littleman 142

The official journal of theUnited Photographic Postfolios of Great Britain

The Little Man

Winter2013 - 14

Issue 142

The Little Man Winter 2013 - 14

Notes for ContributorsSubmissions are welcomed that would be of interest to members of the UPP and thesecan be forwarded to me as text/disk by post or you can email as an attachment. If yourequire anything returning please ask. Articles are preferred in a Word doc and picturesshould be separately available to be scanned or as jpegs at 250dpi on the CD.

David R Neal AFIAP, DPAGB, BPE4*, LRPSLluest Fach, Llwyn y Groes, Tregaron, Ceredigion. SY25 6PY

01974 [email protected]

ContentsThe President’s AddressThe People’s ChoiceBrian Hirschfield AFIAP, ARPS, APAGBAnnual Convention 20132013 Award Winners2013 Certificates & Highly CommendedsColours of the PalouseCircle TypesCircle Secretaries 20132013 DVD

Page4679

1115242526

Back

The LittleMan

Cover Picture“Serenity”.

John Wigley LRPSCircle 72 A4 Prints

Printed byY Lolfa Cyf

Talybont, Ceredigionwww.ylolfa.com

Visit our websitewww.uppofgb.com


The President’sAddress

We are now into another year of UPPwith the AGM now well behind us andcircles continuing to send out the folios ona regular basis. The AGM was hectic for myself with theresignation of Gary Langley from the posi-tion of secretary, I had to organise thesecretarial side of the weekend as well.Other members would not have had anydetailed knowledge of the arrangementsand as I was the previous secretary I hadorganised it for several years, so it fell tome to pick up the “pen” again. I was notable to relax until the event was over.However all the reports that I receivedwere favourable and the two speakers werevery well received and their lectures en-joyed.

Irene Froy’s lecture was as to be expectedwith some lovely pastel images whichmost members would quite happily hangon their walls. Guy Brown’s talk was quitedifferent with a delve back into thetraditional methods of over 100 years agoand some very unusual and distinctiveimages using collodion and othertraditional methods. Both lectures were sodifferent that it did balance out theweekend when mixed in with our membersown works on the Friday evening and thegold label presentations in both digital andprint. I would like to thank all of the councilmembers for their help over the year andthe work of Ken and Ray in organising theannual judging of the gold label entriesand the presentation on the day. The CD’sthat have now been produced since 2000are always interesting to go back to andsee work from previous years and howfashions change, for photography is “fash-ion conscience” and that is very obviouswhen looking back at photographs fromyears ago. We must not forget though, that photog-raphy is a recording medium and the pho-to journalism aspect is very important.Can you all remember what your town orvillage centre looked like 30 years ago.With most people, they cannot, but refer-ence back to photographs taken at thattime brings back memories. That equallyapplies to photographs of your family,especially the children. When Shirley’sgrandmother died, they found in the loft apile of photographs under some rubbish.The photographs found were members ofher family most of whom had passedaway, so without the knowledge of hermother they would not have been identi-fied. Shirley is now the proud owner of aphotographic history of some of her family.


It would have been better if there had beensome identification on the rear of theimages. Do you do that?, and if not why not. Recently a small team from ChesterfieldPhotographic Society have been recordingthe major alterations and renovations thathave been undertaken on the market hall inthe centre of the Borough. The buildingwas originally built in 1857 and has hadprevious extensions and alterations. Thecurrent one has brought it up to date andwe took photographs of its previous useand we were given access into the buildingduring the building work. Finally we re-corded the opening and its current every-day use. We have now built up anextensive archive of images which willthen be deposited in the Council’s archives.

I have in the last few days been mount-ing nearly 100 images for an exhibitionwhich we will hang in one of the emptyshop windows in the town centre. I do feelthat this aspect of photo journalism is veryimportant and it is a community aspectthat most photographic societies can un-dertake in conjunction with their localcouncil. Membership of the society continues toslide as some members find other interestsand also old age catches up with us. I mustrepeat the comments that I have madebefore that the best way of getting newmembers is from introductions from exist-ing members, so please spread the word.

