculptural ceramics toproduct design. My interest in the ceramic eld began in high school, The School of Fine Arts Nicolae Tonitzain Bucharest. I followed in parallel the classes of the Faculty of Decorative Arts and Design, Bucharest, at the

    ceramic department, and the classes of the Faculty of Sociology. I continued with a master in the ceramic eld,the eld where I manage to materialize my best ideas. The objects created in the workshop involve a completeand complex process, from concept to the manual production. The objects combine the utility function with theaesthetic function, and each object has a unique combination of colors, textures and shapes. Often, objectsare characterized by contrast between texture, color and lines. The inspiration from nature is also present,

    sometimes giving notes of surreal to the objects and sets of objects.My designs emphasize the importance of beauty in everyday life, the need to surround us with things that

    generate aesthetic emotion and that improve our life through this.

    Latelier Oana Stoica Cramique intgre toutes mes proccupations lies la cramique de poterie lobjetsculptural. Lintrt pour la cramique a commenc avec lcole secondaire, Lcole des Beaux-Arts NicolaeTonitza Bucarest. Aprs le lyce jai suivi en parallle les cours de la Facult des arts dcoratifs et de designBucarest, le dpartement de cramique, et les cours de la Facult de sociologie Bucarest. Jai continue avec unmatre tout dans le domaine de la cramique, domaine dans lequel je materialise mes meilleures ides.Les objets crs dans latelier comprennent une gamme complte, partir de la conception la ralisationmanuel de ces objets. Les objets combineent la fonction dutilit avec la fonction esthtique, chacun deuxavec une combinaison unique de couleurs, de textures et de formes. Souvent, les objets sont caractriss parcontraste, la texture et la couleur entre les lignes. Linspiration de la nature est galement prsente, donnantparfois la note surraliste aux objets et aux ensembles dobjets crs.Mes crations soulignent limportance de la beaut dans la vie quotidienne, le besoin de nous entourer dechoses que nous gnrons lmotion lesthtique et qui amliorer notre vie travers cela.

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    LaChatterieIsabelle Vijiiac, designerul ce semneaz piesele Lachatterie, ne mrturieste c ntotdeauna a creat pentrufemeile romantice, cu o personalitate fascinant, ce i doresc piese clasice cu elemente avangardiste. Dupcum ea nsi arm, exist piese n ecare colecie de care clientele ei se ndrgostesc literalmente i pecare i le doresc n garderoba personal. Creaiile Lachatterie reect ntr-o mare msur personalitatea iexperienele designerului, sursele sale de inspiraie variind de la povetile familiilor regale ruseti pn lainuene din cultura modern rock. Creaiile designerului variaz de la piese jucue cu imprimeuri orale, lapiese sosticate n nuane de negru, din dantel i mtase.

    Nscut n Suceava, n 1984, Isabelle urmeaz la vrsta de 18 ani cursurile de design ale Universitii de Art dinBucureti, iar n urmtorii 5 ani ea pune bazele atelierului n care va ncepe s creeze sub numele de Lachatterie.

    n 2013, Isabelle i lanseaz i linia de accesorii a labelului Lachatterie denumit Lesllesorissantes, dat indpasiunea acesteia pentru ori, care se regsete frecvent i n creaiile sale. n primavar, aceasta expune ncadrul Galeriei Alchemia o parte din fotograile incluse n acest proiect prezentat pe Instagram, alturi de piesedin colecia sa.

    Isabelle Vijiiac, the designer behind Lachatterie, confeses that she always desiged for romantic peopleindulgent maybe, glamours sometimes, but people who want classic pieces with an edge. She says that in everycollection she designs, there are pieces which her clients literally fall in love with. Her creations are a mirror toher interests and experiences and each of her collections tells a story whether it be of a Russian princess or arock singer. Her designs range from irty orals to sophisticated chic, sometimes laced with a darker edge, inchion and lace. Born in Suceava in 1984, Isabelle travelled to Bucharest at age 18 and followed the studiesof Bucharest University of Arts. Within 5 years she established her own atelier and started designing underthe label Lachatterie. In 2013, her accessory line titled Lesllesorissantes, displayed in one year timespan on

    Instagram and featuring well known social media women, was exhibited at Alchemia Gallery.

    Isabelle Vijiiac, le designer derrire Lachatterie, dit quelle a aim toujours crer pour les romantiquesincurables...peut-tre indulgent, parfois glamoureux, mais pour des personnes qui veulent des vtementsclassiques avec ce quelque-chose de spcial. La jeune cratrice soutient que dans chaque collection quelledsigne, il y a des pices avec lesquelles les clients Lachatterie tombent vraiment amoureux. Les crations deLachatterie retent les centres dintrt et les expriences dIsabelle et chacune de ses collections raconteune histoire, que ce soit celle dune princesse russe ou dune chanteuse de rock. Son travail oscille entre desimprims oraux sduisants et le chic-sophistiqu, parfois avec un ct plus ombreux, de la mousseline et dela dentelle.Ne Suceava, en 1984, Isabelle est partie Bucharest lge de 18 ans, o elle a fait ses tudes dans le

    cadre de lUniversit des Arts. En 5 ans, elle a mis les bases de son propre atelier et a commenc crer sousltiquette Lachatterie.En 2013, sa ligne saccessoires intitule Lesllesorissantes, ache pour une anne sur Instagram et ayantpour vedettes des femmes bien connues de la social media, a t expose la Galerie Alchemia.

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    AlexandruBurlacu

    Alexandru Burlacu a absolvit n anul 2011 Facultatea de Electronic i Telecomunicaii a UniversitiiPolitehnice Bucureti. nc dinaintea admiterii la facultate a fost preocupat de domeniile creative,iar n anul 2012 a pus bazele unei rme de design grac. n 2013 a descoperit coala de BijuterieContemporan Assamblage i dup absolvirea unui curs a continuat s lucreze n propriul atelier.

    Dei este un domeniu nou pentru mine, creaia de bijuterie contemporan a ajuns s mi par unlucru resc; posibilitatea realizrii unor obiecte n acord cu gndurile i sentimentele mele este unuldin lucrurile pe care le-am cutat mereu.Din punctul meu de vedere, bijuteria de autor nseamn n primul rnd un concept solid, care ssusin demersul creativ.

    Alexandru Burlacu graduated in 2011 the Faculty of Electronics and Telecommunications, UniversityPolitehnica Bucharest. Even before admission to college he was interested in the creative eld of

    products design and in 2012 he founded a graphic design rm.

    In 2013 he has discovered the Contemporary Jewelry School Assamblage and after the completion ofa course he continued to work in his own studio.Although it is a new eld for me, contemporary jewelry creation came to me like a natural thing;the possibility of producing items according to my thoughts and feelings is one of the things I have

    always looked for.From my point of view, author jewelry means primarily a solid concept, to support creative endeavor.

