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 MAGICAL STATES OF CONSCIOUSNESS: SECRETS OF PATHWORKING by Osborne Phillips MODULE 8.2 http://www.aurumsolis.co.uk  1

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7/18/2019 Module 8.2

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MAGICAL STATES OF CONSCIOUSNESS:

SECRETS OF PATHWORKING

by Osborne Phillips

MODULE 8.2

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http://www.auu!"#$%".&#.u'

E(!a%$: paa&$)t%a*+t%"&a$%.&#.u'

Copyright © 2002 by Leon Barcynski

 All rights reserved

N# pat #, th%" pu-$%&at%#* !a -) )p#u&) # ta*"!%tt)

 %* a* ,#! # - a* !)a*"

w%th#ut p%# p)!%""%#* %* w%t%*0 #, th) auth# 

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MSC MODULE 8

U*%t 2

RITUALS OF THE SPHERES

The rituals given here are for use in the balancing   or resolution  of forces

according to the principles set forth in the preceding chapter!

"hen perfor#ed by a lone operator all is conducted as indicated save

that he or she takes the place of the director! The plural for#s in the te$ts

should be preserved since the individual is never truly alone in these

%orkings!

The rituals included here are&

' ( )itual of *esod

2 ( )itual of +od

, ( )itual of -et.ach

/ ( )itual of Tiphareth

( )itual of Binah

1 ( )itual of alkuth

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1 (( RITUAL OF ESOD

For Resolution

 After the conclusion of the Pathworking, the altar is covered with a violet drape. Uponthe altar is placed the Tessera (or other chosen symbol) and a single violet lamp.

ticks or cones, of a fragrance suitable to the phere, may be employed as incense!or a blend to be burned upon charcoal may be used, comprising such traditional ingredientsas powdered orris root, galbanum, bay leaves, oil of "asmine, oil of camphor.

The companions stand e#ually spaced in a circle about the altar, with the director of the working stationed east of the altar.

' 33 The director sounds the battery& a single stroke of bell or gavel!

2 ( The director announces&

I p#&$a%! a w#'%*0 %* th) Sph)) #, )"#3 %*4#'%*0 th) "p%%tua$

p#w) #, th) F#u*at%#*.

, ( The director sounds the battery of the 4phere& ,3,3,

/ ( The director no% #oves to %est of the altar and faces east across it! +e

salutes the east then #akes the invocation&

M%0ht IAO 5or SHADDAI EL CHAI 63 t# wh#! -)$#*0 F#u*at%#*

a* th) %*4%"%-$) p$a* #, th) 4%"%-$)3 0a*t u" t# )5p)%)*&) th) w#*)"

#, th Sph))3 that th p#w) !a -) !a) !a*%,)"t w%th%* u".

( The director returns to east of altar and faces %est! 7ncense is no%

activated!

1 ( The director proclai#s verse 8777 of The ong of Praises$

Ga&) #, th) 0$%!!)%*0 *%0ht3

6)aut%,u$ pa$) &a!)$ th#u 7#u*))"t

C#!)$ w%th -%$) #, p)a$3

C$#th #, !#"t ,a% "%$4) &apa%"#*):

Ta&%*0 th) ta&'$)"" a-#)"3

K*#w%*0 a$$ t%!)"3 '*#w%*0 th) *u!-)$)""

S))" #, th) ,%!a!)*t

9 33 All link hands right over left and circle the altar nine ti#es deosil!

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: ( 4tanding in their original positions hands unlinked all together recite&

St#*0 a* $u!%*#u" $)a) #, th) w#$ #, #u )a!"3 ha%$ t#

th)) 6)&'#*%*0 ha* that $%,t" u" ,#! )ath$ -#*"3 "h%*%*0 -#w that

w%*" u" t# !a0%&a$ $%0ht3 ha%$ t# th))

; ( <ach no% visuali.es hi#self or herself enco#passed by an ovoid of violet

light!

'0 ( After a suitable ti#e the director vibrates IAO 5or SHADDAI EL CHAI 6

and each visuali.es the violet ovoid changing to red3purple light!

'' ( This visuali.ation is #aintained for several #inutes during %hich ti#e

the red3purple ovoid is seen as increasing steadily in brilliance!