Brian Davis APAGB

UPP Invites you to our Annual ConferenceSeptember 12th - 14th, 2014

LecturersBarry Mead FRPS, EFIAP/p, MPAGBPeter Paterson FRPS, MPAGB, EFIAP

Book Now!


This year a new trophy was added to thosealready up for grabs at our annualexhibition. The People’s Choice is anaward originally thought of and kindlydonated by Monty Trent of c29. This award is won by the member whoseprint, on display in the exhibition, is the onemost voted for by the UPP members presentat the exhibition. Because this was the firsttime that the trophy was available wethought it might be a good idea to give anindication of how the voting went. There were 50 votes cast in total. Initially,we thought that this was not as good aresponse as might have been expected but,it turns out, our initial thoughts wereincorrect. The roll call indicated a count of82. Fifty votes out of an audience of 82would seem to be a low percentage but, werealised, a count of 82 doesn’t actually mean an attendance of 82. A number ofmembers are in two or more circles and

would have stood up to be counted onmore than one (sometimes on two or more)occasions. When the multiple stand-upping is taken into account, a vote of 50is probably quite a high percentage of themembers present. Prints from 12 different circles werevoted for and a total of 29 different printsreceived votes. That’s quite a wide-rangingchoice which, we think, indicates individ-uality and emphasises the difficulty thatthe exhibition judges have in deciding whoshould get the rewards.

18 prints received 1 vote each. 6 prints received 2 votes each. 2 prints received 3 votes each

2 prints received 4 votes: - C73 Closed for Winter - C73 Daffodil

But one print received 6 votes and thatwas The People’s Choice for 2013. Please watch this space for furtherinformation on next year’s exhibition.

Ken PayneRay Grace ARPS DPAGB

Exhibition Secretaries

The People’sChoice

The People’s Choice 2013Three Olive Trees

Linda Sharp FRPS AFIAPCircle 73.


Brian Hirschfield passed away on 21November 2013, at the age of 80, leavingAnn and children Kathryn and Michael. Brian joined UPP in November 1956, onreturn from RAF service in Singapore. Heinitially joined C18, the Circle of which hisfather was a member, and in doing so, hecreated possibly the only father/son mem-bership of the same Circle. From a quote in2003, he said of his joining ‘On my returnfrom Singapore, with a brand new PrakticaFX2, I thought I knew everything aboutphotography but promptly discovered thatI knew absolutely nothing! When I openedthe first box and saw the superb quality,composition and subject matter I thoughthow on earth am I ever going to manage tocompete with these?’ But compete he did,and went on to win many major awards inUPP and elsewhere over the many years tocome. Not only that, but he gained hisLRPS in 1974 and 10 years later his ARPS,in 1984. In more recent years, he was aprolific and successful exhibitor, both Na-tionally and Internationally, and succeededin gaining AFIAP and EFIAP distinctionsin quick succession. He was also awardedhis APAGB in 2003, which is given fordistinguished service to photography. Over the years, he was a member ofvarious Circles in UPP, including C12(large prints) and C35 (slides), but his reallove was for monochrome small prints andmost of his time was spent with C21 and inparticular, C29, which he joined in 1969and of which he became Secretary in 1972.However, just over a year later, he had tohand over the position due to being postedto Germany while serving in the RAF.Nonetheless, his commitment was such that

even while abroad and unable to receiveboxes, he maintained his membership of theCircle by sending notebook entries andprints to the then Secretary – by post, therewas no email then! In 1977, now back in theUK, he became Secretary of C29 again, andrescued the Circle from extinction after theprevious Secretary had got into seriousdifficulties with it. At the time, he was alsoSecretary of C21 and the RecruitingSecretary for UPP – quite a workload! Briancontinued as Secretary of C29 until October2002, a total of an incredible 26 years in thejob, as well as 15 years as Secretary of C21,much of that concurrently. Speaking as the present Secretary of C29,and a member of that Circle since 1987, Ican say that Brian’s stewardship of the Cir-cle was an example to us all and was inspir-ing, enthusiastic, generous and compreh-ensive. The high quality of his photography

