music video purpose
TRANSCRIPT
![Page 1: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/1.jpg)
UNIT 29: MUSIC VIDEO PRODUCTION
![Page 2: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/2.jpg)
ASSIGNMENT 1: TASK 1THE PURPOSE OF A MUSIC VIDEO
![Page 3: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/3.jpg)
AS1: Task One:Understand the purpose of music videos:
You will need to write about the following:
promotional availability of artist extension of income extension of outlets (music channel, direct DVD and CD
sales, website, download) synergy (films, TV programmes) the strategies producers’ use (major label, independent,
artist self-produced)
![Page 4: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/4.jpg)
Music Promo video
What is the purpose of a music promo video?
![Page 5: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/5.jpg)
Promotional Advertisement Draws attention to the music/song Illustrates the song Appeals to a visual audience Expresses an individual’s emotions Tells a story Markets an image
![Page 6: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/6.jpg)
Creating a Brand Often artists/groups are sold as a brand and
the music video acts as a product of the brand, in the hope that the audience will be inspired to “buy into the brand”
For some artists the ‘image’ is of greater importance than the quality of the product. The Spice Girls are a good example of this.
Other times it is the song and the meaning of the song that is sold, and the artists ‘image’ has little to do with the sale of the song.
![Page 7: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/7.jpg)
Marketing an image
Lady Gaga AdeleCompare the image of these two artists:
![Page 8: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/8.jpg)
What makes it memorable? Ok Go – “Here it Goes Again” “White Knucklers”
Lady Gaga “Born This Way” http://www.youtube.com/watch?v=wV1FrqwZyKw
PSY – Gangnam Style http://www.youtube.com/watch?v=CH1XGdu-hzQ
Why is this a good example of a promo video? How does it achieve a range of different promotional
aspects?
![Page 9: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/9.jpg)
Availability of Artist In 1964, The Beatles starred in their first feature
film A Hard Day's Night, directed by Richard Lester. A year later in1965 they then began making
promotional clips for distribution and broadcast in other countries.
They did so to enable them to promote their record releases without having to make in-person appearances.
![Page 10: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/10.jpg)
Availability of Artist It was only after the success of Queen’s
"Bohemian Rhapsody" that it became regular practice for record companies to produce promotional videos for artists' single releases.
These videos could then be shown on television shows, such as Top of the Pops, without the need for the artist to appear in person.
![Page 11: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/11.jpg)
Availability of Artist Before promo video’s became popular if the
artist was unavailable they would have their music broadcast and accompanied rather than dancers such as Pan's People.
Brian May said the video was produced: A) so the band could avoid miming such a
complex song on Top of the Pops. B) as they would be unable to appear on the
programme every week as they were scheduled to appear on tour (It was number 1 for 9 weeks).
![Page 12: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/12.jpg)
Extension of income Promotes the artist/single/album Persuades audience to buy –
CD/download Raises the audience awareness or
profile of the artist/group – tours, festivals
Product placement e.g. Christine Aguillera & perfume (Not Myself Tonight)
![Page 13: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/13.jpg)
Extension of outlets Music channel Direct DVD and CD sales Website Download
![Page 14: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/14.jpg)
The End of the Music Channel? With competition from a variety of online
platforms, music channels are no longer the strong promotional platforms they once were.
In many ways the music video channel is in danger of becoming defunct and irrelevant.
Online streaming and downloads mean that music videos are instantly accessible.
Gone are the days of TOTP!
![Page 15: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/15.jpg)
Synergy Films TV programmes
Sky Fall http://www.youtube.com/watch?v=StJLvb
PIvTw Military Wives http://www.youtube.com/watch?v=0hR6
O7VxKaQ Why is synergy a good thing ?
![Page 16: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/16.jpg)
Producers’ strategies Major label Independent Artist self-produced
![Page 17: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/17.jpg)
Major Record Labels The music industry is dominated by four multi
national corporations;
• Universal• Sony Music• Warner Brothers• EMI
These are referred to as ‘The Majors’. The majority of these are backed by conglomerates with stakes in other industries such as; Film, TV and Electronics.
![Page 18: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/18.jpg)
Major-Independents Most of these ‘Majors’ own, or license, a series of
smaller subsidiary companies in order to reach different kinds of audiences in different kinds of genre.
Columbia Island Syco RCA Virgin, These companies are known as ‘major-
independents’.
![Page 19: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/19.jpg)
Major Label Strategies - VEVO Vevo is a music video website owned and operated
by Universal Music Group, Google, Sony Music Entertainment, and Abu Dhabi Media.
It was launched on December 82009. The videos on Vevo are syndicated across the web, with Google and Vevo sharing the advertising revenue.
Vevo offers music videos from three of the "big four" major record labels: Universal, Sony Music Entertainment, and EMI Records. Warner Music Group was initially reported to be considering hosting its content on the service, but formed a rival alliance with MTV Networks
![Page 20: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/20.jpg)
Independents There are a huge number of small companies
with little or no financial connection to the majors. These companies often concentrate on a small
number of acts, within specialised niches in the industry, Hip Hop/Rap/Electronica/Dance
These are called ‘Independents’. An example of a highly successful independent is ‘Warp Records’.
It is often that record labels begin as independents, but then are bought by a major and then become major-independents.
![Page 21: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/21.jpg)
Independent Label Strategies
Independent or “indie” producers often see their work as an art-form and not just an advertisement for the music industry.
