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Literature and Cultural Memory

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Page 1: Literature and Cultural Memory. Cultural Memory How we create an image of the past, How we make sense of our past from our present, How we understand

Literature and Cultural Memory

Page 2: Literature and Cultural Memory. Cultural Memory How we create an image of the past, How we make sense of our past from our present, How we understand

Cultural Memory

How we create an image of the past, How we make sense of our past from our present,How we understand ourselves and our past,What stories we tell to ourselves about ourselves,What we choose to remember or forget,How we explain the reasons why we remember or

forget something,How we make sure that we hand over the

memories that matter to us

Page 3: Literature and Cultural Memory. Cultural Memory How we create an image of the past, How we make sense of our past from our present, How we understand

Cultural Memory as a concept

• introduced to the archaeological disciplines by Jan Assmann

Assman’s definition: the "outer dimension of human memory"

• "memory culture“ (Erinnerungskultur)• "reference to the past“

(Vergangenheitsbezug)

https://tspace.library.utoronto.ca/citd/holtorf/2.0.html

Page 4: Literature and Cultural Memory. Cultural Memory How we create an image of the past, How we make sense of our past from our present, How we understand

"memory culture"

the way a society ensures cultural continuity by preserving, with the help of cultural mnemonics, its collective knowledge from one generation to the next, rendering it possible for later generations to reconstruct their cultural identity.

https://tspace.library.utoronto.ca/citd/holtorf/2.0.html

Page 5: Literature and Cultural Memory. Cultural Memory How we create an image of the past, How we make sense of our past from our present, How we understand

"reference to the past"

• reassure the members of a society of their collective identity and supply them with an awareness of their unity and singularity in time and space—i.e. an historical consciousness—by creating a shared past

• can involve rituals and ceremonies at special occasions such as commemoration days, and at special places such as ancient monuments, which function as timemarks and sites of memory

https://tspace.library.utoronto.ca/citd/holtorf/2.0.html

Page 6: Literature and Cultural Memory. Cultural Memory How we create an image of the past, How we make sense of our past from our present, How we understand

Forms of Cultural Memory

Formal – institutional – private – personal • History• Schools, subjects, syllabi, exams• Religion• Holidays (public, national, religious, private rituals)• Anecdotes• Memoires• Controversial, minority views, counter-narratives

Page 7: Literature and Cultural Memory. Cultural Memory How we create an image of the past, How we make sense of our past from our present, How we understand

Cultural Memory and Literature

Literary works – popular, canonicalHistory of literature - of a language

- of a nationRepresentation of a literature or culture in

another literature or culture: stereotypes popular image history of their

literature

Page 8: Literature and Cultural Memory. Cultural Memory How we create an image of the past, How we make sense of our past from our present, How we understand

Cultural Memory at DES, SEAS

British Literature in the Hungarian Cultural Memory project at the Department of English Studies, dir. Prof. Ágnes Péter

Cultural Memory and LiteratureAn international conference (24–25 Sept, 2010)

http://kulturalisemlekezet.blogspot.com/

Page 9: Literature and Cultural Memory. Cultural Memory How we create an image of the past, How we make sense of our past from our present, How we understand

Literatures in English

Postcolonial Studies• explores the various facets—textual,

figural, spatial, historical, political and economic—of the colonial encounter, and the ways in which this encounter shaped the West and non-West alike

• investigations from many disciplines, as well as a theoretical perspective from which to view a variety of concerns

http://www.tandf.co.uk/journals/titles/13688790.asp

Page 10: Literature and Cultural Memory. Cultural Memory How we create an image of the past, How we make sense of our past from our present, How we understand

Literatures in EnglishEnglish literary texts

representing other cultures

– the living conscience and public depository of the cultural memories of the world,

telling the story, incorporating the way of thinking,

and mirroring the language of other cultures?

Page 11: Literature and Cultural Memory. Cultural Memory How we create an image of the past, How we make sense of our past from our present, How we understand

Some examples

• Salman Rushdie, Midnight's Children (1981), key events in the history of India• Kazuo Ishiguro, A Pale View of Hills (1982),

narrated by a Japanese widow living in England• Keri Hulme, The Bone People (1984)

Maori, Celtic and Norse mythology• Tibor Fischer, Under the Frog (1992),

the 1950s and 1956 in Hungary• Panos Karnezis, The Maze (2004),

a novel set in Anatolia in 1922.