Quatuor LouvignyPhilippe Koch, Fabian Perdichizzi violonIlan Schneider altoAleksandr Khramouchin violoncelle

Claudia Moulin sopranoMarcelo Amaral piano

Trio KochPhilippe Koch, Laurence Koch violonJean-Philippe Koch piano

Joint Venture Percussion DuoRachel Xi Zhang, Laurent Warnier percussion

Cathy Krier piano

ArtemandolineJuan-Carlos Muñoz mandoline baroqueMari Fe Pavón mandoline baroqueAlla Tolkacheva mandole baroque, mandoline baroqueManuel Muñoz guitare baroqueJean-Daniel Haro viole de gambeThomas Pellerin clavecin

Philippe Schartz trompetteChristopher Williams piano

Jean Muller piano

Organisé par:

«Luxembourg Classical Meeting» Salle de Musique de Chambre22.–23.09.2017

Vendredi / Freitag / Friday22.09.2017«Luxembourg Classical Meeting 1»

17:00Quatuor LouvignyPhilippe Koch, Fabian Perdichizzi violonIlan Schneider altoAleksandr Khramouchin violoncelle

Claude Debussy (1862–1918)Quatuor à cordes en sol mineur (g-moll) op. 10 L 85 (extraits) (1893) Animé et très décidé Assez vif et bien rythmé

Aleksandr Borodine (1833–1887)Quatuor à cordes N° 2 en ré majeur (D-Dur) (extrait) (1881) Notturno: Andante

Antonín Dvořák (1841–1904)Quatuor à cordes N° 12 en fa majeur (F-Dur) op. 96 «Américain» / «Amerikanisches» (extrait) (1893) Finale: Vivace man non troppo – Meno mosso – Più mosso

17:30Claudia Moulin sopranoMarcelo Amaral piano

Hugo Wolf (1860–1903)Gedichte von Johann Wolfgang von Goethe N° 27 (1888/89) «Die Bekehrte»

Richard Strauss (1864–1949)Sechs Lieder op. 68 TrV 235 N° 2 (1918) «Ich wollt ein Sträußlein binden» für eine Singstimme und Klavier

Alexander Zemlinsky (1871–1942)Fünf Lieder op. 7 N° 3 (–1900) «Meeraugen»

Richard StraussVier Lieder op. 27 TrV 170 N° 1 (1894) «Ruhe, meine Seele» für eine Singstimme und Klavier

Alban Berg (1885–1935)Sieben frühe Lieder N° 3 (ca. 1905–1908) «Die Nachtigall» für eine Singstimme und Klavier

Richard StraussFünf Lieder op. 41 TrV 195 N° 5 (1899) «Leise Lieder»

Richard StraussFünf kleine Lieder op. 69 N° 1 (1918) «Der Stern»

Erich Wolfgang Korngold (1897–1957)Vier Abschiedslieder op. 14 N° 1 (1920/21) «Sterbelied»

18:00Trio KochPhilippe Koch, Laurence Koch violonJean-Philippe Koch piano

Moritz Moszkowski (1854–1925)Suite für zwei Violinen und Klavier g-moll (sol mineur) op. 71 (extrait) (1903) Allegro energico

Arnold Mendelssohn (1855–1933)Trio en la mineur (a-moll) op. 76 (extrait) (1917) Allegro

Johannes Brahms (1833–1897)Ungarischer Tanz WoO 1 (extrait) Allegro – Vivace g-moll (sol mineur) (arr. pour deux violons et piano) (1868)

Walter Civitareale (1954)Sonate pour deux violons et piano (extrait) (2012) «Caprices luxembourgeois»

Vittorio Monti (1868–1922)Csárdás (arr. pour deux violons et piano) (1904)

Samedi / Samstag / Saturday23.09.2017«Luxembourg Classical Meeting 2»

18:00Joint Venture Percussion DuoRachel Xi Zhang, Laurent Warnier percussion

Maurice Ravel (1875–1937)Le Tombeau de Couperin (arr. de Joint Venture Percussion Duo pour marimba et vibraphone) (1914–1917/1919) Prélude Forlane Menuet Rigaudon

Jacob ter Veldhuis (1951)Gold Rush (1996)

18h30Cathy Krier piano

Claude Debussy (1862–1918)Images. Premier livre L 111 (1904/05) N° 1: Reflets dans l’eau