'2 ( "hen ready the director again vibrates the divine na#e IAO 5or 

SHADDAI EL CHAI 6 and each visuali.es the red3purple ovoid changing to

violet light!

', ( All no% #editate upon the invoked force reflecting upon %hatever 

i#pressions #ay rise into consciousness= allo%ing the visuali.ed ovoid to fade

gradually and gently fro# consciousness #ean%hile!

'/ ( After a suitable period the director sounds the battery once!

' ( All link hands right over left and again circle the altar nine ti#es deosil!

'1 ( +ands are unlinked and the director utters the thanksgiving&

M%0ht IAO 5or SHADDAI EL CHAI 6 w) th &h%$)* tha*' th)) ,# 

th) !a0%&' #, th 0$#%#u" p)")*&) a%"%*0 w%th%* u". Ga*t u"3 O

!%0ht #*)3 that th -$)""%*0 !a )!a%* w%th u" wh)* w) 0# ,#th ,#!

th%" p$a&) t# # #u w%$$ %* th) w#$.

'9 ( All respond&

S# !a %t -)

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': ( The %orking is concluded %ith the battery& ,33,

2 (( RITUAL OF HOD

For Balancing or Resolution

 After the conclusion of the Pathworking, the altar is covered with an orange drape.Upon the altar is placed the Tessera (or other chosen symbol) and a single orange lamp.

ticks or cones, of a fragrance suitable to the phere, may be employed as incense!or a blend to be burned upon charcoal may be used, comprising such traditional ingredientsas lavender flowers, yellow sandalwood, mastic, oil of lavender, oil of spikenard.

The companions stand e#ually spaced in a circle about the altar, with the director of 

the working stationed east of the altar.' 33 The director sounds the battery& a single stroke of bell or gavel!

2 ( The director announces&

I p#&$a%! a w#'%*0 %* th) Sph)) #, H#3 %*4#'%*0 th) "p%%tua$

p#w) #, Sp$)*#u.

, ( The director sounds the battery of the 4phere& 23/32

/ ( The director no% #oves to %est of the altar and faces east across it! +e

salutes the east then #akes the invocation&

Sw%,t(w%*0) A9OTH 5or ELOHIM TZABAOTH 63 t# wh#! -)$#*0

Sp$)*#u a* th) &#*&)t%#* #, !%*3 0a*t u" t# )5p)%)*&) th)

w#*)" #, th Sph))3 that th p#w) !a -) !a) !a*%,)"t w%th%* u".

( The director returns to east of altar and faces %est! 7ncense is no%

activated!

1 ( The director proclai#s verse 877 of The ong of Praises$

6)a%*0 th tuth %* th h)at3

Opa$(,%) ")a$) ))p a* %*4%#$at)3

O4) th) ")4)*(hu) -%0)

Pa"" t# th) w#$"3 "ha) %* th)% 4a%a*&).

Ha%$ t# th) 4#%&) #, th p#w)3

Sp)a'%*0 a$$ t#*0u)"3 !a* %* pup#")"3O*) %* %4%*%t

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9 33 All link hands right over left and circle the altar eight ti#es deosil!

: ( 4tanding in their original positions hands unlinked all together recite&

Ha%$ t# th))3 %4%*) -)a) #, h%0h %*"p%at%#* a* #, th)

'*#w$)0) that -%*0" )*)wa$ 6%0ht a) th) w%*0" #, th "p$)*#u3"w%,t %" th%*) app#a&h. Ha%$ t# th)); ( <ach no% visuali.es hi#self or herself enco#passed by an ovoid of 

orange light!

'0 ( After a suitable ti#e the director vibrates A9OTH 5or ELOHIM 

TZABAOTH 6 and each visuali.es the orange ovoid changing to yello%3ochre

light!

'' ( This visuali.ation is #aintained for several #inutes during %hich ti#e

the yello%3ochre ovoid is seen as increasing steadily in brilliance!

'2 ( "hen ready the director again vibrates the divine na#e A9OTH 5or 

ELOHIM TZABAOTH 6 and each visuali.es the yello%3ochre ovoid changing

to orange light!

