Looking For The MomentAPRIL 6, 2016 BY ALPHA WHISKEY 2 COMMENTS

I’ve written before about making the familiar unfamiliar with a view to creating a more

original image or a different take on something. An important element of making an image

more interesting than a mere capture can be to reveal a story or intrigue within it. In a world

awash with random snaps and selfies it can be a challenge to find images that hold our

attention.

Saying Goodbye.

Now, no one is suggesting that every shot you take has to tell a story. Of course not. But

after shooting a subject or place for a while looking for that something extra can add a new

dimension to your perspective and provide additional interest for the viewer. I’m not talking

about necessarily documenting an event or situation, although such scenarios do

encourage images that tell a story. It can simply be a moment in time anywhere.

There’s a good dog.

A still capture of a single moment may not always be worth a thousand words, or even ten,

but perhaps it can attempt to evoke a reaction or a question about the subject(s) within it. It

can be funny or sad or generate wonder about what could happen or has happened, or

perhaps what is about to happen. What’s the story behind the subject (animal, vegetable,

mineral or person)? What are they thinking? Why are they there? How does it reflect on

their mood or their environment?

Disenchanted

This idea is particularly, although by no means exclusively, relevant to so called street

photography, where much of what I’ve seen seems to be those random snaps of nothing

definitive. Now, this is purely a subjective opinion. I’m not an art critic or a street

photography expert, and perhaps I don’t have a deep enough insight to find the meaning of

the Universe in a shot of someone crossing the road. So much street photography posted

online seems to lack features, subjects or even a point. I’m not saying that’s wrong;

everyone interprets the world in their own way, of course. I simply prefer to capture and

reveal a particular moment. I’m not always successful.

How does a bicycle work again?

It only requires a certain amount of patience and a willingness to look for such a moment

(and sometimes luck!). It does not have to be a profound revelation or uniquely bizarre or

heart-stoppingly terrifying. It can be a moment that just stops time and lets the viewer use

their imagination to fill in the blanks. It can be found in any subject, from people to wildlife.

Seeing you in a different light.

Hey, stay away from my girl.

How we shoot and process the image can obviously affect how that story is told or that

moment is defined. In much the same way that punctuation, paragraphs and sentence

structure can help to hone a written point, lighting, framing and composition become the

narrative tools for our photograph. Using lines or foreground elements to lead the eye or

lighting to create mood, or, as Lola pointed out in her recent article, using judicious framing

can all enhance the moment. Even placement of the horizon line or a vertical tilt can alter

the meaning or perception.

Conflicted.

Dizzying attraction.

Graphic illustrators (read: comic book artists) will tell you that to convey dynamism in each

frame on the page they will draw the action as just about to happen or having just

happened. One can apply the same principles to photography. A photograph is a still

image, after all, and can give the viewer a sense of just passed or impending drama.

Surprise. (My friend Natalia just noticed who was sitting next to her.)

Perhaps, like a comic strip panel, the image may invite a caption, obvious or not, which

enhances its story. The image below, taken in Colorado last year of a familiar face, invited

a great caption from Bob Vishneski.

Why be a guinea pig when you can hire one?

High five?

Locations can be used to tell a story too, either explicitly or as a backdrop. Rather than just

being fascinated with the buildings or the landscape, wait for something to happen or a

scene to present itself in order to give that place some extra context.

Life in the big city.

I imagine wedding photographers have the skill and experience to be able to tell and find

such moments instinctively. They almost always have to find and convey the excitement

and emotion of a special day and depict the microcosm of small events, the chapters if you

will, that make up the main story.

Acceptance

There are clearly limitless ways to convey a story or a mood in an image. I have merely

brushed against a small toenail here in the overall body of ideas. But when you next go out

with your camera, slow down. Don’t simply snap at something because its there. Believe

me, you won’t have been the first nor will you be the last. Have the patience to become a

witness to a moment that interests you and you may reveal a little something extra. And in

doing so you may invite the viewer to stop and look for just a moment longer.

Spring

Warm Regards,

Sharif.