Images. Deuxième livre L 111 (1907) N° 3: Poissons d’or

Masques L 105 pour piano (1904)

Karol Szymanowski (1882–1937)Trois Masques op. 34 (1915/16) Shéhérazade

19:00ArtemandolineJuan-Carlos Muñoz mandoline baroque, mandole baroqueMari Fe Pavón mandoline baroqueAlla Tolkacheva mandoline baroque, mandole baroqueManuel Muñoz guitare baroqueJean-Daniel Haro viole de gambe, violoneThomas Pellerin clavecin

Gaspar Sanz (1640–1710)El Granduque (1674)

Lucas Ruiz de Ribayaz (1626–après 1677)Suite de danses pour bandurrias baroques (1677) Españoletas Galería de amor y buelta Achas y buelta del hacha Xácaras por primer tono

Andrea Falconieri (1585–1656)Ciaccona (1650)

Compositeur anonymeFollias (Naples, 18e siècle)

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19:45Philippe Schartz trompetteChristopher Williams piano

Rodion Shchedrin (1932)À la Albéniz (1961)

Viachteslav Shtelokov (1904–1975)Sonate N° 1 pour trompette et piano (date inconnue)

Jean Hubeau (1917–1992)Sonate pour trompette et piano (1943) Intermède Spirituel

George Gershwin (1898–1937)Three Preludes (arr. for trumpet and piano by Coombs) (1926) Allegro ben ritmato e deciso Andante con moto e poco rubato Agitato

20:15Jean Muller piano

Frédéric Chopin (1810–1849)Barcarolle en fa dièse majeur (Fis-Dur) op. 60 (1845/46)

György Ligeti (1923–2006)Étude N° 13: L’Escalier du diable (1993)

Frédéric ChopinPolonaise en la bémol majeur (As-Dur) op. 53 «Héroïque» / «Heroische» (1842/43)

InterprètesBiographies

Quatuor LouvignyPhilippe Koch, Fabian Perdichizzi violonIlan Schneider altoAleksandr Khramouchin violoncelleEager to enlarge the music contacts they established performing with the Orchestre Philharmonique du Luxembourg, Philippe Koch, Fabian Perdichizzi, Ilan Schneider and Alexandr Khramouchin decided to explore together the rich universe of the string quartet. The four soloists of the OPL, who already had a big experience as soloists and chamber musicians, decided to form in 2001 the Louvigny Quartet. The name is a tribute to the Villa Louvigny, where the RTL Orchestra (currently OPL) was born. The Louvigny Quartet performed numerous concerts in Luxembourg and abroad that allowed them to gain an international reputation. Moreover, they released several discs on the label Timpani, recording French composers’ repertoire (like Cras, Dupont, Le Flem) that has been acclaimed from the international specialized press.

Claudia Moulin sopranoClaudia Moulin was born in Luxembourg to an Italian father and a Portuguese mother. She started her vocal studies at the Con-servatory in Esch-sur-Alzette with Mariette Kemmer. In 2007, she won a vocal scholarship of the Yamaha Foundation and in 2009 the Prix Lyrique du Cercle Carpeaux of the Opéra national de Paris. From 2007 to 2009, she was a member of the Atelier Lyrique of the Opéra national de Paris, singing, among other

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roles, the Princess in L’Enfant et les sortilèges, Carolina in Il matrimonio segreto and Despina in Così fan tutte. At the Opéra national de Paris, she had been heard between 2008 and 2011 in Die Frau ohne Schatten and also in Rigoletto. In 2011, she took on the role of Micaëla in Carmen at the Opéra-Théâtre de Metz as well as the Opéra national de Lorraine. She also sang in the Young Singers Projects of the Salzburg Festival. Highlights of 2012 season included the role of Clorinda in La Cenerentola and Sylviane in Die lustige Witwe, both at the Opéra national de Paris. The 2013 season brought her to the Aix-en-Provence Festi-val where she sang The Princess in L’Enfant et les sortilèges, marking the first performance of a big tour through France and Belgium. In 2013 she was heard at The Herblay’s Theater, where she performed Fatime in Abu Hassan by Weber. As a concert performer, Claudia Moulin appeared at the Palais Garnier, the French National Library, the Athénée Théâtre Louis Jouvet in Paris, the Villa Médici in Rome and at the Auditorium du Louvre.

