l autographic kodak junior - historic...

$: l AUTOGRAPHIC KODAK JUNIOR - Historic Camerahistoriccamera.com/images2/Mike/reference_105_reference_document.pdfKODAK 'Irade Mq,rk, 7885. EASTMAN KODAK CONIPANY, Rocnnsrrn, N. Y. lVl.q,Nur.{cruRERs$
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?ICTURE TAK|Nq=.

IYITH THE

No.2-CAUTOGRAPHIC

KODAKJUNIOR

= ?ublished by the

=' " EASTMAN KODAK CLjMPA|.IY,, , , ROCHESTER, N.'Y.

KODAK'Irade Mq,rk, 7885.

EASTMAN KODAK CONIPANY,

Rocnnsrrn, N. Y.

lVl.q,Nur.{cruRERs oF

Kodaks,Brownie Cameras.Kodiopticons,Kodak Film Tanks,Kodak Dry Mounting Tissue,Velox Paper,Eastman Film,Angelo Platinum Paper.Eastman Solio Paper,Eastman Ferro-Prussiate Paper,Eastman Velvet Bromide Paper,Eastman Brilliant Velvet Bromide Paper.Eastman Royal Bromide Paper,Eastman Standard Bromide Paper,Eastman Enameled Bromide Paper,Eastman Matte-Enamel Bromide Paper,Eastman Platino Bromide Paper,Tested Chemicals,

ITripods andOther Specialt ies.

TRADE MARKS REG. U. S. PAT.

Magt, 1916.

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. .KODAKBRY' '

A monthly magazine that teaches how tomake bet ter p ictures wi l l be sent FREE OFCHARGE to every one who purchases one ofour amateur cameras from a dealer in photo-graphic goods, provided th is b lank is f i l led outand sent to us wi th in 30 days of the date thecamera was purchased.

EASTMAN Kooer CoupeNy.

To rne Eesruew Kooa< Co., Rochester , N. Y.In accordance wi th your of fer . p lease p lace my name

o n t h e m a i l i n g l i s t f o r " K o o e x e i y " ( w i t h t h e - u n d e r -starrd ing - that there is to be no cost to me) I hav ingpurchased a

f r o m . . - . . . . . . . . .(N;;;-;; d;;G;i""

on.-- . , - . . - . . . ; . . - . . - . . . . - . . i .D; i ; i i ; ; ; i . . . . . .

Wri te

name and

address

p l a i n l y

N. B.-The magazine wil l be sent for one year only onabove ofier, After that the subscript ion price wil l be 5ocents per annum. but yorr are not urrder the sl ightest obl i-gatiorr to renew.-E. K. Co.

Form No. 34r.16.

n.. I

EICTURE TAKING WITH THE

No.2-CAUTOGRAPHICKODAK JUNIOR

(F.z.z ANASTIGMAI R. R.AND MENISCUS ZENS)

. ?ublished by the

EASTMAN KODAK COMPANY,ROCHESTER. N. Y.

@

C

ORDER FILMBY NUMBER

All Kodak Films may be distinguishedby the numbers on the ends of cartons:

A-130is the number for film for this Camera(No. 2-C Autographic Kodak Junior).The number appears on the carton, onthe cartridge, and on the Autographicdoor which is located on back of camera.

NOTICE

Autographic film can be used in old styleKodaks, old style film can be used in Auto_graphic Kodaks, but to get autographic resultsAutographic film must be used in an Auto_graphic Kodak.

BEFORE LOADING.

Before taking any pictures with the 2-C

Autographic Kodak Junior, read the following

instructions carefully and make yourself per-

fectly f amiliar with the instrument, taking

especial care to learn how to operate the

shutter. Work it for both time and instan-

taneous exposures several t imes before thread-

ing up the fi lm.

The first and most important thing for the

amateur to bear in mind is that the light which

serves to impress the image upon the sensitive

film in a small fraction of a second when it

comes through the lens, can destroy the fi lm as

quickly as it makes the picture. After the fi lm

has been developed and all deaeloper thor-

oughty washed, out, it may be quickly trans-

ferred in subdued white l ight to the fixing bath

rn'ithout injury. Throughout all the operations

of loading and unloading be extremely careful

to keep the red paper wound tightly around

the fi lm to prevent the admission of l ight.

