los angeles art show 2005

For additional information, contact K.R. Martindale ShowManagement at 310.822.9145www.laartshow.com

List of Participating Galleries

The Ames GalleryThe Anderson Galleries, LLCBobbie Greenfield GalleryCernuda ArteCline Fine ArtDavid Cook Fine ArtDe Ru’s Fine ArtsDenenberg Fine ArtsDouglas Frazer Fine Art GalleryEckert Fine ArtElins Eagles-Smith GalleryForum GalleryGalerie MichaelGalerie RienzoGallery CGeorge Stern Fine ArtsGerald Peters GalleryThe Greenwich Gallery, LLCGuarisco GalleryHayden & Fandetta Rare BooksHerbert Palmer GalleryIkon Ltd. Fine Art Jack Rutberg Fine ArtsJonathan Novak

Contemporary ArtJörg Maass Kunsthandel Kelley GalleryLawrence J. Cantor & CompanyLouis Stern Fine ArtsMark Sublette

Medicine Man GalleryMarsha Child ContemporaryMitchell Brown Fine ArtMontgomery Gallery, LLCMorseburg GalleryNedra Matteucci GalleriesPan American Art GalleryPapillon GalleryThe Redfern GalleryRehs Galleries, Inc.Richard Norton GalleryRobert Henry Adams

Fine Art, Inc.Roughton GalleriesSchiller & Bodo

European PaintingsSkot Foreman Fine ArtSpanierman Gallery, LLCSullivan Goss

An American GalleryTasende GalleryThomas McCormick GalleryThomas Nygard GalleryTimothy Yarger Fine ArtTrigg Ison Fine Art, Inc.Trotter GalleriesVallejo GalleryWalker Fine ArtWilliam A. Karges Fine Art

Participating Museums

Autry National CenterIrvine MuseumLACMAMOCAMuseum of Latin American ArtSan Diego Museum of Art

October 14–17, 2004Presented by the Fine Art Dealers Association,Benefiting the Art Museum Council of LACMA

Los Angeles Art Show 2004Sponsors

AllegriaAmerican Art ReviewAnheuser Busch Architectural DigestArt & Antiques Art Forum Art in America Art Nexus Art Now Gallery GuideArt Scene Art Talk Artnet.comArte al Dia ASID Designer SelectionsAskart.com Bodyography Bravo Cucina CandleDelirium CitrineCoca-Cola Company Cooke’s Crating Donald J. Pliner E. & J. Gallo WineryEvian Ferrari Maserati Beverly HillsFireman’s Fund

Insurance CompanyFredaLA.com Frederick R. Weisman

Art FoundationHintMint Hotel Casa Del Mar Hotel Oceana I. Cugini It’s A Wrap Jenn-Air JetBlue Airways Jim Waterbury GalleryJohn and Pete’s Fine Wines and SpiritsKelly Paper Kevin Aucoin Beauty KKJZ fm 88.1/ KUOR 89.1K-Mozart

L.A. Press LA International L.A. Packing LA.com Le Merigot Hotel Locanda Del Lago Los Angeles DodgersLos Angeles Master PlannerLU BisquitsMaria’s Italian KitchenMark’s Garden Michael Stars Millennium Hotels and ResortsNapa Valley Grille Ocean Avenue SeafoodPacific Design CenterPane e Vino Plein Air Magazine POM Wonderful RéVive Robb Report Shutters on the BeachSouthwest Art MagazineStarbucks Stolichnaya Vodka Tadashi Shoji & AssociatesTaschen The Art Newspaper The Catalog of

Antiques and Fine ArtThe Hartford The International GuideThe Magazine AntiquesTra di noi Travelers Life & AnnuityVenice Magazine

Los Angeles Art Show 2004Welcome

p 1

The Los Angeles Art Show, celebrating its tenthyear, is considered one of the most prestigiousannual expositions in the United States. Thisyear’s show will include an equal representationof Modern/Contemporary and Classical art, withsomething for everyone—from the beginner tothe most advanced collector. More than 3,200significant paintings, sculptures, drawings andprints will be offered for sale, all vetted forprovenance and authenticity through the show’sorganizer, the Fine Art Dealers Association.

Opening Night Gala

Thursday, October 14, 2004Patron Donor Reception from 6 to 7pmGala from 7 to 10pmBenefiting the Art Museum Council of LACMA

General Show Hours

Friday, October 15, 2004, noon to 8pmSaturday, October 16, 2004, noon to 7pmSunday, October 17, 2004, noon to 6pm

For information, please visit www.laartshow.comor call K.R. Martindale Show Management at 310.822.9145

Los Angeles Art Show 2004Barker Hangar Floor Plan

p 1

Table of Contents Page

Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Booth Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5The Anderson Galleries, LLC . . . . . . . . . . . . . . . 6The Ames Gallery . . . . . . . . . . . . . . . . . . . . . . . 8Bobbie Greenfield Gallery . . . . . . . . . . . . . . . . . 9Cernuda Arte . . . . . . . . . . . . . . . . . . . . . . . . . . 10Cline Fine Art . . . . . . . . . . . . . . . . . . . . . . . . . . 12David Cook Fine Art . . . . . . . . . . . . . . . . . . . . 14De Ru’s Fine Arts . . . . . . . . . . . . . . . . . . . . . . 16Denenberg Fine Arts . . . . . . . . . . . . . . . . . . . . 18Douglas Frazer Fine Art Gallery . . . . . . . . . . . . 20Eckert Fine Art . . . . . . . . . . . . . . . . . . . . . . . . . 22Elins Eagles-Smith Gallery . . . . . . . . . . . . . . . 24Forum Gallery . . . . . . . . . . . . . . . . . . . . . . . . . 26Galerie Michael . . . . . . . . . . . . . . . . . . . . . . . . 28Galerie Rienzo . . . . . . . . . . . . . . . . . . . . . . . . . 30George Stern Fine Arts . . . . . . . . . . . . . . . . . . 32Gallery C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34Gerald Peters Gallery . . . . . . . . . . . . . . . . . . . 35The Greenwich Gallery, LLC. . . . . . . . . . . . . . . 36Guarisco Gallery . . . . . . . . . . . . . . . . . . . . . . . 38Hayden & Fandetta Rare Books . . . . . . . . . . . 40Herbert Palmer Gallery . . . . . . . . . . . . . . . . . . 42Ikon Ltd. Fine Art . . . . . . . . . . . . . . . . . . . . . . . 44Jack Rutberg Fine Arts . . . . . . . . . . . . . . . . . . . 46Jörg Maass Kunsthandel . . . . . . . . . . . . . . . . . 47Jonathan Novak Contemporary Art . . . . . . . . . 48Kelley Gallery . . . . . . . . . . . . . . . . . . . . . . . . . . 50Lawerence J. Cantor & Company . . . . . . . . . . 52Pan American Gallery . . . . . . . . . . . . . . . . . . . 53Louis Stern Fine Arts . . . . . . . . . . . . . . . . . . . . 54Mark Sublette, Medicine Man Gallery . . . . . . . 56Marsha Child Contemporary . . . . . . . . . . . . . . 58Mitchell Brown Fine Art . . . . . . . . . . . . . . . . . . 60Montgomery Gallery, LLC . . . . . . . . . . . . . . . . 62Morseburg Gallery . . . . . . . . . . . . . . . . . . . . . . 64Nedra Matteucci Galleries . . . . . . . . . . . . . . . . 66Papillon Gallery . . . . . . . . . . . . . . . . . . . . . . . . 68The Redfern Gallery . . . . . . . . . . . . . . . . . . . . 70Rehs Galleries, Inc. . . . . . . . . . . . . . . . . . . . . . 72Richard Norton Gallery . . . . . . . . . . . . . . . . . . 73Robert Henry Adams Fine Art, Inc. . . . . . . . . . 74Roughton Galleries, Inc. . . . . . . . . . . . . . . . . . 76Schiller & Bodo European Paintings . . . . . . . . 78Skot Foreman Fine Art . . . . . . . . . . . . . . . . . . 79Spanierman Gallery, LLC . . . . . . . . . . . . . . . . . 80Sullivan Goss An American Gallery . . . . . . . . . 82Tasende Gallery . . . . . . . . . . . . . . . . . . . . . . . . 84Thomas McCormick Gallery . . . . . . . . . . . . . . 86Thomas Nygard Gallery . . . . . . . . . . . . . . . . . . 88Timothy Yarger Fine Art . . . . . . . . . . . . . . . . . . 90Trigg Ison Fine Art, Inc. . . . . . . . . . . . . . . . . . . 92Trotter Galleries . . . . . . . . . . . . . . . . . . . . . . . . 94Vallejo Gallery . . . . . . . . . . . . . . . . . . . . . . . . . 96William A. Karges Fine Art . . . . . . . . . . . . . . . . 98Walker Fine Art . . . . . . . . . . . . . . . . . . . . . . . 100

Artist Index . . . . . . . . . . . . . . . . . . . . . . . . . . . 101Fine Art Dealers Association Statement . . . . 102President’s Letter . . . . . . . . . . . . . . . . . . . . . . 103LACMA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104Art Museum Council . . . . . . . . . . . . . . . . . . . . 108Museum Letters . . . . . . . . . . . . . . . . . . . . . . . 112Endorsement Letters . . . . . . . . . . . . . . . . . . . 116Official Letters . . . . . . . . . . . . . . . . . . . . . . . . 121Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125Symposiums . . . . . . . . . . . . . . . . . . . . . . . . . 126Selected Brewery Artists . . . . . . . . . . . . . . . . 128Vignettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131Articles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132K.R. Martindale Show Management . . . . . . . 137Supporters . . . . . . . . . . . . . . . . . . . . . . . . . . . 138Opening Gala Patron Donors . . . . . . . . . . . . 210

Los Angeles Art Show 2004Table of Contents

p 2

Los Angeles Art Show 2004Booth Index

p 5

List of Participating Galleries Booth

The Ames Gallery . . . . . . . . . . . . . . . . . . . . . . B19The Anderson Galleries, LLC . . . . . . . . . . . . . C38Bobbie Greenfield Gallery . . . . . . . . . . . . . . . B30Cernuda Arte . . . . . . . . . . . . . . . . . . . . . . . . . B21Cline Fine Art . . . . . . . . . . . . . . . . . . . . . . . . . B22David Cook Fine Art . . . . . . . . . . . . . . . . . . . . A15De Ru’s Fine Arts . . . . . . . . . . . . . . . . . . . . . . C45Denenberg Fine Arts . . . . . . . . . . . . . . . . . . . C39Douglas Frazer Fine Art Gallery . . . . . . . . . . . C44Eckert Fine Art . . . . . . . . . . . . . . . . . . . . . . . . B23Elins Eagles-Smith Gallery . . . . . . . . . . . . . . . D60Forum Gallery . . . . . . . . . . . . . . . . . . . . . . . . B33Galerie Michael . . . . . . . . . . . . . . . . . . . . . . . . A6Galerie Rienzo . . . . . . . . . . . . . . . . . . . . . . . . A14Gallery C . . . . . . . . . . . . . . . . . . . . . . . . . . . . D56George Stern Fine Arts . . . . . . . . . . . . . . . . . B32Gerald Peters Gallery . . . . . . . . . . . . . . . . . . . B25The Greenwich Gallery, LLC . . . . . . . . . . . . . . A7Guarisco Gallery . . . . . . . . . . . . . . . . . . . . . . . . A8Hayden & Fandetta Rare Books . . . . . . . . . . . B17Herbert Palmer Gallery . . . . . . . . . . . . . . . . . D51Ikon Ltd. Fine Art . . . . . . . . . . . . . . . . . . . . . . D54Jack Rutberg Fine Arts . . . . . . . . . . . . . . . . . . . A1Jonathan Novak Contemporary Art . . . . . . . . C34Jörg Maass Kunsthandel . . . . . . . . . . . . . . . . C33Kelley Gallery . . . . . . . . . . . . . . . . . . . . . . . . . D50Lawrence J. Cantor & Company . . . . . . . . . . . A16Louis Stern Fine Arts . . . . . . . . . . . . . . . . . . . D62Mark Sublette Medicine Man Gallery . . . . . . . B20Marsha Child Contemporary . . . . . . . . . . . . . D58Mitchell Brown Fine Art . . . . . . . . . . . . . . . . . . A12Montgomery Gallery, LLC . . . . . . . . . . . . . . . . D57Morseburg Gallery . . . . . . . . . . . . . . . . . . . . . D48Nedra Matteucci Galleries . . . . . . . . . . . . . . . D63Pan American Art Gallery . . . . . . . . . . . . . . . . C41Papillon Gallery . . . . . . . . . . . . . . . . . . . . . . . A18The Redfern Gallery . . . . . . . . . . . . . . . . . . . . . A9Rehs Galleries, Inc. . . . . . . . . . . . . . . . . . . . . B26Richard Norton Gallery . . . . . . . . . . . . . . . . . . C40Robert Henry Adams Fine Art, Inc. . . . . . . . . . C36Roughton Galleries, Inc. . . . . . . . . . . . . . . . . . A10Schiller & Bodo European Paintings . . . . . . . D46Skot Foreman Fine Art . . . . . . . . . . . . . . . . . . D55Spanierman Gallery, LLC . . . . . . . . . . . . . A2 & A4Sullivan Goss An American Gallery . . . . . . . . D55Tasende Gallery . . . . . . . . . . . . . . . . . . . . . . . C35Thomas McCormick Gallery . . . . . . . . . . . . . . B28Thomas Nygard Gallery . . . . . . . . . . . . . . . . . B24Timothy Yarger Fine Art . . . . . . . . . . . . . . . . . D52Trigg Ison Fine Art, Inc. . . . . . . . . . . . . . . . . . D49Trotter Galleries . . . . . . . . . . . . . . . . . . . . . . . A11Vallejo Gallery . . . . . . . . . . . . . . . . . . . . . . . . . A5Walker Fine Art . . . . . . . . . . . . . . . . . . . . . . . D53William A. Karges Fine Art . . . . . . . . . . . . . . . . A3

Participating Museums

Autry National Center . . . . . . . . . . . . . . . . . . . 112Irvine Museum . . . . . . . . . . . . . . . . . . . . . . 108LACMA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113MOCA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111Museum of Latin American Art . . . . . . . . . . . . 110San Diego Museum of Art . . . . . . . . . . . . . . . . 109

Packing & Shipping General Show

LA Packing . . . . . . . . . . . . . . . . . . . . . . . 209–210

Publications

Art In America . . . . . . . . . . . . . . . . . . . . . . . . . 133ArtNexus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132Art Now . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131Arte al Dia . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130Plein Air Magazine . . . . . . . . . . . . . . . . . . . . . 128The Art Newspaper . . . . . . . . . . . . . . . . . . . . . 126The International Guide . . . . . . . . . . . . . . . . . 125

Restaurants General Show

Restaurant and Bar (Fri–Sun)Locanda Del Lago . . . . . . . . . . . . . . . . . 200–203

Symposiums

Free with event admission. Located in the front tent.

Other Participants

AMC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114ArtCat . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134Artwork offered under 5,000 . . . . . . . . . . . . . . 211Bel-Air Hong Kong . . . . . . . . . . . . . . . . . . . . . 122Brewery Exhibit . . . . . . . . . . . . . . . . . . . . . . . . 220FADA.com . . . . . . . . . . . . . . . . . . . . . . . . . . . 127Gift Bags . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104Jenn-Air . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200JetBlue Airways . . . . . . . . . . . . . . . . . . . . . . . 129KKJZ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135Patrons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138Press . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 139Restaurants & Bar . . . . . . . . . . 116–118, 200–210Tadashi Shoji & Associates . . . . . . . . . . . . . . . 123Thomas Pratt . . . . . . . . . . . . . . . . . . . . . . . . . 107Venice Art Walk . . . . . . . . . . . . . . . . . . . . . . . 124Vignettes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

The Anderson Galleries, LLC is dedicated

to showing museum quality 19th and 20th

paintings by historically signifigant Euro-

pean artists. Outstanding Impressionist,

Post-impressionist, Barbizon School,

Salon, Academic and Genre works are

shown throughout the year.

The Anderson Galleries is located at

354 N. Bedford Drive in the heart of

Beverly Hills. We are next door to

Sotheby’s auction house and only two

blocks west of Rodeo Drive. The Regent

Beverly Wilshire, Beverly Hilton and

Peninsula Hotels are minutes away.

Gallery hours: 10:00 AM to 6:00 PM,

Mon–Sat.

Booth C38 p 6The Anderson Galleries, LLC

Artists:

William Bouguereau

Charles Camoin

Camille Corot

Henri Lebasque

Henri Le Sidaner

Gaston La Touche

Daniel Ridgway Knight

Gustave Loiseau

Maximilien Luce

Henri Martin

Claude Monet

Henri Moret

Pierre Auguste Renoir

Alfred Sisley

Louis Valtat

Left:

Gaston La Touche (French, 1854–1913)

Les Jumeaux (The Twin Sisters), 1890

Oil on panel, 30 x 31 inches (37 x 38 inches framed)

Signed and dated lower left: Gaston La Touche 90

Center:

Gustave Loiseau (French, 1865–1935)

Le clos de M. Janson, Le Vaudreuil, Eure, c. 1925

Oil on canvas, 19 x 24 inches (28 x 32 inches framed)

Signed lower right: G. Loiseau

Right:

William Bouguereau (French, 1825–1905)

Le Goûter (The Snack), 1895, Oil on canvas,

45 x 27 5/8 inches (53 x 35 inches framed),

Signed and dated lower right: W-Bouguereau 1895

Los Angeles Art Show 2004 Participating Gallery p 7

Booth B19 p 8The Ames Gallery

Works by contemporary, visionary,

self-taught and outsider artists including

Eddie Arning, Jim Bauer, Dorothy Binger,

Jack Fitch, Julio Garcia, Wilbert Griffith,

Harry Lieberman, Dwight Mackintosh,

Alex Maldonado, A.G. Rizzoli, Jon Serl,

Barry Simons, Donald Walker, and others.

