more than a self portrait alter ego drawing

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More than a self portrait –Alter Ego Drawing

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1. Create a work of art based on identity 2. Create a work of art showing skill in pencil shading -      varying values. 2. Create work of art showing value contrast to develop center of interest 3. Employ elements and principles of design - use      mathematical skills in enlarging a composition (use a grid) Student work--

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Page 1: More than a self portrait Alter Ego Drawing

More than a self portrait –Alter Ego Drawing

Page 2: More than a self portrait Alter Ego Drawing

1. Create a work of art based on identity

2. Create a work of art showing skill in pencil shading -     varying values.

2. Create work of art showing value contrast to develop center of interest

3. Employ elements and principles of design - use     mathematical skills in enlarging a composition (use a grid)

Student work--

Page 3: More than a self portrait Alter Ego Drawing

We will discuss the concept of Identity and Alter Egos

Draw a realistic self portrait and a portrait of your alter ego in your sketchbook

2. Practice weaving process - and altering the composition by omitting sections.

3. Review enlarging by using a grid.

4. Review shading techniques.

Page 4: More than a self portrait Alter Ego Drawing

Holly Fleming

Page 5: More than a self portrait Alter Ego Drawing

Procedures: 1. Copy the two portraits created in your sketchbook, self portrait and alter ego portrait. Make one that is predominantly darker than the other. Cut them to the same size in something that is in even inches. 2. Cut the first picture into vertical 1" strips keeping them together at the top. 3. Cut the second picture horizontally in 1" strips. 4. Tape the vertical one onto some scrap paper on the top and weave the other picture over and under (traditional    tabby weave). Square it up tightly and then tape it on the sides. Repeat this until all the picture is done. 5. Tape around all for sides with masking tape and begin to reveal some squares to show more of one picture and    so forth until you like the composition. You can eliminate rows and squares that are not important. 6.On a bigger piece of newsprint make a grid of 2 or 3" squares. This should be the same number of squares as    in the design. By using the grid, enlarge outlines that are necessary to draw each square. Only the lines of hard    edged areas not where there is a gradation. 7.Transfer the design with graphite onto white drawing paper and begin to draw each square. Use all the   drawing tools we learned in Art 1, smudge shading blending transfer tones with cotton pads, etc. Use a kneaded   eraser for highlights. Use colored pencils for accents and interest if desired.

Page 6: More than a self portrait Alter Ego Drawing

Evaluation: 1. Did students create a realistic self portrait and a portrait of their alter ego ? Did students use a range of values in these portraits?

2. Did students show skills in pencil shading and value contrast? Show skill in using a grid?

3. Did students create an effective composition employing elements and principles of design - combining two related images in a woven pattern? originated by Ken Schwab adapted by T. Baker-Neal