', ( All no% #editate upon the invoked force reflecting upon %hatever 

i#pressions #ay rise into consciousness= allo%ing the visuali.ed ovoid to fade

gradually and gently fro# consciousness #ean%hile!

'/ ( After a suitable period the director sounds the battery once!

' ( All link hands right over left and again circle the altar eight ti#es deosil!

'1 ( +ands are unlinked and the director utters the thanksgiving&

Sw%,t(w%*0) A9OTH 5or ELOHIM TZABAOTH 6 w) th &h%$)*

tha*' th)) ,# th) !a0%&' #, th 0$#%#u" p)")*&) a%"%*0 w%th%* u".

Ga*t u"3 O "w%,t(w%*0) #*)3 that th -$)""%*0 !a )!a%* w%th u"

wh)* w) 0# ,#th ,#! th%" p$a&) t# # #u w%$$ %* th) w#$.

'9 ( All respond&

S# !a %t -)

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': ( The %orking is concluded %ith the battery& ,33,

(( RITUAL OF NET9ACH

For Balancing or Resolution

 After the conclusion of the Pathworking, the altar is covered with a green drape. Uponthe altar is placed the Tessera (or other chosen symbol) and a single green lamp.

ticks or cones, of a fragrance suitable to the phere, may be employed as incense!or a blend to be burned upon charcoal may be used, comprising such traditional ingredientsas red rose buds, ben%oin, lemon verbena leaves, red stora&, red sandalwood, oil of rose.

The companions stand e#ually spaced in a circle about the altar, with the director of 

the working stationed east of the altar.' 33 The director sounds the battery& a single stroke of bell or gavel!

2 ( The director announces&

I p#&$a%! a w#'%*0 %* th) Sph)) #, N)t;a&h3 %*4#'%*0 th)

"p%%tua$ p#w) #, <%&t#.

, ( The director sounds the battery of the 4phere& 23,32

/ ( The director no% #oves to %est of the altar and faces east across it! +e

salutes the east then #akes the invocation&

M"t%&a$ AL6APHALANA 5or YHVH TZABAOTH 63 t# wh#! -)$#*0

<%&t# a* th) $%,) ,#&) t%u!pha*t3 0a*t u" t# )5p)%)*&) th) w#*)"

#, th Sph))3 that th p#w) !a -) !a) !a*%,)"t w%th%* u".

( The director returns to east of altar and faces %est! 7ncense is no%

activated!

1 ( The director proclai#s verse 87> of The ong of Praises$

D##wa #, 4%"%#* ,u$,%$$)3

6%*0) #, )a!" ,#th t# a4)*tu%*03

Sa&) t# th)) a) th) )

P#ta$" #, aw*3 "a&) th) )!)a$

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Gat)" #, th) 7u-%$a*t "p%*03

M#th) #, ))" !a*%,)"t3 !u$t%,#! =

M#th) #, )"t%*

9 33 All link hands right over left and circle the altar seven ti#es deosil!

: ( 4tanding in their original positions hands unlinked all together recite&

Ha%$ t# th))3 "#4))%0* #, $#4) a* #, -)aut Th) t#&h #, th

4%&t# -%*0" $%,) a* 7# t# a$$ -)%*0". W%th th)) %" p)a&)3 ,# %* th

0#4)*a*&) a$$ #pp#"%t)" ,%* th)% ha!#*. Ha%$ t# th))

; ( <ach no% visuali.es hi#self or herself enco#passed by an ovoid of green

light!

'0 ( After a suitable ti#e the director vibrates AL6APHALANA 5or YHVH 

TZABAOTH 6 and each visuali.es the green ovoid changing to greenish blue

light!

'' ( This visuali.ation is #aintained for several #inutes during %hich ti#e

the greenish blue ovoid is seen as increasing steadily in brilliance!

'2 ( "hen ready the director again vibrates the divine na#e

AL6APHALANA 5or YHVH TZABAOTH 6 and each visuali.es the greenish

blue ovoid changing to green light!

', ( All no% #editate upon the invoked force reflecting upon %hatever 

i#pressions #ay rise into consciousness= allo%ing the visuali.ed ovoid to fade

gradually and gently fro# consciousness #ean%hile!

