MessiahSunday, December 12, 2010, 4:00 pm

Westminster Presbyterian Church

Presented by the Harlamert Charitable Foundation

daytonphi lharmonic.com

HANDEL’S MESSIAHDAYTON PHILHARMONIC ORCHESTRA

DAYTON PHILHARMONIC ORCHESTRA

Neal Gittleman, Music Director 1st ViolinJessica HungWill Manley Betsey Hofeldt Karl TaylorMikhail Baranovsky Janet George

2nd ViolinAnn LinGloria FioreKara Lardinois Tom Fetherston Lynn RohrYoshiko Kunimitsu

ViolaSheridan CurrieColleen BraidKaren JohnsonLori LaMattina

CelloAndra Padrichelli Jane Katsuyama Linda Katz

BassDeborah TaylorDon Compton

OboeEileen WhalenRoger Miller

BassoonKristen Canova

TrumpetCharles PagnardAlan Siebert

TimpaniMichael LaMattina

HarpsichordJulane Rodgers

OrganAlan Kimbrough

DAYTON PHILHARMONIC ORCHESTRACHAMBER CHOIR

Hank Dahlman, Choir Director

SopranoAmanda AlexanderJodi BlacklidgeLillian Chambliss Diane Erbland Katherine FanjoyAmanda HughesEffie Sue KemerleyDeborah NashBethany RegerChristina SmithMarilyn Smyers

AltoStephanie BangeBeverly DeanJaclyn Foster

Laurel L. FranzPeg HollandM. Jane Rike KoepferCapt. Mimi LedetSharon A. NortonJessica L. StillerSharon Peake WilliamsonPamela Yri TenorLou BeckerDean P. BrownCharles M. GarlandJonathan C. HaubergGary C. JohnsonW. Jack LewisKen PavyJ. Richard SchairbaumThomas Severyn

BassTom BeeryGary Blacklidge

Mark E. CorcoranChristopher EdmanPaul FenwickMichael FoleyEllis HarshamLloyd D. Little IIIDave RoderickCharles SowerbrowerFrederick A. StevensonDavid R. WardDean R. Yoesting

Christina Smith, Assistant Director

Linda Mench, Rehearsal Accompanist Amy Vaubel, Chorus Manager

HANDEL’S MESSIAH Neal Gittleman conductor

Laura Portune soprano . Steven Rickards countertenor

William Compton tenor . Daesan No bass

Dayton Philharmonic Chamber Choir, Hank Dahlman director

NEAL GITTLEMAN | Music Director, Dayton Philharmonic Orchestra

The 2010-2011 season is Neal Gittleman’s sixteenth year as Music Director of the Dayton Philharmonic Orchestra. Gittleman has led the orchestra to new levels of artistic achievement and increasing acclaim throughout the country. American Record Guide magazine has praised the orchestra’s performance as has the Cincinnati Enquirer, which called the DPO “a precise, glowing machine.” When the Orchestra christened the Mead Theatre in the Benjamin and Marian Schuster Performing Arts Center in March of 2003, the Enquirer reported that “Gittleman has brought the DPO to a new level.” During his tenure, the orchestra has received eight ASCAP awards from the American Symphony Orchestra League for adventurous programming.

Prior his arrival in Dayton, Gittleman served as Music Director of the Marion (IN) Philharmonic, Associate Conductor of the Syracuse Symphony, and Assistant Conductor of the Oregon Symphony Orchestra, a post he held under the Exxon/Arts Endowment Conductors Program. He also served ten seasons as Associate Conductor and Resident Conductor of the Milwaukee Symphony Orchestra.

HANK DAHLMAN | Director, Dayton Philharmonic Chorus

Hank Dahlman is Professor of Music, Director of Choral Studies, and Director of Graduate Studies in Music at Wright State University, where he serves as the conductor of the WSU Collegiate Chorale. He serves as the Artistic Director of WSU’s annual Madrigal Dinners and Holidays in the Heartland. He teaches graduate and undergraduate courses in conducting, music education, and music history.

