literature integrated language teaching: balancing literature activities in a four-skills course

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Tara McIlroy Literature in Language Teaching SIG Literature Integrated Language Teaching: Balancing Literature Activities in a Four- skills Course

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Tara McIlroyLiterature in Language Teaching SIG

Literature Integrated Language Teaching: Balancing Literature Activities in a Four-

skills Course

Tara McIlroyLiterature in Language Teaching SIG

Literature Integrated Language Teaching: Balancing Literature Activities in a Four-skills Course

This presentation will describe some methods for integrating literature into a second language (L2) learning environment. Using Nation and Macalister’s curriculum design principles

(2010) and applying these to four-skills courses, the presentation will outline a range of activities making use of a

literature integrated approach. Next, the presentation will suggest ways to plan for specific aspects of a balanced L2 programme, such as fluency development, using literature.

Examples from the tertiary classroom will be introduced and participants will have an opportunity to consider applications

in their own contexts at the end of the session.

Outline• Pedagogical Background

• Problems in curriculum design and overcoming them

• Some Nation and Macalister Principles

• Selecting and using texts

• Discussion

Nation & Macalister, 2010 Nation, 2013

Literature Integrated Language Teaching

What are the teacher’s jobs?

Planning Training the learners Testing Teaching

Nation, 2013, p.8

Planning Training the learners Testing Teaching ……..

“There is nothing more difficult to plan, more doubtful nor more dangerous to manage

than the creation of a new system.”

Machiavelli (1513) The Prince

Ideal curriculum design situation

The waterfall model of curriculum design

All aspects of course, from goals down

Virtually no constraints on planning

Reality

Variety of learning goals

Unbalanced skills through testing/washback

Multi-level classes

Weak critical reading skills

Curriculum constraints

Limitations on planning

Complex student needs, lacks and wants

Global Issues Through Literature

Linguistic Creativity

Current elective courses:

Content-based language learning

Strong emphasis on student-centred learning

Multi-level classes

Focus:

Linguistic creativity: Course goals1 Show an understanding of creative language in English

Students will be able to demonstrate some awareness of language features used in a range of texts.  As well as becoming aware of these features, students will have some awareness of the same poetic devices in everyday English also.  

 

2 Show an understanding of the experience of reading

Using examples from the classroom activities and other student-choice of texts, students will be able to show an understanding of the ways that language affects the reader using the senses such as sound, sight, taste and feeling that make up the experience of reading creative texts.

 

3 Apply creative methods to write and respond to texts

Students will engage with texts and respond in ways which show their understanding of creativity in language use. Students will write and respond creatively to their choice of text for these activities.

Global Issues Through Literature: Course goals

1) Show an understanding of global issues using literatureStudents will be able to demonstrate some awareness of the role of literature in raising awareness about global issues. Some connections between local, global and international issues can be described and discussed within this focus.

2) Increase Global understanding using various perspectivesStudents will analyse problems in society from different perspectives.

3) Apply problem-solving skills to understand global problemsStudents will engage with texts and respond in ways which show their understanding of local, global and international problems, while additionally developing original ideas about solutions to those problems.

Nation & Macalister, 2010: 37-38

“A sensible basis to guide teaching and to help in the design of courses rests on

following principles. These principles must be based on research and theory, and must be general enough to allow flexibility in their

application”

Principle 1: Motivation

“As much as possible, the learners should be interested about learning the language and they should come to value this learning.”

Nation & Macalister, 2010

Interpretation• Self-selection of texts to encourage autonomy

• Using tasks which contain built-in challenges

• Setting clear outcomes with expectation that can be achieved

• Creating small, manageable tests to show learners they can be successful

• Rewarding efforts through publishing workbased on Nation & Macalister, p.50-51

teach a poem to a friend task

Principle 2: The Four Strands

A course should include a roughly even balance of meaning-focused input, language-focused learning, meaning focused output and fluency activities

Nation & Macalister, 2010

Nation’s Four Strands

Meaning focused input

Meaning focused

output

Language focused

learningFluency development

Nation, 2013, p.10

“The most important thing a teacher can do is make sure that the course contains the four

strands in roughly equal quantities”

MEANING FOCUSED INPUT MEANING FOCUSED OUTPUT

FLUENCY DEVELOPMENTLANGUAGE FOCUSED LEARNING

Close reading Listening Multimodal input

Spoken & written reflections Discussion & debate Role plays

Strategy tasks Intensive reading Group work

Repeated reading Use of simplified material Speed writing

based on Nation & Macalister, p.51-52

Pentametron• Four-strand mini-unit

• Beginning with language focused tasks (rhythm, rhyme)

• Workshop style lesson included reading Shakespearean couplets

• Examples of creative language in everyday use

• Finished with writing own couplets

Principle 3: Comprehensible input

There should be substantial quantities of interesting comprehensible receptive activity in both listening and reading.

Interpretation

• Checking the learning burden of texts

• Deciding whether to have difficult words glossed

• Offering multimodal support that provides L1 assistance

• Using the flipped classroom approach

based on Nation & Macalister, p.52-54

Example: Billy Collins

Principle 4: Fluency

A language course should provide activities aimed at increasing the fluency with which learners can use the language they already know, both receptively and productively

Interpretation

• “Making the best use of what is already known” (Nation, 2013, p.10)

• Using familiar topics and concepts

• Writing, reading, speaking or listening

• Simple texts for speed reading and writing

based on Nation & Macalister, p.54-65

People

Some people talk and talk And never say a thing Some people look at you And birds begin to sing

Some people laugh and laugh And yet you want to cry Some people touch your hand And music fills the sky

Charlotte Zolotow

Principle 5: Output

The learners should be pushed to produce the language in both speaking and writing over a range of discourse types

Interpretation• Using short lectures

• Spending time on talking and using materials in different ways

• Making use of language across text types helps to vary language use (formal, informal, etc.)

• Genre-switching, imitating style and retelling stories in texts all make use of this feature

Tools

Mobile readings

Communication

Multimodal support

Suitable content

Scaffolding

Thank you for listening!

Carter. R. 2004. Language and creativity: the art of common talk. London, UK: Routledge.

Collins, B. (2012)Everyday Moments, Caught in Time. TED.com https://www.ted.com/talks/billy_collins_everyday_moments_caught_in_time

Nation, I.S.P. & Macalister, J. (2010) Language Curriculum Design. London, UK: Routledge.

Nation, I.S.P. (2013). What should every EFL teacher know? Japan: Compass Publishing.

References

2014 conference

SIG publication

Website: <liltsig.org>

email: [email protected]