love poems
DESCRIPTION
Before leaving for college, I wrote a poem for anybody that asked for one; a sort of parting gift. This is the result: a nostalgic, indulgent exploration of personalities and poems. There's plenty of inside jokes, well-wishes, and memories. It's not the best writing I've done, but looking back, it was one of the most rewarding projects I've undertaken. Here it is, in all its unrefined glory.TRANSCRIPT
Love PoemsA collection of work for real people
An open letter to all:First of all, let me put out a simple disclaimer about
this collection. Most collected works of poetry are supposed to be viewed as such: ‘collectively’. The pieces
work together, the order adds emphasis on certain things, shows a progression. However, this is not such a collection. I merely transposed a list of folks, and then wrote poems. The order is not important. The collection itself may not be very cohesive, and so I use the term ‘collection’ rather loosely. That being said, the poetry itself is an attempt at real poetry. (I cannot with confidence say that it is excellent or even good poetry, but I tried to put my best work into each piece.) There will be imagery, form, rhyme, meter, and all sorts of other things included. For those of you who aren’t well versed in poetry, this might make it seem rather odd. Usually in poetry, if something seems odd it’s there for a very good reason. Strange line breaks, repetition, alliteration, they all draw attention to specific things. And hopefully sound and look very nice. It’s sort of art, after all.
Secondly, I would like to address the topicality of the poems. Some of them will be written directly for you in a narrative tone, some of them will be retellings of a favorite memory, but many others will be more abstract. They may be about concepts or qualities that I think you embody, stories or scenes that your personality brings to mind. They might even be aimed at providing advice later in life, reminding you of the person you were to me. This means that some of the poems might come across, once again, a bit odd. Do not be dissuaded by that. They are all written holding you in the highest regard, with the best of intentions. If you don’t understand them, read them a different way. One of the best things about poetry is that you can read it again and again and find new things. Poetry has depth, just like you.
Most importantly, let me express my gratitude to you for your interest. It means a lot to me that you would even take the time to be involved in something like this,
because I know most of you aren’t prone to poetry. Most of you, if this were any other collection of work by any other high school student, would not be reading. The impact of your participation, I am still slowly coming to know. I meant this to be a gift to all of you, and it has in turn brought me so much happiness, afforded me so much peace, gifted me some nameless splinter of each of you, that I will carry on and away. Your reaction and support has astounded me, excited me, and left me humbled. It has been a privilege to know you. And so hopefully, this collection will be another fond experience for us to share. ~BJ
for Cayden Borger
In life and all it holds,know this as forever true:
There is not a single personliving a better life than you.
No one is more highly prized,there are no special kinds of man.
For each is being as he should,to fit a special sort of plan.
It does not matter where you go,or what success you come to find,
because the measure of a life,is the trail we leave behind.
So do not listen to the people,who say you could or might or should.
Love your life and love the people in it,for that trail leads somewhere good.
for Amy HuttoCome fall with me through
a wonderblurry night, reelingunabashed, oh music sweet sound
loud and soft and dashing.
Pitter-patter red and laughter,twisting careening to cobblestone blues
hard rocks and water smog grey stinkthen handrails
and back to light and shadow ohhello music sweet again it circles us
Tasting swirling color glaresand carting from to here and to
and where? No no. and why? no no
Friend, come, dance and swelland ask no no but feel and hurl about
the reds the lights the fuzzy facesrocks and blues and to and fro
one night just one to stumble chipper
and oh the music sweet hello itcircles round it circles round and
fills fills fills ‘till sleep then on.for Rachel Tuttle
you laughwhen things aren’t
really that funny.(Well, maybe it
is more of a giggle)
But it bubbles upfrom somewhere rather
nice inside you.It fills an empty space
after people stoptalking words
and it finds fissuresin their day and seeps down in.
It is adorable andit makes everything adorable
and that isspecial.
It makes things more,which makes you
even moretoo.
for Luke Johnson
I took you andtore you out of
the worlds’ spine,threw you up up
into the space
that big black vacuousnonarea;
it swallows nothingkeeps nothingholds nothing
and I watched youbeing there for a timeyou suspended there
so contained.
Writing poems for strangers is not hard.
Falling in loveis incredibly easy.
for Joseph Newman
There is a place
A sprawling silver expansebetween merely living and dreaming.
A place where mountains towerand rivers surge and the wind actually whispers.
A place where people laugh round and full,cook over hearths and sleep soundly in soft beds.
A place where small villages seem not so small.
A place where good is undeniable,and evil real, plain to see.
A place where intentions are pure, Hard Work rears her fledgling Success,
and the fantastic tales of old dribble their toes in rich earth.
A place of colors unnamed and space unconquered,
peaceful glades and hidden tongues.A place of stories yet untold.
Make your home there.And invite in every weary traveler
looking for a respite from the road.
for Kendall Hanson
The best art is madeafter getting denied entrance
to every single art school.
The best music is madeon a dirty street corner
with a broken guitarwhile everyone walks by
not listening.
The best basketball is playedby a scrawny kid on
a rundown court;always alone.
The best life is lived not with regard to
approval or opinion,it does not “do for”
it simply “does”
The best life is lived for your,not for their.
Better yet, it is simply lived.for Jared Jonas
I just thought you would like to know:Websters has an accurate definition of ‘usually’.
And I agree with you on most accounts.That literary analysis can be complete crap,
some people are horrible for a grand majority of their lives,
and lots of “poets” just write simple blurbs mixed in with unrelated garbage
and then pass it off as something deep and meaningful.
Websters has an accurate definition of ‘sometimes’.