Director of the Dayton Philharmonic Orchestra Chorus, Dr. Dahlman also serves as a guest conductor with the Dayton Philharmonic Orchestra and founded the Dayton Philharmonic Chamber Choir in 2000. Dahlman conducted the Dayton Philharmonic Orchestra Chorus in performance with professional orchestras, such as the Czech Chamber Philharmonic in Prague and at the Salzburg Cathedral celebrating Mozart’s 250th birthday in 2006, and conducted in his Carnegie Hall debut in 2008. Most recently, the DPO Chorus performed at New York’s Avery Fisher Hall in June 2010.

PART ONE Sinfonia (Overture)

Accompagnato Comfort ye, comfort ye my people,

saith your God. Speak ye comfortably to Jerusalem, and cry unto her, that her

warfare is accomplish’d, that her iniquity is pardoned. The voice of him that crieth

in the wilderness; prepare ye the way of the Lord; make straight in the desert

a highway for our God.

Aria Ev’ry valley shall be exalted, and ev’ry

mountain and hill made low; the crooked straight, and the rough places plain.

Chorus And the glory of the Lord shall be revealed,

and all flesh shall see it together; for the mouth of the Lord hath spoken it.

Accompagnato Thus saith the Lord of hosts: Yet once a little while and I will shake the heav’ns and the

earth, the sea and the dry land: And I will shake all nations; and the

desire of all nations shall come. The Lord, whom ye seek, shall suddenly come to His temple, even the messenger of the Covenant, whom ye delight in: behold, He shall come, saith the Lord of hosts.

Aria But who may abide the day of His coming, and who shall stand when He appeareth?

For He is like a refiner’s fire.

Chorus And He shall purify the sons of Levi,

that they may offer unto the Lord an offering in righteousness.

Recitativo Behold, a virgin shall conceive and bear a Son, and shall call his name

Emmanuel, God with us.

Aria & Chorus O thou that tellest good tidings to Zion,

get thee up into the high mountain. O thou that tellest good tidings to Jerusalem, lift up thy voice with strength; lift it up, be not afraid;

say unto the cities of Judah, behold your God! Arise, shine, for thy

Light is come, and the glory of the Lord is risen upon thee.

Recitativo For behold, darkness shall cover

the earth, and gross darkness the people; but the Lord shall arise upon thee,

and His glory shall be seen upon thee, and the Gentiles shall come to thy light, and kings to the brightness of thy rising.

Music by George Frideric Handel Words selected from the Holy Scripture by Charles Jennings

Messiah

Aria The people that walked in darkness

have seen a great light; and they that dwell in the land of the shadow of death, upon them hath the light shined.

Chorus For unto us a Child is born, unto us a Son is given, and the government shall be upon His shoulder; and His name shall be called Wonderful Counsellor, the Mighty God, the

Everlasting Father, the Prince of Peace.

Pifa (Pastoral Symphony)

Recitativo There were shepherds abiding in the field, keeping watch over their flocks by night. And lo, the angel of the Lord came upon them, and the glory of the Lord shone

around them, and they were sore afraid. But the angel said unto them, fear not, for

behold, I bring you tidings of great joy, which shall be to all people. For unto you is born this day in the City of David, a Saviour,

which is Christ the Lord. And suddenly, there was with the angel a multitude of the

heav’nly host, praising God, and saying:

Chorus Glory to God in the highest, and peace

on earth, good will towards men.

Aria Rejoice greatly, O daughter of Zion! Shout, O daughter of Jerusalem! Behold, thy King

cometh unto thee! He is the righteous Saviour, and He shall speak peace unto the heathen.

Recitativo Then shall the eyes of the blind be opened,

and the ears of the deaf unstopped. Then shall the lame man leap as a hart, and the tongue of the dumb shall sing.

Duetto He shall feed His flock like a shepherd; and

He shall gather the lambs with His arm, and carry them in His bosom, and gently

lead those that are with young. Come unto Him, all ye that labour and are heavy laden,

and He will give you rest. Take His yoke upon you, and learn of Him, for He is meek

and lowly of heart, and ye shall find rest unto your souls.

Chorus His yoke is easy, and his burden is light.

INTERMISSION (15 minutes)

PART TWO

Chorus Behold the Lamb of God,

that taketh away the sin of the world.

Aria He was despised and rejected of men,

a man of sorrows and acquainted with grief.

Chorus Surely He hath borne our griefs,

and carried our sorrows! He was wounded for our transgressions, He was bruised for

our iniquities; the chastisement of our peace was upon Him.

