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TRANSCRIPT
A series of modificotions to
the clossic children's gome
of telephone helPs students
explore voriotion, inheritonce,ond evolution.
By Ben Seipel
llTlf;:ff ;f".T:Ift il::,ffi$t,H:l'-i:t phing into "The fry box jumped'" These changing
"telephone,/wh1rp"r." messages became a starting point to
help'my students understpnd and discuss the crosscutting
.o"."pi.f S,ability and Change as it relates to -evolution'
Such
miscoLmunication is typically a recipe for disaster' For my
students and visitors at ihe Gateway Science Museum' how-
"u"., *ir.o*munication became an engaging exploration of
.r"Uifitv and change. Although geared toward second- and third-
g."J" i"a""t. orr-fi"ld trips, studenls.of all ages.w€re invlTd t:i*i.ip"t" in a series of ari-based activities to explain evolution a3 a
concept ofstabilitY and change.
crosscutting concepts using Art Activities
In A Frameworh for K-12 Science Education,the National Research Council identifies Sta-
bility and Change as one of seven main crosscutting concepts to provide an "organizational
framework fo..orrrr".ti.rg koowledge from the various disciplines" for students (NRC 2012'
plij. r" order to maket-his instruiion explicit and connected to specific science disciplines
such as biology, pluyirrg ,l*ple childhood games like telephone (also known by many other
names including broken telephone, operator, whisperin! down the line, grapevine, don't
drink the milk) is useful (Curtis 2010). Games help students observe, record' and explain
31LprlllMay 2015
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the coricept of variation in context
by building on existing studentknowledge and providing mean-
ingful experiences. I used cross-
curricular and community-basedactivities because such lessons have
been successful in fostering stu-dents' conceptual understanding of
science (Halpine 2004). Several classic children's games
set the scene for meaningful learning experiences in which
students addressed the following guiding questions about
evolution:
. How do things evolve from generation to generation?
. What might cause the changes from one generation to
the next?.
. What might help with stability in a system?
. How can I ensure stability or cause change in the
evolution of a system?
I designed the activities as analogies to initially teach
and reinforce vocabulary, promote critical thinking, and
explain variation and inheritance as agents
of change across generations. These ac-
tivities were designed and implementedspecifically to enhance and clarify vocabu-lary that museum visitors encountered ina temporary traveling exhibit on genetics
("Explore Evolution" from the Universityof Nebraska State Museum). The activi-ties als^o address the Nert Generation Sci-
ence Standard.s (targeting the third-gradestandards) while incorporating the new
National Visual Art Standards. My stu-dents completed three activities: the clas-
sic childhood game telephone, completethe drawing, and telephone by drawing.
Telephone
had previously played this engaging game.
For this activity, we started with a short, easy
message to practice the procedure and proceeded tolonger, more difficult messages to ensure changes inthe final message. After the message had passed to the last
student, that student announced it to the class. A guided
discussion concluded the activity. Students responded toquestions to evaluate comprehension and to make explicitthe analogy between the game and the concepts of change,
generations, uariation, inheritance, and euolution The com-
prehension questions included :
. What happened to the original message?
. How did it change or evolve?
. Where did it evolve?
. Why did it evolve?
. What variation did you hear?
. What generation of the message did you hear?
. Can you think of a way to prevent the message fromchanging?
Students were able to explain in theirown words how the message "evolved"
with each generation. They were able to
indicate that the message changed because
at the end of the activity everyone shared
with the group what they thought they
originally heard/said and compared thatto what other students said. Students were
able to identify the causes as a well, such
as "Jim mumbled," "Jane rvas too quiet,"or "the teacher spoke too fast." They were
also able to identify methods'to stabilizethe message-"talking clearly," "speaking
slowly," and confirming the message.
Not only can the telephone messages
be modified for length and content based
on the age ofstudents, but the activity can
also be adjusted for class size. In my class,
t'i,ror.ryKeylvords: Genetics
www.scilinks.org
Enter code: SC150401
Gomes helpstudents observe,
record, ond explointhe concept of
voriotion in contextby building on
existing studentknowledge
ond providingmeo n ingfu I
experiences.