EASTMAI{ KODAK COMPANY,Rochester. N. Y.

\

CONTENTS.

Penr I.' Loading.

Penr II.Making the Exposures.

Section l. Operating the Shutter.Section p. InstantaneousExposures.Section 3. Time Exposures.Section a. Flash Light Exposures.

Panr IILRemoving the Film.

Penr IV.Developing

Panr V.Printing on Velox paper.

Panr VI.Mounting.

PART

SECTION I .

LOADING WITH FILM.

The f i lm for the No. 2-C Auto-graphic Kodak Junior is furnished

in l ight proof carrr idges and theinstrument can, there f ore, beloaded in dayl ight . The operat ion

shou ld , however , be per fo rmed in

a subdued l ight, not in the glare

o f br ight sunl ight . I t should also

be borne in mind that a f ter the

seal is broken care must be taken to keep the

red paper taut on the spool ; otherwise i t may

slip and loosen suff iciently to fog the f i lm.

I . To load the Kodak, take a posi t ion at

a table rn'here the daylight is somewhat sub-

clued, and grasping the instrument wi th the

lef t hand, remove the back by pressing in

simultaneously r,vith the thumb and second

THE FILMA-130

Eastrnan Kodak Compan!, .

Press t t tg i t t Clqtches.

f ingcr of the r ight hancl , as inc l icater l in Fig.I . ' l -he '

l i f t the back outwarcls ancl upwarclsin o r r l c r to rcmove i t , as shown in F ig . I I .

No. 2 -C Autograph ic Koc lak Jun io r .

F I G . I I I .

Sp'ringing Otct ct SPooI Pin.

I I . The Koc lak hav ing beet l op t : 1 le c l ' a l l

e r rnp ty s l )oo l hav i lg a s l i t in i t rv i l l l l e see l l

in the rv inc l i r tg e t tc l o f the ca .1nera . Th is

fo rms the ree l o11 rvh ich the { r lm is wout rc l

a f t e r e x p o s u r e . T h e f u l l s p o c l i s t o b e

p lacec l in the recess a t the o l t l tos i te e t rc l o f

t l - re Kor lak . To accornp l i sh th is , pu l i o t t t spoo l

p i n s a s s h o r v t r i r t F i g . i I I .

F I G . I \ , .

Insr:rting the Car tr idg t: .

Eastman Kodak Company.

I I I . Drop the f i lm cart r idge into th is recess,as shorvn in t r ig. IV. Another and most con-venient method of p laci 'g the cart r ic lge in therece-ss is shown in Fig. IV-A.

FIG. IV-A.fn,sertin g the Cartrid,g e.

A f ter the spool p ins have bee' pul lec l out(F ig . I I I ) , wrap the ins t ruc t ion shec t ( founc l

FIG. V .Threa,dittg,tLp the- Rsg puper.

No. 2 C Autographic Kodak Junior.

with the f i lm) around the spool . This wi l l

e lable one to ra ise or lower the spool s l ight ly ,

so that the spool p i ls may be readi ly pressed

irr to p lace. Be careful to get the to\ of the

sl tool at thc toP of the carnera. The top is the

wi ld i lg s ide of the camera. Each cart r idge is

niarkecl on the end or the word "Top" wi l l be

f ound pr inted o11 the red paper near the top

of the spoo l .

NoTr; : If the cartridge is inserted wrong side up, ther".f prp"r instead of thehlm will be broug!! nex! the lens,i"r"itiiis, of ..o.,rse, in the absolute loss of the pictures.

FIG. VI .Turni'ng the KeA to Bi'nd Paper on' Reel'

IV. Push spool p ins into p lace so that spool

t 'evolves upol1 them.

V. Remove the gummed sl ip that holds the

enc l o f the red paper ; pass the paper over the

two aluminum rol lers and thread into the s l i t

in reel , as shorvn in Fig. V. Be careful in so

clo i1g that the paper draws stra ight and t rue.

1 0 Flas tnran Kodak Compan l , .