Early handmade Americana including

carved canes, tramp art, quilts and

whimseys.

2661 Cedar Street

Berkeley, CA 94708

T: 510.845.4949

F: 510.845.6219

E: [email protected]

www.amesgallery.com

Staff: Bonnie Grossman, Director

Ned Young

Chinese Juggler, c. 1915

Wood (root) carving, 12 x 8 x 3 inches

Booth B30 p 9

The Bobbie Greenfield Gallery has been a

dealer of contemporary art in Los Angeles

for the past 29 years. The gallery special-

izes in works on paper, both drawings and

prints, by American Masters of the 1960’s

through the present. We work with The

Robert Motherwell Estate, The Andy

Warhol Foundation and The Louise

Nevelson Estate. Our inventory also

features works by Charles Arnoldi,

Guy Dill, Jim Dine, Sam Francis, Helen

Frankenthaler, David Hockney, Ellsworth

Kelly, Roy Lichtenstein, Ed Ruscha and

Frank Stella.

Bergamot Station

2525 Michigan Avenue, B6

Santa Monica, CA 90404

T: 310.264.0640

F: 310.264.0740


Robert Motherwell

Three Figures, 1989

Lithograph , 55 1/2 x 40 inches, Edition of 80

© Dedalus Foundation, Inc / Licensed by VAGA, NY

Bobbie Greenfield Gallery

Booth B21 p 10Cernuda Arte

Cernuda Arte specializes in Cuban art

from the Colonial, Early Republic,

Vanguardia, Modern masters, and

contemporary artists of exceptional talent.

The gallery, directed by Ramón Cernuda

who is considered the foremost authority

in the U.S. in this field, provides a wide

range of services including consultation,

appraisal, consignment, sales and pur-

chases of artworks. We offer our clients

the accumulation of our knowledge and

experience backed by our integrity and

honesty.

3155 Ponce de León Boulevard

Coral Gables, FL 33134-6825

T: 305.461.1050

F: 305.461.1063


www.cernudaarte.com

Staff: Ramón Cernuda, Director;

Nercys Ganem, Vice Director;

Julie Marie Fuller, Gallery Manager;

Luisa Lignarolo, Assistant Manager

Left:

Leopoldo Romañach (1862–1951),

Mujer Desnuda, ca. 1930, oil on canvas, 19 x 27 inches

Center:

Ramón Vázquez (1972),

El Tour de Force, 2004, oil on canvas, 39 X 31 inches

Right:

Wifredo Lam (1902–1982),

Mujer en Azul, ca. 1950, oil on canvas, 37 x 28 inches


Artists:

Demi

Humberto Castro

Sandro de la Rosa

Miguel Florido

Flora Fong

Ismael Gómez Peralta

Vicente Hernández

Wifredo Lam

Manuel Mendive

Amelia Peláez

René Portocarrero

Tomás Sánchez

Alfredo Sosabravo

Ania Toledo

Ramón Vázquez

Cline Fine Art specializes in art from the

Americas, with a focus on twentieth

century modernism and a selection of

accomplished contemporary artists.

From abstraction to the narrative, the

gallery presents curated exhibitions for

experienced and emerging collectors in

a variety of media, including painting,

works on paper and sculpture.

135 West Palace Avenue

Santa Fe, NM 87501

T: 505.982.5328

F: 505.982.4762

4200 North Marshall Way

Scottsdale, AZ 85251

T: 480.941.1811

F: 480.941.1812


www.clinefineart.com

Staff: Geoff Cline; Kristen Cline;

John Addison

Booth B22 p 12Cline Fine Art

Artists:

Garo Antreasian

Milton Avery

Valerie Beller

Oscar Bluemner

Philip Curtis

Arthur Dove

Phillis Ideal

Elaine de Kooning

Robert Longhurst

Jim Magee

Joseph Stella

Beth Ames Swartz

Trini

Karl Umlauf

Melissa Zink

Left:

William Lumpkins (1909–2000)

Untitled #38, 1986,

Acrylic on paper, 45 x 45 inches,

Signed and dated lower right

Top:

John Marin (1870–1953)

Vermont Country – Autumn, 1927,

Watercolor on paper, 14 x 17 inches,

Signed and dated lower right

Bottom:

Flo Perkins (b.1951)

Pintimidation, 2004,

Blown glass and wood, 14 x 20 x 20 inches


The gallery specializes in quality American

paintings, drawings, and prints from the

late 19th to the mid 20th centuries.

An emphasis is placed on regional, tradi-

tional, modern and abstract works from

Colorado, New Mexico, and California.

1637 Wazee Street

Denver, CO 80202

T: 303.623.8181

F: 303.623.4817


www.davidcookfineart.com

Staff: David Cook, Owner;

Linda Cook, Norm Anderson,

Carrie Wassemiller, Ashley Walter

Booth A15 p 14David Cook Fine Art

Left:

Boardman Robinson (1876–1952)

New York Street Scene

c. 1930, oil on board, 24 x 30 inches

Center:

Edgar Alwin Payne (1883–1947)

Clouded Slopes With Riders

c. 1935, oil on board, 10 x 12 inches

Right:

Maurice Braun (1877–1941)

Untitled (Trees and Hills, California)

c. 1925, oil on canvas, 16 x 20 inches


Artists:

Charles Partridge Adams

Kenneth Miller Adams

Josef Bakos

Maurice Braun

Charles Ragland Bunnell

John Fabian Carlson

Andrew Dasburg

Fremont Ellis

Carl Lindin

Walter Mruk

Edgar Alwin Payne

Boardman Robinson

(Sven) Birger Sandzen

Booth C45 p 16

DeRu’s Fine Arts enjoys an unparalleled

reputation among art lovers, serving the

discriminating collector for thirty-five years

with outstanding examples of Early

California Impressionist and American art.

DeRu’s also serves as a major advisor in

the assembly and preservation of the

collections of museums and many private

and corporate collections.

9100 Artesia Blvd

Bellflower, CA 90706

T: 562.920.1312

F: 562.920.3077


Staff: Dewitt C. McCall, III and

Kenneth F. Jones, Owners; Debra Flores,

Bellflower gallery and Kathleen Updyke

Barrett, Laguna Beach gallery, Associates

1590 South Coast Highway

Laguna Beach, CA 92651

T: 949.376.3785

F: 949-376-9915


www.derusfinearts.com

www.fada.com

www.artnet.com/derus.html

Artists:

Dana Bartlett

John Gamble

A.G. Rider

Franz Bischoff

Anna Hills

Jack Wilkinson Smith

Maurice Braun

Paul Lauritz

Elmer and Marion Wachtel

Benjamin Brown

Edgar Payne

William Wendt

Frank Cuprien

Granville Redmond

Orrin White

Left:

Edgar Payne (1883–1947)

San Juan Capistrano, Oil on canvas, 28 x 34 inches

Center:

Anna A. Hills

Vespers Hour, San Juan Capistrano Mission,

Oil on canvas, 20 x 24 inches

Right:

Hanson Puthuff (1875–1972)

Clouds of Springtime, Oil on canvas, 28 x 36 inches


Denenberg Fine Arts, established in

Boston in 1965, moved to West Hollywood

in 2002. The gallery deals eclectically in a

wide range of museum-quality American

& European fine art from the 16th to the

20th century, with a focus on International

Modernism (1900–1950).

417 North San Vicente Boulevard

West Hollywood, CA 90048

T: 310.360.9360

F: 310.360.9160


Staff: Stuart Denenberg,

Beverly Denenberg

Booth C39 p 18Denenberg Fine Arts, Inc.

Artists:

George Abend

John Alexander

Leonard Baskin

Merton Clivette

Arthur Dove

Alberto Giacometti

Arshile Gorky

Edward Hagedorn

Henri Matisse

Ralph Barton Perry

Pablo Picasso


John Saccaro

Helen Seibert

John Stewart

Left:

John Floyd Morris (American)

Surrealist Landscape: Tortoise and Tower, c. 1943,



The Collector:

Surrealism was the thread which ran through the whole of Edward James’s long life. He came into a large American

timber and mining fortune when he was 25, and as evidenced by the fact that the Prince of Wales became Edward’s

godfather when King of England, he had access to the highest of high society.

The eccentric James moved about the planet—from his 6000 acre West Dean Estate in Sussex, to the Hollywood

Hills and Malibu. In California, he saved the Simon Rodia Towers. He eventually moved to the heart of Mexico, where

from 1949 he built an incredible estate named Xilitla in the densest and most remote corner of the jungle.

Despite inherited wealth, social position, and education at Eton and Oxford, James became a minor poet, and

a central member and important patron of the Surrealists, with friends such as writers and artists Breton, Carrington,

Dali, Eluard, Freud, Huxley, Magritte and Man Ray. James once owned this painting by Morris whom he described

to Leonora Carrington as “a real friend of mine and developing into an excellent painter.”

The Artist:

John Floyd Morris was one of the key Surrealists patronized by the legendary Edward James. During the War, Morris

had worked as an official artist for the United States Army, serving on the Pacific front. His work is rare.

Gallery specialties include: Paintings and

prints of Hawaii, Polynesia, the Pacific

Northwest and Japan. Artworks may be

viewed on line at either of the two

websites and by appointment in Seattle,

Washington or Mountain View, California.

PO Box 432

Medina, WA 98039

T: 425.455.4417

F: 425.455.4431


www.frazerfineart.com

www.theartofjapan.com

Staff: Doug Frazer and Richard Waldman

Booth C44 p 20Douglas Frazer Fine Art

Artists:

David Howard Hitchcock

Lionel Walden

Genevieve Springston Lynch

Fernando Amorsolo

John M. Kelly

Ambrose Patterson

Utamaro

Hiroshige

Kuniyoshi

Kunisada

Yoshitoshi

Hasui

Yoshida

Koson

Shinsui

Left:

Chris Campbell, Contemporary

Hawaii, 2002, Oil on Canvas, 60 x 52 inches

Center:

John M. Kelly (1877–1962)

Leimakers, c. 1935, Oil on board, Signed lower left,

10 1/2 x 13 7/8 inches

Right:

Hiroshi Yoshida (Japan 1876–1950)

Grand Canyon, 1925, Color Woodblock Print,

14 5/8 x 9 3/4 inches


Established in 1995, Eckert Fine Art

carries an extensive and rapidly changing

inventory of the best Modern and

Contemporary art. The gallery offers both

original and limited edition artworks in a

wide range of media including painting,

sculpture, and works on paper.

390 12th Avenue South

Naples, FL 34102

T: 239.261.1100

F: 239.261.0711


www.eckertfineart.com

Staff: Jane Eckert, Henry Eckert, Terry

Eynon, Kevin Van Gorp, Barbara Carman

Booth B23 p 22Eckert Fine Art

Artists

Jean-Michel Basquiat

Hal Buckner

Christo

Eric Forstmann

Sam Francis

Don Gummer

Robert Indiana

Diana Levinson

Roy Lichtenstein

Joan Miro

Darryl Pottorf

Robert Rauschenberg

Larry Rivers

Julian Stanczak

Boaz Vaadia

Left:

Robert Rauschenberg (American, b. 1925)

Unraveled Epoch (Urban Bourbon), 1995

Acrylic on bonded aluminum, 49 x 37 inches

Center:

Henry Moore (American, 1898–1986)

Mother & Child: Curved, 1983

Bronze with green patina, 23 1/2 x 12 5/8 x 12 1/4 inches

Right:

Don Gummer (American, b. 1946)

Common Good, 1995

Bronze with cement base, 73 x 60 1/2 x 58 inches


Elins Eagles-Smith Gallery focuses on the

exhibition of contemporary American and

international paintings and sculpture by

mid-career artists. In addition we organize

changing exhibitions as well as inventory

artwork from significant historical move-

ments such as the American Abstract

Artists, California Impressionists, The

Society of Six, The San Francisco Bay

Area Figurative Group, and the Abstract

Expressionist Movement of the east and

west coast. Elins Eagles-Smith Gallery is a

member of the San Francisco Art Dealers

Association.

49 Geary Street # 520

San Francisco, CA 94108

T: 415.981.1080

F: 415.981.1206


www.eesgallery.com

Staff: Mel Elins, Kim Eagles-Smith

Booth D60 p 24Elins Eagles-Smith Gallery

Artists:

Jennifer Bain

Theophilus Brown

Gary Bukovnik

Burgoyne Diller

Joe Draegert

Sam Francis

Jan Gauthier

August Gay

Selden Connor Gile

John Goodman

William Henry Percy Gray

Jerome Kirk

Ricardo Mazal

John McCormick

Bob Nugent

Left:

John McCormick

Almost Summer, 2004, Oil on linen, 60 x 60 inches

Center:

August Francois Gay, (French/American) 1890–1948

The Robert Louis Stevenson House, c. 1926

Oil on board, 12 x 16 inches, Signed lower right

Right:

Theophilus Brown (American, born 1919)

Ventura Flower Fields, 1967

Oil on wood panel, 20 x 20 inches


Forum Gallery has been a leader in

the field of modern and contemporary

figurative art since 1961. The gallery

was started by Bella Fishko, and is

a founding member of the Art Dealers

Association of America. Forum Gallery

represents the estate of Raphael Soyer,

and is the exclusive representative

of Odd Nerdrum, William Beckman,

Robert Cottingham, and Christian

Vincent. Forum Gallery has placed

works in many museums and private

collections throughout the world.

8069 Beverly Boulevard

Los Angeles, CA 90048

T: 323.655.1550

F: 323.655.1565


www.forumgallery.com

745 Fifth Avenue

New York, NY 10151

T: 212.355.4545

F: 212.355.4547


www.forumgallery.com

Booth B33 p 26Forum Gallery

Artists:

Steven Assael

William Beckman

Davis Cone

Robert Cottingham

Paul Fenniak

Xenia Hausner

Sean Henry

Michael Leonard

Alan Magee

G. Daniel Massad

Charles Matton

Richard Maury

Odd Nerdrum

Tula Telfair

Christian Vincent

Left:

Guillermo Munoz Vera

Peras, 1998

Oil on canvas mounted on panel, 37 1/2 x 60 inches

Center:

Milton Avery

Portrait of Arnold Blanch, 1950

Oil on canvasboard, 16 x 12 inches

Right:

Susan Hauptman

Self-portrait as Prima Donna Bitch, 2000

Charcoal, pastel and gold leaf on paper, 54 x 40 inches


Galerie Michael specializes in fine

European paintings, drawings and prints

from the 17th century to the present. The

collection features an important selection

of works by Rembrandt, Monet, Renoir

and the Impressionists, Toulouse de

Lautrec and La Belle Époque, as well as

the Modern Masters such as Picasso,

Matisse and Chagall. Galerie Michael’s

specialty is artists of the Barbizon School

and is recognized as having one of the

most extensive collections of 19th century

paintings in the world.

430 North Rodeo Drive

Beverly Hills, CA 90210

T: 310.273.3377

F: 310.273.0879


www.galeriemichael.com

Staff: Michael Schwartz, President;

Julie Jackson Ukra, Director;

Richard Rice, Lynn Marks,

Robert Avellano, Virginia Repasky,

Cecil Calban, Staff;

Alexander Mertens, Curatorial

Booth A6 p 28Galerie Michael

Artists:

Rembrandt van Rijn

Narcisse-Virgile Diaz de la Peña

Jules Breton

Léon L’hermitte

Camille Corot

Mary Cassatt

Jean-François Raffaëlli

Pierre-Auguste Renoir

Claude Monet

Alphonse Mucha

Manuel Robbe

Henri de Toulouse-Lautrec

Pablo Picasso

Marc Chagall

Henri Matisse

Fernand Léger

Left:

Jules Breton (1827–1905)

Les repos des faneuses, 1873, Oil on canvas,

34 1/4 x 53 1/2 inches, Signed and dated

“Jules Breton courrieres 1873” lower left

Center:

Pablo Picasso (1881–1973)

Buste de Femme d'aprés Cranach le Jeune, 1958

Linocut in colors on Arches wove paper,

25 1/2 x 20 7/8 inchesSigned “Picasso” in blue crayon

lower right, Numbered “26/50” in pencil lower left

Right:

Pierre Auguste Renoir (1841–1919)

Le Chapeau Épinglé, 2ème planche, 1898,

23 9/16 x 19 1/8 inches, Lithograph in eleven colors

on laid paper, Signed “Renoir” on the stone, lower left

and lower right


For works of art by Impressionists and

Modern French Masters, look to Galerie

Rienzo on Madison Avenue. Robert

Rienzo, the exclusive New York

representative for Bernard Buffet and

Jean Jansem, is also an authority on

Cassigneul, Camoin, Matisse, Valtat,

Dufy, and other “School of Paris” painters.

With a focus on excellent service,

extensive research, and the highest

quality of paintings, Galerie Rienzo is the

source for a single French 20th century

painting or for guidance on starting or

building an entire collection. Galerie

Rienzo is open Tuesday through Saturday,

and by appointment.

20 East 69th Street

New York, NY 10021

T: 212.288.2226

F: 212.988.1539


www.galerierienzo.com

Staff: Robert Rienzo, Marlene Rienzo.

