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We Have Never Been Modern (Review)Bruno Latour is a pioneer of science studies (or ‘science, technology and society’ as he calls it),
which examines the way scienti c knowledge is arrived at from a sociological point of view. As
one might expect, very often the outcome of this examination is that scienti c knowledge islargely in uenced by the social context. In Laboratory Life: The Social Construction of Scienti c
Facts (1979), Latour and Steve Woolgar argued that scienti c reality is “formed as a consequence
of” the social interactions between scientists. Thus what scientists claim is reality is, to a greater
or lesser degree, artefactual and so sociologists have the authority to speak on subjects of
science. Science is no more objective than sociology; there is a symmetry between the two. This
position may seem strange to us—we tend to think of scientists as nding out about nature,
rather than each other—but in We Have Never Been Modern, Latour tries to show us that this is an
illusion deeply engrained in the modern age.
He does this by outlining what he calls ‘the modern Constitution’: an unwritten understanding,
similar to the political constitutions which give roles to the di ff erent branches of a legislature,
but with a series of bewildering twists and contradictions, the most important being that the
Constitution only holds if we are unaware of it. Latour’s job is to disabuse us of the idea that
nature and culture are separate, and in so doing to set us free from the illusions of modernity: “As
soon as one outlines the symmetrical space … [between] … natural and political powers, one
ceases to be modern” (13). The modern Constitution is like the Emperor’s New Clothes. But
Latour’s surreptitious mission is to reassure us that once the emperor (nature) is exposed, his
empire of facts will not become wholly social, nor stay wholly natural, but be a compromise
between the two. But this, I suggest, is a false compromise: it collapses back into strong social
constructivism.
This Constitution consists of four guarantees. Firstly, “even though we construct Nature, nature is
as if we did not construct it” (33). Secondly, “even though we do not construct Society, Society is
as if we did construct it” (33). Thirdly, “Nature and Society must remain absolutely distinct” (33).
And lastly, God exists but never interferes with nature or politics (33). Why does Latour think we
need this constitution? So that we can alternate with impunity between two contradictory
positions, which he calls the rst and second paradox. The rst paradox is that although nature is
transcendent (i.e. real and waiting to be discovered), society is constructed by us. The second
paradox is that although we construct nature in the laboratory, society is transcendent. Under
the rst paradox, social scientists can “ridicule [the] naive belief in the freedom of the human
subject and society” (53). Society is subject to certain laws of human nature. And then, puttingon their other hats, sociologists can declare that “the inner properties of objects do not count,
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that they are mere receptacles of human categories” (52). So now nature is nothing but what we
project onto it. For some things, nature is “hard” and leaves its imprint on “soft” society:
“economics, genetics, biology, linguistics, or brain sciences” (53-54). For other things, “hard”
society projects itself onto “soft” objects: “religion, consumption, popular culture and
politics” (53). Whatever “social scientists happen to despise” they treat as ‘soft’, and whatever they
want to use a tool for debunking, they treat as ‘hard’ (53). Latour is certainly right to lambast
these hypocritical double standards, if anyone has them—but just because some are
unprincipled in their use of the hard/soft distinction is not a good argument for abandoning it
altogether.
Perhaps the picture is not as simple as Latour suggests. It certainly seems inconsistent for nature
to be ‘hard’ one minute and ‘soft’ the next, but we shouldn’t be too hasty in moving away from
the idea that science can simultaneously govern us and be in
uenced by us; and in adoptinginstead the idea that nature is somewhere in-between ‘soft’ and ‘hard’. All we need to do is be
more careful with our use of the word ‘nature’. Nature in itself (that is: nature as it actually is,
rather than our interpretation of it) is ‘hard’, and impacts on human thought and society (which is
‘softer’), which in turn impacts on our understanding of nature (which is softer still). Latour
acknowledges that it is “implausible” to claim that ‘nature’ is always hard or always soft, but
instead of conceding that nature is half and half, he insists that it is all in-between hard and soft
(55).
The diff erence is very important because an ontology consisting only of ‘quasi-objects’ (as Latour
calls these things which are neither ‘hard’ nor ‘soft) is in danger of collapsing into strong social
constructivism. Latour wants to ban us from ‘purifying’ these quasi-objects—from conceiving of
them as “a mixture of two pure forms”, which we can separate out into the thing-in-itself, and our
human understanding of it. But to say that if humans were not there to understand a given
object, there would be nothing left of it, is tantamount to saying that objects only exist because
we construct them. This position is known as strong social constructivism, as distinct from weak
social constructivism which holds only that our representations of objects are socially
constructed. But it is the more extreme position that Latour is committing himself to, no matter
how vague he chooses to be on the issue: either there are some things which are at least partly
‘pure’ nature, or there are not. He seems to say ‘not’. “Quasi-objects are much more social, much
more fabricated, much more collective than the ‘hard’ parts of nature”, he says (55), and this “third
estate, which was nothing, becomes everything” (140). Quasi-objects are everything; nothing is
‘pure culture’ nor ‘pure nature’.