VI . ( i i r -e the l<cy onc or t \ \ ,ojus t c r to r ig -h to l t in r l t l te l )a l )c r o l tno n lo r ( ' . Se e F- ig . V I .' l ' hc

papcr shou l r t l l ow be inc a t c ' r l i n F i g . \ . 1 I .

s I i . q l r t t u r l r s -the ree l -anc l

pos i t i o r r i n r l i -

s tr o r r in si',,?;,i "!i'

o.f p ap e r .

\ / I I . Re1; lace the back on l {ocrak, revers-i r r .q ' th. . or)crat io ' as show, i r r f igures I a 'c l I I .ca re shou l c l a lways be t ake ' t o ha ' c l l e t heback o f I iodak care fu l r -v , espec ia l l y whe, i t i sc letacher l f rorn camera, zS e\rer a s l ight be'd* 'o ' lc l nrakc i t f r t bacr ly, rc:surt i 'g very prob-abl l ' i ' a leakagc of l ight , aucl corseclr rer t lvl oss o f f r l n r .

' l ' l t rouy lho t t t thc fc t r t 'gyo i t tg l o f t , ra t io t t , f rou t

thc t in rc thc g rnnr r t t , c l s t i1 , i s cu t o t r thc f rcshro l l o f f i l t t t r , t t i l thc bach is o rcc i ro rc i t tf locc, Tir,{1, t l tc rt d f altt ,r rt,ottttd t ightl l , ottt l t t ' ro l l . I f i t is u i lc tzt ,cd to r ,oset t , r ight zt , iUl tc udnr i t t cd u r td th t , f i l n t fo31c1cd.

\ ' ' I I I . f -hc ro l r o f f i r in i ' the camera isco\-erc ' ( [ * ' i th re c l paper, a 'c l th is must berec lcc l r f f bc fo re a p ic tu re car l be take . . T -ur 't l re f ie ' , ' s lou '11' to the lef t a '11 rvatc ' the l i t t le

No. 2-C Autographic Kodak Junior. l l

rcd wiur low at the back of the camera. \ \ rhen

15 to 18 t11nts have l teetr g ivetr , a hancl point ing

FI . ' IG. VI I I .

toward t l te f i rs t r lumber wi l l appear;

s lorv ly ur i t i l the f igure I is in f ront

w indow . F i g . V I I I .

The f i lm is t row in Pos i t ion fo r

f irst picturc'

rrrr{b

I

then turtt

o f the red

taking the

PART I I .

The genera l ins t ruc t ions in th is No. Z_CAutographic Kodak Jurr ior manual apply equal lywel l to the camera, whether f i t ted wi th s ingle,Double or F"7.7 Anastigmat Lens.

The on ly d i f fe rence l ies in the t im ing o f theexposures and the use of the diaphragl l - I , inas-rnuclr as the Double and F.7.7 AnastigmatLenses wi l l work at a larger stop or openingthan the Single Lens.

MAKING THE EXPOSURES.

Before mak ing an exposure w i th the No . z -cAutographic Kodak Junior , e i t r rer t ime or i ' -s tan taneous, be sure o f four th ings :

F'rnsr-That the shutter is set properly.Sncoxo-That the diaphragm stop is set at

th e proper opening.Tnrnn-That the camera is focused.Founrrr-That an unexposecl s.ection of the:

f i l rn is turned into posi t ion.

No,rn: Exoosures arc mad.e bI- pressing push_pin atend of cable r'elease o .i p"rt"ing do*.n on rtlease c.Avoid making too sharp a bend in the cable

release, as by doi 'g so i t r ,v i l r be l iable to k i 'k .

No. 2-C Autographic Kodak Junior.

OPERATING THE SHUTTER.

Perfect fami l iar i ty wi th the shut ter is essen-

tial to successful picture-taking with any cam-

era. The f o l lowing di rect ions should, there-

fore be careful ly reacl at ld the shut ter oper-

atect sevcral t imcs before threadi lg the f i lm up

for use .

SECTION I .

Instructions when your Camera is f itted with

Sinsle Lens (Achromatic).

(If f i ttecl rvith Double or F.7.7 Anastigntat Lens disre-gard ancl follow instructions on page 16).

