manifesto
DESCRIPTION
This document reveals some of the values, ideals, considerations and sense of responsibility that shape the growth and practice of the design work I produce.TRANSCRIPT
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MANISH FESTO
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FORWERD
Hi: my name is Manish and I am a freelance
designer, who specializes in communication
and user design. This is my manifesto to all
things design and living.
With a world with an infinite number of possibilities this
self-manifesto is to help me define and reflect on myself.
This declaration will include personal and design
intentions, opinions, objectives, motives and beliefs.
By referencing my manifesto daily, it will become a tool
to help me maintain focus, purpose and will help me
clarify what items and tasks are important in my life.
This document is being published freely so you can see
some of the values, ideals, considerations and sense
of responsibility that shape the growth and practice
of the design work I produce.
I would like to thank all my friends, work colleagues,
design icons, history, biology and everything else, who
are helping me expand my knowledge and experiences
on this journey.
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1ST THINGS 1ST
BASED ON THE
'FIRST THINGS FIRST' MANIFESTO
KEN GARLAND, 1964, and signed globally by many
influential designers of the 20th century.
I, Manish Chauhan, a designer, art director and visual
communicator who has been raised in a world in which the
techniques and apparatus of advertising and branding have
persistently been presented to me as the most lucrative,
effective and desirable use of my talents. With the market
rewarding it; a tide of books and publications reinforce it.
Within this climate, it is my intention to use my skills to
attempt to improve the world rather than using my talents
as money-making, self-serving, ego-pumping vocation.
There is no pursuit more worthy of my problem-solving skills
than the application of good design principles to seemingly
mundane projects. The application of my skills
is not for the elite, but for everyone. The most trivial of
products (dog biscuits, coffee, diamonds, detergents, hair
gel, cigarettes, credit cards, sneakers, beer and recreational
vehicles) deserve quality design. This is not because it
improves my life, but because design has the power to
improve the life of every living entity. Effort towards
better design will never be wasted, and the most trivial
of purposes contributes to my prosperity.
In common with an increasing number of the general public,
I have reached a saturation point at which the high-pitched
scream of consumer selling is no more than sheer noise.
Rather than lessen my cause, this state of affairs gives
new importance to my work. I will not turn my back on
the profession in order to search for a higher cause, but
with the explosive growth of global commercial culture,
the current consumer climate deserves my immediate
attention because it has the potential to have the
greatest impact.
I embrace this challenge and see the value of finding
new relevant and effective solutions to the problems of
the world. My daily work may overlap with environmental,
social and cultural crises, however, these ventures,
although deserving of my attention, are not more important
than any other project I am involved in.
I therefore propose a renewed commitment to my
profession that emphasizes the power of design to
improve the life the planet and all it’s residents. I am not
challenging the institution of consumerism, but rather
working within it’s structure to bring about good by
improving the system. I also am not endorsing a mental
environment saturated with commercial messages,
but rather taking ownership of the effect my occupation has
on the world, and striving to improve the world through my
commitment to design.
MANISH CHAUHAN, DESIGN STRATEGIST
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DESIGN
The root of all good and evil is in
the design, by being responsible it
can change the way we live. MANISH CHAUHAN, 2010
TEN PRINCIPLES OF GOOD DESIGN
DIETER RAMS, 1980
01 Good design is innovative The possibilities for innovation are not, by any means,
exhausted. Technological development is always offering
new opportunities for innovative design. But innovative
design always develops in tandem with innovative
technology, and can never be an end in itself.
02 Good design makes a product useful A product is bought to be used. It has to satisfy certain
criteria, not only functional, but also psychological and
aesthetic. Good design emphasises the usefulness of a
product whilst disregarding anything that could possibly
detract from it.
03 Good design is aesthetic The aesthetic quality of a product is integral to its
usefulness because products we use every day affect our
person and our well-being. But only well-executed objects
can be beautiful.
04 Good design makes a product understandable It clarifies the product’s structure. Better still, it can make
the product talk. At best, it is self-explanatory.
05 Good design is unobtrusive Products fulfilling a purpose are like tools. They are neither
decorative objects nor works of art. Their design should
therefore be both neutral and restrained, to leave room
for the user’s self-expression.
06 Good design is honest It does not make a product more innovative, powerful or
valuable than it really is. It does not attempt to manipulate
the consumer with promises that cannot be kept.
07 Good design is long-lasting It avoids being fashionable and therefore never appears
antiquated. Unlike fashionable design, it lasts many years
– even in today’s throwaway society.
08 Good design is thorough, down to the last
detail Nothing must be arbitrary or left to chance. Care and
accuracy in the design process show respect towards
the consumer.
09 Good design is environmentally-friendly Design makes an important contribution to the
preservation of the environment. It conserves resources
and minimises physical and visual pollution throughout
the lifecycle of the product.
10 Good design is as little design as possible Less, but better – because it concentrates on the
essential aspects, and the products are not burdened
with non-essentials.
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LIVING
The hardest journey in life is to
understand oneself, by being open to
change great things are possible. MANISH CHAUHAN, 2010
INCOMPLETE MANIFESTO FOR GROWTH
BRUCE MAU, 1998
01 Allow events to change you You have to be willing to grow. Growth is different from
something that happens to you. You produce it. You live it.
The prerequisites for growth: the openness to experience
events and the willingness to be changed by them.
02 Forget about good. Good is a known quantity. Good is what we all agree on.
Growth is not necessarily good. Growth is an exploration of
unlit recesses that may or may not yield to our research. As
long as you stick to good you’ll never have real growth.
03 Process is more important than outcome When the outcome drives the process we will only ever go
to where we’ve already been. If process drives outcome we
may not know where we’re going, but we will know we
want to be there.
04 Love your experiments (as you would an ugly child)
Joy is the engine of growth. Exploit the liberty in casting
your work as beautiful experiments, iterations, attempts,
trials, and errors. Take the long view and allow yourself the
fun of failure every day.
05 Go deep The deeper you go the more likely you will discover
something of value.
06 Think with your mind. Forget technology. Creativity is not device-dependent.
07 Capture accidents The wrong answer is the right answer in search of a
different question. Collect wrong answers as part of the
process. Ask different questions.
08 Drift Allow yourself to wander aimlessly. Explore adjacencies.
Lack judgment. Postpone criticism.
09 Begin anywhere. John Cage tells us that not knowing where to begin is a
common form of paralysis. His advice: begin anywhere.
10 Everyone is a leader. Growth happens. Whenever it does, allow it to emerge.
Learn to follow when it makes sense. Let anyone lead.
11 Harvest ideas. Edit applications. Ideas need a dynamic, fluid, generous
environment to sustain life. Applications, on the other hand,
benefit from critical rigor. Produce a high ratio of ideas to
applications.
12 Keep moving. The market and its operations have a tendency to reinforce
success. Resist it. Allow failure and migration to be part of
your practice.