    Alexandru Burlacu est diplm en 2011 de la Facult dElectronique et de Tlcommunications delUniversit Polytechnique de Bucarest. Mme avant ladmission luniversit il a t proccup parles industries cratives, et en 2012 a fond une rme de design graphique. En 2013, il a dcouvritlcole de Bijoux Contemporaines Assamblage et aprs la n dun cours a continu travailler dansson propre studio.Bien quil soit un nouveau domaine pour moi, la cration de bijoux contemporains est venu mesemble une chose naturelle; la possibilit de produire des lments en fonction de mes penses etsentiments est lune des choses que jai toujours cherche.De mon point de vue, le joyau de lauteur signie principalement un concept solide, an de soutenirleort de cration.

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    WoodBeNiceDaniel Loagr i Andrei Cornea, membri Atelierului de creaie Wood Be Nice. De 4 ani, Wood Be Nice lefuietepoveti din lemn. Obiectele prind via atunci cnd sunt nsueite de imaginaie, culoare i freamt creativ. Astase ntmpl n ecare zi n atelierul de pe strada Justiiei, locul unde se nasc fotograi transpuse pe lemn, colaje,corpuri de iluminat, proiecte de design interior.Expoziia produs de atelierul Wood Be Nice const ntr-o serie de lucrri realizate prin tehnica mixed media.Dei lemnul e materialul de baz care a inspirat colecia, ecare lucrare integreaz i materiale alternative:metal, grac, fotograe, obiecte de uz zilnic.Daniel Loagr i Andrei Cornea, membri fondatori ai Atelierului de creaie Wood Be Nice din 2010 creeaz attlucrri individuale, ct i lucrri n colaborare, abordnd mai multe tehnici: colajul, mixed media, instalaia,graca, designul de obiect, sculptura i fotograa pe lemn.

    Daniel Loagar and Andrei Cornea, owners of the Wood Be Nice Creation studio. Woodbenice has been carvingstories in wood for 4 years. Objects are morphed to life when imagination, colour and the creative urge aresummoned. Its a kind of magic that takes form every day in their study from Justitiei Street, the place where

    photographs are etched in wood by artisanal means, where arbitrary objects are unied into collages that telltales of the human heart, where lightning objects and interior design products conjure orphan elements ofunlikely kinship, thus turning paradox into an art. You can nd more details by visiting

    The exhibition produced by the the Wood Be Nice Creation studio contains a series of works achieved thoughthe mixed media technique. Although wood is the key-material at the heart of this collection, each work

    incorporates alternative elements, as well, such as metal, graphics, photography, objects of daily use.Daniel Loagar and Andrei Cornea, the founding members of the Wood Be Nice Creation studio, author bothindividual works and collaborative projects, making use of a series of techniques: collage, mixed media,

    installations, graphics, product design, sculpture and photography on wood.

    Daniel Loagr i Andrei Cornea, membres de lAtelier de cration Wood Be Nice. Depuis quatre ans, WoodBe Nice cislent des contes en bois. Les objets naissent quand sont accompagns (anims) de limagination,couleur et frmissement cratif. a se passent chaque jour dans notre atelier, rue Justice, lo on produit lesphotos en bois, collages, corps illumins, projets de diseigner dintrieur.Daniel Loagr i Andrei Cornea, membres fondateurs de lAtelier de cration Wood Be Nice depuis 2010, crentaussi des crations individuelles, que des crations en collaboration, en abordant plus de techniques: collage,mixed, mdia, installation, graphique, diseigner dobjet, sculpture et photo en bois.

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    Etno WareNumele meu este Eliana Florica, iar pasiunea mea pentru arta handmade a pornit nc din bncile facultii,acum 5-6 ani. Am experimentat diverse tehnici de execuie n timpul pauzelor dintre cursuri, am modelat srm

    nainte de examene i am pictat pereii casei de cnd eram nc mic. Apoi, am schimbat creioanele tocite cupensula ascuit i tencuiala obosit cu suporturi noi, odihnite. Astzi, v duc cu gndul la linitea de odinioar,la viaa tihnit i la miestria lucrurilor fcute cu mult drag, la mpunsturile acului, la rbdarea i iscusinameterilor romni. Micul brand a luat natere din dorina de a menine vii tradiiile noastre, de a reda ecreipersoane identitatea sa cultural, ndemnnd-o s se ntoarc la valorile ce o denesc. Creaiile le-a puteacaracteriza ca ind ncrcate cu istorie i fcute cu drag. ncerc s evit descrierile stas, oferind n schimb unexerciiu de imaginaie, care s te desprind pentru cteva minute de glgia cotidianului: e c este vorba deun personaj dintr-o poveste, e c redau un simbol tradiional ori o legend veche, doresc ca cei care citescdescrierea s neleag simbolistica redat ntr-un mod aparte. S ne ntoarcem la originile noastre, am zis!

    My name is Eliana Florica and my passion for handmade art began while I was in college, about 6 years ago.I experienced with various jewelry making techniques during breaks between classes, I wire wrapped ringsbefore exams and I painted the walls of the house since I was a little girl. Then, as I grew older, I traded the dull

    pencils for the sharp paint brushes and the tired plaster for well-rested canvases.

    Today, I am going to take you back in time for a little journey, to the calmness that once ruled these lands,to the artistry of things made with much aection, needle stitches, perseverance and ingenuity of Romaniancraftsmen. My little brand was born from the desire to keep our traditions alive, to render to each person itscultural identity, urging it to return to the values that dene it. I would characterize my work as being loadedwith history and made with love. I try to avoid standard descriptions, oering instead an exercise of imagination,which will disjoin you for a few minutes from the daily brawling: whether it be a character from a bedtime story,whether they convey a traditional symbol or an old legend, I wish that those who read the description of the

    jewelry to understand symbols expressed in a special way. Let us return to our origins, I said!

    Je mappelle Eliana Florica, et je suis le propritaire de EtnoWare. Mon passion pour lart fait la main acommenc il y a 5-6 ans, quand jtais encore une ttudiante. Pendant le pauses de courses jai experimentdes divers techniques dxcution, jutilisais du l pour faire des bijoux, je peindrais les murs de mon maisonen couleur et formes divers.Depuis, jai chang les crayons emousss avec une brosse aigue et la pltre fatigueavec des nouveaux supports, pour exprimer ma creativit. Aujourdhui, je veux vous emporter dans le temps,quand la vie tait tranquille et simple, et la matrise des choses faitent avec beaucoup damour par le matriseroumains. Mon petit brand est n de la volont de garder nos traditions vivantes de rendre lidentit culturellede chaque personne, demandant instamment un retour aux valeurs qui la dnissent.Mes crations sont caracterises par deux choses: ells sont chargs dhistoire et sont faites avec beaucoup

    damour. Jessaie deviter les dscriptions comme il faut, je prfre orir un exercise dimagination; soit quilsagit dun personage dun conte, soit que je rends un symbole traditionel o une vieille lgende, je veux que lespersonnes qui lisent la dscription peuvent comprendre le symbolisme rendu dune manire spciale.Retournons-nous aux origins, je leur ai dit!