Everyone is a hypocrite and people don’t need ultimate purpose to be happy
andthat class WAS awful and
I DO need to relax more often andthe cynics are usually right.
but then sometimes
for Cassidy GeeIt was raining,sky grey and rolling,
while we walked,slowly,out to class.
t h e r a i nf e l l d o w n
a n d t h e r a i n h i tt h e p a v e m e n t
a n d c o ll e c t e d o n
t h e s t r e e t
We came to a puddlea big puddle
lightly dancing as the rain tickled
its surface.We stopped.
We looked.And we walked
slowly,around to class.
The whole day was grey,so stale and so slowly.
We should have jumped.Always jump.
for Kaitie LangeIf words were water
you would be dumping buckets on mehot and then cold and then hot again.
If words were lightyou would be passing candles out on a street
cornerdays before thunderstorms take down every power
pole on earth.If words were movement
you would dance so smoothly through a black tie affair
spinning him and her and all of us about; whirling and reeling and dizzydrunk.
If words were treesyou would plant a forest in the desert and tend it
and keep itand it would be so green. so green. so living. It
would flourish. I would build a cabin and be quiet there, deep deep
away out in it.
But words are fine silk threads.
And yoursare woven up between two branches,
swelling softly in the breeze,collecting drops of purest dew,
catching moon and stars and universeand shimmering
for everyone and me to see.
for Jackie Hutchens
at the bottom of love is trustwhere between he&she is
some gentle promise to ask fortogetherness in dark blue
to clutch hard at tiny joys andgive daily he&she their gift:
a heart which explores youunder wild winds and waves
love is a sacred oceana big magnificent drenching turquoise sea
the kids kiss kiss and cuddle on the beachlive as girlandboys of hot island sun
finding pleasure, never paradise on sand.
but you, woman,let thy soul haunt the depths
for Cathy DonaldsonIn all honesty
this will probably never
sell for much of anything.
Which is a good thing.
At face value it is just
some words, some paper,not a commodity.
But we both knowthings need not
fetch a high priceto be worth something: A gentle curling smile,
a sun poking up from the edgeof a sleepyblue sea,
a steady arm wrapped acrossdrooping shoulders.
These are things actually worth
both giving and keeping.for Nicole Compton
you have this quietkind of patience
that I cannotvery well explain.
It has less to do with waiting to act
and more to do withthe act of waiting.
(maybe patience isn’t right)It’s more just a
condition of your being.An air about you.
That is calm and contentand very in the moment.
Like a pine tree in the woodsor a pebble on a beach
or a snowflake in the skyor any number of things
being themselveswhere they are.
You don’t wait to be or aim to be or want to beyou just are.
And that is quite rarein people.
for Riley Duke
Strong handsStrong hands
curl ‘round wood and steel and lift.Grip and strain, rippling; they move earth, iron,
trees.They twist and tear and shear and mash
bits of grime and dirt and sweat.They pull and crush and hack and shudder
molding world and time at once.They pummel, beat, and build and build.
A home. A name. A self; fulfilled.They work and work and wear and wear
and crack and weaken by days end‘till tired, rough they ache they ache
but rock a child, smooth to rest.Strong handsStrong hands
for Alex Stewart
It is so easyto think and ponder and
worry andquantify andwonder and
waver andconsider andcounter and
calculate andcomplicate.
How difficult,how bold,
to be simpleand happy.
for Jagar Konzleman
It is something very strangeto be a manto be a man
and hold so close the sordid cries of those around.
To pound them outall hammerlike ‘till golden
and slip them backas muffled shortened words,
some aimless deed.
to craft and sculptand sweat and sweat
and give and giveand give
but really just give.
To be a man, to forge for those around
some lick of strengthsome solid piece of being.
for Collin MooreGrowing up,
you were alwaysthe kid I wanted to be
more like.
You ate pizza rolls, had skateboards,played basketball, flipped on trampolines,
stayed up late and slept in,so completely cool.
But I guess we aren’t kids anymore.Those things seem silly to admire.
But now,You’re loyal to your friends,
keep your promises, and have a good time living,you’re silly and serious at all the right times
and everything you do is some means to a smile.
Growing upper,you’re still the man
I want to bemore like.
for Tia Reaman
Old wrinklewoman, tired eyes,draped in a wicker chair on a dusty street side
porchpeeling an orange in the colordry sun.
Little girl sits calmly by.
The woman paws and fumbles
her wrinkled hands at the flesh,pulling slowly at the layer of orange rind.
‘The world is like an orange, child’and the girl nods slowly, watching a mosca
loop lazily against white stucco walls.
Woman’s hands wriggle and scrape, dutifully so,and loose the last bit of peel.
She takes an orange sliceand pops it in her mouth, slowly rolling the flavors
about.
then hands the little girl a slice,who bites it quick.
Juice dribbles succulent down her chinand they laugh, fittingly,
Sitting in the sun, relishing their sweet fruits.
for Kit Stokes
There are things likemathematics and chemicals
and brain tissues and glaciersthat all seem to make
lots of sense.
They sit quite nicelyon shelves in boxes in stacks
and snap together and function.
Then there are things likecolors and soft furry cats and
the taste of peachesand
loveand the universe explodes outwards forever.
And there we are,on some rock
mathematically definedphilosophically unrestrained
hurtling through light and darkforever and onwards.
To claim to understand would just be rude.for Morgan Aramburu
It makes me very gladthat you know the
simple goodness that issolitude.
That on days whichdrag themselves against you,
rough and crumbling,leaving you raw
ordays that drape
themselves over youand go limp
or
days that slip through your hands
like smoke,you know what to do.
