“As Newton shows how the three physical laws are also applicable in romanntic rela-tionships

Hadcrefted Burguers in Rome

“Pulqueria los Insurgentes” A place that you can’t miss.Best pulque city!!

Check our Show Time weekend

lose yourself in a magic city!!

Thanks to TELCEL the word is in my hands

Mexico city is one of the largest cit-ies in the world, with a population of about 8.8 million.

Tourism in Mexico City is an important economic activity in the capital, placed first nationally in terms of domestic and foreign arrivals to 12 million visiting tourists.

For this reason is to let go! It is a magazine of great importance in the city. is trescendental show tourists to other places with historical grandeur, new options to enrich more nuetra city.

Let go!! is a magazine that reveals points of interest and services that help to understand, live and enjoy city views, as well as a guide that offers a variety of choices in theater, restau-rants, art, lifestyle, bars and nightclubs.

This is our reason to invite them to get lost in this magical city.

Editorial MANAGER DIRECTOR EDITOR IN CHIEFPHOTOGRAPHER

CLAUDIA GUTIÉRREZ

GRAPHIC EDITOR

ALEX POBLANO

WRITER

ITZEL CRUZCLAUDIA GUTIÉRREZ

MARTCKETING

CALUDIA GUTIÉRREZ

IndexHadcrefted Burguers in Rome

5Art

Galery

8The Newton’s Theree Laws of Motion.

11

Pulqueria “Los Insur-gen-tes”

16Carla Morrison in the Casi-no Life

20

A huge graffiti adorn the facade of the place, dishes, waved acetate discs, glasses, bottles perfectly cut in half, the tables, washing tubs, lighted lamps, sieves with spotlights. Of course, burgers and fries, the best I've had in a long time. This is "Hungry Bitch" and is in Rome.

Opened on April 5 this year, this is a restaurant with a con-cept so different that not even Alan Ren-don owner dares to "pigeonhole":

“Bitch Hunger is in-formal. It’s not fast food. It has a little bar, but our streng-th is not beer. We offer very good ser-vice. Our foods are top quality, all fresh, all done at home, ket-chup, mustard, mayon-naise, bread is baked. Everything is done at the time“, he said.

Bitch Hunger is the pla-

ce to spend afriends, with your partner,

with your family, with whom you

want!

Hadcrefted Burguers in Rome

The burgers are so delicious offering that as Carla says Bermu-dez (restaurant part-ner): "Without exagge-ration , there is no burger like that of us." Alan is responsible for designing each burger, imagine the flavors together, do a test, and if they like it, it stays. As the Pug stuffed, bacon, sauteed mushrooms or pickled eggplant and spinach grilled.

SNACKING 5

But if you prefer a vegetarian burger is the Portobello, por-tobello mushrooms obviously, with lettuce, tomato, onion and other ingredients that you like to add. You can also accom-pany beer or a delicious mi-lkshake made with fresh fruit and excellent quality. Each food at a great price.

Mondays from 18:00 to 22:00 hours, you can enjoy the promo-tion “Monday Pajama” to go to the restaurant in pajamas beers will have a 2x1. On Thurs-days all day beers are the 3x2. Other ameni-ties at home in Colo-nia Roma.

To give a plus to this site, there is a gallery with works of different artists that are on sale. "There are spaces for all the talent in the city. In the shops the-re are no spaces" say the partners.

Bitch Hunger is the place to spend a nice time with your friends, with your partner, with your family, with whom you want!, As well as being of more under-ground and exquisite restaurants in the city can support the Mexi-can talent.

Dare to try the best burgers in

Rome !

SNACKING 6

In Mexico as in the world beer is Corona

ART GALLERIESColonia Roma is one of the most iconic Mexico City. Its architecture eclecticism are taking elements of the architecture of each period for the completion of a construction. There are also examples of the architecture of the belle époque and art nouveau and to a lesser extent, art deco and neo-colonial architecture, the latter originated in response to the above.

These currently building artistic rep-resent a wealth presented in different art galleries.

The gallery Nina Menocal has been instrumental in the consolidation of contemporary Mexican art and a pio-neer in Mexico in international art fairs more important.

Emily C-D art is an in-terdisciplinary artist , who divides his time between Baltimore and Mexico City . A process of explora-tion, collection, and ap-propriation of found ma-terials and the spaces informs his work.

The graffiti founded in 2007 por-tray a nostalgic way, a constant ob-servation to society.

CULTURALIA 8

His work revolves around issues dealing with the representation of ur-ban problems and marginal cultures within the context of unequal power relations and access to basic servi-ces taken for granted in the domi-nant society.

Morris learned the various social codes and the urban underclass un-derworld, their spoken dialects and semiotics; their survival strategies, and the use of an aesthetic in its way to decorate and beautify their homes and environment intended to make them more humane and place of dignity.

