mapping & wayfinding - · pdf filethe designer’s artistry and the viewer’s...

58
MAPPING & WAYFINDING KRANACK / DESIGN 4 location, location, location

Upload: ngokien

Post on 13-Mar-2018

217 views

Category:

Documents


2 download

TRANSCRIPT

Page 1: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

MAPPING & WAYFINDING

KRANACK / DESIGN 4

location, location, location

Page 2: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

PART 1: MAPS

KRANACK / DESIGN 4

Page 3: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Maps record and communicate what we know about an environment and serve as reliable wayfinding tools.

KRANACK / DESIGN 4

Page 4: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Maps are a reduced version of a space. They cannot include EVERYTHING that is in that same physical space.

KRANACK / DESIGN 4

Page 5: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Maps are informative on several levels.

1)  They feature the information and attributes of the map itself

Symbols Icons Landmarks Legend

Color Shape Size

KRANACK / DESIGN 4

Page 6: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Maps are informative on several levels.

2)  Structure and Spatial Layout

Distance between features/locations shown on map

KRANACK / DESIGN 4

Page 7: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Maps are informative on several levels.

3) The viewer’s perception

Viewers create additional structures…

Such as imaginary lines between landmarks

KRANACK / DESIGN 4

Page 8: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Maps are informative on several levels.

4)  Subjective impressions and associations

The designer’s artistry and the viewer’s memory or associations inform how one responds to a map

KRANACK / DESIGN 4

Page 9: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

When graphic designers engage in map design, it is to make maps both functional and aesthetically pleasing.

1)  Choose a vantage point that draws the viewer in

2)  Represent the terrain appropriately

3)  Include enough information to keeps map in context

4)  Minimize the maps features and use symbols that are easily recognizable

5)  Include a legend, orientation marker, and scale for reference

6)  Consider a typeface that express the personality of an environment

7)  Color and texture can create a rich visual experience for the viewer

KRANACK / DESIGN 4

Page 10: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Maps are designed within a context, for different purposes and different users.

Reasons to make a map include…

1)  Mapping locations

2)  Mapping people

3)  Mapping events

4)  Mapping statistics

KRANACK / DESIGN 4

Page 11: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Mapping locations

KRANACK / DESIGN 4

Page 12: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

greenmap.org KRANACK / DESIGN 4

Mapping locations

opengreenmap.org

Page 13: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Mapping locations

Page 14: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Mapping people

Page 15: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Mapping people

Eric Fischer http://www.flickr.com/photos/walkingsf/sets

Page 16: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

http://www.flickr.com/photos/walkingsf/4981444199/in/set-72157624812674967/ KRANACK / DESIGN 4

Mapping people

Eric Fischer http://www.flickr.com/photos/walkingsf/sets/72157624812674967/detail/

Page 17: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

John Snow’s 1854 map shows the clusters of cholera cases along Broad Street. His street-by-street tracking of cholera deaths pointed unmistakably to the culprit--the water coming out of the Broad Street pump. The pump handle was removed at once, and the epidemic ceased.

KRANACK / DESIGN 4

Mapping events

Page 18: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Two different maps tracking the race riots in France in 2005.

The Economist to the right, and the BBC below.

KRANACK / DESIGN 4

Mapping events

Page 19: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Mapping data & statistics

KRANACK / DESIGN 4

Page 20: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Mapping data & statistics

Page 21: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Mapping data & statistics

Page 22: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

SUPER COOL REAL WORLD

EXAMPLES

KRANACK / DESIGN 4

Page 23: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Page 24: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Page 25: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Page 26: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Page 27: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Page 28: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Page 29: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Page 30: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Page 31: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Page 32: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Page 33: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

PART 2: WAYFINDING & INFORMING

KRANACK / DESIGN 4

Page 34: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding is the process of using spatial and environmental information to navigate to a destination.

Whether navigating a college campus, a forest, or a website, the basic process of wayfinding involves four stages:

1)  Orientation

2)  Route Decision

3)  Route Monitoring

4)  Destination Recognition

KRANACK / DESIGN 4

Page 35: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding

The wayfinding design of the Pittsburgh Zoo is divided into subspaces based on the type of animal and environment.

Navigational choices are minimal and destinations are clearly marked by signage and dead ends.

The visitor map aids wayfinding by featuring recognizable landmarks, clear and consistent labeling, and flow lines to aid decision-making.

KRANACK / DESIGN 4

Page 36: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

CASE STUDY: Zoo

KRANACK / DESIGN 4

Page 37: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 38: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 39: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 40: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

CASE STUDY: Museum

KRANACK / DESIGN 4

Page 41: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 42: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 43: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 44: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 45: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 46: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

CASE STUDY: Resort Town

KRANACK / DESIGN 4

Page 47: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 48: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 49: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 50: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

CASE STUDY: Children’s Hospital

KRANACK / DESIGN 4

Page 51: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 52: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 53: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 54: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 55: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

Wayfinding + Informational Signage

Page 56: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

MAPPING A BRAND

Project #2 – STEP 4

KRANACK / DESIGN 4

Retail Store Locator Guide (+ Pictograms)

Page 57: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

CONGRATULATIONS! Your brand loves the invitation and lookbook that you created for them, and now they would like you to design a folded Store Locator Guide Map.

Not only will the map direct customers to your store’s NYC locations (at least 2), the idea is this: If your shopper has multiple reasons to frequent an area, they are more likely to visit your store (and spend money!).

Step 1: Create a MIND MAP with your brand at the center. Branch out with broad associations, narrowing in on 5 or more activities/interests that your consumer may find appealing. Ultimately, name specific locations that are fairly close to your stores on the map. You should have at least 8 suggested destinations for your guide map (at least 1 activity in each of the 5 activity categories).

Step 2: Once you have your 5 activities identified, develop a cohesive set of pictograms for those activities. (ex: rock clubs, arcade games, vintage furniture, etc). Design simplified pictograms in Illustrator using only black and white. Document process on blog. Post finals to blackboard.

Step 3: Select a folding format from www.foldfactory.com/ideas.php and begin to think about the layout of your map guide taking your format into consideration. Try out some folds and bring your tests to class next week.

Project 2, Steps 1,2,3 are due Week 5, February 21.

DONE

Page 58: MAPPING & WAYFINDING - · PDF fileThe designer’s artistry and the viewer’s memory ... how one responds to a map KRANACK / DESIGN 4 . When graphic designers engage in map design,

KRANACK / DESIGN 4

Step 4:

Now that you’ve identified at least 3 store locations on a map, have selected at least 8 places of interest to your customer, and have made at least 5 pictograms that correspond to the places of interest, it’s now time for you to design your map.

Keeping your folding format in mind, create a new 2-page IN DESIGN document that is the necessary dimensions. Use guides to identify the folds in advance so you can design with them in mind.

Create a map of New York City (either macro of micro) and identify the locations of interest, utilizing the pictograms throughout.

At a minimum, your map must include: --3 store locations (real or made up) --8 activities of interest to your customer base (real!) --5 pictograms that relate to those 8 areas of interest --A panel with the store addresses and the addresses of the activities --A map key that defines what each of the pictograms stand for

Print the map double-sided and assemble/fold into the final Store Locator Guide.

The final printed map is due on Week 6, Feb 28th.

Take photos and post them to your blog. Post a PDF of your final InDesign file to Blackboard to be graded.