Booth A14 p 30

Artists:

Aizpiri

Bombois

Brasilier

Buffet

Camoin

Cassigneul

Dufy

Frank-Will

Gen-Paul

Genin

Jansem

Lorjou

Laurencin

Lebasque

Maclet

Renoir

Utrillo

Vlaminck

“The School of Paris”

Left:

Jean Jansem (1920– )

Reclining Ballerina


Center:

Bernard Buffet (1928–1999)

Le Sacre-Ceur de Montmartre, Oil on canvas,

28 x 21 inches

Right:

Bernard Buffet,

Portrait- Charles IX, Oil on canvas, 51 x 35 inches


For over 30 years, George Stern Fine Arts

has specialized in California

Impressionists and American Scene

painters. We have a large inventory of the

finest examples of paintings from 1880

through 1940 and beyond. George Stern

Fine Arts is involved in educating the pub-

lic on the historical development of these

artists and the connoisseurship of collect-

ing. We have published books on artists

such as Arthur Dominique Rozaire,

Conrad Buff, and Robert Frame. George

Stern was the founding president of the

Fine Art Dealers Association and is cur-

rently a board member of FADA and the

Art Dealers Association of California.

8920 Melrose Avenue


T: 310.276.2600

T: 800.501.6885

F: 310.276.2622


www.sternfinearts.com

Staff: George Stern, Owner;

Irene Stern, Director; Danny Abiri, Sales;

Julie Hopkins, Administrator;

Oscar Ramos, Maintenance.

Booth B32 p 32George Stern Fine Arts

Artists:

Franz A. Bischoff

Jessie Arms Botke

Conrad Buff

Alice Chittenden

Colin C. Cooper

Paul De Longpre

John Frost

August Gay

Selden Gile

Percy Gray

Clarence Hinkle

Thomas Hunt

Stanton Macdonald-Wright

Jean Mannheim

Edgar Payne

Agnes Pelton

Hanson Puthuff

Granville Redmond

A.G. Ride

William Ritschel

Arthur D. Rozaire

Donna Schuster

Millard Sheets

Marion Wachtel

William Wendt

Left:

Guy Rose

Carmel Valley


Center:

Edgar Payne

Boats of the Audienne


Right:

William Wendt

Be it ever so Humble



Booth D56 p 34

Gallery C is a fine art gallery, specializing

in original work by contemporary

California artists. Showing painting,

sculpture, mixed media and installation,

Gallery C is devoted to presenting its

clients with quality art of high integrity.

Featuring both emerging and well estab-

lished artists, the curatorial philosophy

remains steadfast: Gallery C is a venue for

what is exciting and fresh in the California

art scene, supporting the artists whose

work represents not only the urban

California aesthetic but also describes

global contemporary movements.

1225 Hermosa Avenue

Hermosa Beach, CA 90254

T: 310.798.0102

F: 310.798.0039


www.galleryc.com

Gallery C

Gerald Peters Gallery, New York,

specializes in painting and sculpture of the

19th and 20th centuries, including works

by artists of the American West as well as

works by the Hudson River, Impressionist,

and Modernist schools. Our inventory

also includes contemporary art and

selected works by important 20th century

European masters.

24 East 78th Street

New York, NY 10021

T: 212.628.9760

F: 212.628.9635

www.gpgallery.com

Henri Matisse (1869–1954)

Jeune femme, 1936

Charcoal on paper , 24 x 15 7/8 inches

Booth B25 p 35Gerald Peters Gallery

The Greenwich Gallery has dealt in

American and European paintings from

the 19th and 20th Century for over fifteen

years, our strength is our extensive and

diverse inventory.

We are also a foremost dealer in

American and European sculpture,

specializing in exceptional pieces from

late 18th through the 20th Century.

2 Greenwich Avenue

Greenwich, CT 06830

T: 203.622.4494

F: 203 622 7561


www.greenwichgallery.com

Staff: Abby M Taylor, Partner; Vincent

Vallarino, Partner; Shannon Cruickshank,

Client Services; Gillian Ruehl,

Administrator; Brett T Holster, Sculpture

Booth A7 p 36The Greenwich Gallery, LLC

Left:

Marie Vorobieff Marevna (Russian, 1892–1984)

Les Deux Amies, 1930

Oil on canvas, 32 x 36 inches, Signed lower right

Inscribed on verso with date and artist’s Paris address

Center:

Alfred Boucher (French, 1850–1934)

Volubilus

White marble, 20 x 17.5 x 8.4 inches,

Signed: A. Boucher

Right:

Henry Moret (French, 1856–1913)

Barques de Pêche, Bretagne

Oil on canvas, 18 x 32 inches,

Signed lower right, 1906, Titled on verso


Catering to the needs of beginning and

established collectors alike, Guarisco

Gallery offers an extensive selection of

important 19th- and early 20th-century

paintings and sculptures from every major

American and European school, including

Romantic, Barbizon, Academic, Victorian,

Belle Epoque, Impressionist, and

Modernist. Subject matter ranges from

sporting art, marines, and Orientalist

images to still life paintings, landscapes,

portraits, and charming genre scenes.

2828 Pennsylvania Avenue, NW,

Washington, DC 20007

T: 202.333.8533

T: 800.426.3747

F: 202.625.0834


www.guariscogallery.com

Staff: Laura Guarisco, Director;

Jane Studabaker, Director; Joe Panarelli,

Registrar; Susan Ross, Curator

Booth A8 p 38Guarisco Gallery

Light:

Ernest de Chamaillard (1862–1930)

La Vallé Treboul, c. 1895, Oil on canvas,

43 x 53 inches framed

Center:

Abel Bertram (1871–1954)

In the Flower Garden, c. 1910, Oil on canvas,

29 x 31 inches framed

Right:

Henri Lebasque (1865–1937)

Le Cannet, Nue assise dans le jardin, c. 1935,

Oil on canvas, 16 1/2 x 14 1/4 inches framed

Artists:

Albert André

Jules Breton

Ernest de Chamaillard

William Henry Clapp

Georges Vicat Cole

Edward Cucuel

Montague Dawson

James Enneking

Georges d’Espagnat

Victor Gilbert

Henri Lebasque

Fernand-Marie Le Gout-Gerard

Maximillien Luce

Henri Martin

Jean-Baptiste Olive

Hermann Max Pechstein


Theodore Ribot

William Sonntag

Louis Valtat


Hayden & Fandetta Rare Books,

international private dealers based in

New York City, specialize in books about

antiques, interior design, and gardens

and flowers. Color plate books, illustrated

books, and Art Deco books with striking

dustwrappers are also kept in stock.

A bookbinder/conservator is on staff to

offer clients complete bookbinding and

restoration services.

Members of:

Antiquarian Booksellers’ Association of

America, International League of

Antiquarian Booksellers, Art and Antique

Dealers League of America, CINOA

Post Office Box 1549

New York, NY 10101-1549

T: 212.582.2505


Staff: John-Peter Hayden, Jnr.,

David J. Fandetta

TECOLOTE, The Ranch Home of Sir David and Lady

Yule. An Album by Bert Clark Thayer. Tall folio. 86 origi-

nal monotone photographic plates. Full brown goat

and gilt. The Yules were known for their prestigious

Hanstead Stud in England, their lavish ranch in Santa

Barbara, Tecolote, and the world's first steam yacht,

the S. Y. Nahlin. An esteemed society and horse flesh

photographer, Thayer depicts life at Tecolote, scenes

of Santa Barbara in the 1920s, as well as rare shots of

the Yules' friend, Western artist Edward Borein.

Booth B17 p 40Hayden & Fandetta Rare Books


Above:

Edward Borein (left), Sir David Yule (right)

Bottom, Left:

Edward Borein in front of his Santa Barbara studio

Bottom, Right:

Thayer signature on fly leaf

Herbert Palmer Gallery celebrates its forti-

eth year in Los Angeles, exhibiting works

of master American, European and Asian

artists, particularity early Modernist

works. As an art historian, Herbert Palmer

has been able to discover and exhibit

innovative Contemporary artists like Ed

Ruscha and Bridget Riley. The gallery pro-

vides a consultation and appraisal service.

9003 Melrose Ave


T: 310.278.6407

F: 310.550.0758


www.herbertpalmergallery.com

Staff: Herbert Palmer, Director;

Susan Becker, Assistant to the Director

Booth D51 p 42Herbert Palmer Gallery

Artists:

Herbert Bayer

Hans Bellmer

Oscar Bluemner

Christo

Pier Guzzi

Allen Jones

André Masson

Henry Moore

Wolfgang Paalen

Niki de Saint Phalle

Man Ray

Kurt Seligmann

Jean Tinguely

Abraham Walkowitz

Dody Warren

Edward Weston

There is a great joy in discovering an

American landscape painter whose art

sings about the land in which we live.

In a sense, Jack Stuppin continues

Marsden Hartley's vision—wandering in

the realm of sea, sky and the Sonoma

patchwork of golden mountains. His

paintings are romantic landscapes, which

exemplify, the “eternal recurrence” of a

restless California terrain. The Sonoma

County Museum has recently shown a

one-man show of Stuppin's latest work.

Left:

Carl Robert Holty

Cup of the Sea, 1947


Right:

Jack Stuppin

Fog, Golden Hill, 2003

Oil on canvas, 44 3/4 x 60 1/8 inches


For almost a decade, Ikon Ltd. Fine Art

has assisted clients in the acquisition and

resale of modern and contemporary art.

In addition to organizing shows of both

works on paper and original works by

post-war and contemporary artists in all

media, we maintain an extensive inventory

of both prints and unique works by such

artists as:

2525 Michigan Avenue, G4

Santa Monica, CA 90404

T: 310 828 6629

F: 310 828 4041


www.ikonltd.com

Staff: Kay Richards, Director;

Greg Abramson, Assistant Director

Booth D54 p 44

Artists:

Andy Warhol

Jean Michel Basquiat

Keith Haring

Ed Ruscha

Roy Lichtenstein

Sam Francis

Vik Muniz

John Baldessari

Robert Rauschenberg

Damien Hirst

Richard Prince

Nan Goldin

Left:

Jean Michel Basquiat

Untitled (Pecho), 1983

Mixed media on Board, 30 x 40 inches, Signed verso

Center:

Andy Warhol

Heart, 1983,

Acrylic polymer on canvas, 8 x 8 1/4 inches,

Signed verso

Right:

Vik Muniz

Vanitas, 1999,

Toned gelatin silver print, 24 x 20 inches


Founded in 1979, Jack Rutberg Fine

Arts features important Modern and

Contemporary European, American

and Latin American artists. The gallery

represents the estates of Hans Burkhardt,

Oskar Fischinger, and Francisco Zuniga,

as well as contemporary artists Patrick

Graham, Ruth Weisberg, and Jerome

Witkin. Important solo shows have includ-

ed Tapies, Gorky, Rouault, Weber,

Kollwitz, Calder, and other significant

20th century artists. Major exhibitions

have included surveys of German

Expressionism, California Modernism,

and Los Angeles Contemporary Art.

357 North La Brea Avenue

Los Angeles, CA 90036-2517

T: 323.938.5222

F: 323.938.0577


www.jackrutbergfinearts.com

Jerome Witkin (b. 1939)

Keep Me In Your Heart For Awhile, 2003–04

Oil on Canvas, 72 1/4 x 56 inches,

Signed and Dated Lower Right

Booth A1 p 46Jack Rutberg Fine Arts

Booth C33 p 47

Jörg Maass specializes in German

Expressionist prints and works on paper

by Max Beckmann, Erich Heckel, E.L

Kirchner, Kathe Kollwitz, Edvard Munch,

Emil Nolde and others. We also deal in

Photography and works by internationally

known Modern and Contemporary artists

including Jasper Johns, Picasso, Sigmar

Polke, Gerhard Richter and Cindy

Sherman.

Rankestrasse 24

10789 Berlin, Germany

T: 49.30.211.5461

F: 49.30.218.1197


www.kunsthandel-maass.de

32 Thompson Street, Ground Floor

New York, NY 10013

T: 212.334.3486

F: 212.334.3588


www.germanexpressionism.com

Gerhard Richter (German, b. 1932)

Komposition, 1989, Oil on card, 8 1/4 x 11 5/8 inches

Jörg Maass Kunsthandel

Since 1978, Jonathan Novak has been

an important source for contemporary

American and European art. With a wide-

ranging inventory consisting of paintings,

drawings, sculpture and graphics, one

may find significant examples by interna-

tionally recognized artists. Jonathan

provides his clients with expert advice

in the purchasing, collecting, and selling

of fine contemporary works of art.

1880 Century Park East Suite 100


T: 310.277.4997

F: 310.277.4881


www.novakart.com

Staff: Jonathan Novak, Xiliary Twil,

Janelle White, Pedro Caceres,

Maegan Shanahan, Christine Haynes.

Booth C34 p 48Jonathan Novak Contemporary Art

Artists:

Fernando Botero

Joseph Cornell

Jim Dine

Jean Dubuffet

Richard Estes

Sam Francis

Ralph Goings

David Hockney

Don Jacot

Roy Lichtenstein

Henri Matisse

Robert Motherwell

Joel Shapiro

Donald Sultan

Wayne Thiebaud

Andy Warhol

Left:

Jim Dine (American, Born 1935)

After the Harvest, 2003, Oil on canvas,

49 x 168 1/4 inches

Center:

Don Jacot (American, Born 1949)

What Makes You Tick, 2003, Oil on linen,

28 x 40 inches

Right:

David Hockney (British, Born 1937)

Henry, 1972, Crayon on paper, 17 x 14 inches


Established in 1986, The Kelley Gallery

specializes in original vintage paintings

produced from 1850 through 1950.

From early California artists and the

American Scene to Pre-Raphaelite and

Symbolist works, the gallery handles a

broad spectrum of painting styles and

subjects. We cater to the independent

and progressive-minded collector looking

for the unique, the unusual, and the

exceptional.

696 E. Colorado Blvd. Suite #4

Pasadena, CA 91101-2122

T: 626.577.5657

www.mkelleyart.com

Booth D50 p 50Kelley Gallery

Artists:

Benjamin Brown

Bert and Meta Cressey

Wiliam Cahill

Phil Dike

Charles Keck

Joseph Kleitsch

Emil Kosa, Jr.

Gabriel Max

Barse Miller

Phil Paradise

Hanson Puthuff

Guy Rose

Channel Townsley

John William Waterhouse

Left:

Emil Kosa, Jr. (1903–1968)

Big Top, Oil on canvas, 24.5 x 28 inches

Center:

Phil Paradise (1905–1997)

The Ice Cream Vendor, 1935,

Watercolor on paper, 23 x 17 inches

Right:

Charles F. Keck (1913–2003)

Hitchin’ a Ride, Oil on canvas, 16 x 20 inches


Specializing: 19th, early 20th Century

American & European paintings.

960 North La Brea Avenue


T: 866.239.5530

F: 866.239.5530


www.fineoldart.com

Fernando Tirado y Cardona (1862–1907)

El Violinista, Oil on panel, 12 5/8 x 8 1/2 inches

Booth A16 p 52

Booth C41 p 53

Pan American Art Gallery was established

in 1994 in Dallas, Texas. Specializing in art

of the Americas, we bring together early

modern and contemporary masters from

Canada, the U.S., the Caribbean and

Latin America.

Pan American Art Gallery features

contemporary and traditional works, as

well as folk art, photography, sculpture

and ceramics. The gallery houses one of

the world’s largest collections of Cuban,

Haitian and Jamaican art.

Members of:

DADA

Dallas Art Dealers Association

3303 Lee Parkway, Suite 101

Dallas, Texas 75219

T: 214-522-3303

F: 214-521-3577


www.panamericanart.com

Victor Manuel Garcia (1897–1969)

Portrait with Flower, ca. 1930, Oil on canvas,

19 x 14 inches

Pan American Art Gallery

Louis Stern Fine Arts is highly involved in

the secondary market with special con-

centration in Impressionist, Post-

Impressionist and Modern art. The

gallery’s exhibition program has featured

important mid-twentieth century west

coast abstract painters. The gallery repre-

sents a select group of contemporary

artists and the estates of Alfredo Ramos

Martinez, Lorser Feitelson and Helen

Lundeberg.

9002 Melrose Avenue


T: 310.276.0147

F: 310.276.7740


www.louissternfinearts.com

Staff: Louis Stern, Marie Chambers,

Melissa Pope, Tracy Serur

Booth D62 p 54

Artists:

Karl Benjamin

Pierre Bonnard

Lorser Feitelson

Judith Foosaner

Helen Lundeberg

János Mattis Teutsch

John McLaughlin

Cecilia Z. Miguez

Henry Moore

Leonard Nimoy

Pablo Picasso

Alfredo Ramos Martinez

Hugó Scheiber

Rufino Tamayo

Jacques Villon

Left:

Karl Benjamin (b. 1925)

Untitled, 1957, Oil on canvas, 20 x 40 inches

Center:

Henry Moore (1898–1986)

Reclining Figure Cloak, 1967, Patinated bronze,

edition 3/9, 8 1/4 x 18 x 8 5/16 inches

Right:

Helen Lundeberg (1908–1999)

Wetlands II, 1983, Acrylic on canvas, 50 x 35 inches


Contemporary Paintings, Sculpture and

Fine Antique American Indian Art.

Specializing in the life works of Maynard

Dixon, Maria Martinez, Taos Society

of Artists and other early painters of

the Southwest. Navajo Textiles, Pueblo

Pottery, Native American Baskets,

Kachinas, Old Pawn Jewelry, and Spanish

Colonial furniture.