'/ ( After a suitable period the director sounds the battery once!

' ( All link hands right over left and again circle the altar seven ti#es

deosil!

'1 ( +ands are unlinked and the director utters the thanksgiving&

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M"t%&a$ AL6APHALANA 5or YHVH TZABAOTH 6 w) th &h%$)*

tha*' th)) ,# th) !a0%&' #, th 0$#%#u" p)")*&) a%"%*0 w%th%* u".

Ga*t u"3 O !"t%&a$ #*)3 that th -$)""%*0 !a )!a%* w%th u" wh)* w)

0# ,#th ,#! th%" p$a&) t# # #u w%$$ %* th) w#$.

'9 ( All respond&

S# !a %t -)

': ( The %orking is concluded %ith the battery& ,33,

> (( RITUAL OF TIPHARETH

For Resolution

 After the conclusion of the Pathworking, the altar is covered with a yellow drape.Upon the altar is placed the Tessera (or other chosen symbol) and a single yellow lamp.

ticks or cones, of a fragrance suitable to the phere, may be employed as incense!or a blend to be burned upon charcoal may be used, comprising such traditional ingredients

as cinnamon, yellow rose buds, heliotropin crystals, oil of frankincense.The companions stand e#ually spaced in a circle about the altar, with the director of the working stationed east of the altar.

' 33 The director sounds the battery& a single stroke of bell or gavel!

2 ( The director announces&

I p#&$a%! a w#'%*0 %* th) Sph)) #, T%pha)th3 %*4#'%*0 th)

"p%%tua$ p#w) #, 6)aut.

, ( The director sounds the battery of the 4phere& 23'3'32

/ ( The director no% #oves to %est of the altar and faces east across it! +e

salutes the east then #akes the invocation&

Ra%a*t ONOPHIS 5or YHVH ELOAH V’DAATH 6 t# wh#! -)$#*0

6)aut a* )?u%$%-%u!3 0a*t u" t# )5p)%)*&) th) w#*)" #, th

Sph))3 that th p#w) !a -) !a) !a*%,)"t w%th%* u".

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( The director returns to east of altar and faces %est! 7ncense is no%

activated!

1 ( The director proclai#s verse 888 of The ong of Praises$

R%") %* th "p$)*#u3 O '%*0

G$#%#u" -#w3 0a;) #* th 0#4)*a*&)

9 33 All link hands right over left and circle the altar si$ ti#es deosil!

: ( 4tanding in their original positions hands unlinked all together recite&

L# #, #u $%,) a* u$) #, #u a"3 ha%$ t# th)) Th%*) %" th)

p#w) t# $)a u" th#u0h ,#$$ t# w%"#!3 th#u0h )ath t# )-%th3

th#u0h th $%0ht t# th h%)* $%0ht. Ha%$ t# th))

; ( <ach no% visuali.es hi#self or herself enco#passed by an ovoid of yello%

light!

'0 ( After a suitable ti#e the director vibrates ONOPHIS 5or YHVH ELOAH 

V’DAATH 6 and each visuali.es the yello% ovoid changing to greenish yello%

light!

'' ( This visuali.ation is #aintained for several #inutes during %hich ti#e

the greenish yello% ovoid is seen as increasing steadily in brilliance!

'2 ( "hen ready the director again vibrates the divine na#e ONOPHIS 5or 

YHVH ELOAH V’DAATH 6 and each visuali.es the greenish yello% ovoid

changing to yello% light!

', ( All no% #editate upon the invoked force reflecting upon %hatever 

i#pressions #ay rise into consciousness= allo%ing the visuali.ed ovoid to fade

gradually and gently fro# consciousness #ean%hile!

'/ ( After a suitable period the director sounds the battery once!

' ( All link hands right over left and again circle the altar si$ ti#es deosil!

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'1 ( +ands are unlinked and the director utters the thanksgiving&

Ra%a*t ONOPHIS 5or YHVH ELOAH V’DAATH 6 w) th &h%$)*

tha*' th)) ,# th) !a0%&' #, th 0$#%#u" p)")*&) a%"%*0 w%th%* u".

