laos instructional mat prodn besdp
DESCRIPTION
Presentation to MOES-RIES and partners for the final packaging workshop for textbooks and teacher guides of M3 (LSE) in Thalad District, Vientiane Province, Lao PDR by Joel Wayne Ganibe, BESDP Dep Team Leader for Component 2 (Quality)TRANSCRIPT
Tactical Solutions (Action plans)
What’s the big picture?
STRATEGIC
ISSUES
STRATEGIC OBJECTIVES
I WANT TO REMIND YOU HOW FAR WE HAVE TRAVELED TOGETHER…THE VICTORIES YOU ACHIEVED AND HOW MUCH MORE YOU CAN DO
NOW THAT WE HAVE CROSSED THE IMPOSSIBLE!
From BIG PICTURE to detailed discussion/from STRATEGY to TACTICS…
THIS IS OUR STORYJOEL WAYNE GANIBE,
DEPUTY TEAM LEADER FOR COMPONENT 2 ,BESDP
The BIG WHY…
remember
Component 2 BESDP
MOES’ Strategic objective under BESDP:
TO IMPROVE THE RELEVANCE AND QUALITY OF FORMAL LOWER SECONDARY EDUCATION
Ok…remember how?
The BIG HOW(the strategy)
For those who forgot…
UPDATE,IMPROVE,DELIVER!
CURRICULUM DESIGNLEARNER-CENTERED,OUTCOME/COMPETENCY-BASED, WITH CLEAR MEASUREMENT STANDARDS & PROCEDURES
QUALITY OF INSTRUCTION
TEACHER TRAINING
IN-SERVICE
PRE-SERVICE
INSTRUCTIONAL MATERIALS DESIGN & AVAILABILITY
IMPROVE THE TOOLS for learning
Improve HOW TO TEACH
WHAT TO TEACH: update standards/outcomes
Strategy to Improve Quality of Education
In short…
The mission of RIES and PARTNERS isto help make this happen by
producing improved instructional materials on time, based on a new,
outcome/competency-based curriculum that is learner centered
REMEMBER HOW EASY?!!!!!
OBVIOUSLY:
RECOVERY OF DELAYED MILESTONES
CANNOT BE DONE IN THE USUAL “NORMAL OPERATIONS” MODE.
LESS THAN A YEAR!
HOW MANY EXPERIENCED BOOK DESIGNERS WE HAVE ? HOW MANY CONTENT-EXPERTS?
INSTEAD OF ORIGINAL PILOT PROVINCES:WE HAD TO IMPLEMENT NATIONWIDE
INSTEAD OF JUST A FEW TITLES, OUR TARGET WAS 100 TITLES!
INTEAD OF ORIGINAL 5 YEARS TIME, WE ONLY HAD--
WHO AND HOW MANY REALLY UNDERSTOOD THE TRUE MEANING OF LEARNER-CENTERED APPROACH?
WHO REALLY HAS ENOUGH EXPERIENCE AS PROFESSIONAL EDITOR?
Produce 100 TITLES in less than a year!
Nyahaha! Bo dai--
You cannot do!
IMPOSSIBLE! IT’S NEVER BEEN DONE!
You will not finish! YOU WILL FAIL! You will be put to shame! HEHEHE!
Hahahahahahahah HAHAHAHAHA HAHAHAHA HEHEHEEHE HOHOHOHO!
Many people laughed--…
Many people cried--…
Including you and me!
But still we worked anyway!!!
So we asked for LAO PDR power…
PDR: • THE POWER • TO DELIVER • & RESPOND
(rapidly)
License to
Act
Out of the box
GO!GO!GO!GO! PAISUSU PAISUSU PAISUSU! HAHAHA HEHEHE HOHOHO!
The LITTLE HOW(the tactics)
I KNOW THIS IS HISTORY ALREADY BUT LISTEN CAREFULLY TO MAKE SURE WE LEARN FROM PAST MISTAKES SO THEY WONT BE REPEATED. THIS EXPLAINS WHY WE ARE STILL HERE TODAY TO DO THIS WORK.