Chorus And with His stripes we are healed.

Chorus All we, like sheep, have gone astray;

we have turned every one to his own way, and the Lord hath laid on

Him the iniquity of us all.

Accompagnato All they that see Him laugh Him to scorn;

they shoot out their lips, and shake their heads, saying:

Chorus He trusted in God that He would deliver Him; let Him deliver Him,

if He delight in Him.

AccompagnatoThy rebuke hath broken His heart:

He is full of heaviness. He looked for some to have pity on Him, but there was no man,

neither found He any to comfort Him.

Arioso Behold, and see if there be any sorrow

like unto His sorrow.

Accompagnato He was cut off out of the land of the living:

for the transgressions of Thy people was He stricken.

Air But Thou didst not leave His soul in hell; nor didst Thou suffer Thy Holy One to see

corruption.

ChorusLift up your heads, O ye gates; and be ye lift up, ye everlasting doors; and the King of Glory shall come in. Who is this King

of Glory? The Lord strong and mighty, the Lord mighty in battle. Lift up your heads, O ye gates; and be ye lift up, ye everlasting doors; and the King of Glory shall come in.

Who is this King of Glory? The Lord of Hosts, He is the King of Glory.

RecitativeUnto which of the angels said He at any

time: Thou art My Son, this day have I begotten Thee?

ChorusLet all the angels of God worship Him.

Air Thou art gone up on high;

Thou hast led captivity captive, and received gifts for men; yea, even from

Thine enemies, that the Lord God might dwell among them.

ChorusThe Lord gave the word;

great was the company of the preachers.

Air How beautiful are the feet of them:

that preach the gospel of peace, and bring glad tidings of good things.

ChorusTheir sound is gone out into all lands,

and their words unto the ends of the world.

Aria Why do the nations so furiously rage

together, and why do the people imagine a vain thing? The kings of

the earth rise up, and the rulers take council together against the Lord,

and His anointed.

Chorus Let us break their bonds asunder, and cast away their yokes from us.

Recitativo He that dwelleth in heaven shall

laugh them to scorn; the Lord shall have them in derision.

Aria Thou shalt break them with a rod of iron;

Thou shalt dash them in pieces like a potter’s vessel.

Chorus Hallelujah! for the Lord God Omnipotent

reigneth. The kingdom of this world is become the kingdom of our Lord, and of His Christ; and He shall reign

for ever and ever. King of Kings, and Lord of Lords.

Hallelujah!

INTERMISSION (10 minutes)

PART THREE

Aria I know that my Redeemer liveth,

and that he shall stand at the latter day upon the earth. And though worms

destroy this body, yet in my flesh shall I see God. For now is Christ

risen from the dead, the first fruits of them that sleep.

Chorus Since by man came death, by man came

also the resurrection of the dead. For as in Adam all die, even so in Christ

shall all be made alive.

Accompagnato Behold, I tell you a mystery;

We shall not all sleep, but we shall all be changed in a moment, in the twinkling

of an eye, at the last trumpet.

Aria The trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed. For this corruptible

must put on incorruption, and this mortal must put on immortality.

Recitative Then shall be brought to pass

the saying that is written:Death is swallowed up in victory!

Duetto O death, where is thy sting?

O grave, where is thy victory?The sting of death is sin,

and the strength of sin is the law.

ChorusBut thanks be to God,

who giveth us the victorythrough our Lord Jesus Christ.

AriaIf God be for us,

who can be against us? Who shall lay anything

to the charge of God’s elect?It is God that justifieth.

Who is he that condemneth?It is Christ that died, yea rather,

that is risen again, who is at the right hand of God, who makes intercession for us.

Chorus Worthy is the Lamb that was slain,

and hath redeemed us to God by His blood, to receive power,

and riches, and wisdom, and strength, and honour, and glory, and blessing.

Blessing and honour, glory and power, be unto Him that sitteth upon the throne,

and unto the Lamb, for ever and ever.

Amen.