This position is reminiscent of the famous words with which George Berkeley summed up his
idealism: “the trees therefore are in the garden … no longer than while there is somebody by to
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perceive them” ( A Treatise Concerning the Principles of Human Knowledge , 1734: section 45).
Though it’s tempting to leave the analogy with Berkeleyan idealism as a reductio ad absurdum ,
there’s more to be said. Latour has been trying to pass himself o ff as a moderate conciliator,
reconciling the two extremes: those who claim that nature determines the way society is, and
those who claim that society determines the way that nature is. He is at pains to rebuke the
excesses of sociologisation, naturalisation and discursivisation and to set his solution out as a
half-way house between the two poles of nature and society. But it is a wolf in sheep’s clothing,
because it denies that there is such a thing as an objective “reality ‘out there’”; that idea, he says,
has been “invented by the philosophers of science” (6). He’s just as extreme as ever: the objects
that science talks about may not be “arbitrary receptacles”, but that’s only a modest concession
which still leaves them oating in a sea of social construction, with no grounding in an
independent reality. The best that can be said for them is that they are constructed in ways
which are constrained by nature.
This ts well with actor-network theory, which sees the world as made up of relations between
actors. Our understanding of the gravitational constant is a relation, but the gravitational
constant itself is not, and so is not accommodated in the actor-network theory. This explains
Latour’s statement “[t]he weight of air is indeed always a universal, but a universal in a
network” (24). The weight of air simply doesn’t exist until it is experienced. Latour wants us to
think that science is safe (140) and that nature is real (77), but while we’re trying to get our heads
around his paradoxes and contradictions, he has furtively positioned himself where he can speak
with authority on matters of both society and science. There is a more charitable reading of
Latour: his statement that the category of quasi-objects “becomes everything” might have been
just one of his many hyperbolic embellishments. Hey may be retaining a place for nature in itself,
but claiming that the only things scientists ever deal with are quasi-objects. Either way, Latour
keeps his position of authority over both society and science.
In a similar act of aggrandisement, he tries to place under the scope of the modern Constitution
the very notion of time that passes (by which he means time which we divide up into discrete
eras, like modern and ancient). “Where do we get the idea of time that passes? From the modern
Constitution itself”, he tells us con dently (68). But Hesiod, who wrote in The Works and Days,
“now truly is an age of iron, and men never rest from labour and sorrow by day, and from
perishing by night”, can hardly be described as a modern, living two millennia before Hobbes
and Boyle. Hesiod saw the age he lived in as markedly distinct from the preceding Heroic Age,
which was characterised by patterns of behaviour as di ff erent from his age as those of the
premoderns are from those of the moderns. Latour continues: “The moderns have a peculiarpropensity for understanding time that passes as if it were really abolishing the past behind it.
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They all take themselves for Attila, in whose footsteps no grass grows back” (68). This vivid
accusation is reminiscent of the famous line from Virgil’s Georgics (a poem which, inspired by
Hesiod, also sets out a succession of discrete ages): “time ies, never to be recovered”. There’s a
hint of irony to Latour’s claim: he is accusing the moderns of imagining that the modern age is
special, or di ff erent—in fact, the modern age is the same as all the other ages, right down to
imagining that they are di ff erent!
This isn’t the only place where Latour’s inattention to historical detail gets him into trouble. His
treatment of Shapin and Scha ff er’s Leviathan and the Air-Pump (1985) takes up a large part of the
book. He interprets Hobbes as advocating a state like 18 th century France: the absolute power
invested in the sovereign “does not lead to a totalitarian State” (19). But Hobbes’ vision was
nothing if not totalitarian, as the historian of science Margaret C. Jacob points out: “the sovereign
had the right to tax, dispossess, or banish any or all who would challenge his authority” ( A HouseBuilt on Sand: Exposing Postmodernist Myths About Science , 1998: 251). Latour labels both Hobbes
and Boyle “fervent subscribers to mechanistic philosophy”, but is, according to Jacob, “unaware
of the emphasis on immaterial and spiritual power embedded in Boyle's
corpuscularianism” (241). Latour sees symmetry between the two thinkers, when there are really
profound di ff erences between the two.
Despite these shortcomings, Latour gets a lot of things right. His dissection and characterisation
of the modern social sciences is clear and compelling, as is his framing of their crisis:“denunciation and revolution have both gone stale” (45). And he is right that science is
increasingly straying into the world of politics, as science and technology throw up both
problems and solutions for politicians, and technocracy takes centre-stage on issues like climate
change, control of drugs and the internet, and medical ethics. But much of the book is very
unclear and perhaps, in places, deliberately so. His cryptic references and sarcastic pasquinades
do little to help the reader’s understanding, as when he ends a section by repeating a mysterious
few words of transliterated ancient greek: “ Einai gar kai enthautha theous ” (67). It’s hard to
swallow Latour’s social constructivism, although he tries to make it more palatable. The historical
support for his title thesis is also uncompelling. Although it’s true that little separates us from
those we think of as premodern, the insidious delusions he attributes to the modern
Constitution which Hobbes and Boyle wrought between them are very unlikely to be peculiar to
our age. In this respect it’s probably more true that we have always been modern.
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