Brian Hirschfield, AFIAP, ARPS, APAGBbetter known as 'H'

BrianPicture by BryPiz.com


was consistent and he set a standard thatothers sought to emulate. The Circle ran likeclockwork with him at the helm. He wouldensure that he addressed every memberindividually in his notes and would oftendip into his pocket to provide prizes forimpromptu competitions within the Circle. He also designed and paid for a veryspecial trophy for the Circle – a ‘Little Man’sitting on a plinth, which is awarded for thehighest scoring print every year. Anothermajor contribution to the Circle was theproduction of an annual magazine ‘The29’er’. This was heavily illustrated withpictures and summarised the Circle’sactivities over the year. He wrote variousfascinating articles for it, often with his ownstyle of wry humour, and it was apublication members always awaitedeagerly to receive. Brian was also an indefatigable worker inUPP administration. He spent 13 years onCouncil, firstly as Publicity Secretary andthen as Treasurer in 1984. He continued inthis post for 8 years, during which time hecomputerised UPP membership records bywriting his own programme, which wasstill in use after 3 decades. He was nominat-ed for Vice-President twice, and did takethe position for a short while before relin-quishing it, because ‘I am just a backroom-boy!’ He also wrote two very detailed

histories for UPP, the first a 51 page com-pre-hensive document covering UPP in gen-eral – copies of which are still available forpurchase – and the other the history of C29.Another significant contribution from Brianfor UPP was in 1986, when he presented aPresident’s ‘chain of office’ – again paidfor by him. Brian was presented with Life Member-ship of UPP at the AGM in September 2003.No one deserved it more and I can do nobetter than end this obituary with a quotefrom his acceptance speech. ‘Finally, after 47 years of very enjoyablemembership, a combined 41 years as aSecretary, 8 years as Treasurer and 13years on Council altogether, 163 Gold La-bels at the last count. 5 ‘Best Small Print’plaques, a fair number of Circle Certifi-cates, so many friends made that I cannotremember all their names and membershipat one time or another of 5 different Circles,where does that leave me? I will tell you –it leaves me a confirmed optimist - after all,you have to be an optimist if, at the age of70, you have sitting in the cupboard athome, another 250 prepared prints for theboxes and taking more every day!’ And so he did, until the very end. Aremarkable man indeed.

Colin WestgateFRPS, MFIAP, DPAGB, APAGB

Tin MineBrian Hirschfield AFIAP, ARPS, APAGB


2013 Annual General MeetingHillscourt Conference Centre

Delegates (Photo by Vince Booker ARPS, EFIAP, DPAGB, APAGB)

I must first of all thank Don Langford ofCircles 73 and 31/33/35 and formerly Pres-ident of the PAGB, who kindly completedthe examination of the accounts this year And for the fifth year running I’m delight-ed to report that we received more than wespent. The surplus didn’t quite reach thedizzy height of last year, which was excep-tional because of a change in the timing ofThe Little Man expenditure, but stillamounted to £673 when the budget hadsaid £250 based on the unchanged sub-scription rate. We did go over budget slightly on theAGM expenses and The Little Man, butotherwise expenditure was short, andsometimes well short, of budget, so mythanks especially to Council Members forcontinuing to economise where possible For my part, sending the subscriptionrequests by e-mail helped: UPP saved over200 second class stamps @ 50p, not tomention the paper and envelopes, and 35of you saved your 50ps by paying direct tothe Bank so the procedure will be the sameagain this year. At the same time, total income from sub I