14 Eastman Kodak Company.

fnstantaneous Exposures.Frns:r-Set the lever at 50 or 25 (represent_

ing 1-50 and l-25 of a second), accoiding tothe time of instantaneous exposltre desired.. . Norn : lhe lever A shou_ld. be used at 100, only when.taking.movin-g objects in bright.r*t i i r . i , and lever BPlf],llY"vt be placed ai No. I, *h"; fikiiis this

-liind oTa plcture.

Sncoxn-Set the lever B at No. 1. Lever Bcontrols the ir is diaphragm and No. I is theproper opening for ordinary instantaneousexposures .

Norr: For instantaneous exposures when the sun_light is unusually strong and therb are * f,"""V shadows,such as in views on the.seashore or on the water, use thediaphragm No. p. With ligh:t ctouas, sZigt tta smoiaatmosphere use No. I at zE. With nraui iioua, ao nitattemp t i,nsta,ntaneous erposlt res.

_ Tnrnn-Press push-pin or push down on re_lease C. This makes the .*por,rre.

.. Norr : Press push-pin-wit_h a firm, quick movement, atthe same time be sure to h-old the Kocl;k,igid, ", ",iishijarring will ca,use a blurred negative.

Time Exposures.

Frnsr-Set the lever A at the point T (t ime).Th_is adjusts the shutter for time exposures.

SacoNn-Set the lever B at No. 2, 3 or 4.See instructions for use of stops, page 40.

Turnn-Press the ppsh-pin. Titii opens theshwtter. Time exposure by a watch.- Againpress the push-pin. This

-close, iin shwtter.,.

Shutter may be opened by pressing release Cand closed by a second pressure i i desired.

No. 2-C Autoelraphic Kodak Junior. 15

Bulb ExPosure.

Wl-ren it is desirable to make a very short- t i rne

exposure th is is best accompl ished by

makir-rg a "bttlb exPosure."- Frnsr-Set the lever A at the point "8"

(bulb) . This adjusts the shut ter f or bulb

exposures.

Socoxn-Set the lever B controll ing the

stops at No. 2, 3 or 4 as desired. See page 40'

Tnrnt-Press push-pin to open the shutter,

ancl release it to close the shutter. This maltes

thc erf osure. The shutter will remain open

as long as the push-pin is under pressure.

IlrponraNr.

Do not oil any Part of the shutter.

In case of accident return shutter to your

dealer or to us for repairs. As a general ru le,

make exposures with the cable release insteacl

of with tl-re release C, as thc cable release is

less l ikely to jar the camera.

t

F

l 6 l . iustrnarr Kor lak Contpatr l ' ,

Instruct ions for the use of the No. 2-c Auto-graph ic Kodak Jun io r , r 'hen equ ipped w i th Doub leLc'ns (Rapic l Rect i l int 'ar) or I r .7,z Anctst igtnot Lens.

N , ' r ' r , . : \ \ ' h e n t l r r : K o c l i r k i s e < l r r i l t p e r l u ' i t . l r i l r t , [ , . . ? . ?A n : r s t i g r r r a t L e n s . t l r e l o u ' c r s c a l e o n i l r e s h r r t I t : r i s r r r a r k c c lin t l re I . ' . s5 's te rn- . / ' .7 .2 I l , l ( i . ? / , : l : ] t r r rd . [5 .

Instantaneous E,xposures.

I i rns r ' -Sc t thc l cvcr A a . t J5 , 50 ( ) r 100. ac-co r r l i ng t o t hc t i n r c o f i r r . s t a r r t anco t r s cxpos r l r cr l cs i re c l .

N o ' r ' n : I n b r i g h t l i g h t , s e t i l r e l e v c r a t 1 0 0 . i l r e h i g l r e s ts p e e d . I n m o r c s r r l r d u t ' r l l i g l r t s , s e r t a t 5 0 o r . 2 5 , b r r t r l o r r o ti t t t c r r r p t t o r r r i r k c i u r l ' i r r s t a r r t : n r c o r r s t . x 1 _ r o s r r r e s i r r v c r . 5 , ,r l u l l l i g l r t .