7000 East Tanque Verde

Tucson, AZ 85715

T: 800.422.9382

T: 520.722.7798

F: 520.722.2783

Staff: Dr. J. Mark Sublette, President;

Michael Ettema, Director Santa Fe;

Francis Livingston, Visiting Artist

200 Canyon Road

Santa Fe, NM 87501

T: 866.894.7451

T: 505.820.7451

F: 505.820.2750


www.medicinemangallery.com

www.mariapottery.com

Booth B20 p 56Mark Sublette, Medicine Man Gallery

Artists:

Maynard Dixon

Taos Society

Francis Livingston

Jeff Aeling

Glenn Dean

Ed Mell

Ray Roberts

Peggy Kroll Roberts

Howard Post

John Moyers

Terri Kelly Moyers

Gregory Hull

Louisa McElwain

Jason Situ

Star Liana York

Veryl Goodnight

Left:

Maynard Dixon (1875–1946)

The Cloud, Coachella Valley 1940

Oil on Board, 10 x 14 inches

Center:

Jeff Aeling

Towering Cumulus South of Galisteo,

Oil on Panel, 48 x 36 inches

Right:

Francis Livingston

Wazee Club, Oil on Panel, 20 x 20 inches


Marsha Child Contemporary exhibits

distinguished fine art from around the

world, with special emphasis on the work

of established contemporary masters

and gifted emerging artists from Eastern

and Central Europe. We take pride in

exhibiting paintings, drawings, fine

prints, sculpture and photographs that

are as substantive in content as they

are exceptional in execution.

220 Alexander Street

Princeton, NJ 08540

T: 609.497.7330

F: 609.497.7330

www.mchildcontemporary.com

Staff: Marsha Child, Angharad Jones

Booth D58 p 58

Artists:

Georges Mazilu

Valeriy Skrypka

Piotr Woroniec

Ilona Zaremba

Jean-Pierre Sauve

Kalvis Zuters

Piet Peere

Manuela Holban

Ricardo Barros

Lieuwe Kingma

Laime Eglite

Left:

Valeriy Skrypka

Paper Bird, 2000, Oil on Belgian linen, 54 x 36 inches

Center:

Ilona Zaremba

Map, 2004,

Diptych, encaustic on panel, 36 x 48 inches

Right:

Piotr Woroniec

Chairs, 2004

Carved wood, 14 x 8 x 11 inches


Quality American paintings and fine prints

with an emphasis on American painters

who worked the West between 1880–

1950. Distinguished inventory of Taos and

Santa Fe painters, as well as Eastern

schools, California Plein Air painters and

fine contemporary paintings and sculp-

ture. Over 30 years of personalized sales,

purchase and curatorial services.

7105 East Stetson Drive

Scottsdale, AZ 85251

T: 480.421.9475

F: 480.421.9450


www.mitchellbrownfineart.com

Staff: Jeffrey M. Mitchell, President;

Janet Mitchell, Vice President;

Gillian M. Blitch, Director

Booth A12 p 60

Artists:

O.E. Berninghaus

Ernest Blumenschein

Carl Oscar Borg

E. I. Couse

Maynard Dixon

W. Herbert Dunton

Nciolai Fechin

Gilbert Gaul

E. Martin Hennings

Robert Henri

Nellie Knopf

Bert Phillips

J. H. Sharp

Birger Sandzen

Walter Ufer

Left:

Leslie Lee (1871–1951)

Market Woman, Oil on canvas, 40 x 30 inches

Center:

Zivko Zic

Vase with Flowers, 1992, Oil on board, 13 x 16 inches

Right:

Gottardo Piazzoni (1872–1945)

Kentfield, California, 1914, Oil on board, 6 x 8 inches


Montgomery Gallery is one of the leading

international art galleries in the western

United States dealing in 19th and 20th

century European and American works

with a special focus on the art of California

and unique Old Master paintings. The

gallery offers an array of services including

consultation, appraisal, consignment and

purchase of artwork.

Memberships of:

The Art Dealers Association of America,

Antique Dealers Association of America,

CINOA,

San Francisco Art Dealers Association,

American Appraisers Association,

The Jackson Square Art & Antiques

Dealers Association

406 Jackson Street

San Francisco, CA 94111

T: 415 788 8300

F: 415 788 5469


www.montgomerygallery.com

Staff: Peter M. Fairbanks, President;

Elisabeth Peters, Principal and Director of

American Art; Liza B. Catubig, Gallery

Manager and Registrar; Ellen S. Hoover,

Department of European Art/Consultant

Booth D57 p 62Montgomery Gallery, LLC

Artists:

Borg

Boudin

Corot

Couse

Frost

Keith

Key

Lebasque

Le Sidaner

Martin

Miller

Monet

Narjot

Pissarro

Potthast

Sisley

Utrillo

Vuillard

N.C. Wyeth

Left:

Henri Martin (French, 1860–1943)

Les Arbes au bord du Ruisseau


Signed l/l: Henri Martin

Right:

Right:

Edward Henry Potthast (American, 1857–1927)

A Family Outing, c. 1915-1920

Oil on artist board, 12 x 16 inches, Signed l/l: E. Potthast


Founded in 1958, Morseburg Galleries

is one of Southern California’s most

established fine art galleries. Our inventory

includes historic plein-air paintings; 19th

Century European works and a selection

of paintings by some of America’s finest

traditional painters. Our West Hollywood

location, with its book-lined atelier, is hung

“salon style” with a selection of works

from our broad inventory.

9089 Santa Monica Blvd.


T: 310.273.5207

F: 310.273.5208


www.morseburgalleries.com

Staff: Jeffrey Morseburg,

Howard Morseburg III, Michael Chylinski,

Lynette Treffinger

Booth D48 p 64Morseburg Gallery

Artists:

Warren Chang

Michelle Dunaway

D.J. Cleland-Hura

David Gallup

Yingzhao Liu

Maureen Hyde

Jeremy Lipking

Andy Park

Sergio Sanchez

Alexandre Orlov

Robert Semans

Alexey Steele

Ryan Wurmser

Sunny Apinchapong Yang

Left:

Ryan Wurmser

Asleep

Oil on linen, 30 x 40 inches

Right:

Theodore Robinson (1852–1896)

Les Nympheas, Grez-sur-Loing, 1878

13 x 9 5/8 inches


Nedra Matteucci Galleries, founded in

1972, specializes in important nineteenth

and twentieth-century American art.

The Taos Society of Artists, artists of the

American West and masters of American

Impressionism and Modernism are

featured. Included in the collection are

works by internationally recognized

contemporary painters and sculptors.

1075 Paseo de Peralta

Santa Fe, NM 87501

T: 505.982.4631

F: 505.984.0199


www.matteucci.com

Staff: Nedra Matteucci, Harry McKee,

Alex Hanna

Booth D63 p 66Nedra Matteucci Galleries

Artists:

Oscar E. Berninghaus

Felipe Castañeda

Fremont Ellis

Nicolai Fechin

Leon Gaspard

Glenna Goodacre

Childe Hassam

E. Martin Hennings

Clark Hulings

Frank Tenney Johnson

Georgia O’Keeffe

Dan Ostermiller

Edgar Payne

Alice Schille

Joseph Henry Sharp

Eric Sloane

Left:

E. Martin Hennings (1886–1956)

Along the Canyon Road, Oil on canvas, 30 x 30 inches

Center:

Dan Ostermiller (b. 1956)

Preening Whitetail, Bronze,

15 x 13 1/2 x 21 inches, Edition of 20

Right:

Clark Hulings (b. 1922)

French Kitchen Garden, Oil on canvas, 25 x 24 inches


Papillon Gallery specializes in European

and American paintings and sculpture

from the period 1890–1950, with empha-

sis on the School of Paris. Modernist

figurative works that capture the ambiance

of the period are our particular focus. Our

book “Modern Figurative Paintings: The

Paris Connection” documents many of the

artists we handle.

8010 Melrose Ave


T: 323.655.4468

F: 323.655.1163


www.papillongallery.com

Staff: Martin Wolpert, Jeffrey Winter;

Brooke Doyle, Assistant

Booth A18 p 68Papillon Gallery

Left:

Elie Anatole Pavil

L’Atelier, c. 1925, France, Oil on canvas,

32 x 39 inches, Signed

Above:

Robert Giron

Le Couple Moderne, Dated 1925, France,

Oil on canvas, 27 x 31.5 inches, Signed

Below:

Federico Beltran-Masses

Femme dans le Châle Espagnol, c. 1925, Spanish,

worked in France, Oil on canvas, 45 x 77 inches, Signed


The Redfern Gallery should not be missed

by anyone interested in fine art.

Specializing in American Impressionism

with an emphasis on paintings by the early

California Plein Air Artists (1890–1940),

the walls are filled with carefully selected

museum quality paintings. Complimenting

the historical paintings are glorious works

by present day plein air painters reflecting

the majesty of the early Impressionists.

Also on display is a fine collection of

sculptures by notable artists. The Redfern

Gallery continues to be a leading source

for private, corporate and museum collec-

tions and is at your service whether you

are buying, selling or just researching that

special painting.



T: 949.497.3356

F: 949.497.1324


www.redferngallery.com

Staff: Ray Redfern, Owner;

Roberta Haltom, Director;

Karl Ring, Sales Associate

at Montage Resort and Spa



T: 949.715.6193

Staff: Barrie Egan, Director

Booth A9 p 70The Redfern Gallery

Artists:

Franz Bischoff

Maurice Braun

Jesse Arms Botke

Alson Clark

Colin Campbell Cooper

John Gamble

Bruce Nelson

Edgar Payne

Hanson Puthuff

Granville Redmond

William Ritschell

Guy Rose

Donna Schuster

Jack Wilkinson Smith

William Wendt

Left:

Granville Redmond, (1871–1935)

Blue Lupine and Poppies

Oil on Canvas, 16 x 20 inches

Center:

Bischoff, Franz (1864–1929)

Sand Dunes and Rocky Coast


Right:

Rose, Guy (1867–1925)

In the Musee Gardens, Tours, c. 1910



Rehs Galleries, Inc. is one of the world’s

leading dealers of important Academic

art. The gallery specializes in French,

British and American artists who exhibited

at the Paris Salon and the Royal Academy

from 1860–1920. Currently the gallery

is preparing the catalogue raisonné’s

of Daniel Ridgway Knight (1839–1924),

Julien Dupré (1851–1910) and Emile

Munier (1840–1895).

Members of:

Fine Art Dealers Association (FADA) —

Howard Rehs, current President

Art & Antique Dealers League of America

C.I.N.O.A.

Appraisers Association of America

5 East 57th Street

New York, NY 10022

T: 212.355.5710

C: 917.690.7766

F: 212.355.5742


www.rehs.com

Joseph Caraud (1821–1905)

The Pet Canaries, Oil on panel, 23 1/2 x 17 3/4 inches,

Signed and dated 1875

Booth B26 p 72Rehs Galleries, Inc.

Gregory Orloff (Am., 1890–1981)

The Actress, ca. 1925, Oil on canvas on masonite

36 x 28 inches

Booth C40 p 73

Richard Norton Gallery specializes in

American and European Impressionist

and Modern paintings, drawings and

sculpture from the nineteenth and early

twentieth centuries. Artists include works

by: Albert Bloch, Karl Buehr,

Hananiah Harari, Carl Holty, J. Jeffrey

Grant, Albert Krehbiel, Marie

Laurencin, Jan Matulka, Pauline Palmer,

Birger Sandzen and Abel George

Warshawsky.

612 Merchandise Mart Plaza

Chicago, IL 60654

Monday–Friday 9–5

T: 312.644.8855

F: 312.644.8856


www.richardnortongallery.com

Richard Norton Gallery

Robert Henry Adams Fine Art, Inc

specializes in American modern art

created between 1910 and 1970.

Our emphasis is on paintings, drawings

and sculpture by historically important

American Modernist, Regionalist

and Abstract Expressionist artists.

Located in downtown Chicago, the

gallery mounts regular exhibitions

and publishes catalogues.

715 N. Franklin Street

Chicago, IL 60610

T: 312.642.8700

F: 312.642.8785


www.adamsfineart.com

Staff: Sandra Michels Adams, President;

David Lusenhop, Director;

Melissa Azzi Paradis, Assistant Director;

Jonathan Liss, Registrar

Booth C36 p 74Robert Henry Adams Fine Art, Inc

Artists:

Gertrude Abercrombie

Aaron Bohrod

John Steuart Curry

Edwin Dickinson

Carl Holty

George Josimovich

John Marin

Laszlo Moholy-Nagy

Archibald Motley, Jr.

Dale Nichols

David Smith

H.C. Westermann

Left:

H.C. Westermann (Am. 1922–1981)

See America First, 1968,

Watercolor on paper, 10 5/8 x 13 3/4 inches,

Signed lower right

Center:

Fairfield Porter (Am. 1907–1975)

Untitled (Farm Scene), ca. 1935,

Oil on canvas, 18 x 24 inches, Initialed lower left

Right:

George Josimovich (Am. 1894–1986)

Nude Reading (In Stockings), 1928,

Oil on canvas, 28 1/4 x 32 1/4 inches


Roughton Galleries, Inc has been in

business since 1972. We specialize in

important 19th and early 20th century

American and European paintings.

Register on our web site for ArtAlert! and

receive gallery updates and view pricing

information. Roughton Galleries is a

member of the Fine Art Dealers Association

and the Dallas Art Dealers Association.

3702 Fairmount Street

Dallas, TX 75219

T: 214.871.1096

T: 866.273.3797


www.roughtongalleries.com

Booth A10 p 76Roughton Galleries, Inc.

Lwft:

Paul-Desire Trouillebert (1829–1900)

Au bord d'une mare dans la forét,

Oil on canvas, 25 3/4 x 32 inches

Center:

J. Bond Francisco (1863–1931)

Mojave Shadows, Arizona,


Right:

Hovsep Pushman (1877–1966)

An Armenian Girl, Oil on panel, 31 1/2 x 23 1/2 inches


Schiller and Bodo specializes in French

paintings from the Academic,

Realist, Barbizon and Post-Impressionist

traditions. In addition, we handle select

paintings from the varied European

schools from 1860–1960. Artists in our

inventory include Bonheur, Bouguereau,

Breton, Corot, Courbet, Daubigny, Diaz,

Japy, Lebasque, Lhermitte, Puigadeau,

Martin, Richet, Rousseau.

Please visit us online.

Members of:

C.I.N.O.A.

PADA (Private Art Dealers Association)

19 East 74th Street

New York, NY 10021

T: 212 772-8627

F: 212 535 5943 fax


www.schillerandbodo.com

Gustave Courbet (French, 1819–77)

Vallee de la Loue, Pres d’Ornans

Oil on canvas, 31 1/2 x 37 7/8 inches,

Signed and dated lower left: Gustave Courbet ‘67

Booth D46 p 78Schiller & Bodo European Paintings

Booth C42 p 79

With locations in both New York & Atlanta,

Skot Foreman Fine Art represents well

established American, Latin American and

European Contemporary. (All mediums).

315 Peters Street, SW

Atlanta, GA 30313

T: 404.222.0440

www.skotforeman.com

Staff: Skot Foreman, Director;

Joely Davis, Assistant

Purvis Young

On the Shoulders of Our Ancestors

Paint on corrugated board, 62 x 48 inches

Skot Foreman Fine Art

For more than fifty years, Spanierman

Gallery, LLC has been dedicated to

dealing in the finest nineteenth and early

twentieth-century American paintings

and sculpture.

The Gallery is distinguished for its

support of research in American art, and

has published a number of very important

monographs.

45 East 58th Street

New York, NY 10022

T: 212.832.0208

F: 212.832.8114


www.spanierman.com

Staff: Gavin Spanierman, Gina Greer

Booth A2 & A4 p 80Spanierman Gallery, LLC

Left:

John Singer Sargent (1856–1925)

Portrait of Edith French, c. 1901


Signed with initials upper right: J. S. S.

Right:

Joseph Raphael (1869–1950)

The Old Mill Pond (Belgium), c. 1918,


Estate stamp on verso


Sullivan Goss—An American Gallery

presents an exciting selection of 19th,

20th and 21st century American art,

with a particularly fine offering of works

by California artists.

1266 Coast Village Road

Montecito, CA 93108

T: 805.969.5122

F: 805.969.0220

Seven East Anapamu Street

Santa Barbara, CA 93101

T: 805.730.1460

F: 805.730.1462


www.sullivangoss.com

Booth C42 p 82

Artists:

Ken Bortolazzo

Harry Carmean

Colin Campbell Cooper , NA (Estate)

Lockwood De Forest, Sr. ANA (Estate)

Richard Haines (Estate)

Steve Huston

Dan Lutz (Estate)

Nell Brooker Mayhew (Estate)

Ben Messick (Estate)

R. Kenton Nelson

Hank Pitcher

Jack R. Smith

Sally Storch

Nicole Strasburg

Howard Warshaw (Estate)

Left:

Albert Bierstadt (1830–1902)

Saint Anthony’s Falls, c. 1888,


Center:

Richard Haines (1906–1984)

Columbus Day, 1959, Oil on canvas, 32 x 24 inches

Right:

Colin Campbell Cooper (1856–1937)

Lily Pond, Balboa Park, San Diego 1916



Contemporary and Modern sculpture,

drawings and paintings from

internationally renowned artists.

8808 Melrose Avenue


T: 310.276.8686

F: 310.276.8576

820 Prospect Street

La Jolla, CA 92037

T: 858.454.3691

F: 858.454.0589


www.artnet.com

Staff: Jose Tasende, President; Mary Beth

Hynes, Director; Betina Tasende,

Director—Los Angeles; Aitor Tasende,

Gallery Manager

Booth C35 p 84Tasende Gallery

Artists:

Fletcher Benton

Anthony Caro

Lynn Chadwick

Eduardo Chillida

Jose Luis Cuevas

Niki de Saint Phalle

Mark di Suvero

Markus Lüpertz

Giacomo Manzú

Roberto Matta

Henry Moore

Andres Nagel

Louise Nevelson

Wayne Thiebaud

Barbara Weldon

Left:

Mark di Suvero

Nex Two, 1987

Corten steel, unique, 77 x 72 x 55 inches

Center:

Markus Lüpertz

Etrurierin, 2001

Painted bronze, Edition 3/6, 37 x 9 inches

Right:

Markus Lüpertz

Nach Marées—Abendlicht, 2002



The Thomas McCormick Gallery features

both modern and contemporary art,

focusing primarily on painting, works on

paper and sculpture. We represent the

estates of numerous mid-century

American painters with an emphasis on

abstract expressionism. The gallery also

shows both established and emerging

contemporary artists.