Ga*t u"3 O a%a*t #*)3 that th -$)""%*0 !a )!a%* w%th u" wh)* w)

0# ,#th ,#! th%" p$a&) t# # #u w%$$ %* th) w#$.

'9 ( All respond&

S# !a %t -)

': ( The %orking is concluded %ith the battery& ,33,

@ (( RITUAL OF 6INAH

For Balancing 

 After the conclusion of the Pathworking, the altar is covered with an indigo drape.Upon the altar is placed the Tessera (or other chosen symbol) and a single indigo lamp.

ticks or cones, of a fragrance suitable to the phere, may be employed as incense!or a blend to be burned upon charcoal may be used, comprising such traditional ingredientsas myrrh, violet leaves, lignum vitae, cassia buds, oil of violet.

The companions stand e#ually spaced in a circle about the altar, with the director of the working stationed east of the altar.

' 33 The director sounds the battery& a single stroke of bell or gavel!

2 ( The director announces&

I p#&$a%! a w#'%*0 %* th) Sph)) #, 6%*ah3 %*4#'%*0 th) "p%%tua$

p#w) #, U*)"ta*%*0.

, ( The director sounds the battery of the 4phere& '3'3'

/ ( The director no% #oves to %est of the altar and faces east across it! +e

salutes the east then #akes the invocation&

D%4%*) IALDA6AOTH 5or YHVH ELOHIM 6 t# wh#! -)$#*0

U*)"ta*%*0 a* th) $%0ht "up)*a$3 0a*t u" t# )5p)%)*&) th)

w#*)" #, th Sph))3 that th p#w) !a -) !a) !a*%,)"t w%th%* u".

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( The director returns to east of altar and faces %est! 7ncense is no%

activated!

1 ( The director proclai#s verse 88877 of The ong of Praises$

Th%*) %" th) S%0* #, th) E*3

6)%*0 ,u$,%$$)3 "u! #, )5%"t)*&)":

Th%*) %" th) u$t%!at) D## 

Op)*) #* N%0ht" u*utt)) !"t):

Th%*) th) ,%"t h)"%ta*t "t)p

I*t# th) a'3 #, th#") -ut $att)$

6#* t# th) La-%*th

9 33 All link hands right over left and circle the altar three ti#es deosil!

: ( 4tanding in their original positions hands unlinked all together recite&

Ha%$ t# th))3 u$) #, th) !"t) #, t%!) 6)h%* th)) a0) u*"))*

th) ,#!$)"" ,#&)" #, )t)*%t. W) "ta* -)*)ath th au"t)) a* !%0ht

p#w)3 -ut a$"# -)*)ath th) "t#*0 ha* #, th p#t)&t%#*. Ha%$ t# th))

; ( <ach no% visuali.es hi#self or herself enco#passed by an ovoid of indigo

light!

'0 ( After a suitable ti#e the director vibrates IALDA6AOTH 5or YHVH 

ELOHIM 6 and each visuali.es the indigo ovoid changing to dove grey light!

'' ( This visuali.ation is #aintained for several #inutes during %hich ti#e

the dove grey ovoid is seen as increasing steadily in brilliance!

'2 ( "hen ready the director again vibrates the divine na#e IALDA6AOTH

5or YHVH ELOHIM 6 and each visuali.es the dove grey ovoid changing to

indigo light!

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', ( All no% #editate upon the invoked force reflecting upon %hatever 

i#pressions #ay rise into consciousness= allo%ing the visuali.ed ovoid to fade

gradually and gently fro# consciousness #ean%hile!

'/ ( After a suitable period the director sounds the battery once!

' ( All link hands right over left and again circle the altar three ti#es deosil!

'1 ( +ands are unlinked and the director utters the thanksgiving&

D%4%*) IALDA6AOTH 5or YHVH ELOHIM 6 w) th &h%$)* tha*'

th)) ,# th) !a0%&' #, th 0$#%#u" p)")*&) a%"%*0 w%th%* u". Ga*t u"3

O %4%*) #*)3 that th -$)""%*0 !a )!a%* w%th u" wh)* w) 0# ,#th

,#! th%" p$a&) t# # #u w%$$ %* th) w#$.