No. 9-C Autographic Kodak Junior. t 7

Sr:coxn-Set the lever B at No. 8 (if the

Kodak is equippecl wi th thc F.7.7 leus use

s top No . F .11 ) . Lever B con t ro l s the I r i s

c l iaphragm and No. 8 or F '11 is the proper

opening for ordinary instantaneous exposures.

Norr: For instanlaneous exposures when the sun'l iglrt is unusttally strong antl t ltere are noheavy shadows,

' such as in views on the seashore or on the water, use thetliaphragm No. 16. lViLh light clouds ot slightl.u smokgatmosphere ttse No.4 or F.?.? at 50 or No. 8 or l ' .11 tt 't 25'Witlt heaull clotrds do not attempt i'nsta'ntaneous en-p()sures.

Tntnn-Press push-p in o r push down on re -

lcase C. T l i i s makes the ex l los t t re '

No'rl; : Press push pin with a firm, quick moventent'

at the same t ime be sure to hold the Kodak r igid, as a

sl ixlr t jarr irg wil l cause a blurred negative.

Time BxPosures.

Frnsr-Set the lever A at the point T (t ime)'

This adjusts the shutter for t ime exposures'

Srcoun-Set the lever B at No. 76, 32, 64 ot

128. If the Koclak is equipped with the F'7'7

lens, set the lever at F.16, 22, 32 or 45' See

instructions for use of stops, page 40'

Tnrnr-Press the push-pin. This opens the

skutter. Time exposure by a watch' Again

lrress the push-pin. This closes the shwtter '

Shrrtt.t may be opened by pressing release C

and closed by a second pressurs i f desired'

r . , . . .+*-us id iH' _&


Bulb Exposure.

When it is desirable to make a very shortt ime exposure this is best accomplishecl bymaking a "bulb exposure.',

Frnsr-Set the lever A at the point (.8,,(bulb). This adjusts the shutter for bulbexposures.

SBcoxo-Set the lever B controlling thestops at No. 16, SZ, 61 or l2g as desired. I fthe Kodak is equipped with the F.7.2 lens, setthe lever at F.16, 22, 32 or 45. See page 40.

Tnrnn-Press push-pin to open the shutter,and rclease i t to close the shutter. This mahesthe es:posure. The shutter will remain openas long as the push-pin is uncler pressure.

i l rpoRTANT.

Do not o i l any part of the shut ter .

fn case of accident return shutter to yourdealer or to us for repairs. As a general ru le,make exposures wi th the cable re lease insteadof wi th the re lease C, as the cable re lease isless l ikely to jar the camera.

No. 2-C Att tographic Kodak Junior '

SECTION I I .

INSTANTANEOUS EXPOSURES.

" Snap Shots . "

To take i ls ta l ta leot ls p ict t t res the objects

must be i r r the broad, opel l surr l ight , but t f ie

camera shoulc l not . The st l l l shoulc l l le behincl

the back or over t t re s l t< l t t lc ler of the operat t l r '

F IG . I .

Opettirtg the F'ront.

l .--Focus on the Subject'

I . Press the concealed but ton, as shown

Fig. I , and push down the bed of camera

the l imi t of mot ion'

1 9

into

1! _.'-__-_*-,___.--_Flustman Korlrrk Cornparrr,.

F ' I ( i . I I .

F l . r tenr l ing i l t t l j e lk t t t . s a t r t l l , ,ourshrg .

I I . ( - r ras f ) ther s l ) r i ' gs a t l r r t to r ' , f f r . r r tl - , ,a r r l , anc l p r r l l ou t f ron t t , the l r r i r r t ncar -t ' s t t l re cs t i rna tc r l r l i s tancc ' o f f r i t rc i l ro l t tb j t , t tto l - r r l r l to togra l rh r :c l in fcc t . I . iS . I I .

N o ' n : ' l ' h t . i r r r l e x 1 r r . t e i s s < . u l t - c l b o t h b y f c e , t a . r l b I .

n t e t r e s a n d t ' a r c s h o u l c l b e t i r k e r r n o t t o c o r r f o u n r l i l r e m .