Quatuor Louvignyphoto: Thierry Faber

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She also sang several concerts and recitals in 2013 at the Phil-harmonie and in Neimënster. In 2014 she performed with pianist Grégory Moulin in a recital tour in the United States in venues such as the Carnegie Hall with a programme entitled «Richard Strauss – des racines et des ailes». Highlights of 2015 included the role of Mrs Ford in Salieri’s Falstaff in Herblay and the main role of Carlotta ou La Vaticane, a new opera written by Dominique Gesseney-Rappo. 2016 projects included a tour in Ecuador. She also recorded her first album, «Echoes», on the American label Odradek Records, which will be released in autumn 2017.

Claudia Moulinphoto: Tommaso Tuzj

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Marcelo Amaral pianoHailed by The New York Times as «a superlative accompanist», Brazilian pianist Marcelo Amaral has gained a reputation as a sought-after accompanist of singers and instrumentalists alike. Winner of the Pianist Prize at the 2009 International Robert Schumann Song Competition, he has performed with numerous internationally renowned artists including Juliane Banse, Janina Baechle, Olaf Bär, Daniel Behle, Jean-François Borras, Layla Claire, Ronan Collett, Melanie Diener, Veronika Eberle, Manuel Fischer-Dieskau, Soile Isokoski, Michaela Kaune, Torsten Kerl,

Marcelo Amaralphoto: Reiner Pfisterer

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Jochen Kupfer, Roxana Constantinescu, Sophie Marilley, Tobias Scharfenberger, Birgid Steinberger, Christoph Pregardien, Daniel Röhn, Edicson Ruiz, Laura Tatulescu, Roman Trekel, Michael Volle, and the Alfama Quartet. His collaboration with soprano Carolina Ullrich has led to both a song album for Genuin Records in 2012 entitled «Emoción» as well as a critically acclaimed tour of the United States which included appearances at New York City’s Merkin Hall and the Kennedy Center in Washington D.C. Recent debuts at the Wigmore Hall in London, the Musée d’Orsay in Paris, and the Schubertiade in Schwarzen-berg were highly praised and several of his collaborations have been broadcast on Bayerischer Rundfunk, Deutschlandradio Kultur, WDR / Arte, and Radio France. He has appeared at numerous festivals including the Montpellier Festival, the Mozarteum Sommerakademie, the Schleswig-Holstein Festival, the Europäisches Musikfest, the International Art Song Festival, the Ravinia Festival, and the Tuscan Sun Festival, among others. This season includes recitals at Wigmore Hall with John Chest and Christoph Pohl, a tour of China with Laura Alonso Padín, and concerts at the International Hugo Wolf Akademie, the Festival de Marvão, and the Oxford Lieder Festival. A graduate of both the Cleveland Institute of Music and Indiana University, he has worked together with and received guidance from such eminent artists as Elly Ameling, Dietrich Fischer-Dieskau, Rudolf Jansen, Malcolm Martineau, Olga Radosavljevich, András Schiff, Peter Schreier and Roger Vignoles. In addition, he studied German Lied Interpretation with renowned pianist Helmut Deutsch at the Hochschule für Musik und Theater München. A passionate teacher of song interpretation, Marcelo was invited to teach at the Master Class Series at the Interna-tionale Hugo Wolf Akademie in Stuttgart, where he is on the artistic advisory board. Since 2014 he has been Professor for German Lieder and Song interpretation at the Hochschule für Musik Nürnberg.

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Trio KochPhilippe Koch, Laurence Koch violonJean-Philippe Koch pianoThe Trio Koch, consisting of two violins and a piano, is a family affair. The father, Philippe (violin), his daughter Laurence (violin) and his son Jean-Philippe (piano), explore the original and little-played repertoire of trio works for two violins and piano. They perform music from all periods, from Bach to Shostakovich and Berio, taking in Mozart, Moszkowski, Martinů and Bartók along the way. Their projects include performances in France, Belgium, Luxembourg, Germany, UK, Spain and Japan. The audience has witnessed the keen musical empathy their family’s long artistic heritage has given them. In 2016 the Trio released an album on the Belgian label Etcetera which features original works for two violins and piano: Moszkowski’s Suite in G minor op. 71, Milhaud’s Sonata op. 15 and Martinů’s Sonatina H. 198. The disc received a nomination at the International Classic Music Awards 2016 as well as some excellent reviews from Klassik Heute, Fono Forum, Gramophone, WDR 3, Radio Klassik, Klassieke Zaken, Pizzicato. The Trio Koch received the Classical Music prize from music:LX as Export Artist of the Year, in 2016.