You told me.You climb a staircase
up into a little space in the sky above things,
and watch the sun sink; drain the day of color.Watch red and yellow fade to black,
sleep, and wake to welcome blue. for Ben Mueller
we do not fightto be free.
not you and i.we fight (and oh we must fight)
to keep ourselvesbound.
we struggle strain and stretchfor grip to hold and holdourselves to something
greater.
for we(you and i and all of us)are too small too blunt
to handle such propriety.
we cannot operate freedom.we cannot maintain justice.
we are crushed by their weight, stunned by their complexity.
no, we just hold and are held by Love
which is just and true and wholeand free.
for Alex MosherI may have lied(I probably lied)
when I said, that it was not
our last“good morning”
(They were so warm,those morning words.
They set a tone, so light like snow.
I waited on them,some days,to wake me
up.(sometimes, I merely wake.)
)It may have been
ourlast good morning.
But it won’t be my last.And I hope it won’t be yours.
For many people need a todayraised high above their yesterday.
for Cindy Ji
People shape liveslike boats shape water.
They move in and aboutand make ripples of smooth glass.
Their course echoes,it flits and scuttles and
spreads all around.
Some wakes are largesome wakes are small
some carry very very far
reflections dance and melt;light dazzles and glances,
as boats stir and drag the sea
Our courses are set to crossand a very delightful swell
precedes you.
for Michelle Svoboda
People say a lot of thingsthey really do not mean
they curve their words and paint their wordsto make them shine or gleam.
but if you can look past the wordsand see the aim behind
you’ll see who’s just a silly jerkand true friends, you will find.
True friends, good people, do not slightthey have no goals or things to do
when speaking, they just say true thingsand always wait to listen, too.
I say this not to warn you, kid,(for these are things I know you see),
but to show you who you were,(a good person), when you spoke to me.
for Emma PhillipsForgive me for being so
forward, but if I may:
Someone so gentlesoft to the world and calming
as youis rather attractive
in the right way.Draws the best
the lightestthe warmest
out of everyone aroundand plasters it up together
makes a little roomfor folks to have tea in,
chat about the weather,be together in good-ness.
Goodness.
It sounds odd. But it’s wonderfulhow you provide a well-lit sitting room
every time you smile and say ‘hello’.
You host us, gracious always.for Quincy Budell
Red checkerboard tableclothold coats slung on a
wooden rack, slightly leaning.
Cat in the corner swishingtail back and forth
back and forth back
and
forth
While careful handspull warm apple pie
out of the oven.
The front door is wide openand smells trace out
to the street.
Dusk is on the edge,and fireflies dance about the yard.
You are as warm, as invitingas this
in just a passing glance. for Kim Stastny
I hope that in all the time you keep your p(i - e)(e - a)ce of mind.
Such a blatant doubleentendre
descendredescend
with me into the bowels ofwhat should and shouldn’t be.
with bright black paintto cut things up
move them p la c e swith curly lines and .basic
words
shoutwithcolorsmovewithsentencesbreathewitheyes
make what you will of everything.never be fearful
never be dictatedB
F R
for Abbie Belthoff
In spring,buds leap fromtrees like little
children,so eager and ready to go.
Delicate, they soak upsun and rain
and bring a little color back to earth.
Then a cool night brings frost again,
EE
E
and slakes the enthusiasm.
But there is always one. A bud prepared,
braced against the cold.
That bud is you.Keep bringing color,
when the rest of us fail.for Liz Wagner
Vous êtes unbelle fenêtre
or something nice en Français
Qui est le plus heureux,qui est le plus evier?
Que faut-il faire?I think I mean that nicely.
Oui oui, je fais.
Mon Françaisest mal.
mais le sentiment stands.
You’re like this:A wonderful jumble of silly
and suave. Nonsense and sense
hashed all together.Delightful, hopeful, so much content.
Je l’aime, je l’aime, je veux que vous restiez.
for James Kiselik
Words are small.You stack some up on paper.
They get bigger.You stack those papers up on one another.
They get bigger still.Then you make copies and copies and copies.
And larger still the words grow.Until
one would consider the words very bigindeed.
And then they get forgotten on back shelves,left out in the rain, torn to bits, tossed away
and ink fades, blots, and withers into oblivion.
Words need not be big.They cannot be for very long.
They need only to be strong.
By truth, by skill, by whateverhaveyou,some will persist.And some words,
is all we really need.for Kaylee Dougherty
My favorite thingis when you erupt.
I never know just whenbut there will be times
when you’re in a momentand you jump up, split it open
toss glitter and candy and white lighteverywhere and it’s all sparkling and
vibrant and sweet and a ruddy type of ethereal.
You catch the worldwhen it’s being funny again
while most of usaren’t looking at it
like that.
And you ride that wave of happyjoy all the way in,
and drag us back out with youin the tide.
for Taryn Connellyclichés are life’s anesthetic.
Because in truth:
Life is very very hard,and not all of us will make it.
It’s like some horrible hurricane (life),
everything is flying aboutsmashing into us,
knocking pieces offand tearing parts away
until we finishvery much smaller than before.Again, not all of us will make it.
But part of us will make it.Like river rock
crack-tumbling down a stream.It will settle, roughless,
a smooth stone.
So be broken. Be torn.Be rumbled and rattled.
Watch the edges curb down;be refined.
for Presley Stewart
If the worldwere to be,
shortly, consumed by some raging fireball comet
in the sky,
or twisted inside out by some rumble in the depths,
I would assumemost folk would be
rather frantic,if I had to guess.
Dashing about,trying things,
breaking things,cramming up those hours.
But you. I see
you baking cupcakes
riding a bike with flowers in the basket dri
nking lemonade on a quilt in the park.
How grand, to be so carefree.
How precious, to be so light.
for Jessica Semaha
A little girlin a bright green dress
sits on the side of the roadselling lemonade
from a pitcher on a box.
People drive by. She waits.
Summer lingers.Birds chirp.
No one stops.
All day, she perches on the streetwatching busy people bustle by
selling nothing.
But at days end, as the cricket sounds rise
and a breeze slides in through the treesshe walks up the driveway
with an empty pitcher, a belly full of lemonadeand a smile.
