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    Theory

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    Kate Nesbitt: Theory is a discourse that

    describes the practice and production

    of architecture and identifies challenges

    to it

    Overlaps with, but differs from,

    architectural history - it poses alternative

    solutions; it is speculative,

    anticipatory and catalytic

    Theory deals with architectures

    aspirations as much as its

    accomplishments

    Since the 1960s: pluralist period that is

    loosely defined as postmodern

    Architectural theory became truly

    interdisciplinary

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    Types of theory

    Prescriptive, proscriptive,

    affirmative, critical

    Prescriptive theory offers new or revived

    solutions for specific problems

    Proscriptive theory states what is to be

    avoided in design

    Critical theory is broader thaneither, it evaluates the built world and its

    relationship to society

    It is polemical, often expresses political

    and ethical orientation and aims to

    stimulate change

    It is speculative, questioningandsometimes utopian

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    Theoretical treatise: defining the scope of the discipline

    Theoretical treatises are concerned with the origins of apracticeExample: the origin of architecture is in imitation of nature - mimesis - andmans desire to improve upon it

    Basic subject matterof treatises:

    1 requisite qualities of an architect (with regard to personality, education,experience, etc.)

    2 requisite qualities of architecture (Vitruvius: firmness, commodity,delight)

    3 a theory of designor construction method (Abbot Laugier)

    4 examples of the cannon of architecture

    5 attitude about the relationship between theory and practice (useful,predictable - or not)

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    Postmodernism

    The 1960s are in many ways the key transitional period in which the newinternational order (neocolonialism, the Green Revolution,

    computerization, and electronic information) is at one and the same timeset in place and is swept away and shaken by its own internalcontradictions and by external resistance.

    Fredric Jameson, Postmodernism and Consumer Society

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    Challenges to theModern Movement inarchitecture

    The demolition of thePruitt-Igoe housingcomplex, 1972 (St Louis)

    hailed as the failure ofmodern architectures visionfor housing (this example a

    bureaucratic application ofmodernist principles)

    The aesthetic of modernismwas also increasingly seen asa sign of the corporate,commercial world; the social

    programme was lost:

    European modernarchitecture was importedto America without itsideological componentColin Rowe

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    Architectural theory becomes institutionalisedin this period

    In 1967-68 independent think tanks founded, in New York and Venice

    Manhattan: Institute for Architecture and Urban Studies (IAUS), similar in its

    mission to Londons Architectural Association (AA, founded 1847) was

    established by a board of architects (led by Peter Eisenman) in opposition tothe existing education

    It published Oppositions and Octoberjournals and a series of bookslike Aldo Rossis The Architecture of the City(1982, Italian 1966)

    Italian architects among the most influential theorists of the period

    Architectural Institute at the University of Venice (IAUV) important in

    particular, but also Rome and Milan

    1968 Manfredo Tafuri founded the Institute of Architectural History at IAUV

    (Critical theory and Marxism)

    School of Venice- a number of important architects

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    Mid-1960s: publication ofseveral important treatises

    Aldo Rossi,The Architecture of the City(1966)

    Robert Venturi,Complexity and Contradiction in Architecture

    (1966) Christian Norberg-Schulz,Intentions in Architecture (1965)

    Christopher Alexander,Notes on the Synthesis of Form (1964)

    Venturi:the importance of looking at and usingarchitectural history in contemporary design; a manifestofor historicist eclecticism

    hybrid/pure, distorted/straightforward, ambiguous/articulated

    Communication of meaningon various levels; multipleinterpretations

    Robert Venturi, Denise Scott-Brown, Learning from Las Vegas(1972)

    In a decade, his theory became widespread

    Charles Jencks,The Language of Post-Modern Architecture(1977):

    Codifies the emerging movement as a style

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    1969, conference at the

    MoMA; 1972 publication

    ofFive Architects from it

    Modern Movement-inspired work,

    countertendency in

    abstraction in relation to

    Venturi

    Peter Eisenman,

    Michael Graves,Charles Gwathmey,

    John Hejduk,

    Richard Meierbecame

    know as the New

    York Five

    Common ground isformalist: interest in

    early Le Corbusier and

    cubism

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    The Venice Bienalle 1980 - Paolo Portoghesi: The Presence of the Past

    Nostalgic and scenographic: negative judgement passed by some critics

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    MoMA exhibition in 1988 DeconstructivistArchitecture

    Aimed to show a new movement, but the work wasntas related/homogenous as suggested

    The term is a combination of philosopher JacquesDerridas deconstruction and RussianConstructivism

    Rem Koolhaas and Zaha Hadidclosest toConstructivism (through formal explorations)

    Peter Eisenman and Bernard Tschumiclosestto philosophical deconstruction (critique anddismantling of disciplinary boundaries)

    Frank Gehry, Steven Hall, Coop Himmelblau-not similar to the above (intuition and sensuousapproach to materials)