835 W. Washington Blvd.

Chicago, IL 60607

T: 312.226.6800

F: 312.226.6588


www.thomasmccormick.com

Staff: Thomas McCormick; Mary Beyer;

Jessica Moss

Booth B28 p 86Thomas McCormick Gallery

Artists:

Mary Abbott

Wendy Alexander

Janice Biala

Fritz Bultman

Perle Fine

Albert Kotin

Jan Matulka

Fred Mitchell

Robert Motherwell

Melville Price

Robert Richenburg

John Sabraw

John Santoro

Yvonne Thomas

Vidvuds Zviedris

Left:

Alice Neel (1901–1984)

Bathing in a Furnished Room, 1927,

Watercolor and pastel on paper, 12 x 9 inches

Center:

Perle Fine (1905–1988)

The Big Splash (aka Tantrum I), 1959,

Fold over collage, 22 x 28 inches

Right:

Melville Price (1920–1970)

Maze Series, 1948, Oil on paper, 24 x 36 inches


Established in 1976, the Thomas Nygard

Gallery specializes in 19th and 20th

Century American art with an emphasis

on historical art of the Northern Plains. We

also display important paintings of the

Taos Society Of Artists, Rocky Mountain,

Hudson River and California Schools.

We offer our clients service in appraisals,

painting restoration and conservation,

and custom framing.

Member of:

The Art & Antique Dealers of America

135 East Main Street

Bozeman, MT 59715

T: 406.586.3636

F: 406.587.8279


www.nygardgallery.com

Staff: Thomas Nygard, President;

Curtis Tierney, Director; Rayanne Nitsche,

Anna Doehring, Matt Cameron

Booth B24 p 88Thomas Nygard Gallery

Artists:

Oscar Edmund Berninghaus

Edward Borein

Maynard Dixon

Henry Farny

Nicolai Fechin

Grace Carpenter Hudson

Frank Tenney Johnson

W.R. Leigh

Thomas Moran

Winold Reiss

Frederic Remington

Carl Rungius

Charles M. Russell

Joseph Henry Sharp

Donald Teague

Left:

Oscar Edmund Berninghaus, ANA (1874–1952)

Overland Mail, 1946, Oil on canvas, 35 x 40 inches

Center:

William Robinson Leigh (1866–1955)

Canyon of the Yellowstone


Right:

Henry Merwin Shrady (1871–1922)

The Empty Saddle, Bronze, 10 1/4 inches high


Timothy Yarger Fine Art was established

in 1986 and exhibits modern and

contemporary painters, printmakers,

and sculptors. Established in Beverly Hills

with an additional location in Bangkok,

Thailand, the gallery specializes in

20th Century Modern Masters and

contemporary artists including Peter

Alexander, Pierre Marie Brisson,

Hei Myung Hyun, Ray Turner, Judy Pfaff

and Curtis Phillips.

Timothy Yarger Fine Art Beverly Hills

329 North Beverly Drive


T: 310/278-4400

F: 310/278-6771


www.yargerfineart.com

Timothy Yarger Fine Art Bangkok

Suite 11, Ground Floor

2/4 Wireless Road

The Promenade Decor

Bangkok, Thailand 10330

T: 02.655.0882


www.yargerfineart.com

Staff: Tim Yarger, Director;

Michael Golden, Associate Director;

Jeanne Harris, Assistant to the

Director/Associate Art Consultant;

Judy Lambert, Art Consultant/

Gallery Manager;

Sam Khayat, Art Consultant;

Bryson Strauss, Associate Art

Consultant/Oral Historian;

Robert Constant, Executive Vice

President/Chief Financial Officer;

David Chavez, Logistics Manager;

Elizabeth Yochim, International

Exhibitions;

Belle Phavichitr, Managing Director

Bangkok

Booth D52 p 90Timothy Yarger Fine Art

Artists:

Pablo Picasso

Marc Chagall

Joan Miro

Henri Matisse

Pierre-Auguste Renoir

Peter Alexander

Sam Francis

Ray Turner

Judy Pfaff

Pierre Marie Brisson

Hei Myung Hyun

Curtis Phillips

Linda Touby

Marilo Carral

Robert Farber

Left:

Peter Alexander (b. 1939)

Menlo, 1991

Acrylic on canvas, 30 x 35 inches

Top:

Hei Myung Hyun (b. 1943)

Cherry Blossom, 2004

Mixed media, 50 x 60 inches

Bottom:

Ray Turner (b. 1958)

Provenance, 2003,



Trigg Ison Fine Art Inc. is a world-class

fine art gallery, located in the heart of the

art and design district on Robertson

Boulevard in West Hollywood, California.

We specialize in fine paintings and

sculptures conceived and executed

between 1900-1950, with an emphasis

on the Art Deco/Modernist movement.

We enjoy an international reputation for

our discriminating selection process in

procuring only the most unique examples

of original works of art.

511 North Robertson Blvd


T: 310.274.8047

F: 310.274.8076


www.triggison.com

Staff: Trigg Ison, Dave DiMartino

Booth D49 p 92Trigg Ison Fine Art Inc.

Artists:

Albert Gleizes

Andre’ Lhote

Inez Wetzel

Tamara DeLempicka

Jean Crotti

Raphael Delorme

Jean Lambert-Rucki

Jan Frans DeBoever

Jacqueline Marval

Ron Blumberg

Left:

Ines Wetzel

The Poet, Oil on Panel, Germany, Signed, Dated 1929,

Exhibited: Montreal Museum of Fine Art, Illustrated:

“The 1920’s: Age of Metropolis”, 39 1/2 x 39 1/2 Inches

Right:

Jos Leonard

Danseuses, Watercolor and Ink on Paper

Belgium, Monogrammed/Atelier Stamped, Dated 1922,

23 1/2 x 17 Inches

Center:

Theodoor-Joseph Verschaeren

Serenade, Oil on Canvas, Belgium, Signed, Dated

1936, 37 x 38 Inches


Established in 1980, Trotter Galleries has

consistently maintained our reputation as

a source for the beginning as well as the

advanced collector by providing quality

work of prominent early California artists.

Located in downtown Carmel, we offer

a fine selection of paintings, with an

emphasis on artists active in the Carmel/

Monterey area 1875-1950.

On San Carlos near 7th

P.O. Box 3246, Carmel, CA 93921

T: 831.625.3246

F: 831.625.1456


www.fada.com/trotter.html

www.artnet.com/trotter.html

Staff: Terry and Paula Trotter

Booth A11 p 94

Artists:

Armin Hansen

Granville Redmond

William Ritschel

Guy Rose

E. Charlton Fortune

Selden Connor Gile

Mary DeNeale Morgan

John Gamble

Maurice Braun

Percy Gray

S. C. Yuan

Edgar Payne

Thomas McGlynn

Franz Bischoff

William Wendt

Left:

Selden Connor Gile (1877–1947)

On The Yacht Harbor, 1927, Oil on canvas,

30 x 36 inches, Signed and dated lower right

Right:

Granville Redmond (1871–1935)

California Field of Poppies and Lupine, c. 1925

Oil on canvas, 20 x 30 inches, Signed lower left

Upper Right:

Will Sparks (1862–1937)

This work is one of an important complete series of 37

mission paintings by Will Sparks from 1933–1937.


The Vallejo Gallery specializes in offering

period maritime paintings from the past

three centuries. Established in 1972,

we continue to present one of the largest

collections of fine quality marine art pos-

sessing historic and artistic significance

to the world.

1610 West Coast Highway

Newport Beach, CA 92663

T: 949.642.7945

F: 949.631.3161


www.vallejogallery.com

Staff: Joseph T. Vallejo, Director;

Robert J. Piatti, Manager & Researcher;

William W. Lowe, Assistant to the Director

Booth A5 p 96

Artists:

Edward Moran

James E. Buttersworth

William A. Coulter

Anthony Thieme

Henri Lebasque

Jonas Lie

Thomas Somerscales

Jane Peterson

Francis Augustus Silva

Alfred Stevens

Guy C. Wiggins

Maurice F.H. DeHaas

Antonio Jacobsen

Maurice Braun

Alfred Thompson Bricher

Left:

Henry Moret (1856–1918)

Doëlan, Basse Mer, 1903,

Oil on canvas, 25 x 32 inches, Signed LR

Above:

John & Frederick Tudgay (1841–1921)

Ship Rose Standish Off Beachy Head, 1864,

Oil on canvas, 24 x 36 inches, Signed LR

Below:

Montague Dawson (1895–1973)

Arrival of Queen Mary at South Hampton,

on Her Maiden Voyage, c 1936,

Oil on canvas, 18 x 36 inches, Signed LL


One of the preeminent art dealers in

California, William A. Karges Fine Art

specializes in early California and

American paintings. With galleries in

Carmel and Los Angeles, Karges Fine

Art carries one of the most varied,

high-quality, historically significant

inventories of paintings available on the

West Coast. The gallery is especially

known for its superior level of scholarship

and museum quality publications.

427 N. Canon Drive


T: 310.276.8551

F: 310.276.7980


Staff: Whitney Ganz, Angela Solie

Dolores & 6th

Carmel, CA 93921

T: 831.625.4226

F: 831.625.8850


Staff: Patrick Kraft, Josh Hardy

Booth A3 p 98William A. Karges Fine Art

Artists:

Franz Bischoff

Maurice Braun

Alson Clark

Maynard Dixon

John Frost

John Gamble

Percy Gray

Armin Hansen

Thomas Hill

Joseph Kleitsch

Edgar Payne

Granville Redmond

Guy Rose

Marion Kavanaugh Wachtel

William Wendt

Left:

Herman Herzog (1832–1932)

Gathering the Rye, Oil on canvas, 18 x 24 inches

Center:

Granville Redmond (1871–1935)

Early Spring, Oil on Canvas, 12 x 14 inches

Right:

William Wendt (1865–1946)

Where Nature’s God Hath Wrought,



Gallery established in 1965. Gallery

personnel Talia K. Smith, Rock J. Walker.

Specializing in modern, contemporary

and Latin American masters. Walker Fine

Art presents an outstanding collection

of works by such artists as Chagall, Dali,

M.C. Escher, Francis, Knapp, Magritte,

Saul, Stella and Wesselmann.

478 West Broadway

New York, NY 10012

T: 347.563.2100

F: 212.744.7445


www.artnet.com

Tom Wesselmann (1931–)

Study for Sunset Nude with Matisse Apples

on Pink Table Cloth, 2003

Ink and colored pencil on 100% rag tracing paper,

3 7/8 x 5 7/8 inches

Booth D53 p 100Walker Fine Art

Los Angeles Art Show 2004Artist Index

p 101

A.G. Ride . . . . . . . . . B32, C45Aaron Bohrod . . . . . . . . . . C36Abraham Walkowitz . . . . . D51Agnes Pelton . . . . . . . . . . B32Aizpiri . . . . . . . . . . . . . . . . A13Alan Magee . . . . . . . . . . . B33Albert André . . . . . . . . . . . . A8Albert Gleizes . . . . . . . . . D49Albert Kotin . . . . . . . . . . . B28Alberto Giacometti . . . . . . C39Alfred Sisley Louis Valtat . C38Alfred Stevens . . . . . . . . . . A5Alfred Thompson Bricher . . A5Alfredo Ramos Martinez . D62Alfredo Sosabravo . . . . . . B21Alice Chittenden . . . . . . . . B32Alice Schille . . . . . . . . . . . D63Allen Jones . . . . . . . . . . . D51Alphonse Mucha . . . . . . . . A6Alson Clark . . . . . . . . . A3, A9Ambrose Patterson . . . . . C44Amelia Peláez . . . . . . . . . B21André Masson . . . . . . . . . D51Andre’ Lhote . . . . . . . . . . D49Andres Nagel . . . . . . . . . . C35Andrew Dasburg . . . . . . . A15Andy Warhol . . . . . . D34, D54Ania Toledo . . . . . . . . . . . B21Anna Hills . . . . . . . . . . . . C45Anthony Caro . . . . . . . . . . C35Antonio Jacobsen . . . . . . . . A5Archibald Motley, Jr. . . . . . C36Armin Hansen . . . . . . A3, A11Arshile Gorky . . . . . . . . . . C39Arthur D. Rozaire . . . . . . . B32Arthur Dove . . . . . . . . . . . C39August Gay . . . . . . . D32, D60Barbara Weldon . . . . . . . . C35Barse Miller . . . . . . . D50, D57Ben Messick (Estate) . . . . C42Benjamin Brown . . . C45, D50Bert and Meta Cressey . . D50Bert Phillips . . . . . . . . . . . A12Birger Sandzen . . . . A12, A15Boardman Robinson . . . . . A15Boaz Vaadia . . . . . . . . . . . B23Bob Nugent . . . . . . . . . . . D60Bombois . . . . . . . . . . . . . . A13Boudin . . . . . . . . . . . . . . . D57Brasilier . . . . . . . . . . . . . . A13Bruce Nelson . . . . . . . . . . . A9Buffet . . . . . . . . . . . . . . . . A13Burgoyne Diller . . . . . . . . D60Camille Corot . . . . . . A6, C38,

D57Carl Holty . . . . . . . . . . . . . C36Carl Lindin . . . . . . . . . . . . A15Carl Oscar Borg . . . . A12, D57Carl Rungius . . . . . . . . . . B24Cassigneul . . . . . . . . . . . . A13Cecilia Z. Miguez . . . . . . . D62Channel Townsley . . . . . . D50Charles Camoin . . . . A13, C38Charles Keck . . . . . . . . . . D50Charles M. Russell . . . . . . B24Charles Matton . . . . . . . . . B33Charles Partridge Adams . A15Charles Ragland Bunnell . A15Childe Hassam . . . . . . . . D63Christian Vincent . . . . . . . B33Christo . . . . . . . . . . . B23, D51Clarence Hinkle . . . . . . . . B32Clark Hulings . . . . . . . . . . D63Claude Monet . . . . . . A6, C38

Colin C. Cooper . . . . A9, B32, C42

Conrad Buff . . . . . . . . . . . B32Curtis Phillips . . . . . . . . . . D52Dale Nichols . . . . . . . . . . C36Damien Hirst . . . . . . . . . . D54Dan Lutz (Estate) . . . . . . . C42Dan Ostermiller . . . . . . . . D63Dana Bartlett . . . . . . . . . . C45Daniel Ridgway Knight . . . C38Darryl Pottorf . . . . . . . . . . B23David Hockney . . . . . . . . . C34David Howard Hitchcock . C44David Smith . . . . . . . . . . . C36Davis Cone . . . . . . . . . . . B33Demi . . . . . . . . . . . . . . . . B21Diana Levinson . . . . . . . . B23Dody Warren . . . . . . . . . . D51Don Gummer . . . . . . . . . . B23Don Jacot . . . . . . . . . . . . C34Donald Sultan . . . . . . . . . C34Donald Teague . . . . . . . . . B24Donna Schuster . . . . . A9, B32Dufy . . . . . . . . . . . . . . . . . A13E. Charlton Fortune . . . . . A11E. I. Couse . . . . . . . . A12, D57E. Martin Hennings . A12, D63Ed Mell . . . . . . . . . . . . . . . B20Ed Ruscha . . . . . . . . . . . . D54Edgar Alwin Payne . . . A3, A9,

A11, A15, B32, C45, D63Eduardo Chillida . . . . . . . C35Edward Borein . . . . . . . . . B24Edward Cucuel . . . . . . . . . . A8Edward Hagedorn . . . . . . C39Edward Moran . . . . . . . . . . A5Edward Weston . . . . . . . . D51Edwin Dickinson . . . . . . . C36Elmer and Marion Wachtel C45Emil Kosa, Jr. . . . . . . . . . . D50Eric Forstmann . . . . . . . . . B23Eric Sloane . . . . . . . . . . . D63Ernest Blumenschein . . . . A12Ernest de Chamaillard . . . . A8Felipe Castañeda . . . . . . . D63Fernand Léger . . . . . . . . . . A6Fernand-Marie Le Gout-Gerard

A8Fernando Amorsolo . . . . . C44Fernando Botero . . . . . . . C34Fletcher Benton . . . . . . . . C35Flora Fong . . . . . . . . . . . . B21Francis Augustus Silva . . . . A5Francis Livingston . . . . . . B20Frank Cuprien . . . . . . . . . C45Frank Tenney Johnson . . B24,

D63Frank-Will . . . . . . . . . . A3, A9,

A13, B32, C45Fred Mitchell . . . . . . . . . . B28Frederic Remington . . . . . B24Fremont Ellis . . . . . . A15, D63Fritz Bultman . . . . . . . . . . B28G. Daniel Massad . . . . . . B33Gabriel Max . . . . . . . . . . . D50Gary Bukovnik . . . . . . . . . D60Gaston La Touche . . . . . . C38Genevieve Springston Lynch . .