'9 ( All respond&

S# !a %t -)

': ( The %orking is concluded %ith the battery& ,33,

B (( RITUAL OF MALKUTH

For Balancing 

 After the conclusion of the Pathworking, the altar is covered with a white drape. Uponthe altar is placed the Tessera (or other chosen symbol) and a single white lamp.

ticks or cones, of a fragrance suitable to the phere, may be employed as incense!

or a blend to be burned upon charcoal may be used, comprising such traditional ingredientsas dittany, cherry wood, gum Arabic, oil of geranium.

The companions stand e#ually spaced in a circle about the altar, with the director of the working stationed east of the altar.

' 33 The director sounds the battery& a single stroke of bell or gavel!

2 ( The director announces&

I p#&$a%! a w#'%*0 %* th) Sph)) #, Ma$'uth3 %*4#'%*0 th)

"p%%tua$ p#w) #, th) K%*0#!.

, ( The director sounds the battery of the 4phere& ,3/3,

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/ ( The director no% #oves to %est of the altar and faces east across it! +e

salutes the east then #akes the invocation&

6)aut)#u" 6ATH(MENIN(HEKASTOU 5or  ADOAI MELE! 6 t#

wh#! -)$#*0 th) K%*0#! a* th) 4%"%#* #, h#$%*)""3 0a*t u" t#

)5p)%)*&) th) w#*)" #, th Sph))3 that th p#w) !a -) !a)

!a*%,)"t w%th%* u".

( The director returns to east of altar and faces %est! 7ncense is no%

activated!

1 ( The director proclai#s verse 88877 of The ong of Praises$

Th%*) %" th) S%0* #, th) E*3

6)%*0 ,u$,%$$)3 "u! #, )5%"t)*&)":

Th%*) %" th) u$t%!at) D## 

Op)*) #* N%0ht" u*utt)) !"t):

Th%*) th) ,%"t h)"%ta*t "t)p

I*t# th) a'3 #, th#") -ut $att)$

6#* t# th) La-%*th

9 33 All link hands right over left and circle the altar ten ti#es deosil!

: ( 4tanding in their original positions hands unlinked all together recite&

O !a%)* "#u$ #, th) )ath3 ha%$ t# th)) O !a%)* $%,) #, #u $%,)3

ha%$ t# th)) L#4a-$) -)aut3 p#w) )4))3 %**#&)*&) that w) &a**#t

$##' up#*3 ha%$ t# th))

; ( <ach no% visuali.es hi#self or herself enco#passed by an ovoid of %hite

light!

'0 ( After a suitable ti#e the director vibrates 6ATH(MENIN(HEKASTOU 5or 

 ADOAI MELE! 6 and each visuali.es the %hite ovoid beco#ing suffused

%ith golden sparkles!

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'' ( This visuali.ation is #aintained for several #inutes during %hich ti#e

the gold3sparkling %hite ovoid is seen as increasing steadily in brilliance!

'2 ( "hen ready the director again vibrates the divine na#e 6ATH(MENIN(

HEKASTOU 5or  ADOAI MELE! 6 and each visuali.es the gold3sparkling

%hite ovoid changing to si#ple %hite light!

', ( All no% #editate upon the invoked force reflecting upon %hatever 

i#pressions #ay rise into consciousness= allo%ing the visuali.ed ovoid to fade

gradually and gently fro# consciousness #ean%hile!

'/ ( After a suitable period the director sounds the battery once!

' ( All link hands right over left and again circle the altar ten ti#es deosil!

'1 ( +ands are unlinked and the director utters the thanksgiving&

6)aut)#u" 6ATH(MENIN(HEKASTOU 5or ADOAI MELE! 6 w) th

&h%$)* tha*' th)) ,# th) !a0%&' #, th 0$#%#u" p)")*&) a%"%*0

w%th%* u". Ga*t u"3 O -)aut)#u" #*)3 that th -$)""%*0 !a )!a%* w%th

u" wh)* w) 0# ,#th ,#! th%" p$a&) t# # #u w%$$ %* th) w#$.

'9 ( All respond&

S# !a %t -)

': ( The %orking is concluded %ith the battery& ,33,

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