We should all enjoy it like she does.for Lilly Ragan
Junior high is pretty muchthe worst time I can think of.
Everything is awkwardand everyone is awful.
They’re all rude and inconsiderateand completely insensitive.
most of them are grossand a whole lot of them
had no idea who they were.The food was terrible
the school itself was falling apartwe didn’t have any resources
and somebodythrew a glass bottle at me during lunch once.
I hated it. And I hate it even more now.
And still,I remember meeting you.
And I still have a hard timebelieving that it was during
middle school.
You are that delightfully contrary to the nature of the memory.
for Nana and Grandad
O heritage, so staunch and rich, of royal isles and rolling green.I live with memories ingrainedof countryside I’ve never seen.
I see the light inside your eyesas pearly cliffs and ocean swells.
And in your conscious laughter hearthe joyous peal of chapel bells.
To you, I owe my daily peaceand feeling of tenacity.
For once a Londoner is born,a Londoner they’ll always be.
I’ll hold a boon from you with me,though through the world perchance I’ll roam.
You are the soil of England in me,a solid ground, a richer loam.
for Stephanie Mahler
There is a big differencebetween
living for somethingand
living something.You can live a life.
You can’t live for life.Because
prepositionallyand conjuctionally
for doesn’t make sensewithout a different noun.
Peace is a noun.Hope is a noun.Love is a noun.
And this may sound likean English lesson.
It’s not. It’s a puzzlepoem.
Because in real life it’s stillpuzzling.
But you should always life for.for Makenzie Bennett
We walkedyou and I
along the river(and the water was moving)
(and we were doing something else)
but we were talking too.Your eyes danced,
they sparkled at times,which was a surprise
at least for me.
I don’t know if youremember what we talked about,
but most folksnarrow their eyes,
stare at the concrete,when speaking of such.
I mean,the water was glistening, gleaming by
and you looked right at me.
I noticed, and I remember.So much honesty
in those eyes.for Ian Hewitt
When we were young,(not small, but young)
we traipsed about my yardfighting some unnamed war
in the last few days we couldactually see such things.
Anti-aircraft took our chopper downby the shrubs in the side yard.
I laid down cover fire as wedashed from the charred wreckage tothe corner of the house and crouched.
You threw your rifle into the flower beds. I checked the pockets of my jean shorts. No ammo.We peeked around the rain spout, ducking bullets,
and saw a trench.We looked at each other.
You ripped the last grenade off your t-shirt;bit out the pin, dashed around the corner,
and took the rest of them with you.
I still don’t know why you did that.(There was probably a supply cache in the back
yard)But even in a silly fantasty,
you made sure your friends were ok.
Consider this your medal. for Ken Moore
sometimes poems play around all silly
like; as if they are just light things that we do not really need, but enjoy. some poems are just toys, shiny flashy wonders. sometimes poems are solid things. things with purpose that move people and leave marks. good poems are something light and solid. fun and useful. good poems are like good people. they work; they play.
for Tom FoisyNot in so much as speaking
did you sway me, sir.You did not carve my squaring sholders
with your smooth breaths and mouthsounds.For to a point the most clean cut of terms
may fail to burrow deep into a youthful soul’stawny beating chunk of life-muscle.
But you were funnyand exciting
and not formal at all.Nobody had been that to me.
Nobody had shown me that maybeGod doesn’t act/speak/wear Sunday clothes.
That God can be the deal,not a big one.
In a good way.
As in my tone of voicecould stay the same
when prayingas when watching football.
for Elaine Wilson
I ask you
to dance through life like asuperhappy viscous thing.
To run through youthwith a stick in hand and crash about
make noise and laugh and clatter.Spin stories like yarn,
knit them up into thick sweaters and wear them on cold rainy days.
And age. gracefully.Bring it into your living room,
sit it down on the sofa,offer it a biscuit, a cup of coffee,
enjoy having the company.
Then, when age goes down to the rented basementgrab your coat
a home-knit scarfyour best pair of shoes
and hit the town abuzz at night. Revel in the golden light,
the sound, the smell, let it permeate.Never stop dancing.
for Teresa ClarkThis poem is
more of a shrugbecause honestly I’m tired
of writing poems for people.
I’ve written a lotand there’s a lot more to go
and I feel like I don’t have much left in me at the moment.
Which sounds rudebut I know first hand that you take peoples’ shrugs
and their sighs and their achesand you warm them up,
smooth them out, and fill them with a sunny new color.
Tint them vibrant again.And it’s the greatest gift I know.
So here. Take this crappy deflated poem.
I know it’s bad.but watch what you do with it.
Better than what I could sayanyways.
for Li ChangI remember fondly
hours that we shared.
You grafted in so wonderfully and infusedthat fall with welcomesand fantastic premiers.
You seemed sofearless. Facing
up to every opportunitywith a smile.
So new, yet so familiar.You handled yourself
like an explorerseeing all that you could see.
My friend, you were a piece
of our home.
My brother,or nearest to it,
I hopeI hope
that we will meet again.for David Gardner; two limericks*
The man who spends time having fun,has work that never quite gets done,
he may lack some money,but oh is he funny,
and friendlier t’wards everyone.
Limericks have rhythm and cadence.They rhyme and they match and they make sense.
They follow the rulesteachers teach kids in schools
but in the real world some things don’t work out like that and you just have to go with it.
for Thomas Hagen; in haiku
You came to my house,were polite and quite civil,manners are good things.
But you laugh so loudsometimes it disrupts matters
that are important.
But you make othersshare in your raucous laughter.
A good gift to give.
for Reilly ScottHiking.
Honestly, it’sa bunch of
walking andwalking
and then you’re backwhere you started.
Again.
So the reason we hikehas something to do with
movement, butnot with going somewhere.