scriptions was slightly better than forecast I had based the budget on 250 payingmembers – we actually had subs from 259,including some who left during the yearafter paying and some who joined late inthe year on ½ sub. However, on the ques-tion of membership numbers, 25 membersleft during the year, only replaced by 19,and although we’ve had 1 new membersince 30th June, we’ve already lost 11 -including one sadly deceased and 7 fromthe collapsed Circle 24 - so our total todayexcluding life members is 244. But we’ve now got approaching £9,000in the bank, and while we do still need torecruit more members the Council and Iare confident that the budget can stand afreeze on the subscription rate for at leastone more year. It was proposed to accept the accountsfor the year 2012/13 as presented, to leavesubscription rates unchanged for 2013/14and appoint Don Langford as AccountsExaminer. All were unanimously agreed.

Francis OuvryUPP Treasurer


David R Neal

Budget Actual Budget Actual Budget

2011-12 2011-12 2012-13 2012-13 2013-14

AGM 2100 1710 2000 2184 2200

The Little Man(2 Issues) 1200 518 1100 1144 1200

Stationery 1000 729 850 606 800

Circle Secs' Exps 200 115 150 111 150

Officers' Exps 0 0 0 0 0

CouncilMeetings 1200 1008 1100 1027 1100

Advertising 0 0 0 0 0

Sundries 450 226 450 263 250

Total forExpenses 6150 4306 5650 5335 5700

Sales 400 509 450 439 450

other income 0 39 0 44 0

Subs 6000 5813 5450 5525 5400

Total forIncome 6400 6361 5900 6008 5850

Surplus or(Deficit -) 250 2055 250 673 150

MembershipNumbers 270 265 250 259 250

United Photographic Postfolios of Great BritainYear Ending 30th June, 2013


United Photographic Postfolios of Great Britain2013 Annual Competition

JUDGESDr Graham Reeves FRPS, EFIAP

Eddy Lane ARPS, DPAGB, AFIAPPete Basterfield ARPS, DPAGB, AFIAP

AV Judge – Keith Brown FRPS, MPAGB, APAGB, AFIAP

LEIGHTON HERDSON PRINT TROPHY & PLAQUEMartin HortonThe Goatherd c5 B&W Large Print

LEIGHTON HERDSON PROJECTED IMAGE TROPHY & PLAQUENeil HumphriesCharge c32 Projected Image

ROLAND JONAS LANDSCAPE TROPHY & PLAQUEDave Venables DPAGB, BPE3*Bleak House c5 B&W Large Print

AQS NATURAL HISTORY PRINT TROPHY & PLAQUERay Grace ARPS, DPAGBSnuggling Down c19 Large Print

GLENN VASE NATURAL HISTORY TROPHY & PLAQUEDerek Doar CPAGBAphid and Young c61 Projected Image

RALPH COUCHMAN CREATIVE TROPHY & PLAQUEBob Scarlett ARPSTulip c72 Large Print

LIZ BOUD AUDIO VISUAL ROSE BOWLMelanie Chalk CPAGBDreaming about Spring c52 Audio Visual

BEST SMALL PRINT - PLAQUERichard Cherry Arps, EFIAPManrique Passageway c29 Small Print

GOLD STAR CIRCLE – PRINTSSecretary - Nick Bodle c5 B&W Large Print

GOLD STAR CIRCLE – PROJECTED IMAGESecretary – Ken Payne c60 Projected Image


Snuggling Down AQS Natural HistoryRay Grace ARPS, DPAGB (Circle 19) Print Trophy and Plaque

2013 Annual CompetitionAward Winners

LeightonHerdson

Projected ImageTrophy and

Plaque

ChargeNeil Humphries

(Circle 32)



Best Small Print - Plaque

Manrique PassagewayRichard Cherry ARPS, EFIAP

(Circle 29)

Ralph Couchman CreativeTrophy and Plaque

TulipBob Scarlett ARPS

(Circle 72)