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    Roua de ArgintRoua de Argint este modul de exprimare al Mariei i al lui Adrian Blu.Dorind s aducem un strop de bucurie i veselie, am creat piese care v invit s gsii un moment de calm irelaxare n ritmul trepidant al vieii de zi cu zi.Povestea a nceput cu experimente de modelare a metalului i exerciii de miestrie. Ne-am concentrat mai alesasupra bijuteriilor din argint, experimentnd combinarea argintului i cu alte elemente ca lemnul i materialeletextile. Fiind artiti autodidaci, am avut perioade grele, dar i momente de total satisfacie atunci cnd

    descopeream crearea bijuteriei. Dup ce am parcurs cursurilecolii de Bijuterie Contemporan ale lui DavidSandu, lucrurile s-au schimbat brusc i am trecut cu succes la urmtoarele nivele.Acum, n atelierul nostru, ecare zi aduce mai mult lumin asupra pieselor delicate, care vor strluci n ochiizilei de mine.

    Silver Morning Dew is the expression of Maria and Adrian Baluta. Hoping to bring joy and fun, we create piecesthat invite you to nd a moment of calm and relaxation in this fast paced life.

    The story started with metal shaping experiments and crafting exercises. We concentrated mainly on silverjewellery, while experimenting and combining with other materials like textiles and wood. Being self taughtartists, we had hard times, but also great rewarding moments while discovering jewellery making. After goingthrough the forge of the Contemporary Jewellery School of David Sandu, things changed dramatically and we

    went up several levels in the game.Now, in our new workshop, every day brings more light upon the delicate pieces that will shine in tomorrows eyes.

    Roua de Argint est le mode dexpression de Maria et dAdrian Baluta.

    Dans le dsir dapporter un peu de joie et bonheur, nous avons cr des pices qui vous invitent chercherun moment de calme et de dtente dans le rythme passionnant de la vie quotidienne.Cette histoire a commenc avec des essais de modlisation du mtal et des exercices dans la recherche de lamatrise. Nous nous sommes penchs surtout sur la cration des bijoux en argent, tout en exprimentant decombiner largent avec dautres lments comme le bois et les tissus. En tant quartistes autodidactes nousavons eu des moments diciles, mais aussi des moments de satisfaction totale lors de la dcouverte des bijoux.Aprs avoir suivi lcole de Bijouterie Contemporaine de David Sandu, les choses ont radicalement chang etnous avons accd au niveau suivant.Maintenant, dans notre atelier, chaque jour apporte plus de lumire sur les pices dlicates qui vont briller

    dans les yeux de demain.

    http://www.scoaladebijuteriecontemporana.ro/http://www.scoaladebijuteriecontemporana.ro/http://www.scoaladebijuteriecontemporana.ro/http://www.scoaladebijuteriecontemporana.ro/http://www.scoaladebijuteriecontemporana.ro/http://www.scoaladebijuteriecontemporana.ro/
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    Silva ArtisCiprian Manda

    Sunt absolvent al Universitii de Arhitectur i Urbanism Ion Mincu, Bucureti din 2006 cu specializareaarhitect. Activitatea profesional mi-am nceput-o n cadrul biroului de arhitectur Dorin tefan, unde am fostconfruntat cu lucrri dicile, interesante i care au necesitat o aplecare ctre detaliu i mult contact cu actulconstruirii n sine, dei ntr-un mod indirect. Biroul propriu l-am lansat prin 2010, iar brandul Silva Artis l-amgndit prin 2011, ca o explorare paralel a formelor i materialelor. Lucrez cu materiale noi, dar i cu vechiul,spre a obine o adncime, o profunzime a experienei spaiului. Materialul brut, culorile puternice se combincu mbinri exacte.Ultimi ani au nsemnat i o cutare n zona designului de obiect, cu precdere n zona lemnului masiv, brut.

    M-a obsedat cel mai mult s exprim greutatea i fora lemnului, n forme simple, geometrice, dar care s eechilibrate de prezena naturalului, e prin anumite muchii, e prin nsui desenul lemnului. De multe ori,lucrarea de arhitectur o completez cu piese realizate n cadrul atelierului propriu, cea ce mi da un controlsporit asupra rezultatului nal, crend un spaiu puternic individualizat. n felul acesta nchid cercul pornit dela ideea abstract, terminat cu urma de dalt.

    I graduated from the University of Architecture and Urbanism Ion Mincu, Bucharest in 2006 as an architect. Istarted my professional career with the oce of Dorin Stefan Architect, where I had to deal with complex but

    interesting projects, which demanded a lot of detail work and on-site supervision.

    I launched my own architectural oce in 2010 and Silva Artis brand in 2011, as a further exploration of formsand materials. I like to work with new and old, in order to obtain a certain deepness of space. I combine roughtextures and strong colours using precise details. In the last couple of years I also started to endeavour inproduct design, mainly in woodworking. I obsess over trying to express the weight and strength of wood, usingsimple, geometric shapes, counterbalanced by the natural edge of wood. I try to enrich a architectural projectwith bespoke furniture pieces made in my own shop, which gives me added control over the nal result andthat makes for a very unique interior space. Thus I complete the circle started with the abstract ideea. It ends

    in a chisel mark.

    Je suis diplm de lUniversit dArchitecture et dUrbanisme Ion Mincu Bucarest depuis 2006, spcialisearchitecte. Ma vie professionnelle a commenc dans le bureau darchitecture Dorin Stefan, o jai d faire face des projets diciles quils ont ncessit une attention particulire aux dtails et plus de contact avec lacte mmede la construction, bien que dune manire indirecte. Je possde mon cabinet darchitecture, ouvert en 2010,aussi que la marque des produits Silva Artis, depuis 2011, comme un moyen dexploration parallle de formeset de matriaux. Je travaille avec le nouveau et lancien, pour obtenir une grande profondeur dexprienceavec lespace. Matire brute et couleurs vives se combinent avec des joints prcises. Ces dernires annes ontentran une recherche personelle dans la conception dobjets, en particulier dans le domaine du bois massif,brut. Jtais hant plus exprimer le poids et la force du bois, des formes simples, gomtriques, qui est

    compense par la prsence du naturel, ou travers certains bords, ou mme travers le dessin propre du bois.Souvent, jajoute a loeuvre darchitecture de pices faites latelier Silva Artis, ce qui me donne plus decontrle sur le rsultat nal, en rsultant un espace hautement personnalis. De cette faon, je ferme le cerclecommenc par lide abstraite et termin par un ciseau.