Trio Kochphoto: Lucie von Lucilin

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Joint Venture Percussion DuoRachel Xi Zhang, Laurent Warnier percussionJoint Venture Percussion Duo won the Bernard Haitink Prize during the 2011 edition of the Vriendenkrans Competition of Amsterdam’s Concertgebouw. They made their Double Concerto debut with the Shenzhen Symphony Orchestra, following appearances with the Harbin Symphony Orchestra, the City of Southampton Orchestra, the Musique Militaire Grand-Ducale and the European Union Youth Wind Orchestra. Besides, Rachel and Laurent were a featured duo at such diverse events as the Big Bang International Percussion Festival (NL), the Zeltsman Marimba Festival (USA), the International Marimba Festival Tabasco (Mexico) and the International Percussion Festival of Luxembourg. Their Debut recording Ravel «Dances and Fairy-tales» released by the BIS label, gained high critical acclaim being called «a treat for audiophiles and percussion fanciers alike; a duo to watch» (Music Web) and «[their] transcriptions [...] convey some incredibly tender and emotional moments» (Pizzi-cato). The Duo constantly strives to contribute to the field of contemporary music, and to date have premiered new compo-sitions written for them by composers from China, Luxembourg, U.S.A., Canada, Japan, the Netherlands, Israel, Great Britain and Uzbekistan. Rachel and Laurent are currently based in Amsterdam.

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Joint Venture Percussion Duophoto: Marco Borggreve

Cathy Krier pianoBorn in Luxembourg in 1985, Cathy Krier began taking piano lessons at the Luxembourg Conservatoire at the age of five. In 1999 she was admitted to Pavel Gililov’s masterclass at the Hochschule für Musik und Tanz in Cologne. In 2000 she recorded Beethoven’s Piano Concerto in G major with the Latvian Philharmonic Chamber Orchestra. In 2003, she received the Prix Norbert Stelmes by the Jeunesses Musicales du Luxem-bourg and the following year, she received the IKB International Foundation Prize. In 2005, Cathy joined Cyprien Katsaris for a four-hand performance at the inauguration of the Philharmonie Luxembourg. In 2006, she played at the Ruhr Piano Festival. Further stepping stones in Cathy’s training as a professional pia-nist were an invitation to the Académie musicale de Villecroze and her participation in masterclasses with Dominique Merlet, Homero Francesch and Andrea Lucchesini. In 2007, Cathy per-formed at the «Luxembourg and Greater Region – European Capital of Culture» opening ceremony. Cathy’s international con-cert engagements included performances in the United States and in the Netherlands. She also was invited to play at the Sum-merclassics Festival and at Pianoplus Bonn, and to perform recitals at the K20/K21 Museum in Düsseldorf, the Luxembourg House in Berlin as well as at the Grand Théâtre and the Philhar-monie Luxembourg. During 2012 and 2013, Cathy performed at

Cathy Krierphoto: Delphine Jouandeau

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the Liepaja Piano Stars Festival, the Midi-Minimes Festival in Brussels, the Sint-Peter Festival in Louvain, the Spaziomusica Festival in Cagliari, Schloss Elmau, the Hôtel d’Albret in Paris, the Leipziger Klaviersommer and the Mendelssohn-Haus. She has been invited to be Artist in Residence at the Biermans-Lapôtre Foundation in Paris and was on tour in China. During the 2013/14 season, she played at the Théâtre des Bouffes du Nord, the Körber-Stiftung in Hamburg, the Festival International Echternach, the festival Nuits d’été à Pausilippe in Naples and the festival 1001 notes in Limoges. Furthermore she played on several occasions with The Berlin Philharmonic String Quintet and has been on tour in Colombia. In addition to her work as a recitalist, Cathy has performed as a soloist with the Orchestre Philharmonique du Luxembourg, the Solistes Européens Luxem-bourg and L’Estro Armonico. Her first solo recording was released in 2008. Her 2013 recording, featuring Janáček, released by the German label CAvi-music has been awarded the Coup de cœur of France Musique and the Pianiste maestro of the French magazine Pianiste. In 2014 Cathy released a CD, dedicated to Musica ricercata by Ligeti and the Pièces de clavecin by Rameau (CAvi-music / Deutschlandfunk), which has been recognized as a recording of reference (Wiener Zeitung). Her CD «Piano – 20th Century» was released in 2015. Her latest album featuring the two Books of Images by Claude Debussy, as well as his Masques and Karol Szymanowski’s Masques has just been released on CAvi-music. Cathy Krier has been chosen Rising star by the ECHO for the season 2015/16.