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    Theoretical paradigms

    The postmodern period characterised by a number of theoretical paradigms

    or ideological frameworks imported from other disciplines: phenomenology,

    aesthetics, linguistic theory, Marxism, feminism

    1 Phenomenology

    This philosophical thread underlies a number ofattitudes towards site, place,landscape and making

    More recently, this strand has moved into problematising the bodys interaction

    with its environment

    Martin Heidegger(1887-1976) Building, Dwelling, Thinking

    One of the most influential phenomenological works for architectural theory

    Dwelling is defined as a staying with things

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    Norwegian critic

    Christian Norberg-Schulzinterprets dwelling as being at peace ina protected place

    The primary purpose of architecture is hence to make to make a worldvisible. It does this as a thing, and the world it brings intro presenceconsists in what it gathers

    Existence, Space and Architecture, 1971 and onwards - exploresarchitecture and dwelling

    Phenomenology of architecture: concretization of existential spacethrough the making ofplaces

    Finnish phenomenologist Juhani Pallasmaa - psychicapprehension of architecture: opening up a view into a second realityof perception, dreams, forgotten memories and imagination

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    Peter Zumthor

    contemporary example of architecture

    that displays a phenomenological

    sensibility

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    2 Aesthetic of the sublime

    Aesthetics deals with the production and reception of the works of art

    The sublime is the principal aesthetic category of modernityandas such carried on afterwards

    The effect the work of architecture has on the viewer in the case of the sublime

    is visceral

    The definitions of the sublime (such as the uncanny and the grotesque) give

    shape to the modern aesthetic discourse and coincide with postmodern thought

    Scientific strand in modernism suppressed this aesthetic enquiry

    Emphasis on rationality and functionmarginalised beautyand the sublime as

    subjective issues

    Psychoanalytic and deconstructionist models revitalise this discourse

    Anthony Vidlerdeals with the uncanny; Peter Eisenman with the grotesque

    Uncanny in this context: the return of the body into an architecture that hadrepressed its conscious presence (Vidler)

    Grotesque: the condition of the always present or the already within, that the

    beautiful in architecture attempts to repress (Eisenman)

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    3 Linguistic theory

    Linguistic paradigms shaped cultural criticism

    Semiotics, structuralism, post-structuralism reshaped many disciplines:

    literature, philosophy, anthropology, sociology and all critical activity

    This development in the 1960s parallels the revived interest in

    meaning and symbolism in architecture

    Architects studied how meaning is created in language and applied it to

    architecture

    Modernism characterised by the belief in a whole, or unity, while

    postmodernism introduces the notions ofmultidimensional space and a

    methodological field

    Poststructuralism is characterised by the critique of the sign

    It also represents the shift from language to discourse (Terry Eagleton)

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    Kate Nesbitt:

    Before structuralism, the act of interpretation sought to discover themeaning which coincided with the intention of the author or speaker; this

    meaning was considered definitive. Structuralism does not attempt to

    assign a true meaning to the work (beyond its structure) or to evaluate the

    work in relation to the cannon. In poststructuralism, it is asserted that

    meaning is indeterminate, elusive, bottomless.

    Deconstruction (Jacques Derrida) is one of the most significant poststructuralist

    manifestations

    Tschumi and Eisenman representatives in architecture

    The philosophy of Gilles Deleuze (1925-1995) is only now emerging as

    potentially extremely productive in the context of culture and architecture in

    particular

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    4 Marxism

    Particularly important for the study of the city and its institutions

    School of Venice spearheaded by Manfredo Tafuri particularly influential raisingthe issue ofthe relationship of class struggle and architecture

    Tafuri: the crisis of modern architecture[is] a crisis of the ideologicalfunction of architecture

    Jameson: grass-roots resistance to the status quo is possible through Marxisttheory

    Important poststructuralist working with the questions of the structure of politicalpower: Michel Foucault

    The Frankfurt School (Horkheimer, Adorno, Marcuse) also fuses in aninterdisciplinary approach philosophy, history and psychology in order to explainthe phenomena of culture

    Walter Benjamin, although peripheral to the circle, became the most known andis often cited in architectural theory

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    5 Feminism

    Activism in the 1960s drew attention to the disenfranchisement within

    democratic societies of groups defined by gender, race, or sexual orientation

    This discourse often goes under the bannerthe critique of the Other

    It broadens the discussion of architecture from formal grounds to cultural,

    historical and ethical grounds

    Feminism is an important instance of this sort of critique

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    Postmodern architectural themes

    1 Historyand historicism

    2Meaning

    3 Place

    4 Urban theory

    5Politicaland ethical agendas

    6 The body

    Nesbit, Kate, ed. Theorizing a New Agenda for Architecture, An Anthology of

    Architectural Theory 1965-1995(New York: Princeton Architectural Press, 1996)