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    Christineon the cloudsS e ce e mai n, da vis s nu e!De multe ori viteza lumii n care trim ne determin ca hainele noastre s e o armur. Christine on the Cloudspropune feminitatea ca singura form de aprare i lejeritatea ca unica form de protest. Christine on theClouds caut i folosete esturi naturale, ne i moi la atingere pentru ecare din hainele pe care le creeaz,din dragoste pentru materiale, dar mai ales pentru natur. Din grij pentru natur i detalii, Christine on theClouds readuce la via stocuri de mtase i tricot punndu-le cap la cap n ediii limitate.Creatorul acestor haine este Cristina erbu, actri, mam, iubitoare de natural, de simplitate, de mtasei bumbac. Cu o pasiune sensibil pentru articolele feminine de mbrcminte, Cristina erbu a nceput s

    mbine, cu uurin i din curiozitate, tot felul de materiale, iar pasiunea a tot crescut. Din acest motiv a simitnevoia s-i dezvolte abilitile de designer i dincolo de asta, de consultant de imagine i personal shopper laIstituto Marangoni Londra i apoi, n cadrul unui Master n Strategii de Mod la UNArte Bucureti. Ce rmne nurm se vede n atelier, online, dar mai ales pe corpurile femeilor care aleg Christine on the Clouds.

    I want all to be a 100% delicate and a 100% real.Its the speed of this world that makes us consider our clothes as armors. Therefore, Christine on the Cloudsproposes femininity as the only form of defense and softness as the only way of rebellion. Christine on the

    Clouds uses natural, soft and delicate fabrics for each and every piece of clothing, out of love for all materialsand especially for the surrounding nature. Caring for nature means caring for garments, therefore this is theplace where jersey and silk supplies are naturally resurrected. Which makes everything limited edition.

    The designer in charge of these ne clothes is Cristina erbu, actress and mother above all and guilty loverof everything natural, simple such as silk and cotton. With a great and sensitive passion for feminine garments,Cristina erbu started easily and curiously mixing all sorts of materials and the passion kept on growing. She felt theneed to develop the designer side and beyond that, the image consultant and personal shopper abilities at IstitutoMarangoni in London and also at UNArte Bucharest, pursuing a Master Degree in Fashion Strategies. The result

    can be seen in her showroom online, but most of all, live on all the women choosing Christine on the Clouds.

    La vitesse du monde dans lequel nous vivons nous fait porter nos vtements comme une armure. Christineon the Clouds propose la fminit comme seule forme de dfense et la lgret comme unique moyen deprotestation. Christine on the Clouds recherche et utilise des tissus naturels, ns et doux au toucher pourchacune de ses crations. Avec un grand respect port la nature et le souci du dtail, Christine on the Cloudsressuscite ns de srie de soie et maille de coton en les combinant dans des crations uniques en srieslimites. Cristina Serbu, la cratrice de ces vtements, est actrice, mre, amoureuse de naturel et de simplicit,de soie et de coton. Avec une passion empreinte de sensibilit pour les vtements pour femmes, Cristina Serbua commenc par curiosit combiner avec lgret toutes sortes de tissus et cette passion na fait que croitre.

    Pour cette raison, elle a ressenti le besoin dapprofondir ses aptitudes de designer, et, au-del, de consultanten image et personal shopper lInstitut Marangoni de Londres, puis dans le cadre dun master de Stratgiede la Mode a UNArte Bucarest. Le fruit de cette passion se voit dans son atelier, online mais avant tout sur lesfemmes qui ont choisi Christine on the Clouds.

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    WOLF25n spatele brandului WOLF 25 se a designerul de accesorii Mihaela Pascu. Studiile universitare s-au ndreptatctre domeniul editorial, ns pentru bijuterii au fost fcute dou cursuri, unul ind n cadrul colii de BijuterieContemporan Assamblage, creat de David Sandu. WOLF 25 are o direcie de avangard i nu se sete sgseasc direcii noi fr s in cont de un context anume. ninat n 2012, WOLF 25 a trecut prin mai multeetape i e nc departe de a denit n ntregime.Piesele scot la iveal cele mai puternice detalii ale personalitii cuiva, adnc cutate n sine, prelucrate n argintsau alte materiale i aduse la lumin: unice, nelefuite i frumoase. Sunt piese pe care trebuie s le vezi caextensii ale propriei personaliti, ca piese destinate nu numai s te ntregeasc, dar s te fac i mai puternic,

    s deschid drumul pentru direcia n care mergi. Eti dator s le pstrezi ca pe ceva preios care aparine ineitale, ct i pentru cei pe care i iubeti. Eti unic i uneori nelefuit, dar ntotdeauna frumos.Ca designer, creez indc simt nevoia s creez. E o cltorie magnic de descoperire de sine i tiu c va dura

    ntreaga via. Din acest motiv nu pot da direcii clare n acest moment. mi urmez instinctul.

    Behind the WOLF 25 brand you nd the accessories designer Mihaela Pascu. University studies have beendirected towards publishing eld, but when it comes to jewelry, two classes were taken, one part of theAssamblage Contemporary Jewelry School, founded by David Sandu. WOLF 25 has an avant-garde directionand its not afraid to nd new ones without being concerned with a certain context. Founded in 2012, WOLF 25went through several phases and its still far from being completely dened. The strongest details of someones

    personality, deeply searched inside, shaped in silver and so brought to light: unique, rough and beautiful.You are to treasure them as extensions of your own personality, as pieces meant not only to complete you, butto make you stronger, clear your path to where youre heading. You are to keep them as precious to your ownbeing and for the ones you love. You are unique and sometimes rough but always beautiful. As a designer, Icreate because I need to create. It is a magnicent self-discovery trip and I know it will last all my life. This is why

    I cannot give clear directions at the time being. I follow the instinct that lies within.

    Derrire la marque WOLF 25, vous trouvez la cratrice daccessoires Mihaela Pascu. Ses tudes universitairesont t diriges vers le domaine de ldition, mais quand il sagit de bijoux, deux classes ont t prises, unepartie de lcole de Joaillerie Contemporaine Assamblage, fonde par David Sandu. WOLF 25 a une directiondavant-garde et il na pas peur de trouver de nouvelles directions sans se proccuper dun certain contexte.Fond en 2012, WOLF 25 est pass par plusieurs tapes et il est encore loin dtre compltement dni.Les plus forts dtails de la personnalit de quelquun, profondment fouill lintrieur, moul en argent etainsi mis en lumire: unique, coriace et beau. Vous devez les chrir comme des extensions de votre proprepersonnalit, comme des pices destines non seulement pour vous accomplir, mais pour vous rendre plusfort, mettre au jour votre chemin lendroit o vous vous dirigez. Vous devez les garder aussi prcieux pour

    votre propre tre et pour ceux qui vous aimez. Vous tes unique et parfois coriace, mais toujours belle.En tant que designer, je cre parce que jai besoin de crer. Il sagit dun magnique voyage de dcouvertede soi et je sais que cela va durer toute ma vie. Cest pourquoi je ne peux pas donner des instructions clairesmaintenant. Je suis linstinct que se trouve dedans.