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ArtemandolineJuan-Carlos Muñoz mandoline baroqueMari Fe Pavón mandoline baroqueAlla Tolkacheva mandole baroque, mandoline baroqueManuel Muñoz guitare baroqueJean-Daniel Haro viole de gambeThomas Pellerin clavecinWith their ensemble Artemandoline, formed in 2001, Juan Carlos Muñoz and Mari Fe Pavón chose to go back to the original documents in order to establish the pedigree of this family of instruments. The musicians have sought to do fuller justice to the works of Scarlatti, Vivaldi, Weiss and their contemporaries. The success of this approach based on a return to the sources, which constitutes the most important development in the history of the interpretation of «serious» music in the course of the 20th century, has been made possible by the cooperation of many protagonists – musicians, but also concert organisers, recording producers, publishers, musicologists and instrument makers. The latest recording project by Artemandoline, together

Artemandolinephoto: Philippe Hurlin

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with soprano Nuria Rial, «Sospiri d’amanti», was released by Deutsche Harmonia Mundi. Very quickly awarded by the critics and enthusiastically acclaimed by the public, Artemandoline’s performances always create new impulsions in the development of both perception and interpretation of works of the 17th and 18th centuries. The musicians participate in the current expansion of interest in it all over the world through their conservatory teaching and masterclasses, their concerts, and their publications. They play on period instruments: Baroque mandolins, Renais-sance and Baroque guitar, Baroque mandola and mandolone, Renaissance lute, treble lutes, mandolins from Brescia and Cre-mona. They are regularly invited to appear at early music festivals and venues including the Festival de Musique Ancienne de St. Guilhem-le-Désert, Festival de l’abbaye de Sylvanès, the Konzerthaus in Berlin, Stockholm Early Music Festival, Bach Chamber Days in Riga, Tage Alter Musik Regensburg, Festival de Musique Ancienne du Marais, Gaudete Early Festival, Early Music Day in Alden-Biesen, Musique en Catalogne Romane, Castello Reale di Sarre, Festival Musique d’Ensemble in Pommiers en Forez, Luxembourg Baroque Days, the Philharmonie Luxem-bourg, Palacio Foz in Lisbon, Festival Midi-Minimes and Conser-vatoire Royal de Bruxelles, Festival Européen de Musique Renaissance in the château du Clos Lucé and Festival 1001 Notes.

Philippe Schartz trompettePhilippe Schartz is one of the most exciting trumpeters of today. Born in Luxembourg, he developed an early interest in the trum-pet from listening to his father play in the village wind band. His passion was cultivated by his teachers who have included Dino Tomba, a great friend and mentor. He continued his studies at the Royal College of Music in London with David Mason, then was invited to join the Special Student programme at the East-man School of Music in Rochester, New York. A winner of many prizes and awards, he has developed a highly successful career as an orchestral and a chamber musician as well as a soloist. As a member and Principal Trumpet of the Gustav Mahler Youth Orchestra and as founding Principal Trumpet of the Mahler

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Philippe Schartzphoto: Chris Stock

Chamber Orchestra, until summer 2002 and, currently, of the BBC National Orchestra of Wales, he has performed to much critical acclaim under conductors such as Claudio Abbado, Pierre Boulez and Bernard Haitink. He has given recitals and performed as concert soloist all over Europe, USA and Japan, in addition to issuing five solo CDs. He has also been broadcast on the BBC and numerous European radio and television net-works. An enthusiastic member of the teaching staff at the Royal Welsh College of Music and Drama, Philippe Schartz has given masterclasses and educational workshops at the Royal College of Music, Northwestern University in Evanston, Illinois, and the School of Music and Sonic Arts at Queen’s University Belfast, among others.

