light museum

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MUSEUM LIGHT INSTRUCTOR | Jonathan Golli DATE | Fall07

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LIGHT MUSEUM section of my portfolio.

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Page 1: LIGHT MUSEUM

MUSEUMLIGHT

INSTRUCTOR | Jonathan Golli DATE | Fall07

Page 2: LIGHT MUSEUM

mine shaft, Main Elk Creek, New Castle COLORADO

The intent of this assignment was to design an annex for the Carnegie Museum, focusing on light. In the light museum, natural light defines spatial experiences and provides four specific gallery conditions. These four galleries are the indi-rectly daylit gallery, the no daylight gallery, the extensively daylit gallery, and an outdoor gallery. The museum program also includes a study center, curitorial offices, and support spaces. In my design for this museum, I drew upon my spatial experiences from canyons near my home in Colorado. I used these spatial experiences to define the form and the way in which light enters into the museum. Light is chanelled into the circulation spaces through a central core, which acts much like a canyon. Light and views are appropriated to the galleries through open-ings cut from the internal rectolinear spaces out through the angular, canyon-like, outer form. The latest design exploration was a system for allowing light to filter between the outer form and the interior walls. The double skin system, therefore, becomes a way to modulate indirect light in the gallery spaces.

LIGHT MUSEUM design intent INSTRUCTOR | Jonathan Golli

DATE | Fall07

Page 3: LIGHT MUSEUM

hand-drawn rendering (conté crayon)

THESISARTS CAM

PGREEN HOTEL

LAWRENCEVILLE

OTHER WORK

SURFACELIGHT M

USUEUM

Page 4: LIGHT MUSEUM

NO NATURAL LIGHT GALLERY

INDIRECTLY DAYLIT GALLERY

building section (AutoCAD and Adobe Illustrator)

Page 5: LIGHT MUSEUM

building section (AutoCAD and Adobe Illustrator)

THESISARTS CAM

PGREEN HOTEL

LAWRENCEVILLE

OTHER WORK

SURFACELIGHT M

USUEUM

EXTENSIVELY DAYLIT GALLERY

STUDY CENTER

SUPPORT SPACES

Page 6: LIGHT MUSEUM

basement

ground level

upper levels

PLAN KEY

a

i

j

k

a

a

d

i

b

e

j

c

f

f

h

g

c

b

RESTROOM

ENTRY

NO NATURAL LIGHT GALLERY

STORAGE

STUDY CENTER

OUTDOOR GALLERY

MECHANICAL

CURITORIAL OFFICES

EXTENSIVELY DAYLIT GALLERY

INDIRECTLY DAYLIT GALLERY

GALLERY

FORBES AVE

Page 7: LIGHT MUSEUM

THESISARTS CAM

PGREEN HOTEL

LAWRENCEVILLE

OTHER WORK

SURFACELIGHT M

USUEUM

FORBES AVE

CARNEGIE MUSEUM

g

h

e

d f

building axonometrics (Rhino and Adobe Illustrator)

Page 8: LIGHT MUSEUM

building model (chipboard, styrene)

Both digital and physical models of the light museum were developed con-currently. Towards the end of the design process, the two modes of modeling became correlated through the use of a specific modeling technique: The build-ing’s form was first fleshed out in a digital model, using Rhinoceros 3-D soft-ware. Templates generated from the digital model were then used for the con-struction of the outer skin for the physical model. The templates were printed to scale and indicated all lines for cuts and scores necessary to an accurate physical model out of chipboard.

LIGHT MUSEUM modeling technique INSTRUCTOR | Jonathan Golli

DATE | Fall07

Page 9: LIGHT MUSEUM

THESISARTS CAM

PGREEN HOTEL

LAWRENCEVILLE

OTHER WORK

SURFACELIGHT M

USUEUM

model templates (Rhino and Adobe Illustrator)

building model (chipboard, styrene)

Page 10: LIGHT MUSEUM

MUSEUMLIGHT

DATE | Fall07

JOSIAH HASKELLemail: [email protected]

phone: 970-319-7403