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    DecoBoxAvnd motto-ul Life in bold colors, Liliana Stoica, artista i cofondatoarea atelierului Deco-Box, propune pentrudecor, contraste puternice de culoare i liber la inovaie, prin designul geometric i mozaicat al tablourilor 3Ddin lemn precum i a obiectelor cu alur sculptural i util.Pornind de la ideea c suntem cu toii fcui din culoare, un conglomerat de vibraii i spaii, spiritul artisticnonconformist al Lilianei Stoica, a pornit un r narativ care, prin buci de lemn cioplit i colorat, a prins via

    n atelierul su de creaie. Important pentru talentul su artistic este i gura tatlui, sculptor i restaurator demonumente istorice. S lucrez cu un material precum e lemnul, s i dau forme geometrice, este ca i cum aspune o poveste. O poveste fr cuvinte ns, ce pornete dintr-o pasiune pur pentru culoare i volum.

    mbinate perfect i proporionat, aceste elemente dau o formul a fericirii, n nuane vibrante, menit s ofere

    energia i bucuria celebrrii vieii de zi cu zi, o reprezentare tridimensional a emoiei.Prin combinaia inedit dintre lemn i culoare, formele abstracte sau zoomorfe, aduc personalitate oricruispaiu urban, e c este vorba despre zone de locuit, comerciale, baruri, restaurante sau cluburi.

    Life in bold colors is Liliana Stoicas motto, artist and co-founder of Deco-Box, who propose for decoration,powerful color contrasts and innovative design, using geometric and mosaic pattern to express through 3D

    wood wall art, or the decorative sculptured pieces with a useful touch.Following the idea that we are all made of colors, an assembly of vibrations and spaces, the artisticallynonconformist style of Liliana Stoica started a narrative clue which, through pieces of wood, carved and colored,it get alive in her workshop. Important for Lilianas art is her father gure, sculptor and historical monumentsrestaurateur. To work with a material as wood, to give it geometrical shapes, its like telling a story. A storywithout words, which starts from pure passion for colors and volume. Perfectly integrated and portioned, thisthree elements oers a happiness formula, in vibrant color pallet, created to boost the energy and joy of thecelebration of every given day, a tridimensional emotion! Through the innovative combination of wood andcolor, abstract or zoomorphic shapes, bring personality to any space, at home, the oce, within a bar or a hotel area.

    Deco-Box, un nouveau concept de lart en trois dimensions sur le bois

    Avec le moto Life in bold colors, Liliana Stoica, lartiste et cofondatrice de latelier Deco-Box, propose pour ledcor des contrastes fortes de couleur et de linnovation libre, grce au design gomtrique et en mosaque dutableaux 3D, fabriqus en bois, aussi dobjets avec allure sculpturale et utile.A partir de lide que nous sommes tous faits de la couleur, un conglomrat de vibrations et des espaces, lespritartistique non-conformiste de Liliana Stoica, un rcit a commenc de prendre vie dans son atelier de creationpar des morceaux de bois sculpt et color. Travailler avec un matriel tel que le bois, donner le des formesgomtriques, cest comment raconter une histoire. Une histoire sans paroles mais une histoire qui commence partir dune pure passion pour la couleur et le volume.Combin parfaitement proportionn, ces lments donnent une formule du bonheur, avec nuances

    vibrantes, conu pour fournir lnergie et la joie de clbrer la vie de tous les jours, une reprsentation entrois dimensions de lmotion. La combinaison unique du bois et de la couleur, des formes abstraites ouzoomorphes, apporte de la personnalit tout espace urbain, quil sagisse des zones rsidentielles, desboutiques, des bars, restaurants et clubs.

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    Second SkinClothingSecond Skin Clothing este o stare de spirit, o senzaie prin mbrcminte.Deoarece sunt haine ic, confortabile i de calitate, Second Skin Clothing i prilejuiete ntlnirea cu tine nsi.Confortul joac un rol esenial n aceasta, aadar totul este creat n jurul lui: designul bine gndit, mostrelepurtate naintea produciei, materiale importate prietenoase cu pielea, cusute i mpachetate cu atenie ladetaliu, din iulie 2013. Momentan, designul tuturor modelelor este conceput de Monica Trnovean.Este o surs de incredere pentru femeile care apreciaz atenia la detaliu i un raport bun pre/creativitate/calitate. Ele (femei care lucreaz, cu activiti variate) apreciaz libertatea de micare, gndire i de a .Monica a absolvit ASE, Facultatea de Comer, secia Turism-Servicii, apoi masterul n Marketing i comunicare

    de afaceri, Postgraduate Diploma n Marketing la Chartered Institute of Marketing n curs. A studiat unsemestru la facultatea Unitech de design i a luat cursuri cu Adrian Oianu. Deseneaz de la 9 ani, vrnd sajung designer. A gsit n marketing-comunicare combinaia perfect dintre business i creativitate; i-a alesaceast carier acum 14 ani, azi avnd agenia de publicitate Second Skin Advertising, Tailor made advertising.

    Second Skin Clothing is a state of mind and a sensation in clothing. Because of comfortable chic quality clothing,Second Skin enables you to feel and be yourself. Comfort is essential, so everything is created around that:well thought design and tested samples, sourcing of skin-friendly textiles, sewed and packed with attention to

    details, from July 2013. At the moment, all designs are made by Monica Tarnovean.Is a trusted source for women who appreciate attention to details, and a good ratio price/creativity/quality. They

    (working women with multiple activities) appreciate freedom of movement, thinking and being.Monica graduated ASE, COMMERCE-Tourism- Services, where she continued with master in Marketing andBusiness Communication; on-going Postgraduate Diploma in Marketing at Chartered Institute of Marketing,London. She studied design 1 semester at Unitech Faculty and with Adrian Oianu. She designs and draws sinceshe was 9 years old, when she wanted to become a designer. She found in marketing-communication theperfect combination between creative and business, career path that she chose 14 years ago, now managing

    her advertising agency, Second Skin Advertising, Tailor made advertising.

    Second Skin cest un tat desprit, une sensation qui habille.Par ses vtements chics, confortables et de qualit, Second Skin vous permet de vous sentir bien et en accordavec vous-mme. Le confort joue ici un rle essentiel, cest pourquoi tout est cr autour de ce concept : undesign bien pens, des chantillons tests avant production, des matriaux imports et bienveillants pourla peau, cousus et empaquets avec soin et attention, depuis juillet 2013. Jusqu prsent, tous les modlessont conus par Monica Tarnovean Cest une source de conance pour les femmes qui apprcient lattention auxdtails ainsi quun bon rapport qualit/prix/crativit. Pour elles (les femmes actives, aux occupations varies),qui apprcient la libert de mouvement, de pense, dtre. Monica est diplme de la facult ASE (Acadmie

    dtudes conomiques), de Commerce (section Toursime-Services), possde un Master en Marketing etCommunication des Aaires . Monica a trouv dans le marketing et la communication la combinaison idaleentre les aaires et la crativit et travaille en ca depuis 14, aujourdhui en sa agence de publicit, Second SkinAdvertising, Tailor made advertising.