These types of producers often become well sort after by mainstream artists,
![Page 22: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/22.jpg)
Chris Cunninham Chris Cunningham made his directorial
debut in 1997 with the music video for "Come to Daddy" by Aphex Twin
It was praised, banned, and raved about by many people in the business.
![Page 23: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/23.jpg)
Artist self-produced Artist self-produced videos have the
smallest budgets and are usually unknown artists.
Making your own video and utilising a website such as Youtube can lead to great success.
![Page 24: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/24.jpg)
Justin Bieber Justin Bieber was discovered in 2008 by
American talent manager Scooter Braun. He came across Bieber's
videos on YouTube and then became his manager.
![Page 25: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/25.jpg)
CASE STUDY - Emil Nava Emil Nava Began as a
runner for film production companies
Worked for Blink Productions
Now freelances for OB Management
![Page 26: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/26.jpg)
CASE STUDY - Emil Nava After working as a runner graduated to
Assistant Director (A.D.) where he would manage the video shoots
He signed to Academy – who are the biggest music video production company
Then worked for Between the Eyes and now works mainly for Pulse
![Page 27: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/27.jpg)
CASE STUDY - Emil Nava At his busiest Emil has made 24 music
videos in one year When he began shooting videos for
independent labels the budget would be as low as £5,000 to £10,000
His most expensive video to date has been for Jessie J and the budget was £160,000
![Page 28: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/28.jpg)
CASE STUDY - Emil Nava Emil’s first budget was for the band Kid British
and the track Our House Budget - £20,000 Location – Manchester Cast – local people 1 day for filming 2/3 days for editing 10 days pre-production Demonstrates the very tight timescales
involved
![Page 29: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/29.jpg)
CASE STUDY - Emil Nava Kid British – Our House
![Page 30: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/30.jpg)
CASE STUDY – OB Management
OB Management work as agents for music video directors
Their aim is to: Nurture talent Work with production companies Work with record labels Match the right director to the right artists
![Page 31: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/31.jpg)
CASE STUDY - Emil Nava Some of the Production Companies that
OB work with are: Pulse Films Rocket Agile Films Friends Wonda
![Page 32: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/32.jpg)
CASE STUDY - Emil Nava Paloma Faith ‘30 Minute Love Affair' Client Sony - Director Emil Nava http://www.youtube.com/watch?v=O0O2DfNRxv4
![Page 33: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/33.jpg)
CASE STUDY - Emil Nava Paloma Faith 'Picking Up the Pieces' Client Sony - Director Emil Nava Cost - £80,000 http://www.youtube.com/watch?v=Ijel4Vcqd9g
![Page 34: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/34.jpg)
CASE STUDY - Emil Nava Ed Sheeran 'Lego House' Client Atlantic - Director Emil Nava http://www.youtube.com/watch?v=c4BLVznuWnU
![Page 35: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/35.jpg)
CASE STUDY - Emil Nava Jessie J 'Do It Like A Dude' Client Island - Director Emil Nava Cost - £25,000 http://www.youtube.com/watch?v=pOf3kYtwASo
![Page 36: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/36.jpg)
CASE STUDY - Emil Nava Rita Ora 'RIP' Client RocNation - Director Emil Nava http://www.youtube.com/watch?v=L1l9WST5lXM
![Page 37: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/37.jpg)
CASE STUDY - Emil Nava Ed Sheeran 'You Need Me' Client Atlantic - Director Emil Nava Cost - £35,000 http://www.youtube.com/watch?v=ZXvzzTICvJs
![Page 38: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/38.jpg)
CASE STUDY - Emil Nava Jessie J 'Price Tag' Client Island Director Emil Nava http://www.youtube.com/watch?v=qMxX-QOV9tI
![Page 39: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/39.jpg)
CASE STUDY - Emil Nava Has now begun to make adverts, which
generally have a far higher budget and production values but which allow for less creative freedom
![Page 40: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/40.jpg)
ASSIGNMENT 1: TASK 2STYLES AND CONVENTIONS
![Page 41: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/41.jpg)
AS1: Task 2 Andrew Goodwin’s six key conventions
Different forms of music video such as digital or stop-motion animation; in-concert; “as live’ footage; studio based;
Different styles of music video such as a
narrative based; impressionist; surrealist; pastiche; parody; homage; intertextual
![Page 42: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/42.jpg)
Andrew Goodwin in Dancing in the Distraction Factory (1992) has identified the following features of music videos:
![Page 43: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/43.jpg)
Key features
Music videos demonstrate genre characteristics (eg stage performance in metal video, dance routine for boy/girl band).
There is a relationship between lyrics and visuals (either illustrative, amplifying, contradicting).
There is a relationship between music and visuals (either illustrative, amplifying, contradicting).
The demands of the record label will include the need for lots of close-ups of the artist and the artist may develop motifs which recur across their work (a visual style).
There is frequently reference to the notion of looking (screens within screens, telescopes, etc) and particularly voyeuristic treatment of the female body.
There is often intertextual reference (to films, TV programmes, other music videos, etc).
![Page 44: Music Video Purpose](https://reader031.vdocuments.mx/reader031/viewer/2022030305/587225471a28ab3b7a8b50bf/html5/thumbnails/44.jpg)
Relation of Visuals to Song
There are three ways in which music videos work to promote a song
Illustrate Amplify
Disjunctur
e
Music videos can use a set of images to illustrate the meaning of lyrics & genre, this is the most common
This is similar to repeatability. Meanings and effects are manipulated and constantly shown through the video and drummed into our visionThis is where the
meaning of the song is completely ignored