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George Frideric Handel (1685-1759) Almost everyone has encountered Handel through holiday-time renditions of the Messiah’s Hallelujah chorus. And many know and love that oratorio of Christ’s life and death as well as a few other greatest hits, such as the orchestral Water Music and Royal Fireworks Music and perhaps Judas Maccabeus or one of the other English oratorios. Handel was born in the German city of Halle, on February 23, 1685. In 1706, Handel departed for Italy, then the font of operatic innovation, and mastered contemporary trends in Italian serious opera. Through the 1720s, Handel composed Italian operatic masterpieces for London stages: Ottone, Serse (Xerxes ), and other works often based on classical stories.

MESSIAH

INSTRUMENTATION: 2 oboes, 2 trumpets, bassoon, timpani, organ, harpsichord, strings, chorus, solo soprano, alto, tenor, and bass The Dayton Philharmonic last performed this work on Sunday, December 13, 2009 with Hank Dahlman conducting

With the arguable exception of the Water Music, the oratorio Messiah (there is no definite article in the title) is the one universally known work of Handel’s. Fortuitously, the clergyman and writer Charles Jennings, Handel’s collaborator for Saul, lured Handel to the idea of English oratorio; at much the same time, the composer received an offer from William Cavendish, Lord Lieutenant of Ireland, to take part in the following season of oratorio performances in Dublin. Jennings offered the libretto, called Messiah and based on the birth and Passion of Christ, to Handel. Handel set to work on the libretto on August 22, 1741, completing the score just over three weeks later on September 12.

Jennings divided his text into three parts, the first of which deals with the Prophecy of the Messiah and its fulfillment. The second takes us from the Passion to the triumph of the Resurrection, while the final part deals with the role of the Messiah in life after death. Handel’s setting consists of the usual juxtaposition of recitative, arias, and choruses. Jennings’s libretto draws across a wide spectrum of both Old and New Testament sources, but uniquely among Handel’s oratorios, there are no named characters. The first performance took place at the New Music Hall in Dublin on April 13, 1742. The public received it with huge acclaim, the Dublin Journal proclaiming that “Messiah was allowed by the greatest Judges to be the finest Composition of Music that ever was heard.”

The following year the triumph repeated at Covent Garden, when Handel added two more solos. Further revisions took place in 1745 at the famous Foundling Hospital performances, leaving all subsequent conductors with editorial problems as to Handel’s final intentions. By the time of the composer’s death in 1759, Messiah had already attained an iconic status that it has never relinquished. Alongside its immensely popular choruses – of which the Hallelujah is king – the oratorio’s primary allure is its effective arias and recitatives for solo voices. The opening Every Valley, sung by tenor, sets the tone for tunefulness and expressive charm and is well-matched by the soprano’s Rejoice Greatly, the alto’s He was Despised and the bass’s The Trumpet Shall Sound.

Composition Description by Brian Robins Source: All Media Guide

Laura Portune soprano

Critically acclaimed soprano Laura Portune has been capturing attention across the United States and abroad with her powerful voice and expressive stage presence. Her many roles include Musetta in La Bohème, Gilda in Rigoletto, and Rosina in The Barber of Seville with such companies as San Diego Opera, Dayton Opera, Opera Columbus, and Des Moines Metro Opera. Steven Rickards countertenor

Steven Rickards has received international acclaim as one of America’s finest countertenors. His schedule of performances has included frequent appearances with Joshua Rifkin and the Bach Ensemble with performances throughout the United States, Europe, and Australia. He has also performed with The American Bach Soloists, Chanticleer, Ensemble Voltaire, and the Gabrieli Consort. William Compton tenor

Tenor William Compton is rapidly finding success in opera and concert, especially in the rarified repertoire of Rossini and Handel. Mr. Compton has sung the leading tenor roles in Don Giovanni, La Cenerentola, and L’Elisir d’Amore. He has been featured with the Palm Beach Opera, Cincinnati Baroque, Dayton Philharmonic, Lexington Philharmonic, Asheville Symphony, Knoxville Opera and The University of Cincinnati Opera. Daesan No bass

Baritone Daesan No earned a Bachelor of Music from Han-Yang University in Seoul. At the Peabody Conservatory, he earned his Graduate Performance Diploma and Master of Music degree. His opera credits include the title role in Falstaff, which he sang at Tanglewood under the baton of Seiji Ozawa, the title role in Rigoletto with Lyric Opera of San Antonio, and his return to San Antonio as Leporello (Don Giovanni).

PROGRAM NOTES & SOLOIST BIOGRAPHIES

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Loft Theatre, Downtown

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