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    WoodishMaria Burachu

    nc de la nceputuri am avut o atracie pentru natural i am preferat materialele organice n faa celor sintetice.Pentru c, desigur, sunt mult mai mechere.Relaia mea cu lemnul s-a produs de la sine, pentru c ntotdeauna i-am ndrgit nsuirile de material cald.Meteugul lemnului n general este extrem de plcut, de aici i numele Woodish, care sugereaz nu numailemnul, ct i celalalte materiale organice. Nu am tiut de la nceput c asta voi face. Trecnd prin facultatea

    de Arte Bucuresti, secia foto-video, am aat mai nti ce nu-mi place, i natural m-am ndreptat spre ce-miface plcere. Momentul n care am neles c voi face design de obiect a fost unul foarte sharp i puternic. Pesentimentul sta a fost creat Woodish, un brand ce reprezint o extensie a interiorului meu.Date generice: 24 ani, absolvent Foto-Video, meteugar n lemn, designer de produs. Day job: ArtDirector la Photoliu.

    Since the very beginning I had an attraction for nature and always preferred organic materials instead ofsynthetic ones, because of course, theyre way cooler.

    My relationship with wood occurred by default because I always loved its essence and warmth. Wood crafting

    is a bliss activity that generated the name of the brand also; Woodish stands for wood produced objects alongwith other products made of organic materials.

    I didnt always know this is what I would do. Getting through college and studying photography made merealize what I didnt like rst and I naturally went along with what I loved by default. The moment I had that

    breakthrough was one of the most powerful of my life. Woodish was created based on this particular feeling.Generic facts: 24 yo, graduated photography, wood crafter, product designer, Day job: Art Director at Photoliu.

    Depuis le dbut, jai eu un attrait pour la nature et toujours prfr matires organiques au lieu de synthse,parce que bien sr, ils sont bien plus cool.Ma relation avec le bois est produite par dfaut car jai toujours aim son essence et la chaleur. Woodcraftingest une activit bliss qui a gnr le nom de la marque galement; Woodish acronyme de bois objets fabriqusavec dautres produits faits de matriaux organiques.

    Je nai pas toujours savoir cest ce que je ferais. Obtention par collge et dtudier la photographie ma faitcomprendre ce que je nai pas comme premire et jai naturellement allaient de pair avec ce que jai ador pardfaut. Linstant, je navais quune perce a t lune des plus puissantes de ma vie. Woodish a t cr sur labase de ce sentiment.Generic faits: 24 yo, gradue la photographie, bois crafter, designer produit, travail quotidien: Directeur

    artistique de Photoliu.

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    Tristua cu zaleM numesc Ioana Nae i lucrez ca biolog la Institutul de Speologie Emil Racovi. Am descoperit lucrul demn acum 4 ani, cnd soul meu a nalizat prima cma din zale. Am decis s ncerc s lucrez bijuterii dinzale, deoarece tehnica mi s-a prut unic, iar bijuteriile din zale foarte rare n rndul artizanilor handmade. Am

    nceput cu srm de aluminiu colorat, la care am renunat acum 2 ani n favoarea srmei argintate, a srmeigilt, a celei de bronz, alam i cupru. n timp, tehnica mea s-a mbuntit, am ncercat mbinri noi, am nceputcombinaiile cu pietre semipreioase, perle, cristale, am nceput s-mi tai zalele cu ferstrul de bijutier. Totacest efort de nvare a dus la obinerea unor bijuterii mai ne i mai spectaculoase. Fiecare pies pe care

    o nalizez mi aduce o real bucurie, bucurie egalat doar de satisfacia clientelor care aleg s poarte bijuteriimarca Tristua cu zale. Mica mea pasiune mi-a dat ocazia s m altur mai multor evenimente cu tematichandmade, iar participarea la prima expoziie de autor este una dintre cele mai mari realizri. M bucur s ualturi de Revista Atelierul la o nou ediie a Nopii albe a creatorilor & designerilor de produs.

    My name is Ioana Nae and I work as a biologist at the Institute of Speleology Emil Racovi. I discovered theworld of handmade four years ago when my husband nished his rst chainmaille armor. I decided I should tryto make chainmaille jewelry because the technique is unique and this kind of jewelry is not common. I startedwith anodized aluminum wire, but two years ago I decided to use silver plated, gilt, brass, bronze and copper

    wires. My technique got better through time, I learned new weaves, I started to combine my chainmaille withsemiprecious stones, pearls and crystals, I started cutting my jump rings with a jeweler saw. This learning eortled to more ne and complex pieces of jewelry. Each new nished jewelry brings me great joy, and this joy is

    bigger when I nd a new customer that decides to wear my brand, Tristua cu zale.My little passions gave me the opportunity to join few handmade related events, and my participation to therst exhibit as a jewelry author is one of my biggest accomplishments so far. I am glad to join Revista Atelierul

    at this new edition of White Night.

    Je m`appelle Ioana Nae et je travaille en tant que biologiste lInstitut de Splologie Emil Racovi . Jai

    dcouvert le travail manuel il y a 4 ans, lorsque mon mari a achev sa premire chemise de mailles. Jai dciddessayer de fabriquer des bijoux en mailles parce que la technique m`a paru unique, ce type de bijoux tantassez rare parmi les artisans. J`ai commenc avec du l daluminium multicolore que j`ai abandonn il y a 2 ansen faveur du l dargent, du l dor, du bronze, du laiton et du cuivre. Ensuite, ma technique s`est amliore,alors j`ai essay de nouvelles liaisons, des combinaisons avec des pierres semi-prcieuses, des perles, descristaux ; j`ai commenc couper les mailles avec une scie de bijoutier. Tout cet eort d`apprentissage m`apermis d`obtenir des bijoux plus nes et plus spectaculaires. Chaque pice que je nis m`apporte une relle

    joie, joie qui peut tre gale seulement par la satisfaction des clientes qui choisissent porter des bijoux de lamarque Tristua cu zale (Le Sac de mailles).

    Cette petite passion m`a permis de participer plusieurs vnements thme handmade et la participation la premire exposition en tant qu`auteur est l`une de mes plus grands accomplissements. Je suis heureusede participer ct du Magasin l`Atelier une nouvelle dition de l`vnement La Nuit Blanche descrateurs et concepteurs de produits .

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    EyeCandy MonstersOana Rpeanu

    Am nceput s desenez i s creez mici montri undeva n vara lui 2009. Pornind iniial fr un plan clar n cap incepnd aproape instant colaborarea cu un magazin online. n 2010 am primit o comand neateptat de marede la o banc pentru a realiza mascotele promoiei de la vremea respectiv n sute de exemplare ncepnd cudimensiuni de 10 cm pn la mascote de 1.5 m. Pe lng montrii pe care i voi exemplica n cteva fotograi,am mai onorat diferite comenzi care m-au inspirat i mi-au lsat libertate de interpretare n manier proprierealiznd chiar o mascot pentru grdini, uniforme pentru un mic restaurant-boutique, decoraiuni pentru

    birou sau cadouri personalizate. Pn n prezent am primit diferite comenzi mici sau mari, ns n mare parte atimpului lucrez pe ideile mele fr o tem impus. Pe parcusul acestor ani mi-am perfecionat stilul i modul derealizare experimentnd cu diverse materiale.De anul trecut creaturile mele se pot gsi i la ROD Crtureti i n curnd voi ncepe colaborarea cu un aldoilea magazin din Bucureti.

