music knowledge organizer year 6 term 1

3
MUSIC KNOWLEDGE ORGANIZER Year 6 Term 1 Topic 6i - World Music study Research and present information about music from your assigned culture around the world – complete with descriptions of the role of music, what is used in performances, and recorded examples (create your own 'YouTube' playlist) Skills Play music using semiquavers Decide how to perform a piece to have a particular effect on the audience - practice and perform with sufficient control to implement this Use structures learned to make longer vocal and instrumental works to express an idea or emotion Continue to - use informal 'aide memoire' notation - practice notating short melodies and repetitive rhythms with 'standard' staff notation - practise matching lyrics to notes - practise notating chords using (e.g.) Guitar chord symbols Identify aspects of music related to concepts learned Continue to develop an understanding of music genre and historic time periods Knowledge Extend knowledge of - chord types - chord patterns Compose and perform music with tempo chosen (including changes of tempo) to achieve a desired effect Make up and notate simple rhythmic phrases that include quavers Compose and perform music with dynamics chosen (including changes of dynamics) to achieve a desired effect Select sounds for compositions with particular effects in mind Identify the effect of different groups of instruments Use a variety of different structural devices in their own compositions Key Vocabulary note names A, B, C, etc. unison, harmony, chord long, longer, sustained short, shorter, staccato rhythm, rhythmic patterns semibreve - four beats minim - two beats crotchet - one beat quaver - half-beat semiquaver - quarter-beat (moderately) loud – (mezzo) forte very loud – fortissimo getting louder – crescendo (moderately) quiet – (mezzo) piano very quiet - pianissimo getting quieter - diminuendo descriptive words such as: light, heavy, bright, hollow, dull, cold, warm, smooth, scratchy, chiming, clicking; words describing the qualities of sounds, such as: rattling, smooth, tinkling; words relating to sound production, such as: hitting, shaking, scraping attack, decay, accent beginning – middle – end phrase repetition introduction sections interlude Listening Traditional music of different cultures - use the website: https://worldmusic.net/blogs/guide- to-world-music and other audio and video search engines to find examples. What are the key elements of the music of the culture you are studying? Big Question Is 'western' music killing off other traditions?

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MUSIC KNOWLEDGE ORGANIZER Year 6 Term 1

Topic – 6i - World Music study

Research and present information about music from your assigned culture around the world –

complete with descriptions of the role of music, what is used in performances, and recorded examples (create your own 'YouTube' playlist)

Skills Play music using semiquavers

Decide how to perform a piece to have a particular effect on the audience - practice and perform with sufficient control to implement this

Use structures learned to make longer vocal and instrumental works to express an idea or emotion

Continue to - use informal 'aide memoire' notation - practice notating short melodies and repetitive rhythms with 'standard' staff notation - practise matching lyrics to notes - practise notating chords using (e.g.) Guitar chord symbols

Identify aspects of music related to concepts learned Continue to develop an understanding of music genre and historic time periods

Knowledge Extend knowledge of - chord types - chord patterns

Compose and perform music with tempo chosen (including changes of tempo) to achieve a desired effect

Make up and notate simple rhythmic phrases that include quavers

Compose and perform music with dynamics chosen (including changes of dynamics) to achieve a desired effect

Select sounds for compositions with particular effects in mind

Identify the effect of different groups of instruments

Use a variety of different structural devices in their own compositions

Key Vocabulary note names A, B, C, etc. unison, harmony, chord

long, longer, sustained short, shorter, staccato rhythm, rhythmic patterns semibreve - four beats minim - two beats crotchet - one beat quaver - half-beat semiquaver - quarter-beat

(moderately) loud – (mezzo) forte very loud – fortissimo getting louder – crescendo (moderately) quiet – (mezzo) piano very quiet - pianissimo getting quieter - diminuendo

descriptive words such as: light, heavy, bright, hollow, dull, cold, warm, smooth, scratchy, chiming, clicking; words describing the qualities of sounds, such as: rattling, smooth, tinkling; words relating to sound production, such as: hitting, shaking, scraping attack, decay, accent

beginning – middle – end phrase repetition introduction sections interlude

Listening

Traditional music of different

cultures - use the website:

https://worldmusic.net/blogs/guide-

to-world-music and other audio and

video search engines to find

examples.

What are the key elements of the

music of the culture you are

studying?

Big Question – Is 'western' music killing off other traditions?