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Christopher Williams pianoBorn in Wales, Christopher Williams is a music graduate of Car-diff University and now leads a busy and varied professional life as a pianist, composer, conductor, teacher and arranger. He is currently Assistant Director of the BBC National Chorus of Wales and is a pianist for the BBC National Orchestra of Wales including performances at the BBC Proms and recordings for the Chandos and Hyperion labels. A staff accompanist at the Royal Welsh College Of Music and Drama since 1997, he has taught piano at Cardiff University since 2001 where his own teachers included Richard McMahon, Martin Jones and Simon Shewring. As well as his work as a soloist, he is in great demand as an accompanist and chamber musician, and has partnered many of the prominent instrumentalists of his generation

Christopher Williams

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including Philippe Schartz, David Childs, Tim Thorpe, David Pyatt and Tine Thing Helseth and has appeared on BBC TV and been broadcast on BBC Radio and Radio Luxembourg. Recent CD recordings include a world premiere recording of Brahms tran-scriptions for solo piano to be released on the Naxos label and a CD of Schubert and Brahms songs also for Naxos.

Jean Muller pianoBorn in Luxembourg, Jean Muller assembled his first Chopin Etude at the age of seven and has been performing on stage ever since. Following his initial training at the Conservatoire of Luxembourg in Marie-José Hengesch’s class, he was exposed to varied pianistic schools in Brussels, Munich and Paris under the guidance of, among others, Teofils Bikis, Evgeny Moguilevsky, Gerhard Oppitz, Eugen Indjic and Michael Schäfer. He also received further advice by distinguished artists like Anne Quef-félec, Leon Fleisher, Janos Starker and Fou T’song. Hailed as «a major talent» by Gramophone, he won more than a dozen first prizes at international piano competitions and became, at the age of 19, laureate of the prestigious Tribune internationale des Jeunes Interprètes, hosted by the European Broadcast Union in collaboration with the UNESCO, thus labelling him one of the most promising artists of his generation. In 2004, he also won the Concours Poulenc in France by unanimous vote of the jury, collecting all available prizes. As a cultural ambassador of his country, he is regularly invited to play recitals during official state visits of the Grand-Duke Henri of Luxembourg. Jean Muller has already performed the complete cycles of Beethoven’s and Mozart’s Sonatas for piano in concert. His discography won numerous awards such as, among others, the Gramophone’s Critic’s Choice, International Piano Choice, DeutschlandRadio Kultur CD of the week, Pizzicato’s Excellentia. Appearing on the world’s most prestigious stages (Megaron Athens, Forbidden City Concert Hall Beijing, Konzerthaus Berlin, Alte Oper Frankfurt, Philharmonie Luxembourg, Culture and Congress Centre Luzern, Salle Cortot Paris, Arsenal Metz, Philharmonie München, Carnegie Hall New York, Liederhalle Stuttgart, Konzerthaus Wien,

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Musikverein Wien), he is also regularly invited to international festivals (Dias de Musica Lissabon, Münsterland Festival, Mosel Musikfestival, Festival a*devantgarde Munich, Festival Ech-ternach, Festival de Saintes, KotorArt, DKMF, PianoTexas). He performs extensively with orchestras such as the Bavarian State Orchestra, the Heidelberger Sinfoniker, the Münchner Sympho-niker, the Orchestre de Chambre du Luxembourg, the Orchestre Philharmonique du Luxembourg, the Solistes Européens Lux-embourg, the Norddeutsche Philharmonie Rostock under the conducting of conductors like Pierre Cao, Frédéric Chaslin, Jack-Martin Händler, Christoph König, Florian Krumpöck, Zubin Mehta, Ludovic Morlot, Vasily Petrenko, Markus Poschner, David Reiland, Bramwell Tovey. Jean Muller’s latest recording «Reflets et

Jean Mullerphoto: Kaupo Kikkas

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symétries», released on the French label Soupir Éditions, features together Brahms, Ligeti, Prokofiev and a piece written by the Luxembourgish composer Ivan Boumans. The album was received with enthusiasm by specialised media like France Musique, Le Monde, musicologie.org, Concertclassique or Pianiste. Muller has just released Johann Sebastian Bach’s Goldberg Variations on the German label Hänssler Classic. His next project in concert and on record is the complete set of Mozart Sonatas for piano. Jean Muller is also Artistic Director of the Orchestre de Chambre du Luxembourg.

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© Établissement public Salle de Concerts Grande-Duchesse Joséphine-Charlotte 2017Pierre Ahlborn, PrésidentStephan Gehmacher, Directeur Général Responsable de la publication: Stephan GehmacherRédaction: Lydia Rilling, Charlotte Brouard-Tartarin, Dr. Tatjana Mehner, Anne Payot-Le Nabour Design: Pentagram Design LimitedImprimé au Luxembourg par: Imprimerie Centrale Tous droits réservés.

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