l=a=n=g=u=a=g=e poetry emerged in late 1960’s, early 1970’s response to mainstream american...
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L=A=N=G=U=A=G=E Poetry• Emerged in late 1960’s, early
1970’s• Response to mainstream
American poetry• Developed in diverse
communities of San Francisco and New York• Draws readers’ attention to use
of language• Focus on meaning
L=A=N=G=U=A=G=E Magazine Online
electronic poetry center
Charles Bernstein• born 1950, NYC• Harvard graduate• published many books• Professor of English at
University of Pennsylvania• co-published
L=A=N=G=U=A=G=E magazine• co-founder electronic poetry
center
A Test of Poetryan
interview
If effort could talkwell hid spoils node adscross out trill fingered by lament touchamiss, as is somebody werethe house peeper, a wholesomely clandestine intervala threat startling in its knowneraser bathos: can a turn burn? —real queasy glitters silence more delinquentheat made uniforms from skincongeal teeth skull as lyric a flame overindebtedpoke taut risk scald egregious butteran exploding sincewhining boring spasm overspillsbows on an overhead sacrosanct bereaving
Bruce Andrews reading his work
Bruce Andrews• born 1948, Chicago• educated at John Hopkins and Harvard
Universities• Professor of Political Science at
Fordham University in NYC• published dozens of poetry books
Michael Palmer
A poem
Lyn Hejinian
A poem
• Born in bay area• Born 1941• Lives in Berkeley• Teaches at UC Berkeley
• Born 1943• NYC• Harvard University, early 60’s• Lives in San Francisco
The Dream of Narcissus & other Poems (begin at 1:19)
Ron Silliman• born 1946• has taught at many American
universities
a poem
comments on poetry, in his own words
Susan Howe• born 1937• painter & poet
a poem
Rae Armantrout• born 1947• professor at University of
California, San Diego
And1Tense and tenuousgrow from the same root
as does tenderin its several guises:
the sour grass flower;the yellow moth.
2I would not confusethe boguswith the spurious.
The bogusis a sore thumb
while the spuriouspours forth
as fish and circuses.
poem
Reading her poetry