Leighton HerdsonPrint Trophy and Plaque

The GoatherdMartin Horton

(Circle 5)

Glenn VaseNatural History

Trophy and Plaque

Aphid and YoungDerek Doar CPAGB

(Circle 61)

Roland JonasLandscape

Trophy and Plaque

Bleak HouseDavid VenablesDPAGB, BPE3*

(Circle 5)


2013 Annual CompetitionCertificates and Highly Commended

C2/25 Large PrintKen Senior Storm Rider CertificateLarry Walker DPAGB Fountain of Youth Highly Commended

C3 Large PrintRalph Bennett ARPS CPAGB Jade Lisa CertificateAdrian Davies North Aisle Lincoln Cathedral Highly Commended

C4 Large PrintJohn Stokes CPAGB Frosty Morning CertificateVal Burdis DPAGB Autumn, Wester Ross Highly Commended

C5 Large PrintBaron Woods FRPS The Back View Highly Commended

C7/17/21 Small PrintJohn Long ARPS DPAGB Hon.PAGB One Sunny Day CertificateFay Palmer Golden Grasses Highly Commended

C9 Small PrintKen Dickenson DPAGB BPE3* This is For Money CertificatePeter Crook ARPS DPAGB Right Hander Highly Commended

C10 Large PrintTony Broom CPAGB Eventide Cross CertificateTony Broom CPAGB Pilots’ Trails Highly Commended

C11 Large PrintMick Willis A Street in Sarlat CertificateClive Haynes FRPS Modes Highly CommendedBob Norris The White Violin Highly CommendedPatricia Jones FRPS The Wave Highly Commended

C12 Large PrintAlan Robson FRPS APAGB Tyne Bridge by Night CertificateGordon Dunford Whitby Goth Weekend #1 Highly Commended

C14 Large PrintChris Taylor ARPS Allan CertificateChristine Couper LRPS Rocky Tide Highly CommendedChristine Couper LRPS The Harbour Wall Highly Commended

C19 Large PrintRay Grace ARPS DPAGB Moonglow, Avebury Highly CommendedRay Grace ARPS DPAGB Lavender Panorama Highly CommendedBaron Woods FRPS By Rydal Water Highly Commended


C23/34 Projected Image (SLIDE)Colin Tompson Two Lighthouses and a Storm CertificateColin Tompson A Hebridean Beach Highly Commended

C26 Large PrintYvonne Shillington Hearts and Flowers CertificateYvonne Shillington Florabundance Highly CommendedGayle Kirton Girl with the Pearl Earring Highly CommendedGayle Kirton Three Huts and a Dog Highly Commended

C29 Small PrintAnn McDonald ARPS My Home in Calcutta #2 Highly CommendedChris Aldred ARPS CPAGB Calm Before the Squall Highly CommendedBrian Skinner Swallowtail Butterfly Highly Commended

C31/33/35 Projected ImageKen Dickenson DPAGB BPE3* Blasting Through Ballugh CertificateKen Dickenson DPAGB BPE3* Meeting The Challenge Highly CommendedShirley Davis Water Play Highly Commended

C32 Projected Image & SlidesNeil Humphries Vaisakhi Sikh Festiva Highly CommendedNeil Humphries Blue Iris Highly Commended

C36 Projected Image - Prints Submitted This YearDavid Eaves ARPS DPAGB Passing Time CertificateDavid Eaves ARPS DPAGB Eroded Rocks, Utah Highly CommendedBrian Carter Keep in Touch Highly Commended

C41 (AA) Large PrintBill Girvin Sunlit Bridge CertificateJohn Holland Fiona Highly CommendedSteve Weideger Prancing Tri-color Heron Highly Commended

C45 (NH) Projected ImageChris Morton DPAGB Sanderling with Food CertificateAlec Turner White-fronted Bee Eater Highly CommendedKaren Berry ARPS Pisaura Mirabillis with Egg Sac Highly CommendedBob Crick Emerald Damselfly Highly Commended