Playing the classic game of tele-phone, where a message is passed from person
to person via whispers, is an effective intro-duction to the basic concepts of evolution(Curtis 2010). It is also easy to implement
. as a beginning activity because thegame only requires a few phrases pre-pared by the teacher. Moreover, this
activity was effective in my class-
room because all my students
the telephone "lines" were about 10 students long. How-ever, telephone line of more than 12 students may be too
long for younger students. For younger students, orgarize
two telephone "lines" that receive the same first message.
The final messages from each line can be shared and com-
pared. Then, use this common experience to lead a discus-
sion on the processes ofchange (or stability) in.relation-ship to differences in populations of similar species. For
older students, this same variation would be a good evalu-
ation activity in which students could use their recently
acquired knowledge to explain the processes involved.
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32 Science and Children
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Complete the DrowingBecause the Frameworh calls for more in-depth under-
standing with fewer concepts, it is useful to use multiple
activities. It also calls for students to engage in the pro-
cesses of scientific inquiry include observing, explaining,
and predicting (NRC 2072, p.11). So, I extended the con-
cept of generations by showing how some visual artists use
copies to create new art (e.g., Daniel Bejar's "The Visual
Topography of a Generation Gap" shows how copies of a
key gradually deviate from the original). I showed a series
of photocopies made from other photocopies to illustrate
how variation was introduced into a system with each
subsequent copy. At this point I asked students to make
an analogy to the evolutionary processes described in the
telephone game. My students were able to describe the
changes as variations from the original. Analogies ale an-
other great way to help students ofall ages understand the
complex nature of evolution (Kurtz, Miao, and Gentner
2001). I extended the analogy to demonstrate inheritance
using student art.I provided the students with drawing utensils and an
image that had various sections of the image blocked-out
(see Figure 1). Students were instructed to complete the
image by filling in the white sections without seeing the
original. Next, we compared the students' works to the
original, which led to a short discussion based on the stu-
dents' own observations about variation and inheritance.
My students were able to explain that in their artwork, half
of the "genetic" (or "original") information came from one
Ring! Ring! Science Colling!
"parent" in the previous generation and the other halftheycreated. This activity served as a great introduction to the
third core life science concept in NGSS-thit organisms
"have traits inherited from parents and that variation ofthese traits exist in a group of similar organisms" (NGSS
Lead States 2073, p.29).Inthe next activity, the students
actively demonstrated and explained how a variation inone generation can affect another generation. Telephone
by drawing introduced the concept that environment can
influence trait development. To introduce the next activ-
ity, I told the students and visitors that they would play
the game of telephone by drawing a "message" instead ofspeaking it.
Telephone by DrowingGroups of students shared a table while I distributed the
materials: drawing paper, penslpencils, crayons, desk
dividers (manila folders) to hide drawings, and full-page
images from old magazines. Each student received his or
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her own magazine image to use as a source image. I in-structed students to draw their source image to the best
of their ability. While they drew, I asked the students to
indicate which generation their image was. The students
were able to indicate that this was the second generation
of the image and that the original was the first generation;
they wrote the numeral 2 in the conler of their drawing.After a few minutes, their drawings were rotated to thenext person and the original source image was hiddenfrom view At this point, only the fust student to view thesource image got to see the original image. The students
were instructed to draw the third generation by recreating
the image based on the previou-s person's drawing. Thisprocess of draw, pass, and re-create was repeated sev-
eral times. After several iterations, I instructed students
to add a new element to their drawing-a new change. Iasked my students to make qilent predictions about howthis environmental factor would affect future genera-
tions. The process of draw, pass, and re-create was again
repeated several times. Afterward, the student- generated
images were displayed in generational order along withthe original source image (see Figure 2, p.33).I evaluated
understanding by asking students to observe and share
any elements that stayed the same or changed. They were
also asked to determine whether their prediction about themutation was correct. Students were able to explain that,in general, the images were stable from generation to gen-
eration and indicated that the biggest differences came at
the moment a mutation was introduced (either intention-ally or unintentionally). One student pointed out that one
detail (e.g., a steering wheel on a car) disappeared and re-
appeared in different generations. In this example image
(Figure 2), the intentional mutation had not yet occurred.