It has something to do with seeing things,but not with staying there.
It’s a very fluid thing, hiking.
It’s oh so very good,and oh so very hard to
figure out why.
Do more things like that.We all should.
for Suzi Bryan
Line up 100 reasonswhy you can’t do something
and watch them blow overas you go past.
Reasons aren’t very heavyit doesn’t take much
to move them.
You unstoppable force.There is no friction.
You float, you glide, you soarthrough life like some
iridescent jet plane.
It’s good. Don’t slow down.
Because as much as speedisn’t that important.
There is something to be saidfor consistency.
So don’t let life drag you back.Don’t let things grab at you.
Keep momentum.
for McKenna Morgan
We baked bread onceto celebrate a birthday
and since then I’ve noticedthat you bake cookies
and cakesand brownies
and more breadsand pies and snacks
and you don’t do any more celebratingthan any other people.
You’re just really good at actually doing it.At remembering. Preparing.
doing something a little special.
Not that the food doesn’t taste greatbut my favorite part
is that notion that you do itcompletely unrequested.
That courteous intentionis like being given too much change
while the worker just winks and smiles.
for Sara TikkerYou wear a smile
like a little child wears a little hat.
Imagine, if you would,a small boy
wearing one of those little blue sailor suits
with the white stripes and all.
Flashy sun out,he’s trotting on the beach
with a red balloon in his hand.
But he’s wearing a real sailor hata big one
and it droops over his eyes.staggering he trips
and lets go of his balloon and it floats away.
Poor kid.Should have been wearing
something that fit.
for Ashley BasuraI like to think
(if you’ve read more of this, you know)
that people are likepoems.
Each their own. With shapes and sounds and
reasons for being as they are.
Some languid, flowing rhyming thingssome short snappy quick ones
Some fun some make you think
some are both.Some are simple.
Some are complex.And some,
you can’t figure out.
They stick with you,they intrigue you,
cause you to wonder,Say why or what if.
Those poems might be the best onesfor Pam
To write the poem that is youis to roll a bunch of big words
and important words and welcome wordsinto something fun and friendly.
In the best of ways you percolatedown into the day and thrive there.
You stick people together withthis effervescent aptitude,
it’s yellow, very yellow, such delight.
It gets me all up mixed, you see.Cramming sunshine and democracy,
because they seem so disjunctiveuntil you make bright of heavy matters.
And people take notice.So soon when you’re far and known
and being more of you I will point proud and say “She is mine.”
And I am yours.Forever and quite strongly
there will be us two. for Katrina Noud
There was orange lightand cracking metro stairs
and cool air swept ‘round us.We walked, we wandered,
chauffeured by city soundsthrough some beautiful paint smear.
Some dash of color.So quick. So visceral.
Time was not momentsbut moments
stacked on moments stacked on momentsslipping by and away.
Memories so rich
they tug at your selffrom beyond the sea.
A week in Parisis so much denser.
And while we were there,
so were we.
for Haleigh Sims-Douglas
I wonder what binds us to the everymanwhat lops off our ankles and shoulders
and bundles people up all tidylike.
Stacks us up all one on another on anotherin neat little rows and sections
feeds us grey paste and slurry matter.
Why do we twist and contortto cram inside the pipes?
When we force our squareness through round holeswhere do our corners go?
Well whatever it isI’m not very happy about it.
But I’m happy about you.Because you can move
and you can twiddle
you have corners.
Keep them.Flaunt them.
Be something else.for Morgan Fisher-Uriarte
You stood there,surrounded by stories(staunch heavy ones)
stacked up on the walls,and curled out your own.
Air in there is thick,breath of thousands
whuffs inside your head,crushes up the crevices,
pushes everything tighterand you
stood there,
Pealed out words andtore my heart to shreds
my body to dustso small as to be nothing
and everywhere.
So you are onmy shelf now.
A select few who
crush and not compress me.for Morgan Hand
There are a lot of people on Earthand I only know a few of them
but to me it’s a big few
and you are one of the small fewwho actually stick by what they say
in that you act and not acquiesce.As in:
Each seed of a dandelionholds a promise to grow
and then they take to the air.
Some dance and twirl and floatso lazylike and free and fanciful
but soon they’re far and gone.
I have so much respectfor the one seed that stays
that falls gently to the groundand
begins to foster a new flower.
for Emily Ellis
You sing with your heart
move with your soul and talk with your eyes.
A lofty creatureyou breathe in the world
and exhale something sweeter.Condensed and saturated.
in song.
There are a lot of thingsthat I do not really understand
like why things existor how silly things make us happyor how the universe is expandingor why there are different colors
of bendy straws
but I do knowand I mean
that I really knowthat you do speak
with your eyes.
for Cameron Owen
If I’m not mistakenan acoustic guitar worksmostly by being empty.
The strings vibrate, sure
and they’re the ones makingthe actual noise
but you can hear it because the wood is hollow,
it allows the sweet soundsto resonate.
It is best,if I’m not mistaken
to be much like a guitar.
Carve yourself outbe daringly empty
and find what resonateswithin your very soul.
for Jonathan Wheatley
We packed up a blue truckand we crawled into the mountains
and the screen door creaked shutand it was quiet for three days.
The speakers were up late at nightand the river was gurgling and rushing
pots and pans clanged in the kitchenlaughter and music interjected throughout.
wind swished through pine needles
and rocks crunched under footand then the engine burbled up
and we left back to town to work.
But while we were thereeverything seemed more enticing
because it was less pertinent.
a quiet trip to the cabindoesn’t have a lot to do with sound.
for Will Burginlife might be
some gigantic whirlingclockwork.
A precision matchedmachine thathammers onhammers oninto oblivion.
Some folk do notlike such talk.
They say itmakes them less
human, or something.It doesn’t.