C46 (NH) Projected ImagePhilip Mugridge ARPS Common Blue Damselfly & Garden Spider CertificatePhilip Mugridge ARPS Indian Roller Highly CommendedJohn Cucksey ARPS Elephant and Fur Seal Pup Highly CommendedJohn Bebbington FRPS Hoverfly Males Competing for Female Highly CommendedDouglas Hands ARPS Mantis Religiosa Highly Commended



C52 Audio VisualDavid Neal AFIAP DPAGB BPE4* LRPS Cats Highly Commended

C60 Projected Image (On Line Circle)Ann McDonald ARPS Dawn Puja CertificateAnn McDonald ARPS Waiting Highly CommendedIan Whiston BPE3* DPAGB Hoopoe Approaching Nest Highly CommendedIan Whiston BPE3* DPAGB Heron Fishing Highly Commended

C61 Projected Image (On Line Circle)Gary Langley Passive Smoker Highly CommendedKen Payne Sophie Highly Commended

C62 Projected Image (On Line Circle)Paula Davis FRPS EFIAP/s EPSA CPAGB Le Jardin Majorelle CertificateNorman Moor Mr Jinks Highly CommendedAlan Wheeler Grey Green Highly Commended

C63 Projected Image (On Line Circle)June Harfield Canyonlands CertificateKen Payne The Cross Highly Commended

C71 Large PrintIan Gostellow DPAGB BPE2* Angel of the North CertificateChristine Couper The Solitary Tree Highly Commended

C72 Large PrintBrian Davis APAGB Times Past Highly CommendedJohn Long ARPS DPAGB Hon.PAGB Dennis and His Bowl Highly CommendedJoan Gaffiney Keeping an Eye on Grandma Highly Commended

C73 Large PrintGraham Coldrick ARPS DPAGB Daffodil CertificateLinda Sharp ARPS AFIAP Three Olive Trees Highly CommendedSue Revill LRPS Memories of Better Days Highly CommendedHelen Frost Young Friends Highly Commended

C74 Large PrintChris Stobbs CPAGB Dunoon Pier CertificateChris Stobbs CPAGB Droplet Highly CommendedGordon Scott CPAGB Czech Mate Highly CommendedStephen Weideger CPAGB Calla Lily Highly Commended