Vultures and revolve

Presence and absence are not anta-gonistic. Coexist at work and definition of Lozano-Hemmer when the heart rate of a visitor yesterday still beats today as light in the emblematic poetry Spiral Press. Over a period of time, people who are not known to share the same space, your heart beats tirelessly with the other, until it is replaced by a new presence.

Presence and absence are not an-tagonistic. Coexist in the definition of work and Lozano-Hemmer when the rhythm of the heart of a visitor yes-terday still beats today as light in the emblematic and poetic work Spiral Press.

Recent works demonstrate the in-tention of the artist to experiment with the concept of the virtual and the real: the shadow of a branch grows virtually becoming a three-dimensional tree, independent from their appearance and come to life in a second artificial reality.

CULTURALIA 9

The contemporary dance com-pany South West presents As Newton said, under the direction

of Stephanie Garcia

Crean analogy of man and his tempt to understand why love

As Newton said, a staging that brings us closer to understanding

human relationships.

THE NEWTON’S THEREE LAWS OF MOTION.

CULTURALIA 11

The three fundamental laws of mechanics of Isaac Newton are carried on the proposed broad-ranging dance scene-humorous As Newton said, by contemporary dan-ce company South West, under the direction of Stephanie Garcia in the Juarez Theater System Thea-ters Mexico City, where the moral precepts that determine how to es-tablish a personal relationship, are planned from scientific reasoning.

The three fundamental laws of mechanics and Newton's Laws of Motion posed the following:

First Law or the Law of inertia: every body will remain at rest or uniform rectilinear motion unless a

force acts on it;

Second Law or Law of For-ce: the acceleration of an object is directly proportional to the net force acting on it and inversely proportional to its mass, and

Third Law or Law of action and reaction: with all action takes always equal and opposite reac-

tion.

The director explained that from these orders, the company will gui-de the viewer through four cha-racters or "moving lines with very specific features" that exhibit social clichés and stereotypes applied to the search for "better half", and what is expected personal relation-ships.

“We take these premises, but also take into account what we thought and looked about real love as a force that moves the universe, not

about what is said about how to love or how they are supposed to be partners” explained.

Based on this, he said, created this kind of analogy of the human being in motion and his attempt to understand why they love , becau-se then “ to every action there is a reaction.”

The company consists Southwest Lorena López Aguado , Hugo Mar-tinez , Daniela and Juan Manuel Cano Rochin . The music is by Gogol Bordello , Designs Incredible scenery and Acapulco.

Stephanie Garcia is a graduate of the National School of Classical and Contemporary Dance . He has worked with choreographers such as Francisco Illescas , Luis Bravo , Beatriz Madrid, Octavio Zeivy , Arturo Garrido , Esther Lopezllera , Laura Rocha , Magdalena brezzo , Alberto de Leon, Jaime Camare-na and Victor Manuel Ruiz .

He began his choreographic ca-reer in 2009 with the creation of two of them, and in 2011 he pre-miered his first film Crossing Over in the Hall of UNAM . His second is How to say Newton , premiered last year at the Dance Theatre , the Main Theater of Puebla and in the Black Box of the National Arts Centre.

Southwest Performing Arts B.C. consists of dancers, actors and

visual artists who have sought to develop a profile involving other aspects that complement the ar-tistic work in order to contribute to the consolidation , restructu-ring and professionalization of

dance. It is an independent spa-ce without a general direction and heterarchical organizational

approach.

As I said Newton will be pre-sented from 8 to October 30, Tuesday and Wednesday at

20:00 pm at the Teatro Beni-to Juarez (Villalongín 15, colony Cualuhtémoc / Metrobus Reform). General admission of $ 122.00 with 50% discount to students, teachers and INAPAM. Box offi-ce: 5592 7389, Monday to Sun-day from 16:00 to 20:00 hours.

CULTURALIA 14

PULQUERIA “LOS INSURGENTES”

The pulque, ancient beverage of Mexico, has been harassed and al-most forbidden. The oldest beverage Mexico does not enjoy the protec-tion of the health authorities, cultural and, indeed, it is considered a taboo drink.

Relegated to rural areas where it is sold almost clandestinely, who want to make pulque, have to get in semi urban and rural communities of the Valley of Mexico. At the city‘s almost impossible to make pulque ordinarily as any liquor, except in the traditional pulque, dying out, with minimum standards of health and un-pleasant, that is why the pulque is associated with unpleasant odors and impoverished environments.

Los Insurgentes, new pulquería. It was 50 years that did not open a

pulqueria in Mexico City, says Gus-tavo Ruiz, one of the owners of the new establishment specializing in sacred drink, Los Insurgentes, Insur-

OVERNIGHT 16

gentes recently opened in the colony number 226 Rome: “There is a boom pulque among young people who are discovering. The pulque, frankly, is the only pre-Hispanic drink we know as the former taking. A drink that was not for everyone, but for the high priests and rulers, a connection with God Mayaguel and Aztec dei-ties. It was a privilege to drink it”

Pulque has the right to exist as any beverage. In the kitchen, an-ywhere, always be, no one has been rescued, protected only.