It just makes humans more of a
means and not an end.A cog in the system,not the product of it.
It seems you appreciatemachines.
Good.We need more people
to help the universefunction.
for Grace Gibney
If eyes are the window to the soulthen words are the door.
When you writewhen you speak
when you singyou open that door
and you beckonto all “come along, come along”
for there is so much to do out here.
And that’s the trick.The inside becomes the outside because
The soul stretches so much fartherthan the sky or the waves or the trees.
A boundless expanse of dazzling brilliance,the soul maintains its magnanimity.It fosters hope and offers it so free.
So wonderfully curious, thenhow we must descend deeper within
to broaden our horizons, to experience fullness,to see.
for Robert TigheI want you to buy a typewriter
and sharpen up each letter.Roll yourself in the back and
punch vigorously at keys.Feel the words cut your flesh
let it bleed.
I want you to get a tattoo gunand etch essays into the blank pages of your skin.
Pierce deep and let the ink flow.Force it far beneath the surface.
Tear some of yourself up.The pages with sticky keys, typos, slanted
handwriting.Get rid of all of them.Shred bits of yourself.Burn bits of yourself.
Throw parts of yourself away.
Then brandish your scarsyour bruises
your ink.
Good writing should not be easy.Good writing should be worth it.
for Austin KirkhamIf light is time and time is air
then where to all my words go?
Because between the theories and conjecturesof time and life and matter
one begins to feel quite weary.At least I do.
For I cannot take the constant tumble of manthrough subjectivity
and so at times I close the blindsand water my little plant in its little pot.
But it seems to me youwrestle here and there and rummage through
a warping universe almost always.And I cannot tell
what there is to search foror why there is to search for it
but I like that you do those.
And maybe I’m weak or you’re strongor I’m at peace or you’re aimless
I really don’t know.But I wish us all the very best.
for Lilian Li-Chen
Don’t believe the system or they rules they have you playing by.
The road to wisdom’s nothing but a set up for a diatribe.
They postulate and pessimize until a concept’s concrete.
Then use it as a paving stone to burn the soles of more feet.
It’s a stupid gamethey hype and hype so much
that people actually listen.
But you can’t cram freethinking inside green-curly walls
and choose who gets in.
It’s ridiculous.It’s impossible.
The world is widethe world is tall
the world does notcondense
well.
Finding how to get a grip on that is
what learning really is.for Michaela Barr
Wind rips through tired concrete blocksand icy snow barrels around corners
charging left and right and everywhere.
A hushed light is seeping intothe edges of the sky as it
screams and howls and shudders,tinting the flakes metallic silver.
And from grey to greyand white to white
the streets the blocksare empty until
A woman jogs by.
Head down and arms swayingshe trundles through the sparkling fright.
The only person awake.The only person in the whole city
out and unbattered by the storm.
for Kateri Bilay
Truth is nothing like a fancy shirt.
You cannot stitch it up
or iron out the wrinkles.
Truth isnothing like a newspaper.
It cannot be torn upor tossed out to recycle.
Truth issomewhat like a garden.
Some plants are nice.Some plants are not so nice.
You go into peoples’ gardens
and pick them bouquetsthat smell so sweet;
bouquets that sometimes, they had forgot they had.
for Garrison LewisA lot of the time
I see folksscurrying and scuttling
and worrying and fussingabout anything.
They shudder and twitch and
twitter and ramble
on and onand on and
on endlessly
all for things that just don’t matter.
And that’s where you differ.
I’ve never seen youfret over nothing.And that’s good.
Show peoplewhat it is
to stay calm.
for Joe Harper
There are moments, sirwhen words simply will not do.
For all their worth,for all their weight,
there are some magnitudesto which they simply fall shy
and it is not poetic at all.
For they wrap up concrete thingsreal concepts
and sometimes those break and dissolveand the words remain.
an indelible inconsistency.
But I suppose it cuts both ways.For when things slip beyond time into forever,there are the words, remaining. A monument.
So speak your mind, good sir.Or don’t.
For to be imperviousto be fragile
are both to be.To be at all, that is one’s magnum opus.
for Mariah MooreWe would drive home from school
the same way a lot and I would seeyou in your car.
Sometimes you noticed and smiled or wavedwhich was nice
but it was nicer when you didn’t.
Because I would watchyou in your car
when you didn’t thinkanyone was.
Most people, when in their cars,pick their nose or yell or burp or yawn real wide
(I notice these things)and seem altogether uncivilized.
But you seemed rather pretty.Smiled, toyed with the ends of your hair,
leaned on your window, nodded subtle-like at the radio.
You were quite yourself in there. And that takes a special person.
Who knows no show time. A real person.(I hope this isn’t that creepy)
for Matt Dayton
Without a doubtI have my doubts with
plenty of things, doubting included.
Which makes about as much senseas I can make out of it (not much)but it’s kind of goofy so I thought
you might like it.
But if I put it this way:There’s more than one kind of goofy.
There’s the guy with the broken briefcasewalking through a blustery day
papers blowing to and fro and he’sbumbling about frantic reaching for stuff
and it’s funny but sort of sad.
Then there’s the guy walking through said day
with a spring in his stepthrowing a paper airplane and then
chasing it all back and forth and around.It’s a much more jovial thing.
To be happy about the lack of control. It’s rather refreshing.
for Selma DelicPoliticians don’t really know
how to throw a very good party.They’ve got balloons and streamers
and lots of people and cakeand buttons and confetti
and while it might look very festive,it never really looks that fun.
Because you can’t be seriousabout fun. It doesn’t work.
Get a nice little box and paint itbright colors and tell fun to hop right in.
You can’t tell fun anything.It isn’t hanging around waiting on anybody.