    Ive started to draw and create monsters somewhere in the summer of 2009. Initially I didnt have a plan butsomehow I immediately started a collaboration with a local web shop. In 2010 Ive received a huge order froma bank to make their mascots form the featured promotion as small dolls of 10 cm and big mascots of 1 meterand a half. Next to the monsters Ill present Ive honored dierent orders that inspired me and gave me thefreedom of interpretation in my own style and the opportunity to make even kinder garden mascots in humansize, uniforms for a boutique restaurant, interior design objects for oces and corporate presents. Until nowIve worked on dierent orders but most of my time I work on my personal ideas, without an imposed theme.

    Over these years Ive perfected my style and the working solutions experimenting with dierent materials.Since last year my monsters are available in the ROD - Carturesti and soon Ill start collaboration with a second

    shop in Bucharest.

    Jai commenc dessiner et crer mes petits monstres en 2009, sans avoir un plan bien dni. Assez vite jaireu une proposition de collaboration avec un boutique en ligne.En 2010 jai reu une grosse commande dun banque pour crer des centaines de mascottes pour unepromotion de moment; mascottes avec des dimensions partir du 10cm jusqu 1,5m.En plus des monstres que vous allez voir en attachement, jai cre la mascotte dune maternelle, les uniformesdun restaurant, des dcoration dintrieur, et des certaines cadeaux personnaliss.

    Jusquau prsent je travaille pour mes projets, petits ou grandes, sans necesairement avoir un thme impos.Au cours de ces annes jai bien perfectionn mon style et mon pratique, tout en utilisant des divers matriaux.Depuis lanne dernire mes crations se trouvent ROD - Carturesti et pour bientt une belle collaboration

    avec un deuxime boutique Bucarest.

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    apte pisici

    apte pisici prelucreaz lutul cu lbue pricepute pentru a crea cu drag accesorii colorate pentru zilensorite. Colorm i transformm, spunem poveti, materializm idei. apte pisici este un proiectiniiat in primvara acestui an de ctre Gabriela Toma, urbanist i graphic designer.Pisicile creeaz gurine i accesorii colorate (broe, cercei, coliere ) din past pentru modelaj cuuscare la aer, pictate folosind culori acrilice.

    Seven cats with skillful paws work with clay to create colorful accessories for sunny days. We paint andtransform, tell stories, materialize ideas. apte pisici* is a crafts project by Gabriela Toma, urban

    planner and graphic designer, that started in the spring of this year.

    Our cats create colorful gurines and accessories (brooches, earrings, necklaces) from air dryingmodeling paste, painted using acrylic colors.

    * apte pisici = Seven cats

    Sept chats aux pattes habiles travaillent avec de largile pour crer des accessoires colors pour lesjours ensoleills. Nous peignons ettransformons, raconter des histoires, concrtisons des ides. aptepisici * est un projet dartisanat cre par Gabriela Toma, urbaniste et designer graphique, qui a

    commenc au printemps de cette anne.Nos chats crent des gurines et des accessoires colors (broches, boucles doreilles, colliers) avecpte modeler durcissant lair, peint en utilisant des couleurs acryliques.

    * apte pisici = Sept chats

    http://www.projet-voltaire.fr/blog/regle-orthographe/%C2%AB-cree-%C2%BB-ou-%C2%AB-creee-%C2%BBhttp://www.projet-voltaire.fr/blog/regle-orthographe/%C2%AB-cree-%C2%BB-ou-%C2%AB-creee-%C2%BBhttp://www.projet-voltaire.fr/blog/regle-orthographe/%C2%AB-cree-%C2%BB-ou-%C2%AB-creee-%C2%BB
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    BogdanDeliuAm lucrat 10 ani n domeniul gracii pe calculator, am creat mii de obiecte virtuale, ns eram de ceva timp ncutarea unei meserii care s m mplineasc la nivel artistic. Am abordat un domeniu total nou, dar oarecumlegat de ce fceam, prin ideea de design de obiect, o meserie pentru care aveam nevoie doar de minilemele, imaginaie i creativitate. Am nceput s lucrez piele la nceputul lui 2013, cnd, ntmpltor, am cunoscutoameni care mi-au deschis apetitul ctre acest material, mi-au dat primele lecii i primele scule de la care a

    nceput toat pasiunea. Am avut dintotdeauna o atracie fa de materialele naturale i din tot ceea ce aveam landemn, am ales pielea. A fost o conjunctur, s zicem c meseria asta m-a ales pe mine, cci n-am un motivevident pentru care am ales aa. M dedic total acestei meserii, nu e doar un hobby creativ i n nal dorescs-l transform n business protabil. Poziionarea mea este n noul val al designerilor romni, tineri, creativi,

    inspirai, eliberai de constrngerile trendurilor, ce creeaz c form de exprimare a personalitii lor artistice,nu pentru a vinde n mas, obiecte n mall.

    I've been working for 10 years now in graphic design, so I have thousands of virtual objects under my belt,but I have been looking for some time now a eld of work that would round me o on a personal plane, asan artist. Now, I've tackled a eld which was somewhat connected to my own, since even now I am designingobjects, and yet was new to me, as it involved crafting something with my own two hands, not virtually, while stillrelying heavily on imagination and creativity.I started to work with leather in early 2013, when I came to knowpeople who inspired me to embark on this new adventure, showed me the ropes and recommended my rsttools. From then, my passion for leather craftsmanship started and it has been growing ever since. I had alwaysadmired natural, raw materials, and leather came as a natural extension to me. To some extent, I think this jobchose me rather than me choosing it. I am fully committed to this, it is not merely a hobby, I get engrossed in itcompletely and ultimately it's likely that it will turn into a lucrative business. I believe I could content to be part of thenew wave of young designers, who chose to free themselves from constraints and limitations and went for it, creating artas an actual extension of themselves, putting their own ideas, thoughts and aspirations into their work. I create unique

    designs for unique people, not for mass marketing.

    Je travaille depuis 10 ans dans la conception graphique, donc jai des milliers dobjets virtuels sous ma ceinture,mais jtais la recherche dun metier qui pouvait me rendre content sur un plan personnel, en tant quartiste.

    Maintenant, jai abord un domaine qui a t quelque peu relie la mienne, puisque mme maintenant, jesuis la conception dobjets, et encore tait nouveau pour moi, car il sagissait dartisanat quelque chose avecmes propres mains, pas pratiquement, tout en sappuyant fortement sur limagination et la crativit.

