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He has other sources of information,

therefore, than those strictly given within the

confines of the production. Each actor knows

this instinctively, and there are periods set and

allowed for within the play itself in which each

actor retires in order to refresh himself. In these,

he is informed through the inner senses of his

other roles, and he realizes that he is far more

than self appearing in any given play.

In these periods he understands that he had

his hand in the writing of the play, and he is

freed from those assumptions that bind him

while he is actively concerned with the dramas

activities.

These periods, of course, coincide with your

sleep, states and dreaming conditions ; but

there are also other times when each actor sees

quite clearly that he is surrounded by props,

and when his vision suddenly pierces the

seeming reality of the production.

This does not mean that the play is not real,

or that it should not be taken seriously. It does

mean playing a role ..an important one. Each

actor must of himself realize, however, the

nature of the production and his part in it. He

must actualize himself out of the three

dimensional confines of the plays setting.

There is great cooperation behind such

momentous productions, and in playing his role,each actor first actualizes himself within three

dimensional reality. The multidimensional self

cannot act within three dimensional reality until

it materializes a portion of itself within it.

During its three-dimensional existence it has

helped others in ways that they could not

otherwise be helped, and it has been itself

benefited and developed in ways that would

be impossible otherwise.

To the extent, that you allow the intuitions

and knowledge of the multidimensional self to

flow through the conscious self, to that extent

not only do you perform your role in the play

more effectively, but also you add new energy,

insights, and creativity to the entire dimension.

The three-dimensional selves, in existing

within these realities, must focus their attention

there completely. An inner awareness gives

them a source of energy and strength. They

must, however, come to understand their roles

as actors, finally from their roles, and through

another act of comprehension, return to the

entity.

There are those who appear within these

plays fully aware. These personalities willingly

take roles, knowing that they are roles, in order

to lead the others toward the necessary

realization and development. They lead the

actors to see beyond themselves and setting

they have created. These personalities from

other levels of existence oversee the play, so

to speak, and appear among the actors. Their

purpose is to open up within the three-

dimensional selves those psychological

doorways that will release the three-

dimensional self for further development in

another system of reality.

source : Seth Speaks ..The Eternal Validity of The Soul

by Jane Roberts

PYRAMID VALLEY

Maitreya Buddha Dhyana Vidya VishwalayamKebbedoddi (village) , Haroha lli , Kanakapura (taluk) , KARNATAKA

office : # 708 , 7thMain , 11thCrossJ.P. Nagar , 3rdphase , BANGALORE - 560078ph : 91-80-3272 3143 mobile : 0 9448350265

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Your own environment includes far more

than you may have supposed .. your

environment in terms of the daily physical

existence and surroundings with which you are

currently connected.

In actuality, you are aware of very little of your

larger, more extensive environment. Consider

your present self as an actor in a play ..hardly

a new analogy, but a suitable one. The scene

is set in the twentieth century. You create the

props, the settings, the themes ; in fact, you

write, produce, and act in the entire production

..you and every other individual who take part.

you have forgotten

You are so focused in your roles, however;

so intrigued by the reality that you have created,

so entranced by the problems, challenges,

hopes, and sorrows of your particular roles ..

that you have forgotten they are of your own

creation. This intensely moving drama ..with

all its joys and tragedies ..can be compared

with your present life, your present environment,

both individually and en-masse.

The portion of you who is taking part in this

particular period-piece .. that particular portion

of your entire personality ..is so focused within

this drama that you are not aware of the others

in which you also play a role.

Now, these various plays .. these creative

period pieces ..represent what you would call

reincarnational lives.

plays are spontaneous affairs

In each play, both individually and en-masse,

different problems are set up. Progress can be

measured in terms of the particular ways inwhich those problems were solved or not

solved. Great advances have been made in

certain periods.

These plays are highly spontaneous affairs

in which the actors have full freedom within the

plays framework.

The play itself was concerned with the

actualization of intuitive truth into what you

would call artistic form, with a creativity of such

vast and sweeping results that it would serve

to awaken latent abilities within each actor and

to serve as a model of behavior.

The challenges may be different in each play,

but the great themes are beacons to all

consciousness. They serve as models.

multidimensional personality

Your own multidimensional personality is so

endowed that it can have these experiences

and still retain its identity. It is, of course,

affected by the various plays in which it takes

part.

These plays are hardly without purpose. Inthem the multidimensional personality learns

through its own actions. It tries out an endless

variety of poses, behavior patterns, attitudes,

and changes others as a result.

you are the multidimensional self

You are the multidimensional self who has

these existences, who creates and takes part

in these cosmic passion plays, so to speak. It

Multidimensional

SELF