Insurgents have a broad cultural program. “Our commitment is for the culture of pulque, invite musicians and artists in general to participate in the life of pulque, and as co-editors of the special issue of the Journal Generation pulque” he said.

It’s amazing how the government protects industry pulque as many fa-milies and rural communities. They are part of our identity, history and fundamental in the collective imagi-nation of the construction of Mexican flavor. The cured and jars. The tlachi-queros, who obtain the mead of the maguey, and then ferment in jars, maintain not only an ancient tradition and craftsmanship to produce nectar, but every day, so mystical and pro-fessional identity endorse prehispanic cultures.

OVERNIGHT 17

The pulquería Los Insurgentes receive Natural pulque barrels each week, a family centennial tlachique-ros the state of Tlaxcala, which heal with seasonal fruits. Only the master pulquero, nicknamed “El Loko” makes the cured: tuna queen (the home), mandarin, oatmeal, pineapple, gua-va and others. Some combi- n a -tions, other creations, accom-panied by appetizers, shrimp broth and great chilaquiles. From noon until two o’clock, youth and labor groups, frequent the old three-story house Insurgen-tes. On the ground floor makes the atmosphere a jukebox with music from all genres . In the first and second floor , each with independent music, the celebration comes every night a pleasant and camara-

camaraderie. A bar with all the liquors and juices for the teetotalers rich, hosts book launches, discs and plastic samples: all wrap-ped by the magic of pulque, now, drink pro-tagonist of city life.

PULQUERIA “LOS INSURGENTES”

Insurgentes 226 Col. Roma Norte

Tel. 5207 0917 Timetable:

From 13:00 onwards

OVERNIGHT 18

SATURDAYDEC

For those who like we play casino life an excellent choice. Of its con-cept is an entertainment venue whe-re gaming machines are the main attraction. Include sports book area where sports betting and horse and greyhound practiced permanently. Also offer a space for concerts and social events is the concert club, at this little place on the second floor of the casino, where new groups now called indie rock are presented such as carla morrisson who the last wee-kend showed up and we jump has interview here.

Carla Morrison in the Casino LifeCarla, you have gone into music for a long time ...

What can I say! One girl I know from my passion of all arts practi-ced you was always singing, fully express what I felt and brought inside to feel good sung in various groups. It was better with Babalu-ca where unwrapped me, but now as a solo artist, I’m facing me to a different world, alone. I’m not afraid, I’m ready, more than an-ything as my first EP Learning to learn.

What inspires you when writing? Is there any particular topic?

No special topic, but love is a su-per tasty topic and I address that more perhaps, but really the songs are me at any time, while doing

OVERNIGHT 20

any everyday thing of nowhere bam! comes to my head and run to record me, I’m super sensitive and I write a lot of everything it touches me and makes me feel.

How was the recording process for learning to learn?

As it was a process of two weeks, I left my band, I collected my feelings and some songs I had written in my solitude I had not shown anyo-ne, the I improved and others were born days before recording, which incidentally I did not know would re-cord until I was offered days earlier. It was super easy, but had many feelings watered was my purpose. It was a new and strange but beautiful process because I was solo.

Who produced it and where?

As I walked around, really everything. Jordan, a friend of Audiomakers in Phoenix, Arizona, only mastered it and gave him a pat under my su-pervision.

Finally, what can people expect from Learning to Learn and Carla Morri-son?

Well expect more than what it is and already receiving my gear with an open heart and enjoy it. It is something that reflects me, my time and my changes.

OVERNIGHT 21

show timeOVERNIGHT

SATURDAY 23 NOVEMBER

FORO ALICIA (Av. Cu-auhtémoc 91-a Col. Roma)

Los Victorios + Los En-fadosos +La Real Skazes + Dj Chico Che / 5:44 PM

PASAGUERO SALON (Motolinea 16, Centro His-torico) LOS AMIGOA INVISIBLES 22:00 h.

CARADURA (Nuevo León No. 73, 1er. piso, Colonia Condesa)

Banda de Turistas / 10:00 PM

A/ VISION 4. FESTIVAL MUTEC.MX The Brandt Brauer Frinck Ensamble (Alemania)

CULTURALIAFRIDAY 22 NOVEMBER

DANCE

De la Seda al olvido Teatro de la Ciudad Es-peranza Iris. 20:30 h.

Thor Danse Compagnie. Clear Tears/Troubled Wa-ters Teatro de la Ciudad Es-peranza Iris. 19 h.

THEATER

Las Reformas torcidas de Dios Foro A Poco No, Teatro Cabaret. 20:00 h.

SUNDAY 24 NOVEMBER

THEATER IN PUBLIC PLACES

Del. Miguel Hidalgo, Av. Mexico- Tacuba

1322

Aves y Cenizas

Del. Cuauhtémoc, Col. Roma, Ham-

burgo 34

La Muerte de Gallo Rojo

SHOW TIME 22

“OFF THE WALL”

lose yourself in a magic city!!

Follow us on