For those who forgot…
WE BRING IN EQUIPMENT;WE RECRUIT THE PEOPLE;WE TRAIN THE PEOPLE;WE TEST THE PRODUCT BY USER (STUDENTS/TEACHERS)
For those who forgot…
PROPOSED CONFIGURATIONTEXTBOOK PLUS TEACHER GUIDES TEACHER GUIDES only
CACIM PM PM PM PM PM PM PM PM PM 9 PMsCCR EIC EIC EIC EIC EIC EIC EIC EIC EIC 9 EICs2 WRITERS 1 GRAPHIC
ARTIST/LEVEL
9 MAJOR SUBJECT AREASLANGUAGES M
ATH N
atu
ral
Scie
nce
Social Studies
Info
rma
tio
n &
C
om
mu
nic
ati
on
s Te
chn
olo
gy
PR
AC
TIC
AL
AR
TS
Phy
sica
lE
du
cati
on
MUSIC & ARTS
26 art
directorsCiv
ics/
C
ult
ure
His
tory
GE
OG
RA
PH
Y
LAO
LA
NG
UA
GE/
LI
TER
AT
UR
E
FOREIGN
ENG
FRENCH
1 M
AN
AG
ING
ED
ITO
R P
ER
/
LSE
le
vel
M1
LL 1
L Li
t 1
E1
FR 1
MA
TH 1
Na
tSci1
CC
1
His
tory
G1
ICT 1 PA1 PE 1Team Sports
MUSIC & ARTS1
13 Managing Editors
M2
LL 2
L Li
t 2
E2
FR 2
MA
TH 2
Na
tSci2
CC
2H
isto
ry2 G2
ICT 2 PA2 PE 2Team Sports
MUSIC & ARTS2
13 Managing Editors
M3
LL 3
L Li
t 3
E3
FR 3
MA
TH 3
Na
tSci3
CC
3
His
tory
G3
ICT 3 PA3 PE 3Team Sports
MUSIC & ARTS3
13 Managing Editors
M4
LL 4
L Li
t 4
E4
FR4
MA
TH 4
Na
tSci4
CC
4H
isto
ry
4
G4
ICT 4 PA4 PE 4elective
MUSIC & ARTS4
13 Managing Editors
IDEAL IS 18 Person -TeamPER SUBJECT: 1 PM 1 EIC 4 MANAGING Editors 4 Graphic/Layout
artists 8 WRITERS
18 PAX EXTERNAL
ILLUSTRATORS PAID PER PLATE
4 T
ITLE
S
4 T
ITLE
S
4 T
ITLE
S
4 T
ITLE
S
4 T
ITLE
S
4 T
ITLE
S
4 T
ITLE
S
4 T
ITLE
S
4 T
ITLE
S
4 T
ITLE
S
4 T
ITLE
S
4 T
ITLE
S
4 T
ITLE
S
42 managing
editors
44 textbooks + 44 teacher guides + 12 teacher guides 100 titlesDeploying CACIM/CCR and RIES domain specialists, plus external contributors, to produce 44
textbooks and 56 teacher guides (100 TITLES), means we need to deploy 86 Editorial Board members and 104 writers or a total 190 able professionals with a dedicated pool of 36 desktop PCs to churn out
content and final artworks within the allotted time
FIRST, WE ORGANIZED THE SUBJECTS, TITLES AND REQUIRED PEOPLE— We even analyzed the best number of pages that can
actually be used in a school year; the desk size; the students’ size, etc.
OK, NO PROBLEM!
CURRICULUM EXPERTS
CONTENTEXPERTS
PROCESS EXPERTS
Publishing Manager
Editor In-Chief
Writer 1Writer 2
Graphic Artist
Writer 1Writer 2
Graphic Artist
Writer 1Writer 2
Graphic Artist
Writer 1Writer 2
Graphic Artist
M1Managing
Editor
M2Managing
Editor
M3
Managing Editor
M4
Managing Editor
PROPOSED EDITORIAL TEAM PER SUBJ ECT
And for the first time, we encountered and fought with a creature called “EDITOR”
What is an “editor”• Not just subject expert but Process/Instructional design expert who
more fully understands curriculum objectives— (understand how the student and teacher will use the book)
• Understands the production process, how to meet the deadline and with quality standards
• S/he makes the sentences shorter and the statements more precise and easy to understand so that the material is less wordy. (so even if the writer "writes" in long complicated sentences, the editor is authorized to cut it down to size.
• the editor is thus more powerful, more expert than the writer. The writer KNOWS his topic, but the editor KNOWS his audience/reader better.
OK, NO PROBLEM!
• no writer is EVER greater than the editor. If this is not clear in the contract or agreement with the writer and the writer insists that his work not be touched by the editor, he must be reminded that the material belongs to RIES not to the writer because it is a commissioned work and the writer must create the material according to the specs of RIES and not the other way around.
• If not, then we know we have picked the wrong person or that we failed to clarify expectations from the start.
• This is then the responsibility of the EIC and Managing Editors who personally picked/chose the contributors in his/her team and had a chance to change this after the first workshop.
• as far as the project is concerned, the editors are expected to "edit" meaning to cut the rough manuscripts into crystal clear/diamond like gems FOR THE EASY USE OF STUDENT AND TEACHER.
OK, NO PROBLEM!