C44Genin . . . . . . . . . . . . . . . . A13Gen-Paul . . . . . . . . . . . . . A13George Abend . . . . . . . . . C39George Josimovich . . . . . C36Georges d’Espagnat . . . . . A8

Georges Mazilu . . . . . . . . D58Georges Vicat Cole . . . . . . A8Georgia O’Keeffe . . . . . . . D63Gertrude Abercrombie . . . C36Giacomo Manzú . . . . . . . . C35Gilbert Gaul . . . . . . . . . . . A12Glenn Dean . . . . . . . . . . . B20Glenna Goodacre . . . . . . D63Grace Carpenter Hudson . B24Granville Redmond . . . A3, A9,

A11, C32, C45Gregory Hull . . . . . . . . . . . B20Gustave Loiseau . . . . . . . C38Guy C. Wiggins . . . . . . . . . A5Guy Rose . . . . . . . . . . A3, A9,

A11, D50H.C. Westermann . . . . . . C36Hal Buckner . . . . . . . . . . . B23Hank Pitcher . . . . . . . . . . C42Hans Bellmer . . . . . . . . . . D51Hanson Puthuff . . . . . . . . . A9,

B32, D50Harry Carmean . . . . . . . . C42Hasui . . . . . . . . . . . . . . . . C44Hei Myung Hyun . . . . . . . D52Helen Lundeberg . . . . . . . D62Helen Seibert . . . . . . . . . . C39Henri de Toulouse-Lautrec . A6Henri Le Sidaner . . . C38, D57Henri Lebasque . . . . . . A5, A8,

A13, C38, D57Henri Martin . . . A8, C38, D57Henri Matisse . . . . . . A6, C34,

C39, D52Henri Moret . . . . . . . . . . . C38Henry Farny . . . . . . . . . . . B24Henry Moore . . C35, D51, D62Herbert Bayer . . . . . . . . . D51Hermann Max Pechstein . . A8Hiroshige . . . . . . . . . . . . . C44Howard Post . . . . . . . . . . B20Howard Warshaw (Estate) C42Hugó Scheiber . . . . . . . . . D62Humberto Castro . . . . . . . B21Ilona Zaremba . . . . . . . . . D58Inez Wetzel . . . . . . . . . . . D49Ismael Gómez Peralta . . . B21J. H. Sharp . . . . . . . . . . . . A12Jack R. Smith . . . . . . . . . C42Jack Wilkinson Smith . . . . A9,

C45Jacqueline Marval . . . . . . D49Jacques Villon . . . . . . . . . D62James E. Buttersworth . . . . A5James Enneking . . . . . . . . . A8Jan Frans DeBoever . . . . D49Jan Gauthier . . . . . . . . . . D60Jan Matulka . . . . . . . . . . . B28Jane Peterson . . . . . . . . . . A5Janice Biala . . . . . . . . . . . B28János Mattis Teutsch . . . . D62Jansem . . . . . . . . . . . . . . . A13Jason Situ . . . . . . . . . . . . B20Jean Crotti . . . . . . . . . . . . D49Jean Dubuffet . . . . . . . . . C34Jean Lambert-Rucki . . . . . D49Jean Mannheim . . . . . . . . B32Jean Tinguely . . . . . . . . . . D51Jean-Baptiste Olive . . . . . . A8Jean-François Raffaëlli . . . . A6Jean-Michel Basquiat . . . B23,

D54Jean-Pierre Sauve . . . . . . D58Jeff Aeling . . . . . . . . . . . . B20

Jennifer Bain . . . . . . . . . . D60Jerome Kirk . . . . . . . . . . . D60Jesse Arms Botke . . . A9, B32Jim Dine . . . . . . . . . . . . . . C34Joan Miro . . . . . . . . . . . . . B23Joan Miro . . . . . . . . . . . . . D52Joe Draegert . . . . . . . . . . D60Joel Shapiro . . . . . . . . . . . C34John Alexander . . . . . . . . C39John Baldessari . . . . . . . . D54John Fabian Carlson . . . . A15John Frost . . . . . A3, V32, D57John Gamble . . . . . . . A3, A9,

A11, C45John Goodman . . . . . . . . D60John M. Kelly . . . . . . . . . . C44John Marin . . . . . . . . . . . . C36John McCormick . . . . . . . D60John McLaughlin . . . . . . . D62John Moyers . . . . . . . . . . B20John Sabraw . . . . . . . . . . B28John Saccaro . . . . . . . . . . C39John Santoro . . . . . . . . . . B28John Steuart Curry . . . . . . C36John Stewart . . . . . . . . . . C39John William Waterhouse D50Jonas Lie . . . . . . . . . . . . . . A5Jose Luis Cuevas . . . . . . C35Josef Bakos . . . . . . . . . . . A15Joseph Cornell . . . . . . . . . C34Joseph Henry Sharp . . . . B24,

D63Joseph Kleitsch . . . . . A3, D50Judith Foosaner . . . . . . . . D62Judy Pfaff . . . . . . . . . . . . . D52Jules Breton . . . . . . . . . A6, A8Julian Stanczak . . . . . . . . B23Kalvis Zuters . . . . . . . . . . D58Karl Benjamin . . . . . . . . . D62Keith . . . . . . . . . . . . . . . . D57Keith Haring . . . . . . . . . . . D54Ken Bortolazzo . . . . . . . . C42Kenneth Miller Adams . . . A15Key D57Koson . . . . . . . . . . . . . . . C44Kunisada . . . . . . . . . . . . . C44Kuniyoshi . . . . . . . . . . . . . C44Kurt Seligmann . . . . . . . . D51Laime Eglite . . . . . . . . . . . D58Larry Rivers . . . . . . . . . . . B23Laszlo Moholy-Nagy . . . . C36Laurencin . . . . . . . . . . . . . A13Leon Gaspard . . . . . . . . . D63Léon L’hermitte . . . . . . . . . A6Leonard Baskin . . . . . . . . C39Leonard Nimoy . . . . . . . . D62Lieuwe Kingma . . . . . . . . D58Linda Touby . . . . . . . . . . . D52Lionel Walden . . . . . . . . . C44Lockwood De Forest, Sr. C42Lorjou . . . . . . . . . . . . . . . . A13Lorser Feitelson . . . . . . . . D62Louis Valtat . . . . . . . . . . . . A8Louisa McElwain . . . . . . . B20Louise Nevelson . . . . . . . C35Lynn Chadwick . . . . . . . . . C35Maclet . . . . . . . . . . . . . . . A13Man Ray . . . . . . . . . . . . . D51Manuel Mendive . . . . . . . . B21Manuel Robbe . . . . . . . . . . A6Manuela Holban . . . . . . . . D58Marc Chagall . . . . . . . A6, D52Marilo Carral . . . . . . . . . . D52Marion Kavanaugh Wachtel A3

Marion Wachtel . . . . . . . . B32Mark di Suvero . . . . . . . . C35Markus Lüpertz . . . . . . . . C35Mary Abbott . . . . . . . . . . . B28Mary Cassatt . . . . . . . . . . . A6Mary DeNeale Morgan . . . A11Maurice Braun . . . . . . . . . . A3,

A5, A9, A11, A15, C45Maurice F.H. DeHaas . . . . . A5Maximilien Luce . . . . . . . . C38Maximillien Luce . . . . . . . . . A8Maynard Dixon . . . . . A3, A12,

B20, B24Melville Price . . . . . . . . . . B28Merton Clivette . . . . . . . . . C39Michael Leonard . . . . . . . B33Miguel Florido . . . . . . . . . B21Monet . . . . . . . . . . . . . . . . D57Montague Dawson . . . . A8, A5N.C. Wyeth . . . . . . . . . . . D57Nan Goldin . . . . . . . . . . . . D54Narcisse-Virgile Diaz de la

Peña . . . . . . . . . . . . . . A6Narjot . . . . . . . . . . . . . . . . D57Nciolai Fechin . . . . . . . . . A12Nell Brooker Mayhew (Estate) .

C42Nellie Knopf . . . . . . . . . . . A12Nicolai Fechin . . . . . B24, D63Nicole Strasburg . . . . . . . C42Niki de Saint Phalle . C35, D51O.E. Berninghaus . . . . . . . A12Odd Nerdrum . . . . . . . . . . B33Orrin White . . . . . . . . . . . C45Oscar Bluemner . . . . . . . . D51Oscar E. Berninghaus . . . B24,

D63Pablo Picasso . . . . . . A6, C39,

D52, D62Paul De Longpre . . . . . . . B32Paul Fenniak . . . . . . . . . . B33Paul Lauritz . . . . . . . . . . . C45Peggy Kroll Roberts . . . . . B20Percy Gray . . . . . A3, A11, B32Perle Fine . . . . . . . . . . . . B28Peter Alexander . . . . . . . . D52Phil Dike . . . . . . . . . . . . . D50Phil Paradise . . . . . . . . . . D50Pier Guzzi . . . . . . . . . . . . D51Pierre Bonnard . . . . . . . . . D62Pierre Marie Brisson . . . . D52Pierre-Auguste Renoir . . . . A6,

A8, A13, C38, C39, D52Piet Peere . . . . . . . . . . . . D58Piotr Woroniec . . . . . . . . . D58Pissarro . . . . . . . . . . . . . . D57Potthast . . . . . . . . . . . . . . D57R. Kenton Nelson . . . . . . . C42Ralph Barton Perry . . . . . C39Ralph Goings . . . . . . . . . . C34Ramón Vázquez . . . . . . . B21Raphael Delorme . . . . . . . D49Ray Roberts . . . . . . . . . . . B20Ray Turner . . . . . . . . . . . . D52Rembrandt van Rijn . . . . . . A6René Portocarrero . . . . . . B21Ricardo Barros . . . . . . . . . D58Ricardo Mazal . . . . . . . . . D60Richard Estes . . . . . . . . . C34Richard Haines (Estate) . . C42Richard Maury . . . . . . . . . B33Richard Prince . . . . . . . . . D54Robert Cottingham . . . . . . B33Robert Farber . . . . . . . . . D52

Robert Henri . . . . . . . . . . . A12Robert Indiana . . . . . . . . . B23Robert Motherwell . . . . . . B28,

C34Robert Rauschenberg . . . B23,

D54Robert Richenburg . . . . . . B28Roberto Matta . . . . . . . . . C35Ron Blumberg . . . . . . . . . D49Roy Lichtenstein . . . . . . . B23,

C34, D54Rufino Tamayo . . . . . . . . . D62S. C. Yuan . . . . . . . . . . . . A11Sally Storch . . . . . . . . . . . C42Sam Francis . . . . . . B23, C34,

D52, D54, D60Sandro de la Rosa . . . . . . B21Sean Henry . . . . . . . . . . . B33Selden Connor Gile . . . . . A11,

B32, D60Shinsui . . . . . . . . . . . . . . . C44Sisley . . . . . . . . . . . . . . . . D57Stanton Macdonald-Wright . . .

B32Star Liana York . . . . . . . . B20Steve Huston . . . . . . . . . . C42Steven Assael . . . . . . . . . B33Tamara DeLempicka . . . . D49Taos Society . . . . . . . . . . B20Terri Kelly Moyers . . . . . . B20The School of Paris . . . . . A13Theodore Ribot . . . . . . . . . A8Theophilus Brown . . . . . . D60Thomas Hill . . . . . . . . . . . . A3Thomas Hunt . . . . . . . . . . B32Thomas McGlynn . . . . . . . A11Thomas Moran . . . . . . . . . B24Thomas Somerscales . . . . . A5Tomás Sánchez . . . . . . . . B21Tula Telfair . . . . . . . . . . . . B33Utamaro . . . . . . . . . . . . . . C44Utrillo . . . . . . . . . . . . A13, D57Valeriy Skrypka . . . . . . . . D58Veryl Goodnight . . . . . . . . B20Vicente Hernández . . . . . . B21Victor Gilbert . . . . . . . . . . . A8Vidvuds Zviedris . . . . . . . . B28Vik Muniz . . . . . . . . . . . . . D54Vlaminck . . . . . . . . . . . . . . A13Vuillard . . . . . . . . . . . . . . . D57W. Herbert Dunton . . . . . . A12W.R. Leigh . . . . . . . . . . . . B24Walter Mruk . . . . . . . . . . . A15Walter Ufer . . . . . . . . . . . . A12Wayne Thiebaud . . . C34, C35Wendy Alexander . . . . . . . B28Wifredo Lam . . . . . . . . . . . B21Wiliam Cahill . . . . . . . . . . D50William A. Coulter . . . . . . . . A5William Beckman . . . . . . . B33William Bouguereau . . . . . C38William Henry Clapp . . . . . . A8William Henry Percy Gray D60William Ritschel . . . . . . . . B32William Ritschel . . . . . A9, A11William Sonntag . . . . . . . . . A8William Wendt . . . . . . . A3, A9,

A11, B32, c45Winold Reiss . . . . . . . . . . B24Wolfgang Paalen . . . . . . . D51Xenia Hausner . . . . . . . . . B33Yoshida . . . . . . . . . . . . . . C44Yoshitoshi . . . . . . . . . . . . C44Yvonne Thomas . . . . . . . . B28

Los Angeles Art Show 2004FADA Statement

p 102

Fine Art Dealers Association

The Fine Art Dealers Association was founded in1990 as a non-profit membership organization ofrespected and established dealers from acrossthe United States. Our members are dedicated topromoting and maintaining the highest degree ofprofessionalism, scholarship and integrity in allbusiness conducted with colleagues, institutionsand the art buying public. Membership in FADA ishighly selective and by invitation only. Eachmember has expert knowledge of the artists orperiods in which he or she specializes and main-tains a corresponding inventory. In addition todemonstrating a commitment to enriching the cul-tural lives of their communities, members sharetheir expertise through significant exhibitions,informative catalogs, and by offering qualityworks of art whose authenticity is unconditionally guaranteed.

FADA’s Tenth Annual Los Angeles Art Show isa world-class event that increases the nationalawareness of our organization and advances thestandards of the profession into the twenty-firstcentury. To reflect the truly regional character ofour membership, Southern California and thegreater Los Angeles area are the perfect venuefor an event of this kind. Sophisticated, diverseand the permanent home of many of the country’s foremost collectors, Los Angeles nowsupports the finest art fair on the West Coast.Attendees of this year’s Art Show will have anopportunity to view, admire and purchase adynamic range of American and European art,from old masters to cutting-edge contemporary,including photography.

Los Angeles Art Show 2004Greetings From President

p 103

Welcome!I am sure that many of you are aware that this year is the LA Art Show’s 10th anniversary.Thinking back through our history I can remember when a small group of us (16 in all) pre-sented our first show in Pasadena. It was an exciting time and even though only a fewhundred people attended, we all believed that we were on the threshold of something veryimportant. Now, 10 years later, the Fine Art Dealers Association (FADA) has created one ofthe most important and diverse art shows in the country—featuring 54 dealers and spanning over 200 years in the history of art.

Many hours of planning and hard work went into this year’s show and there are a number of people who need to be thanked. Kim Martindale & Erin Hurff, along with therest of the K.R. Martindale Show Management staff, have worked long and hard on everyaspect of the show, taking care of every detail to make sure that the show runs smoothlyfor both the exhibitors and the visitors—as always, thank you! Second, there is FADA’sBoard of Directors—Jay Caldwell, Tom Nygard, Brian Roughton, Gavin Spanierman,George Stern (the proud new grandfather of Noah), Louis Stern, and myself—all of whomhave devoted many hours of their time to this project.

Our Gala Opening will benefit the Los Angeles County Museum of Art (LACMA); one of the leading museums in the Western United States. FADA gives special thanks toAndrea Rich, President and Director of LACMA; the Art Museum Council (AMC); Jill Fink,AMC Chariman; Beth Rosenbloom, Executive Vice President; Judi Grushcow, co-chair;Michele Paley co-chair; and the following members of the LACMA staff: ChristopherClinton Conway, Anne-Marie Woods, Michael Ryan, Laurel Zeno, Joshua Petker, SarahGilfillan, Aileen Fraser, Jon Weisman, Gantry Jackson and Bettina Korek.

As in years past, the help and sponsorship of Architectural Digest is greatly appreciated—thank you Beth Mahoney and Wendy Landau, Amy Soule, and Beth-AnnFinerman for all your time and support.

To Paige Petrone (Venice Magazine), Alison Deknatel and Alexia Haidos of Double A Public Relations, and Geneveive Morrill (Pacific Design Center) we are glad you are allon board and thank you for all your support and efforts promoting of the Los Angeles Art Show.

Additional thanks to Jean-Marc Durviaux, Jill Finley, and John Wiese at Distinc Designfor the show’s graphic design; James Waterbury Oriental Carpets who has loaned, as inthe past, the oriental carpets; Peter Lovello Design; Chansoth Migletz; Ruthe London;Autry National Center; Museum of Contemporary Art; Museum of Latin American Art; San Diego Museum of Art; and Irvine Museum.

A special thank you goes to all of our exhibitors. FADA truly appreciates all the efforts you have extended to create this exciting and unique show—we wish you all great success.

Finally, to all our visitors thank you for coming and enjoy the show.Peace!

Howard L. Rehs, PresidentFine Art Dealers Association

Los Angeles Art Show 2004LACMA Statement

p 104

LACMA

The largest encyclopedic art museum west of the Mississippi, the Los Angeles CountyMuseum of Art (LACMA) is the home for a permanent collection of 100,000 works showcasing humanity’s highest achievements—from ancient Mesopotamia to 21st-centuryMexico—and reflecting all of the world’s cultures. With its world-class special exhibitions and children’s, educational and cultural programming, LACMA has carved out a distinctive role as the people’s museumwithin Los Angeles, centrally located on an inviting campus.

Los Angeles Art Show 2004LACMA

p 105

LACMA Board of Trustees 2004–2005

Andrea L. RichPresident and Wallis Annenberg Director

William Hayden AhmansonWilliam Howard AhmansonWallis AnnenbergFrank E. BaxterSuzanne Deal BoothDonald L. BrenEli BroadIris CantorMrs. Edward W. CarterRobert A. DayJanet DreisenJeremy G. FairEnrique Hernandez, Jr.John F. HotchkisJudith G. JonesMrs. Dwight M. KendallMrs. Harry LenartAbby J. LevyRobert LookerMs. Monica C. LozanoRobert F. Maguire IIIWilliam A. MingstMrs. Wendy Stark MorrisseyPeter NortonJohn P. PuernerMrs. Stewart ResnickNancy Daly RiordanRobert SimondsMichael G. SmookeDonald TangSandra W. TernerJames A. ThomasChristopher V. WalkerWalter L. Weisman

Senior Trustees

Mrs. Lionel BellDr. George N. BooneMrs. William M. CarpenterCamilla Chandler FrostStanley GrinsteinRobert H. Halff

Life Trustees

Mrs. Howard AhmansonRobert H. AhmansonRobert O. AndersonDaniel BelinJulian Ganz, Jr.Joseph B. KoepfliEric LidowMrs. Lillian Apodaca Weiner


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Los Angeles Art Show 2004AMC

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Art Museum Council of LACMA

The Art Museum Council, founded in 1952, isLACMA’s longest standing support organization,becoming active while the museum was part ofthe original Museum of History, Science and Art (established in Los Angeles’ Exposition Parkin 1910).