Fun is out there doing all sorts of things.People don’t realize this. No matter what you do,
you can’t plan on fun. (It’s bad at keeping a schedule)
You have to go places, do things, and hopefully find fun somewhere.
You seem rather good at that.
for Britini Smith
water does this thingwhere it changes
but it stays the same thingit’s always water.
And how, I sort of know. And why, I do not know.But more importantly,
I implore you not to be like water.
We do not stay the same.Yes the world
chips and breaks away at usand paints over us
but it also dumps us in a beakerwith plenty of other people and things
and we get all blended upand certain thoughts fuse to ours
and change the way we are.
It is not bad to react.It is not bad to dissolve.
It is not bad to morph.
Because life is not about the principle or the product
it is about the process.
for Victoria Gray
There once was a girlwho focused and focused
and worked very hard.
She studied and readand had shelves and shelves
and lived there in words in her room.
Her neighbors grilled steakswatched sunsets, laughed loudly,stayed up late, watched movies,
went dancing, skipped breakfast,and she scoffed at the lot.
She learned and learnedcontained so much
and at the endknew the secrets the meaning the purpose
of lifebut she never lived it.
While the neighbors didn’t knowthat they knew.
for Valerie Barker
Out behind houses astwilight hugs softly the edges of the earth
and fireflies swell into the skya wonderful thing begins.
The porch chairs sag comfortablyand folks meld together into a
rich sort of collective realm;past and future together and then some.
And on it proceeds, as lamp lights flicker and sprinklers turn on
the voices they murmur and rollso patient, so timeless, at peace.
Your daysLet them linger, simmer, bask in fading warmth
and share them with everyone.
Live each daylike a back-porch story.
for CeeAnna Derouin
You would do this thing in classevery so often
when I would lean slowlyobtusely out of my desk to pick up a pencil
or when somebody wouldsay something silly over and over a few times
never get it to seem any less silly
or when somebody (sometimes me) would say something with sound but not words.
You would shake your head,say something along the lines of
“you’re weird”and laugh a little bit.
I’m glad you do this. Because you’re absolutely correct.
People, at their very core,are strange, fleshy, lost, lofty little things.
And if you can get joy,or at least amusement out of them,
you’ll do just fine in this life.
for Hannah Shirley
When I say pretty things,they tumble out of my mouth
and slop into a pile on the floor.
Heavy lead things, they are.They’re nice, people like them
(sometimes I like them)but they always seem to me
such a mess.
When you say pretty things,
they slide out easyand hang there in the air a bit
before fitting into some sort of lock
like a key to the whole damn city.
Some universal important piece, they are.They’re good, and people like them.
(I like them)Yet you seem so quiet
when you say pretty things
I like that toofor Justin Sands
It seems to methat you have a pretty
solid understandingof something that
I am not entirely surehow to phrase.
But you seem to sprawl comfortablythrough life, like some big
worn-in couch.Shoes kicked aside,
pile of dishes in the sink,fan circulating air,
and you’re lounging soprofoundly.
I think it’s because you knowbetter than most that
even if you put the work in life doesn’t always work out.
But it has this funny way of working.
And you throw your feet up on that thoughtNot lazy-like but stress-less, and watch the fan
twirl. for Blythe Spiers
I don’ really knowthat much about animals
but I know a little aboutthis one thing called instinct.
Birds can fly south without compasses.Cats can usually land on their feet.
And salmonthey can swim back
from the oceanup streams, jumping rocks
and fighting currentcovering really far distances
to get back to where they were born.
And so no matter what happensI want you to know that
at the bottom of it allthere is something inside all of us
that guides ussets us right
and directs us home.Call it what you may,
you have it and so you willnever ever fail.
for Danny Ciaccio
FrigginI don’t really know why
we don’t wear clown nosesand big floppy shoes
to church. For real.
Giggle and chortleand make folks shimmy
in their little suits.Boisterous and all.
Cause it’s not somebad thing.
(I’m not that funny)But you are.
And if God is who everyonesays God is,
then He’s funnier thanall of us.
And nobody thinks about it that way.
for Juan Bernal
Pretty sure it was freshman year(I’m terrible at remembering things)
we played dodge ball in P.E. and you were very good
and dodging things.
We had this strategywhere we would run about
and duck and weavebut rarely would we
throw a ball.And we made it pretty far.
And I like that concept. Because we mightn’thave won very often
but we didn’t concern ourselves with that.We concerned ourselves
with staying far from trouble,not causing it.
And as unbeautiful as it soundswe can’t win this game.
But we can keep ourselves out of troubleand that’s an honorable thing.
for Taylor Stump
Crystal clinks and warm brassquivering over red satin and thick oak
black and white and buttons for all
brewing lightly around linen traysbumping and swooning with another
swirling around the dazzling center
perched so high and farlight catches and splits a thousand different ways
glass teardrops glinting off gold and glimmerblack and white and diamonds.
How magnificent. How marvelous.
How positively splendid.
And then I can see you arriving,dragging me off the floorinto the brisk pitch night
pointing at the sky and shoutingdiamonds diamond diamonds.
How stunning, indeed.for Connor Ellis
In life, there are men who will tease you.They will pester and pummel and squeeze you.
They will yell and berate you,tremble and hate you,
and I would advise you: say nothing.
For men such as these, who pummel and teaseonly resort to such violence,
because they cannot bear the icy cold stareof the entity we know as silence.
They make noises and shout, their voice scuttles about,
because they fear something so pure.But you, my brave man,
in sweet silence can stand,so good and so fair and so sure.
And if people keep teasing and poking and squeezing
for the lack of the things that you say,look them right in the face, and with style and
grace,turn and slowly, unmoved, walk away.
Then wallop them with a rubber chicken while they sleep
for Alexander Bell
To know the woodsis not per say to know them.
Because they spread and climbso very very far.