• THE EDITOR, “EDITS”– NOT “RE-WRITE”!!!! (AT THIS POINT, WE NEED EDITORS, NOT WRITERS)
• THIS IS WHERE THE DELAYS HAPPENED, FROM A BASIC MISUNDERSTANDING OF ROLES: • Writer was late in submitting manuscript• Editor was late in editing manuscript• Maybe did not know how—maybe tried to re-write• Maybe editor did not have time because busy doing other
important/urgent things OR MAYBE AFRAID OF WRITER • Maybe the “editing” was just talk during workshop, no formal
“marks” and signature on the material• Maybe corrected directly on e-copy and forgot to save as
different file name like, “version 2” and so cannot trace which version they hold.• Wrong export process to pdf• Did not use the “dummy board” effectively to track such danger
signs
OK, 2 issues: technical + process
can fix now!
LESSONS LEARNED:
PROCESS:MISUNDERSTANDING OF ROLES AND ACCOUNTABILITIES
EDITORS VS. ART DIRECTORS • EDITORS PLAYING ROLE OF “VISUAL DESIGNER”• DESIGNERS LACKING EXPERIENCE/RESOURCES• DESIGNERS EXPECTED TO BE “ENCODERS” FOR WRITERS WHO DON’T
KNOW HOW TO USE COMPUTER• DESIGNERS ASKED TO PROOFREAD OR EVEN “EDIT”
EDITORS VS. WRITERS• CONTENT/SUBJECT EXPERTISE VS. TEACHING EXPERTISE• UNDERSTANDING USER CONTEXT/LIMITS• LIMITED AUTHORING SKILLS OF WRITERS
• CONFUSION BETWEEN “GROUP OF WRITERS TRYING TO EDIT”VERSUS SPECIALIZED EDITORS (WITH LIMITED EXPERIENCE)
AFTER WORKSHOP…EVERYONE LEFT…WHO WAS LEFT BEHIND TO CARRY THE WORKLOAD? (BECAUSE NO CONTRACT, ONLY WORKSHOP ATTENDANCE)
LESSONS LEARNED:
TECHNICAL:
VERSION CONTROL• FILING SYSTEM (START WORKSHOP FILE VERSION 1) WITH HARD COPY
(PROOF 1)
• GROUP EDIT FOR CONSISTENCY WITH CURRICULUM, RIGHT POSITION OF GRAPHICS, CAPTIONS, GRAMMAR, USER-FRIENDLY TERMS, CLEAR ILLUSTRATION, SEQUENCING (RIGHT ORDER SAME WITH TB/TG)
• MANAGING EDITOR’S SIGNATURE WITH MARKS ON HARD COPY (PROOF 1). USE HIGHLIGHTER AND RED PEN. MAKE IT EASY TO FIND, ALL PAGES WITH CORRECTIONS.
• ART DIRECTOR ADJUSTS LAYOUT/TEXT/GRAPHICS BASED ON THE AUTHORIZED MARKS ON HARD COPY. PRINTS CORRECTED FILE AS HARD COPY (PROOF 2)
• MANAGING EDITOR’ CHECKS PROOF 2 AND CORRECTS FINAL FILE AND SUBMIT TO EDITOR-IN-CHIEF.
• EDITOR-IN-CHIEF’S (REPRESENT CACIM) PUTS HIS/HER SIGNATURE ON FINAL APPROVED COPY. S/HE NOW RESPONSIBLE TO MINISTRY FOR ANY ERROR. GIVES ORDER TO ART DIRECTOR TO EXPORT FINAL FILE AS PDF. KEEPS COPY OF ALL MARKED VERSIONS AS PROOF.
• PUBLISHING MANAGER RECEIVES FINAL FILES ON CD, FOR TURNOVER TO PRINTER.
But look at the big picture
again!
Ok, now we understand more and have experience
The mission of RIES and
PARTNERS isto help make
this happen by producing improved
instructional materials
ON TIME, based on a new,
outcome/competency-
based curriculum
that is learner
Centered
How long will the child have to wait before the plant grows and fruits and
then he can eat?
How long will the Lao students wait for a very perfect textbook to be printed and
delivered to his school?
Despite the many challenges:
Delivered the textbooks & teacher guides from design, writing, layout, user-testing, final approval, printing to delivery… within 300 days!!!
Students and Teachers now using…
No matter what people say, they received the “bread” they “taste” it and they are nourished. Maybe salty to some, too sweet to some, “new taste” to others—but definitely BETTER than the old bread.
Now we have experience…Now we have tools…
Now we have equipment…Now we have proof:
Nothing is impossible!It can be done!
GOOD LUCK!CONGRATULATIONS!
YOU JUST KEEP GETTING BETTER AND BETTER!