Since 1956, the Council, today comprisingmore than 250 active members, has contributedmore than $8 million to the purchase of over 100 works of art for the museum’s permanentcollection.

Through its widely popular Art andArchitecture Tour, held each year in April, theCouncil provides an opportunity for participantsto view some of Los Angeles’ most important pri-vate collections and architectural gems. A variety of other fundraising activities haveenabled the Council to help underwrite majorexhibitions, such as Central European Avant-Gardes: Exchange and Transformation,1910–1930 in the summer of 2002. This year, the Council is the Presenting Sponsor of Renoirto Matisse: The Eye of Duncan Phillips, an exhibition of masterworks from WashingtonD.C.’s world-renowned Phillips Collection.

In addition, Council members operate the suc-cessful Art Rental and Sales Gallery at LACMA,providing a forum for emerging SouthernCalifornia artists and the opportunity for museummembers to rent and purchase art for theirhomes and businesses.

Council members are required to complete ayear-long provisional orientation and training pro-gram and to participate in fundraising events andstaffing of the Art Rental and Sales Gallery.Through these varied activities, Council members demonstrate their ongoing dedicationto the enrichment of LACMA and the facilitationof its mission.


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AMC Board of Directors 2004–2005

Jill FinkChairman

Judi Grushcow and Michele Paley

LA Art Show Chairmen

Executive Board

Terry BellAnn CostelloPatty KrausBarbara LashenickJanine LichsteinGail RachelefskyBeth RosenbloomRuth Lynn Sobel

Board of Directors

Brenda AbramsonMaxine BarensKate BaumannLana BergsteinBette Baker BreenLinda CovetteMitzi CutlerCarol FainerEdie FischerTracy FlatowNancy FreedmanBrenda FritzFlorence GorlinAlison GreenbergDorsey GriffeyDiana GutmanJanis HagueBarbara IorilloWendy KelmanSharyn KleinMarti KoplinNancy KovenEllen KorneyCarole LazarRita LevinAnita LevineDottie LewisSue MeltzerConnie NaglerBobbi NastroSandra PetersNancy RenbergJudy RichmanBarbara RosenblumSusan SavinSherie SchneiderGeri ShermanGloria SherwoodDonna VenickPeggy ShapiroTerri SmookeGeri ShermanJaney SweetDonna VenickPhyllis WayneJan Weimer


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LA Art Show Gala Committees

Judi GrushcowCo-Chair

Michele PaleyCo-Chair

Jill FinkAMC Chairman

Beth Rosenbloom Exec. Vice-Chairman,Fundraising

Brenda Abramson Anne AdelsonGail BarilKate Baumann Miki BaumgartenTerry Bell Janet BergerLana BergsteinBette Breen Ann CostelloLinda Covette Mitzie CutlerMargy Eberhardt Natalie Englekirk Vicki Faerstein Carol Fainer Tracy FlatowNancy Freedman Brenda FritzCaryl Golden-Gerson

AdvisorAlison GreenbergDiana Gutman

Advisor

Janis Hague Karen HandAmy Higgins Barbara Iorillo Barbara Lashenick Carole Lazar Susan LevichMarilyn Levin Susie LevinAnita Levine Janine LichsteinAnn-Rose Kaplan Nancy Kaye Sharyn KleinEllen KorneyPatty Kraus Connie Nagler Bobbi NastroJan Magdovitz Sharyl Overholser Melissa PenningtonJoan Price Nancy RenbergJudy Richman Ina RogalSusan Savin Harriet ScheirAllison Schenck Rita SchwartzGeri Sherman

AdvisorGloria SherwoodTerri Smooke Ruth Lynn Sobel Sande ThayerJulie WaxmanMeryl WeckslerJan Weimer


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Los Angeles Art Show 2004Museum Letter

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Los Angeles Art Show 2004Endorsement

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October 2004

Dear Patrons and Sponsors,

Architectural Digest is pleased to sponsor the LA Art Show for the sixth year. Weare very proud of our partnership with the Fine Art Dealers Association—and that the funds raised at this event will support the Art Museum Council of theLos Angeles County Museum of Art.

Architectural Digest’s coverage of the art and antique world has become criticallyimportant to our readers, who are passionate about filling their homes with thefinest art and antiques.

I would like to invite you to experience the design seminars sponsored byArchitectural Digest on Saturday, October 16. One of the Los Angeles area’s topinterior designers, Greg Jordan, will discuss his experiences designing aroundart and antique collections. Additionally, Fireman’s Fund Insurance Companieswill offer expert advice on the best ways to care for and protect art and antiquecollections.

Enjoy the Show!

Best,

Amy R. ChurginVice President and Publisher

The Condé Nast Publications Inc. • 4 Times Square • New York, NY • 10036 • Tel 212 286-2500 • Fax 212 286-6790

NEW YORK • LOS ANGELES • SAN FRANCISCO • ATLANTA • CHICAGO • DETROIT • BOSTON • DALLAS • HONOLULU • LONDON • MILAN • HONG KONG


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October 2004

Dear Patrons and Sponsors,

Pacific Design Center is pleased to sponsor the Tenth Annual LA Art Show for the thirdyear. The LA Art Show galleries and Pacific Design Center are the pinnacle resources forthe interior design community.

This years LA Art Show beneficiary, the Art Museum Council of LACMA, the Los AngelesCounty Museum of Art, is a tremendous collaboration and extremely beneficial to the LosAngeles community.

We are most pleased with our collaboration and look forward to a long term relationship.

Sincerely,

Genevieve Morrill


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Los Angeles Art Show 2004 p 121

Los Angeles Art Show 2004Official Letter

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Los Angeles Art Show 2004Music

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Music of the Los Angeles Art Show

Opening Night Galamusical performance by

Sy Grossman Quartet featuring the Legendary Sam Most on FluteJazz

Friday-Sundaymusical performances by

Andres CondonAcoustic Guitar/Songwriter

FindingsSinger/SongwriterAcoustic Rock

Sara LeibJazz/Songwriter

Chris LokenClassical Piano

Cooper ThomsonSinger/SongwriterAcoustic

Skylar ThomsonSinger/SongwriterPop/Country/Cross Over

…And others

For more information on performers, please visit www.laartshow.comwww.findingsmusic.com

Los Angeles Art Show 2004Symposiums

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Fine Art and the Greater PictureFriday, October 15, 2pmGina Sofia Martelli, ASID CID

In today’s troubled and chaotic world, now more than ever, we mustbe aware of how fine arts, and our surroundings as a whole havesuch an impact on our moods, our emotional and physical well beingand ultimately the quality of our lives.

This symposium is sponsored by the Pacific Design Center andASID Designer Selection Service

Frida Kahlo: A Mirror of MexicoFriday, October 15, 4pmGregorio Luke, Director, Museum of Latin American Art

Frida Kahlo is one of the most famous Latin American artists and anicon for the feminist movement. Born in Mexico, in 1907, Frida liveda life full of health problems including a childhood disease, a partialamputation of her leg and a gruesome bus accident that led to manyoperations and constant pain. Wife of the famous Mexican muralistDiego Rivera, Frida drew upon her own tragic experiences to createsome of the most original and powerful paintings of the 20th century.

This symposium is sponsored by the Museum of Latin American Art

Paintings Conservation at LACMAFriday, October 15, 6pmVirginia Rasmussen, Paintings Conservator, LACMA

From the cleaning of old master paintings to helping to prepare exhi-bitions; conservators play an integral role in the life of a museum. Conservator Virginia Rasmussen will present a behind-the-scenes look at the work and world of paintings conservation at the Los Angeles County Museum of Art.

This symposium is sponsored by LACMA

Los Angeles Art Show 2004Symposiums

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Protecting and Caring for CollectionsSaturday, October 16, 1pmKathy Poppers

Kathy Poppers, ASA, will provide tips on protecting and caring for fine art collections. Poppers, a senior member of the AmericanSociety of Appraisers, is the principal of Fine Art and AppraisalServices in Newport Beach, and for more than 20 years has beeninvolved with private and corporate art advisory and collection management services. When acquiring special valuables, theFireman's Fund Insurance Companies® recommends securing aprofessional from the American Society of Appraisers' tested, trainedand accredited specialists. Knowing the value of proper insuranceprotection is equally important and it's a lesson best learned beforeloss happens.

Incorporating Art into One’s HomeSaturday, October 16, 3pmGreg Jordan

Showing examples of his own work, acclaimed interior designerGreg Jordan will discuss how he incorporates art, antiques and collectibles into his sophisticated yet livable spaces. With a stylefounded on traditional principles, Jordan’s approach is thoroughlymodern—he harmoniously incorporates elements from varied timesand cultures. A member of Architectural Digest’s AD 100 top designersand architects, he has offices in both New York and Los Angeles.

Saturday’s symposiums are sponsored by Architectural Digest andFireman’s Fund Insurance Company

The Art of AnatomySunday, October 17, 1pmDean Edell M.D.

Traditionally when the human body has been depicted in art, theimage stops at the skin, as if to say that the body is not beautiful if we penetrate more deeply. The history of anatomical art tells a different story. The collaborations of artists and anatomists have produced some of the most striking images in the history of art.Because of the subject matter much of this visual splendor has been unseen by art lovers. Hopefully man’s artistic exploration of his deeper self will excite anyone who truly loves the visual arts.

This symposium is sponsored by the Fine Art Dealers Association

The Collector’s Eye: Duncan Phillips and His CollectionSunday, October 17, 4:30pmMary Lenihan, art historian and museum educator at LACMA

The Phillips Collection in Washington, D.C., ranks as one of theworld’s outstanding art collections. The first museum in the UnitedStates to collect modern art, it is the legacy of the superb eye andcollecting savvy of its founder, Duncan Phillips (1886–1966). Phillipswas unique among collectors of his time in that he relied on no oneto advise him. He trained his eye to recognize quality, and boughtpaintings that he loved. In this lecture, LACMA art historian andmuseum educator Mary Lenihan discusses his collection and presents behind-the-scenes stories of his most notable acquisitions.

This symposium is sponsored by LACMA

Please RSVP for lecture attendance (310) 822-9145Free with event admission

For an updated schedule of events, please visit www.laartshow.com

Brewery Art Walk

Deep in the a.m. hours, amongst the hush of the I-5 freeway and the eerie sounds ofmetal to rail screeching through the train yardnear Union Station, the electricity of theBrewery swirls in the night air. Illuminated loftstudios give way to creation of all mediums and the opportunity to leave one’svision as a permanent mark for the ages.

The vision of the LA Art Show is to educate the public of the growing art world inLos Angeles. Los Angeles is becoming the synergy to all artistic mediums: visual,theatre, music, dance, etc. The LA Art Showpromotes bringing these art forms together inone venue to show the diversity Los Angeles has to offer as well as to givepatronage to timeless masters and exposureto future icons of the next century.

This year, The LA Art Show has spot-light-ed The Brewery, the largest artist’s colony inthe world, located in Downtown Los Angeles.In a city saturated with talent, the Brewery ishome to some of the most revolutionaryartists in Los Angeles. With more than threehundred resident artists, emerging as well asestablished in their careers, the Breweryoffers an aperture for the collector to theworld of artistic living and to the discovery ofcreation at its best.

Lisa Lefner, Director of Artists RelationsLos Angeles Art Show

Los Angeles Art Show 2004Selected Brewery Artists

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1. Guillermo BertLeonardo/Plastic Surgery, 2004Mixed media on books with binders and lasercutter, 18 x 36 inches

“I’m beginning with the classic andRenaissance images, figures that transcend time. The laser cutting, whichgives depth and dimension to the work,creates a sort of X-ray effect, revealingthe interior-almost soul-of the image.”

2. Eugenia ButlerStructural Lens, 2001Pigments with colored pencils and pastel onpaper, 55 x 43 inches

“My work is informed by a passionatephysical curiosity as to how to see, discover, explicate – even inebriate – the bridge between these edgilyglimpsed meta-realities, and ordinaryreality – in all its physical glamour.”

3. Barbara Hashimoto140 Pages, 2004Ceramic, book, encaustic, dye in maple box,8 1/2 x 46 x 7 inches

“Though the role of materiality is signifi-cant, my work is research-based andconceptually driven, addressing themessuch as women’s societal roles, crosscultural identity and “…the structures andstrategies of power.”

4. James HillModern Couple 4, 2003Steel with patina on concrete, 10 x 31 x 9 inches

“…I have moved to single shapes such asSpark of Life and Modern Couple. I have found this expression of shape to be very pleasing after the differentphases I have been through over thepast 20 years of creating sculpture.”


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5. Iva HladisEngagement Thrift Store Style, 2002Oil on linen, 66 x 28 inches

“Love, loss, isolation, fear, hope…thefocus of my work has always been onthe trials one faces in life. I revere thedeepest emotions in people, the hiddenfeelings, the inner realities we are sometimes afraid to confront. This iswhat I offer in my paintings.”

6. Dave LefnerFit for a King, 2002Reductive linocut, 43 x 65 inches

“In perfecting my art, I’ve worked hard tocreate in a medium that is the antithesisof today’s modern technology. But working in this relatively obscure art formmeans I must work twice as hard to notonly draw the viewer in with my images,but to also try to explain the process aswell.”

7. Mela M.Angled Views, 2003Acrylic and bees wax on panel, 18 x 19 x 2 inches

“Most of my work is not in the convention-al square or rectangular painting formats. The shapes help to introducethe illusion of form and space and theperspective of looking at paintings fromvarious angles and positions.”

8. Jim PaynePortraits, 1976 to Present3-D Photography, Installation

“His intent is to document friends, neighbors, and family for a period of 40 years to create a visual record thatwill reflect geographic, economical, professional, and lifestyle choices.”

9. Genevieve PepinCarmen, 2004Ink jet print on archival paper, 36 x 48 inches

“This is a film still, taken from personal8mm home video footage from the 60’s. The footage has been digitized,and brought into the computer. Thisimage was shot from the computerscreen by a digital camera and broughtback into the computer to be printed.”

10. Nicholas RadellManzanar Reward 395, 2001Mixed media metal and neon, 6 x 3 x 5 feet

“I strive to achieve a visual balancebetween very different mediums. For apiece to be successful, I must find a wayto make neon, steel, and glass to beequally dynamic and yet independent.”

11. Nathan RohlanderFamily Portrait, 2003Oil on canvas, 40 x 60 x 2 inches

“As a figurative painter, my work is aboutidentity and the human condition. My“Shoe Portraits” began in 1998 when Idecided to focus on what I consider to bethe number one human accessory, shoes.”

12. Amy RunyenYanira, 2004Mixed media on board, 30 x 20 1/2 x 1 1/2 inches

“As an artist committed to revealing my esteem for the working class poor,my recent works are an homage to thoseimmigrants and under privileged, invisi-ble people of American society.”

13. Pascual SistoWholeness and the Implicate OrderVideo

“Today video equals reality. We are givingthe video images full trust in a worldfilled with manipulations. Empty parkinglots, corner mall, freeway bridges,cement and concrete, all ingredients inthis concentrated micro-cosmos of thishumanity we call Los Angeles.”

Los Angeles Art Show 2004Vignettes

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Gina Sofia Martelli

Gina Sofia Martelli has been a professionalmember of the American Society of InteriorDesigners (ASID) for 25 years, and is certifiedto practice interior design in California.

A professional degree from prominent NewYork School of Interior Design, enhanced byliving over 10 years in Paris, Rome, and Milan,developed her unique perspective inEuropean Fine Arts and Antiques.

She acquired an impressive expertise inClassic Design Styles, Fine Arts, andAntiques as Interior Design Director of aprominent east coast Fine Arts and Antiquesgallery for 15 years, requiring extensive global travel.

As a designer, she collaborates withclients to create ambiances that fulfill theirdreams, excite their passions, and comforttheir souls. Her designs transcend time, style,and space with an aura of enchantment.

Through the artistic process of blendingscale, texture, color and light, she achievesharmony, balance and order… a livable workof art!

Charlie Platero Jr.

Interior Designer Charlie Platero Jr. practicesresidential and commercial design throughoutCalifornia and the East Coast and soon to be involved internationally. Charlie Platero Jr.,Allied ASID combines a fresh, innovativedesign sensibility with an unwavering dedica-tion to achieving their clients’ vision. Theircreative use of classic elements along withthe latest technological innovations in homeinteriors results in elegant designs that areboth exciting and efficient. In addition to theirresidential and corporate projects, CharliePlatero Jr., Allied ASID also has experience in film, television, event design and is anactive member of the American Society ofInterior Designers (ASID) and currently servesas a Los Angeles ASID Chapter CommitteeChairman.

Los Angeles Art Show 2004Article

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Dennis Doheny

William A. Karges Fine Art is proud to exclusively represent the work of DennisDoheny, widely recognized as one ofCalifornia’s premiere landscape artists.

Dennis Doheny is a third generationCalifornian, born and raised in Santa Monica.After stints in Lake Tahoe and Big Sur,Dennis and his wife moved to Santa Barbara,where they currently reside. Since exhibitingwith Karges Fine Art, he has developed astrong national following. Museums, galleries,and art admirers are captivated by Dennis’beautiful renderings of the West. Doheny’sability to capture a particular moment in timeis reminiscent of earlier schools of painting.His gift of rendering light reminds one of thegreat Impressionists, yet the dramatic, oftenheroic aspects of his paintings are more rem-iniscent of the Hudson River School artists ofthe 19th Century. He cites the work ofWilliam Wendt (1865-1946) as his greatestartistic influence, but Dennis’ paintingsremain decidedly contemporary.