The forest is the keeper of such a mysterious solitude
that is aimless and timeless;the foremost bastion of an overwhelming vastness
tucked away ‘tween branch and fern.
Something impressingly large and complexnestled deep in shadows, curated on sweet pure
air.
To know the woodsis to open yourself up
to such a vacuous expanse,embrace the seen and miles beyond,
to nod yes yes to the large unfathomable.
To know the woodsis to know yourself.
for Carlos LunaLife might be a whole lotlike a crowded swing-set
at a very small elementary school.
There’s the few kids who get to swingand the bunch of kids who stand around waiting.
Some of them talk and kick rocks aroundsome of them yell and the kids swinging
every once in a while there’s a kid
who so badly wants to swingthat he offers to push just to be
involved.They move back and forth
back and forthuntil recess ends.
And there’s always that weird kidby himself with a bucket on his head
spinning around and running crazy through the field
out past the swing-set.And everyone else may laugh.
But he’s swirling and careening about the grassgoing different places
and he’s having more fun than anyone.for Megan Konzelman
I can’t really tell right nowif we’re at the edge of the precipice
or the foot of the peakbut we’re at some notable destination.
And perhaps even that’snot entirely correct. Because I know
people tend to label life an a to bwhen it isn’t really like that.
Existence is so much more spatial.
Yes there is a lot ahead.Yes there is a lot behind.
There is also much at either side.All around everyone, is everything in particular.
life crisscrosses and ripples and bloomsand all too often we funnel it down into a line.
Do not do such a thing. Do notlive fixated on the horizon,
but dwell among the moments rich and full.You will be continually surprised by the world’s
proximity.
I, and others, will be forever close by.for James Suchy
There is a young manwho lives in an old clocktower
in a village by the sea.
Every day, he wakesand he cleans off the top of the tower
bird poos and cobwebs and alleven though the clock does not work.
The townsfolk they see him.Some laugh, some pity, some scoffall belittling his toil in the morning.
Until one day
the most beautiful of girlsmoves into town.
Other men buy flowersnice dinners, fancy coats.
They strut and they swoon and they yearn.
But no one else can offersuch a spectacular view
of the clouds and the skies and the waves.for Timi Koyejo
Shall I compare thee to a summer’s day?For I have known them all already, known them all:
But thy eternal summer shall not fade,when I am pinned and wriggling on the wall.
I am the people, humble, hungry, meanthough wise men at their end know dark is right.
Let America be the dream the dreamers dreamed,do not go gentle into that good night.
You see, to form a sound of sweetness takes not aim
but careful planning, thought, perhaps a colon.Some poetry’s an art and some’s a game,
for every piece of beauty’s somehow stolen.
for Mom for Dad
you you
reach beyond contain
reaching with multitudes that arms forever are completely wide like as to in alignment. embrace everyone. you teem with some marvelous knowledge, wisdom sweeping curve that science, progress says welcome welcome and never spill over. never calculating but the widest expanse always so sincere. folds up inside your you wrap us up and pocket and you roll us out in some carry it like car keys, expert fashion that some average thing.
I love you have never gotten the do not grasp of. some lurch or strain, delicate timing that even gleam in knows when to holding such. you do everything. sit still, unassuming you harbor and just have it from the world at the ready. and shuffle you do not protrude; folks back in you do not waver; so well. you are a calm quiet seamless. with magnificent As in: you rolling clouds inside. always know you are special, when to hold you act it not, or to release which makes you or to push more so tome. me.
for Meghan Phelps
You are the nightlistening as I
drive by to nowhere.and
You are this permeating dustyou hover in rooms
and make the light scatterall soft and slowly.
andYou are roll upon roll
of unused filmwaiting so justly for
exposure and development.To capture a moment
is so very beautiful.To hold its place in time
and surround it fully,experience the bends and curves of light and
shadowlet it all in, let it all impress upon you,
let it wrap your neck your face your eyes.How beautiful indeed.
You are all this and moreand you will always
always be.for Sean Nelson
My checklist for living a good life:1. 2.
3.4.5.
That’s the honest truth(the dishonest one has a lot more words)
but in a nutshellnone of us know what we’re doing.
And I find it of the kindest conditionthat you made me feel like I might have
something of worth to say.But really,
wisdom does not flow downhill.Wisdom is the dry dust
at the bottom of some mountainand sometimes the wind blows it around.
Welcome. Join the subtle mixing.
And wait with us,for the small trickledown of melted snow.
for Logan Hansen
The way fog movesis such an interesting one.
When it’s heavyit folds and fills between
earth and evergreen,curls around and swells and billows
thick and wet, it drapes over everythingso strongly.
And then a light breeze comesand ever so gently
it spreads its airy arms andlifts away.
Floats off and dissipates, tailing and leaving no trace.
Something so present leavingso quietly.
Good men have a lot to learnfrom fog.
to be strongto be quiet
To be present, but gently.for Gabby Gore
There is a certain waythat a bird approaches the sky.
Moment before takingto the air
it aims its head right up,it rolls its sort-of shoulders,
so quick and concise-likeand makes a definitive up.
Unabashed and unapologetica bird flies.
Sometimes, you wear that confidence
like a white checkered peacoaton a drizzly New York morning.
And it is so becoming.
for Clay Jones; an English Sonnet
Take care, my friend, to use your time so wellthat those with whom you spend it are amazed.Fear not the sprawling world beyond your shell,
for to the corners lay your trails, unblazed.And on your way aim always to progress,
be true to you and live a life so free.At times your path may not lead to success,at those points, friend, be happy just to be.
For wandr’ers, we all are, so none can boastThough some may get to places far and high,
and claim themselves the best, the first, the most,that gives them just a what and not a why.
And in the end the what will all be gone,
but echoes of men’s whys will carry on.