MUSIC KNOWLEDGE ORGANIZER Year 6 Term 2

Topic – 6ii - Music and theatre

Children, in groups, compose music to set the scene/ use during the scene/close the scene for

your part in the Shakespeare production (you will be allocated exactly which part your group is to cover)

Skills Play music using semiquavers

Decide how to perform a piece to have a particular effect on the audience - practice and perform with sufficient control to implement this

Use structures learned to make longer vocal and instrumental works to express an idea or emotion

Continue to - use informal 'aide memoire' notation - practice notating short melodies and repetitive rhythms with 'standard' staff notation - practise matching lyrics to notes - practise notating chords using (e.g.) Guitar chord symbols

Identify aspects of music related to concepts learned Continue to develop an understanding of music genre and historic time periods

Knowledge Extend knowledge of - chord types - chord patterns

Compose and perform music with tempo chosen (including changes of tempo) to achieve a desired effect

Make up and notate simple rhythmic phrases that include quavers

Compose and perform music with dynamics chosen (including changes of dynamics) to achieve a desired effect

Select sounds for compositions with particular effects in mind

Identify the effect of different groups of instruments

Use a variety of different structural devices in their own compositions

Key Vocabulary note names A, B, C, etc. unison, harmony, chord

long, longer, sustained short, shorter, staccato rhythm, rhythmic patterns semibreve - four beats minim - two beats crotchet - one beat quaver - half-beat semiquaver - quarter-beat

(moderately) loud – (mezzo) forte very loud – fortissimo getting louder – crescendo (moderately) quiet – (mezzo) piano very quiet - pianissimo getting quieter - diminuendo

descriptive words such as: light, heavy, bright, hollow, dull, cold, warm, smooth, scratchy, chiming, clicking; words describing the qualities of sounds, such as: rattling, smooth, tinkling; words relating to sound production, such as: hitting, shaking, scraping attack, decay, accent

beginning – middle – end phrase repetition introduction sections interlude

Listening Music and theatre through the ages, from Monteverdi to Lloyd Weber What does the composer do to make the music match the action?

Claudio Monteverdi – Orfeo (1st opera) (1607)

Wolfgang Amadeus Mozart – Marriage of Figaro (1786)

Giuseppe Verdi – Aida (1871)

George Gershwin – Porgy and Bess (1935)

Andrew Lloyd Weber – Joseph (1968)

Big Question – The 20th Century composer Igor Stravinsky said that music has the power to express nothing. Was he right?

MUSIC KNOWLEDGE ORGANIZER Year 6 Term 3

Topic – 6iii - This is me: culmination piece for Leavers' Assembly

Children, compose a piece which shows off your musical talents - it should include both solo and tutti sections.

It can use any previous work if desired, and can be based on themes from other composers.

Skills Play music using semiquavers

Decide how to perform a piece to have a particular effect on the audience - practice and perform with sufficient control to implement this

Use structures learned to make longer vocal and instrumental works to express an idea or emotion

Continue to - use informal 'aide memoire' notation - practice notating short melodies and repetitive rhythms with 'standard' staff notation - practise matching lyrics to notes - practise notating chords using (e.g.) Guitar chord symbols

Identify aspects of music related to concepts learned Continue to develop an understanding of music genre and historic time periods

Knowledge Extend knowledge of - chord types - chord patterns

Compose and perform music with tempo chosen (including changes of tempo) to achieve a desired effect

Make up and notate simple rhythmic phrases that include quavers

Compose and perform music with dynamics chosen (including changes of dynamics) to achieve a desired effect

Select sounds for compositions with particular effects in mind

Identify the effect of different groups of instruments

Use a variety of different structural devices in their own compositions

Key Vocabulary note names A, B, C, etc. unison, harmony, chord

long, longer, sustained short, shorter, staccato rhythm, rhythmic patterns semibreve - four beats minim - two beats crotchet - one beat quaver - half-beat semiquaver - quarter-beat

(moderately) loud – (mezzo) forte very loud – fortissimo getting louder – crescendo (moderately) quiet – (mezzo) piano very quiet - pianissimo getting quieter - diminuendo

descriptive words such as: light, heavy, bright, hollow, dull, cold, warm, smooth, scratchy, chiming, clicking; words describing the qualities of sounds, such as: rattling, smooth, tinkling; words relating to sound production, such as: hitting, shaking, scraping attack, decay, accent

beginning – middle – end phrase repetition introduction sections interlude

Listening The development of the solo - from concerti to big band and beyond How does the music show off the skill of the performer?

Johann Sebastian Bach - Brandenburg Concerto 4 (1721)

Amy Beach - Piano Concerto (1899)

Germaine Tailleferre - Concerto for 2 pianos, chorus and 4 saxophones (1934)

Dave Brubeck - Take 5 (1959)

Paul Simon - Boy in the bubble (1991 Live performance)

Big Question – Is everyone musical?