During his early years, Dennis spent agreat deal of time on his father’s ranch inSanta Barbara. He credits these experiencesand his father for providing him with a greatappreciation of nature. Dennis also creditshis father for introducing him to art. The elderDoheny frequently painted recreationally. When he noticed Dennis’ great interestin his work, he began to teach his son thefundamentals of art. Dennis spent much ofhis adolescence drawing and painting. Aftergraduating from Palisades High School in1974, Dennis traveled around the world with“World Campus Afloat.” Fascinated by theaesthetic diversity he witnessed on his voyage, Dennis returned to paint his ownvisual experience of California. Dennis exhibited the resulting work with the PetersonGallery in Beverly Hills. Galleries in La Jolla, Carmel, and Tahoe City have alsohandled his paintings.

From 1986 until 1996, Dennis supportedhis family with a steady career in technicalillustration. Coincidence led Dennis to KargesFine Art, where the gallery Director, WhitneyGanz, and gallery owner, Bill Karges, decid-ed to break their rule of only showingdeceased artists to accommodate Doheny’stalent. Over his last seven years Dennis’audience has grown exponentially.

A number of awards testify to the quality

of Dennis’ work. Most recently he won the2003 Masters of the American West Award atthe Autry Museum of Western Heritage. Hisexhibition painting, Announcement of Fall,was purchased by that institution. Otherawards include first place in the CarmelPlein-Air Painting Competition in May of1998. Dennis also earned Honorable Mentionin the California Art Club’s 89th Annual GoldMedal Exhibition in May of 1999. Additionally,Dennis won the Granville Redmond MemorialPurchase Prize at the first “Spring Salon” inJune of 2000. The winning painting of thatcompetition, titled New Dawn, was made theinaugural purchase of the future California ArtAcademy and Museum. New Dawn was sub-sequently chosen as the poster image for theFine Art Dealer’s Association Los Angeles ArtShow held at UCLA in September 2000.

To quote the magazine Art-Talk, Doheny’s“landscapes can hang next to WilliamWendt’s… and hold their own without strain-ing a bit.” When asked about his comparisonwith Wendt, Dennis has replied: “My work isa little more realistic than the old Californiapainters, but I’m looking for the same thing—a feel for the sense of place. That’s why I likeWendt so much. He had a wonderful feel forthat.”

Dennis Doheny’s warm, flowing land-scapes create a unique place in the genre ofCalifornia landscape painting. His exceptionaltalent allows him to paint the palette and lightof a fleeting moment in time with refreshingintensity. Fusing the legacy of early Californiapainting with his own artist’s vision of nature,Doheny produces work that appeals to the21st Century collector.


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Hovsep Pushman (1877–1966)

Although Armenian American artist HovsepPushman (1877-1966) is but a “foot note” inthe book “American Still Life Painting” byWilliam Gerts and Russell Burk, he was amajor “footprint” on American art. As one ofAmerica’s most successful painters, HovsepPushman was honored with medals at theParis Salons and accolades from his peers.His contribution to American art is bestsummed up the 1932 article “Immigrant’s giftto American Art”, The Illuminator, Allen E.Eaton, NY, Russell Sage Foundation:

“Hovsep Pushman, an American artist of Armenian birth, is an excellent craftsman and he finds in objects of the East models of form and color whichhe paints with rare fidelity. No Americanpainter has equaled him in the skill orbeauty with which he portrays thesestriking types”

When contemplating the works of HovsepPushman, you must take a moment to savorits depth as you were exploring the complexi-ties of great Bordeaux or the mysteries of abeautiful woman. Step closer, close enough tosmell the pigment, caress the texture and wit-ness an array of abstract jeweled objectsunique to the history of civilization; a bronzechalice from Persia, a Turkish plate or a fieryopalescent vase from Pompeii effortlesslymolded by the mystery of light and shadow.The ever present dying rose is the symbol ofour mortality; the apple blossom, new life andwisdom, an open book. He used the orientalmale and female figures to represent theancient legends and epitomize the experienceof life. Often he used a sacred horse, a longrobed statuette of a woman, a six-armedDeity, the Buddha god of peace, the warrior,and the nude female figure, which is emergingfrom her veils that are the “Mystery of Life.”His meticulously arranged objects are placeagainst a contrasting back drop of rare cen-turies old tapestries, textiles and ancientTibetan Tsongas to create an atmosphere ofnocturnal and contemplative intimacy.

Like his still lifes, Pushman’s figurativeworks play upon our emotions. He uses color

like the musician, soothing us with exquisiteharmonies, enlivening us with dramatic con-trast, or melting us almost to tears with tenderpassages of tone. The art of this gentle artman awakens in us a new thrill of sympathyand that through the medium of a techniquewhose sole concern is beauty. Into the softblack velvety eyes of an Armenian maid ormatron he can throw pathos that is heart rendering, and this without in any way disturbing the pensive, serene loveliness ofthe woman herself.

In 1919, author Harold Bell Wright wrote apoem to describe a painting the Mr. Pushmanhad given to him while living at the MissionInn in Riverside, California. Here are someexcerpts from Wright’s poem describing hisfeelings toward “An Armenian Girl.”

To Hovsep Pushman: An Armenian Girl, 1919

What wondrous magic hath this brush ofthine,

Thou painter of the truth that doth so deepBeneath the surface of our being lie.What colors these that thou dost make to

voice?In Loveliness so rare the mystic callOf verities that live so close to God.From whom hast thou the cunning thus to

catch,With net of pigments on the palette set,This potent beauty that so shyly lurksIn the sweet wilderness of this fair flesh?… I look into those eyes: deep wells they areOf that eternal mystery which GodDoth ever hide in lovely womanhood,And, hiding thus, doth still reveal; and fromThe deepest depth of this that is myself…Goes forth a something that is more than

love—… Find, if thou canst, my artist-friend, in

theseRude and halting words of mine a tokenOf my love for thee and tribute to aMaster I would serve gladly and with pride.

“Mission Inn”Feb. 1919Harold Bell Wright


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Joseph Raphael (1869–1950)

Joseph Raphael was one of the most accom-plished and innovative artists to emerge fromCalifornia. Over the course of severaldecades, his art went through an amazingevolution, an artistic journey through manystylistic phases. He worked first in a natural-ist vein and then, more spectacularly, as amaster of Post-Impressionist andExpressionist strategies. At their finest, hisachievements vie with any of those of thebest American painters of his day.

Raphael demonstrated an early affinity forart by copying the works of such popularillustrators as Charles Dana Gibson. In 1888,he entered the Mark Hopkins Institute of theSan Francisco Art Association. During hisfour-year course of study, he won a presti-gious scholarship, in addition to receivingemployment as a teaching assistant.

Raphael was active in the San Franciscoarea during the 1890s, first as a newspaperillustrator and later as a sign painter. By 1903he had saved enough money to pursue stud-ies in Paris. He attended classes at the Ecoledes Beaux-Arts and at the Académie Julianunder Jean-Paul Laurens. During thisParisian interval, he supported himself bycreating illustrations for a number of Frenchmagazines. The same year Raphael discov-ered the artist's colony in the charming townof Laren, southeast of Amsterdam, and until1911, he divided his time between that com-munity and Paris. During his sojourn in Larenhe produced work that reflects the sombre,tonal genre scenes of the Hague Schoolartists. Its merit was acknowledged in 1906when Raphael received an honorable men-tion at the Paris Salon for The Feast of theBurgomaster. Also in 1906, his oil The TownCrier was purchased from a San FranciscoArt Association exhibition and donated to theM. H. de Young Museum.

In 1910, Raphael stayed for eight monthsin San Francisco, where he exhibited his pre-dominantly figural Dutch series at the ArtAssociation. Following his return to Laren in1912, he married Johanna Jongkindt andmoved to a small cottage in Uccle, a suburbof Brussels. Raphael's Uccle works are char-acterized by luminous renditions of his boun-tiful flower and vegetable garden, paintedwith a light palette and broad divisioniststrokes, reflecting his study in Paris. Thisvibrant style earned the artist the silver medalat the 1915 Panama Pacific InternationalExposition, where six of his canvases weredisplayed.

In the teens, Raphael discovered a newoutlet for his talents, that of etching. By 1913,his first prints began appearing at theCalifornia Association of Etchers. A war-induced shortage of art materials, beginningaround 1918, prompted the artist to turn toalternate media, and he began to work in penand ink, watercolor and woodcut, for whichsupplies were more available.

Throughout the 1920s and early 1930s,Raphael continued to send oils, etchings,watercolors and woodcuts to exhibitions inCalifornia, establishing a continuing reputa-tion in the Bay area in spite of his prolongedabsence.

The Depression years were difficult for theRaphael family. In 1934, increasing rentforced them to move to Oegstgeest, a suburbof Leiden, where the artist again had spacefor a vegetable and flower garden, by now afavorite subject. In 1939, Raphael visited SanFrancisco, taking along many paintings andprints created during the 1930s. The outbreakof World War II prevented his return toEurope and unfortunately he was unable tosee his wife before she died in 1945. Instead,he remained in San Francisco, continuing hissuccessful career with sunlit scenes ofNorthern California, until his death in 1950.

Although Joseph Raphael spent most ofhis life in Europe, he is considered one of theforemost exponents of Northern CaliforniaImpressionism. He is widely acclaimed for hisoriginal and vigorous outdoor scenes.Raphael's work is represented in the collec-tions of the Los Angeles County Museum ofArt; the M. H. de Young Museum, SanFrancisco; the Oakland Museum ofCalifornia; the San Diego Museum of Art; theStanford University Museum and Art Gallery;and many other public and private collec-tions.

CIO

© The essay herein is the property of SpaniermanGallery, LLC and is copyrighted by SpaniermanGallery, LLC. It may not be reproduced without writtenpermission from Spanierman Gallery, LLC nor shownor communicated to anyone without due credit beinggiven to Spanierman Gallery, LLC.


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Giacomo Manzù & Lynn Chadwick

It is probable that Giacomo Manzù was influenced by Donatello, both in his exploration of very low relief and in the feeling of religious imagery. As early as the1920s, Manzù developed the major themesthat would occupy him for a lifetime, creatingrelief sculptures based on religious narrativesand portrait studies noted for their realism.

Manzù’s first commission, decorations for a chapel in Milan, received favorableresponses, but it was during the SecondWorld War when he produced the first matureversions of his “cardinals.” What is perhapshis most important work, the official Vaticancommission for the portal of St. Peter’s Cathedral in Rome, thrust theartist into the ranks of history’s most eminentsculptors.

His well-controlled hand is also seen inhis drawings. Whatever the medium—ink,pencil, chalk or pastel—Manzù’s line perfectlyillustrates the form and show him to be apassionate purveyor of the world around him.This dichotomy of the sacred and profane has contributed to the worldwideappreciation of his work.

Lynn Chadwick came late to sculpture. Whenhe won the Sculpture Prize at the XXVIIIVenice Biennale in 1956, he was 41 and hadbeen a full-time sculptor for barely 6 years.

Chadwick came of age as an artist afterWorld War II, when a mood of existential anx-iety converged with traditions of humanisticrepresentation and Modernist abstraction. Hisroute to sculpture was through architecturaldesign and construction. He attached greatimportance to the fundamental structure ofhis work. His first attempts consisted of sus-pended constructions, which allowed them tofind their own natural equilibrium. Chadwick eliminated the kineticelements from his sculpture but continued touse construction and assemblage methodsrather than carving or modeling.

From the playful but acutely observedTeddy Boy and Girl series of the 1950s, theBeasts of the 1960s, to the seated, standingor striding figures of the 1970s and 1980s,Chadwick’s preoccupation with specific formal problems and themes becomes appar-ent. However modern his techniques mighthave been, his concern was the sculptor’s traditional one of giving life andexpression to a three-dimensional object.

Top to bottom:

Giacomo Manzù, Donna Distesa, 1976Tempera on paper, 14 1/8 by 20 inches

Lynn Chadwick, Beast (Sitting Lion), 1990Bronze, 17 inches high

Lynn Chadwick, Teddy Boy and Girl, 1955Bronze, 75 inches high


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Jim Dine — A personal expression

“In 1959, Dine began his lifelong obsessionwith the themes of the self, the body, andmemory through a variety of mediums —painting, performance, mixed-media assemblage, and sculpture. Apparent in near-ly all Dine’s early works are his use of every-day objects as surrogates for the body, afocus on iconic imagery, and an interest inevoking or naming things through the writtenor spoken word in conjunction with their visu-al equivalents.

Dine arrived in New York City fromCincinnati in 1958 and quickly establishedhimself within the avant-garde art scene. The Judson Gallery, which opened at thebeginning of 1959 in the basement of theJudson Memorial Church in Manhattan’sGreenwich Village, provided him with the first forum to show his work in New York and,in 1960, the opportunity to create his firstenvironment, The House, and to stage his first performance piece, The SmilingWorkman.

During this period, Dine began combiningpainting and objects (found objects or store-bought items) to create collage-paintings andassemblages that are highly emotional andpersonal in content. With their vigorousbrushstrokes, these works echo the AbstractExpressionists’ concern with the process ofpainting as a means of articulating the self.

Dine also began to address his identityand physicality through images of thicklypainted palettes (or actual palettes affixed tocanvases) and oversize color charts, whichsuggest the basic artifacts of his professionand the presence of the artist. Such refer-ences to the self became more direct in 1964in a series of assemblages featuring imagesof men’s suits and in another series based onan illustration of a bathrobe that Dine saw ina newspaper advertisement.

A typical example of a bathrobe Dinepainted in 1964 shows the robe as sharplydelineated and decorated with physicalobjects (a chain, a watch) and seems toanticipate inhabitation by the artist’s body.Dine went further in exploring his ideas aboutobjects in a series of painted, three-dimensional sculptures of tools, furniture, and boots that he began makingduring a two-year hiatus from painting, starting in 1966. The cool objectivity of the Pop art movement, with which such pedestrian imagery was irrevocably linked,contrasted with the intimate articulations ofDine’s work and provoked art historian Alan

Solomon’s 1967 essay about Dine, “Hot Artistin a Cool Time.” Today in time, Dine has con-tinued his exploration of figure and form.Examples of his Hearts, Bathrobes, “wife asmuse” and the ever-present Venus continueas reoccurring themes in Dine’s work.

Jonathan Novak Contemporary Art represents Jim Dine for southern Californiaexhibiting examples of drawings, paintings,sculptures as well as prints.

Excerpts courtesy of the Guggenheim Museum and Kara Vander Weg, Project Curatorial Assistant

Los Angeles Art Show 2004Special Thanks

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Kim Martindale of K.R. Martindale Show ManagementWould like to thank the following for their contributions:

Andrea Rich President and DirectorChristopher Clinton ConwayAnne-Marie WoodsSarah GilfillanJoshua PetkerBettina KorekMichael Ryan Laurel ZenoAileen Fraser Jon WeismanGantry JacksonLACMA

Jill Fink Beth Rosenbloom Judi GrushcowMichele PaleyAnd all of theArt Museum Council

FADA Board MembersFine Art Dealers Association

Beth-Ann FinermanWendy LandauBeth MahoneyAmy SouleArchitectural Digest

Paige PetroneVenice Magazine

Genevieve MorrillPacific Design Center

Charlie Platero Jr.Gina MartelliDesigner VignetteSymposium

Dean Edell M.D.Greg JordanMary LenihanGregorio LukeKathy PoppersVirginia RasmussenSymposiums

Jean Marc Jill and John Distinc Design

Alison and Alexiadouble A Public Relations

Richard, Aaron, Chris, and RoyPaper Chase Printing, Inc.

MattAbbey Event Services

Chansoth MigletzErin HurffJentges Production ServicesJim WaterburyLisa LefnerPeter A. LovelloRuthe LondonVetting Committee

Participating:Beverage CompaniesGalleriesMuseumsMusiciansPublications and MediaRestaurantsSponsors

Barker Hangar Staff

The crew, friends, and familyAs well as the advertisers

Los Angeles Art Show 2004Supporter

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Visit Drawn to Yellowstone: Artists in America’s First National Park through January 24, 2005.91 historic paintings featuring Albert Bierstadt, Thomas Moran, Frederic Remington, Birger Sandzén.

The Autry has moved Yellowstone to LA…


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Do not miss Masters of the American West Exhibition and Sale February 5—March 6, 2005.75 artists exhibiting recent works including Dennis Doheny, Bob Kuhn, Mian Situ, Morgan Weistling.

… and soon will be filled with fresh paint.

Limited time only at the Autry

Museum of the American West323.667.2000 • www.autrynationalcenter.orgWhere the 5 and 134 meet in Griffith Park

Left page: Thomas Moran (1837—1926), Golden Gate, Yellowstone National Park, 1893, oil on canvas. Buffalo Bill Historical Center, Cody, WY; 4.75

Right page: Masters of the American West 2004 Thomas Moran Memorial Award for Painting Presented to Mian Situ.Toy Maker of Ross Alley, San Francisco, 1906. Given in recognition of exceptional artistic merit for painting.


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The Irvine Museum

The Irvine Museum is dedicated to the preservation and display of California art of theImpressionist Period (1890–1930). The Irvine Museum embraces a principal role in the education and furtherance of this beautiful and important regional variant of AmericanImpressionism that has come to be associated with California and its remarkable landscape.

Location: 18881 Von Karman Avenue Ste. 100 (Ground Level)Irvine, California 92612

Information and Directions: (949) 476-2565Offices: (949) 476-0294

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