    Jai commenc travailler le cuir au dbut de 2013, quand je suis venu connatre les gens qui mont inspir melancer dans cette nouvelle aventure, mont montr les cordes et recommand mes premiers outils. A partir del, ma passion pour lartisanat en cuir a commenc et il na jamais cess de crotre. Javais toujours admir, dematires premires naturelles, et le cuir est venu comme une extension naturelle pour moi. Dans une certainemesure, je pense que ce travail ma choisi, je mengage cela, ce nest pas seulement un passe-temps, je suisabsorb compltement en elle et, nalement, il est probable quil va se transformer en une entreprise lucrative.

    Je crois que je pourrais faire partie de la nouvelle vague de jeunes crateurs qui ont choisi de se librer descontraintes et des limites et sont alls pour elle, la cration artistique comme une extension relle de soi, demettre leurs propres ides, penses et aspirations dans leur travail. Je cre des conceptions uniques pour despersonnes uniques, pas pour le marketing de masse.

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    !UZ3 Unca Studio

    !UZ3 a aprut din dorina de a replica lumea tradiional interioar i de a o modela pe ceaexterioar. Un simplu element grac sau chiar un cuvnt transformat in obiect. O lume preponderentvizual care se articuleaz organic pe modele.Proiectele noastre de studio abordeaz materializarea tehnic a conceptului grac prin prisma

    impactului estetic, a factorului antropic si a utilitii.Experimentm cu tehnologii i concepte noi, care s reduc impactul produselor asupra mediului

    nconjurtor, ncorpornd materii prime obinute la nivel local.

    !UZ3 started out of a desire to reply our traditional inside world and to shape on the one that liesoutside. A simple graphic sign or even a word turned into an object. A world mainly visual that

    articulates on models.

    Our studio projects developes technical materialisation of the concept through the graphic aestheticimpact, the anthropic factor and usefulness.

    We experiment with technology and new concepts in order to reduce the impact on the environment,incorporating raw materials obtained locally.

    !UZ3 est ne dun dsir de reproduire notre monde intrieur traditionnel et form l de lextrieur.Un simple element graphique ou mme un mot transform en un objet. Un monde principalement

    visuel qui sarticule organique sur les modles.Nos projets de studio sapprochent la matrialisation du concept travers limpact graphiqueesthtique, le facteur anthropique et lutilit.Nous exprimentons avec des nouveaux technologies et concepts pour rduire limpact de notreproduits sur lenvironnement, en intgrant les matires premires obtenues lchelon local.

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    Create your shoestudio

    Plictisit de teneii albi sau n culori uniforme, artistul din spatele Create your shoe Studio, picteazpe panto orice lucrare de art a marilor artiti, imagini iconice sau personaje de desene animatepreferate.Un prieten cuta un cadou unic pentru persoana iubit spune designerul; au fost ncntai cndle-au fost livrai teneii personalizai i aa a nceput aventura cu designul personalizat pe suetul &

    tlpile voastre.Designul unic realizat manual al teneilor te poate reprezenta pe tine i ceea ce iubeti!Vopseaua acrilic de calitate folosit, asigur impermeabilitatea.Dac ar dup tine, ce fel de design ai alege s pori pe teneii ti?

    Bored of plain & uniform colored canvas sneakers, the artist behind Create your shoe Studio,hand-paints shoes with artworks of famous painters, iconic images or cartoon characters.

    One friend was looking for a unique birthday gift for his loved one says the artist; they where

    thrilled when the designed sneakers came to their door and this was when the journey of customdesigns for your soul & your soles, has started.The unique design & hand painted custom designed shoes can represent you and what you love! Thematerials used are high quality acrylic paints. So the patterns are waterproof. If it were up to you,

    what kind of art-inspired design would you choose to have on your shoe?

    Lass des sneakers en toile plaine ou en couleur uniforme, lartiste derrire Crer votre chaussureStudio, peint a la main les chaussures avec des uvres de peintres clbres, images iconiques ou des

    personnages de bandes dessines.Un ami tait la recherche dun cadeau danniversaire de son tre aim dit lartiste; ils ont t ravislorsque les sneakers sont arrivs leur porte et ctait lorsque le trajet de conceptions personnalisespour votre me & votre plante, a commenc.Les chaussures uniques personnaliss & peints la main peuvent reprsenter vous-mmes et ce quevous aimez !Les matriaux utiliss sont des peintures acryliques de haute qualit. Les motifs sont impermables.Sil nen tenait qu vous, quel genre de design inspir par lart vous choisissez davoir sur votre

    chaussure ?

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    Atelier FrancoisAtelier Franois este o lume n care lucrurile nu se pierd. De la muchi (moss) gsii i culei din pdure, pnla ori sau frunze cu forme geometrice, n atelier sunt mici viei salvate prin conservare. Dac unii colecioneaztimbre, Franois ncearc s redea via unor obiecte nensueite, care au ajuns rapid s-i obin rolul decadouri. Borcanele cu muchi se potrivesc oriunde, i ofer o clip de rgaz ctre pdure i natur. Plantele

    nrmate sunt adugate pe fonduri colorate cu cerneal, amintind de ierbarele colare, folosind de multe oriplante din buchete de ori sau gsite pe strad, aruncate sau czute din copaci. n cele din urm, se ajunge la

    arta fotograc, pe care Franois consider c este un mod excelent de a conserva tot ce gsete frumos, cumar frunzele din parc sau aranjamentele naturale pe care le gseti la tot pasul.Aceste imagini sunt redate n mici rame de diapozitive, ca nite tablouri n miniatur, ce pot da culoare caseitale sau n jurul gtului, ca i lnior. Atelier Franois este o lume de obiecte organice i naturale, salvate de lauitare i care aduc o prticic din natur mai aproape de om.

    Atelier Franois is a world where things dont ever perish. From moss, found or hand-picked from the woods,to owers with geometrical shapes, the workshop its full of little lives saved through conservation. If somepeople collect stamps, Franois tries to give life to unused objects, which quickly became gifts. The jars with

    moss nd their place anywhere, and oers a piece of leisure towards the forrest and nature at all. Framedplants are plants added on ink coloured background, which reminds of herbariums from school, where areused plants and owers found on the streets, or leaves fallen from trees. At the ends, photographic art is used,which Franois believes that is an excellent method to conserve anything beautiful, like leaf or the natural

    arrangements you can nd walking by.These images are represented in little plastic frames from old diapositives, likely as miniature paintings, whichcan liven up your home or can be used around your neck, like necklaces. Atelier Franois is a world full of

    organic elements, saved from oblivion and bring a little part of nature closer to the man.

    Atelier Franois est un monde o les choses ne se perdent pas. A partir de la mousse (moss) trouve et cueilliedans la fort jusquaux eures ou feuilles avec des formes gomtriques, dans latelier elles sont des petitesvies sauves par conservation. Si quelques-uns collectionnent des timbres, Franois tente de redonner la vieaux objets inanims, qui ont rapidement acquis le rle des cadeaux. Les bocaux avec la mousse ont de la placenimporte o et ils orent un moment de loisir envers la fort et la nature. Les plantes encadrs sont rajouts surdes