The steering wheel in generation 3 was spontaneous and
unintentional. This lead to a brief and unexpected-butvery relevant-explanation on recessive genes! I was able
to share my own experiences of recessive genes and red
hair; my grandfather had red hair, and I have red hair, butmy parents do not.
Summotive AssessmentPossibilitiesThis set of activitieswas implemented in a science museum
as an introduction to concepts ofevolution. In this setting,greater emphasis is placed on formative, informal assess-
ment than is placed on summative assessment. Classroomteachers, however, may wish to incorporate summativeassessments as well. One way to do so is illustrated ih Fig-ure 3. Individually or in a group setting, students couldview a sequence ofimages that depict generations ofan or-ganism. These images, in essence, replicate the telephone
by drawing activity. The students would answer a set ofquestion's such as:
. Which traits do you see?
. What changes do you see?
. Between which generations do you see the greatest
change?
. Between which generations do you see evidence of a
mutation being inherited? Why do you think so?
. Can you explain why such changes may have
occurred?
Students could also be asked to demonstrate under-standing by introducing a new mutation and drawing thenext generation. Answers could be evaluated using a ru-bric (see Table 1 ; NSTA Connection). The rubric could be
used to evaluate the formative assessments as well.I
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Below is a sequence of 12 generations of flies in order.
ffiffiffiffiffiffiffiffiffiffiffi%Potential questions to ask studentorally or in text include:Which traits in the flies do you see? What changes do you
see between generations of fl ies? Between whichgenerations do you see the greatest change?The leastchange? Between which generations do you see evidence ofa mutation being inherited? Why do you think so? Can you
hypothesize (guess) why such changes may have occurred
to theflies?
34 Science and Children
Science Colling!
Recoll ond.Applied: EmergingUnderstonding
Conceptuol: PortiolUnderstonding
Student is
unqble toidentify o
mutotion,drow o new
mutotion,exploin theevolution over
generotions,orhypothesizewhy thechongemoy hove
occurred.
Student is oble to
identify ot leost one
mutotion thot wos
inherited ond indicote
in which generotion
the mutotionemerged.
The student is oble
to predict, creote, ordrow q new mutotion.
The student is unoble
to exploin how the
species evolved fromgenerotion 1 to 12.
Student is oble
to identifyot leost twomutqtions thotwere inheritedond indicote inwhich generotionthe mutotionemerged.
The student isoble to predict,
creote, or drow o
new mutotion.
The student isoble to exPloin
how the species
evolved fromgenerotion 1 to 12
OR moy be oble
to hypothesizewhy the evolution'occurred.
Student is oble to
identify ot leost
two mutotions thotwere inherited ond
indicote in which
generotion the
mutotion emerged.
The student is qble
to predict, creote,
or drow o new
mutotion.
The student is oble
to exploin how the
species evolved
from generotion
1to12, moy be obleto extend thinkingby hypothesizingwhy the evolution
occurred
Descriptionof Criterio
ConclusionExamining stability and change through the use of cross-
curricular activities such as the art activities described
above enabled my students to think like scientists and
motivated future inquiry by having them explore and
explain natural phenomena. Specifically, my students
-"r" "rrg"g"d in scientific processes of observation and
interaction with a system while having fun' My students
Ben Setp el ([email protected]'edu) is on assistant
professir in the School ofEducation at California State
IJifuersiiy in Clico, Califomna, He is also a oolunteer
docent at the Gateway Sctence Museum'
References
and visitors stated that they were grateful
for the opportunity. More importantly, they
indicated that the activities fostered deeper
understanding of core content (evolution),
made connections to other disciplines such
as art, and built community in the class-
room/group through required collabo-
Curtis, A.D. 2010. A lesson on evolution ond noturql
selection. The American Biology Teocher 72
(2): 110-113.
Holpine, S.M. 2004.
lntroducing moleculor
visuolizotion to Primoryschools in Colifornio:
The STArt! Teoching
science through
ort progrom.
ration and communication. Evaluative
tasks such as discussion and question-
ing validated their claims of learn-
ing and engagement. I
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