2013 Annual CompetitionCertificate (Prints)

One Sunny DayJohn Long ARPS,

DPAGB, Hon PAGBCircle 7/17/21

Frosty Morning John Stokes CPAGBCircle 4

This is for MoneyKen Dickenson DPAGB, BPE3*

Circle 9



Hearts and FlowersYvonne Shillington

Circle 26

Passing TimeDavid Eaves ARPS, DPAGB

Circle 36

DaffodilGraham Coldrick ARPS, DPAGB

Circle 73

Angel of the NorthIan Gostellow DPAGB, BPE2*

Circle 71


2013 Annual CompetitionCertificate (Prints & Projected Image)

Sunlit BridgeBill GirvinCircle 41

Blasting through BallughKen Dickenson DPAGB, BPE3*

Circle 31/33/35

Dunoon PierChris Stobbs CPAGB

Circle 74

Sanderling with FoodChris Morton DPAGB

Circle 45


2013 Annual CompetitionCertificate (Projected Image)

Immature Common Blue Damselfly &Garden Spider

Philip Mugridge ARPSCircle 46

Dawn PujaAnn McDonald ARPS

Circle 60

Le Jardin MajorellePaula Davies FRPS, EFIAP/g, EPSA, CPAGB

Circle 62

CanyonlandsJune Harfield

Circle 63

Colin Tompson Two Lighthouses & a StormCircle 23/34



Storm RiderKen SeniorCircle 2/25

Tyne Bridge by NightAlan Robson FRPS, APAGB

Circle 12



Eventide CrossTony Broom CPAGB

Circle 10

A Street in SariatMick Willis

Circle 11

Jade LisaRalph Bennett ARPS, CPAGB

Circle 3

AllanChris Taylor ARPS

Circle 14


day's shooting. However there are plentyof barns to point your lens at once the earlymorning light has gone. Most of the barnsare wooden and when they start to get oldare just left until they fall down. Earlymorning and late evening light reallybrings out the amazing colours which haveto be seen to be believed. For the 3 daysof the workshop we were leaving our motelbefore 5 am with breakfast at about 10 andthen a break to catch up on sleep aroundlunchtime. After a quick dinner at 5 pm wewere then out again in the landscape untilit was dark. Steptoe Butte is an iconic landmark,reminding us of Roseberry Topping herein North Yorkshire. Unlike RoseberryTopping there is a road and you can driveto the top. There was an hotel built at thetop in the late 1800s but it burnt down inthe early 1900s. On the drive to the top ofSteptoe Butte there are landscapes tophotograph with a few places where youcan pull off the road and park the car.

Paula DaviesFRPS, EFIAP, EPSA, CPAGB

Colours of the Palouse

In the late spring of 2012 Guy and Ivisited the little known area of the Palouse.We had a couple of days in the area on ourown and then attended a 3 day workshopwhich was organised by a photographerwho lives nearby. I didn't realise when Ibooked our trip how few photographersknew about the area until I told peoplewhere we were going and was asked whereit was. Even some Americans that we metin Seattle hadn't heard about it. It is not anational park, and there is little in the wayof guidance to the area. The Palouse is a rich farming area of some3,000 square miles situated in the south eastcorner of Washington State spreading intothe south west corner of Idaho. The Palousehills consist of more or less random humpsand hollows. The Palouse is rather like Tuscany but ona bigger scale (as you might expect). Aswith parts of Tuscany it is a wheat growingarea and large areas of level land are rare.Unfortunately the towns cannot rival thesmall villages of Tuscany and could notoffer the wonderful little cafés andrestaurants to refresh ourselves after our


CircleNo

23579

101112141926294171727374

24

36

2331324546

60616263

52

4488

Image Size/Type

A4A416 x 12” or A3A5 max7 x 5”16 x 12” or A310 x 8”16 x 12”A3A3A312 Sq Inches16 x 12” or A3A4A4A4A4

Slide or A4 print

Slide or A4 print

DPI & 35mmDPI & 35mmDPI & 35mmDigital ProjectedDPI & 35mm

Digital ProjectedDigital ProjectedDigital ProjectedDigital Projected

Audio Visual

Col orMono

BothBothMonoBothBothMonoBothMonoBoth

ColourColourBothBothBothBothBothBoth

Both

BothBothBoth

ColourBoth

BothBothBothBoth

Both

Mounted

YesNoNoYesYesYesYesYesYesYesYesYesNoNoNoNoNo

No

Notes

Darkroom and Digital

Darkroom

Darkroom and Digital**

UK & Australia exchangeDigitalDigitalDigitalDigital

Film or Digital. 4 folios per year(Creative content. Non voting).

Accepts digitally produced slidesUSB Flash DriveA4 Prints and SlidesNatural History (Drop Box)Natural History

DropboxDropboxDropboxDropbox

4 digital sequences per year

Resting UPP Circle MembersRetired UPP long serving Offi-cers and Members.

** One colour round a year

Media

PRINTS

EITHER

SLIDES

Circle Types

Please make your cheque payable for £11 to UPP of Great Britain(Includes £1 to cover P&P )

and send it to

Ken Payne38 Lodge Crescent

Waltham CrossHertfordshire

EN8 8BS

£10

littleman 142

Documents

previous years

photographs fromyears

years agoand

little man winter

loft apile of photographs

previous secretary

andsee work

year andthe work of