I i xcc l r t l ' her r rv r rk i .g a t c l i s ta ,c . .s o f 15 fcc tr ) r ' l css , i t i s no t necessary to cs t i rna tc thc c l i s -ta 'ce wi th a l ry r r lore tha. apr)roxi rnate ac-c l i r ac ) ' ; f o r i r r s t ancc , i f t hc f oc r r s i s sc t a t 25

No. 9-C Arrtographie Kotlnk Jnnior'

feet (the usual distance for ordinary street

work), the sharpest part of the picture will be

the objects at that clistance from the camera'

but everytl-ring from 15 to 35 feet will be in

good focus. For general street work, the focus

L"y b" kept at 25 f eet, but where the prtncipal

object is nearer or far ther away, the focus

shoulrl be changed accordingly' The index

plate is clivictecl for 6, 8, 10, 15, 25 and 100

ieet . Everyth ing beyond 100 feet is in the 100-

feet focus. Nothing nearer than 6 fect can

be focused without using a portrait attach-

ment. See Page 37.

Automatic Locking Device'

The automatic locking device which is on the

lef t s ide of the spr ings at bot tom of f ront

boarcl, will be found a great convenience in

f octtsing.By *"ans of this device, the front locks

autcrmatically at 6, 8, 10, 15, 25 or i00 feet

f octts.To set the focus, press the lever on lef t s ide

'of the bot tom of f ront board, then pul l out

front of camera to the slot marked for the

cl is tance desired, 6, 8, 10, 15, 25 or 100 feet

( the scale is a lso marked in metres), and the

camera will be in focus for the distance at

which you have set the catch'

tl

- -- !, -i. *^:i-;1 .

Eastman Kodak Company,

2-HOW TO USE THE No. 2-C AUTO-GRAPHIC KODAK JUNIOR AS A

FIXED FOCUS CAMERA.'

Set focus at 2l feet.Use speed of l -25 of a second.Set diaplrragm midway betwee n I ancl 2 or

8 and 16 o r F .11 and 16 .By folloiving the above suggestions this

camera can be used as a fixe<l focus instru_ment with the additional advantage of beinginstant ly convert ib le to a focusir rg camerawhen concl i t ions cal l for i t . ' I t rnust be re_membered, however, that when using th isKodak as a fixed focus type it is necessarythat the subject be in br i l l iant sunl ight , inorder to obtain a fu l ly t imed exposure.

Explanation.

A lens is of ten spokcn of erroneously ashaving a fixed focus.

There is no such th ing as a universal orfixed focus lens, but in certain small sizedhand cameras, (equipped with short focuslenses) the lens is immovable, i . e. , set at adistance that is a compromise, as to its focus,between far and near points. A camera witha lens so focused, used in combination witha relatively small stop, is designated a uni_versal or fixed focus instrument.

, i x s L . . '

I1

J

No. 2 -C Autograph ic Kodak Jun io r .

3. -USE STOP No. 1 , No. 8 OR F.11 .

For a l l orc l inary outdoor work, rvhen the sutri s very b r igh t , use s top No. l when ca lxera isecl t r ipped rv i th the s i r tg lc luts, t lse No. 8 whetri t has th e d oubl t : / r ' l /s ' at rc l t lse F.1 1 whettec1 t r i 1 r1 rec l r v i t h t he F .7 .7 . l r t us t i . t l n t t t t Lens . I f asmal le r s top is user l , the l igh t r ,v i l l be so mt tchrccl t rccr l that i t lv i l l t tot sufhcicrr t ly i rn l ) ress theirnage on the f r l r r - r , ancl fa i lure lv i1 l rest t l t .

In v icrvs ol l thc \ \ 'a tcr , rv l tet t the sunl ight ist t t t t rs t tu l l \ s t r ( )nq a t tc t t l te rc a re t to l - reavyshar lou 's , r l ia l rh ragn- r No. 2 o r No. 16 may berrser l .

I f a s t r a l l c r s t op o l ) e l t i ng t han No . 2 o r No .16 l r e usec l f o r o r c l i na r v s l l ap sho t s , ubso lu t c

f o i l t t r c ' i t , i l l r c su l t .

4,-_LOCATE THE IMAGE.

A i rn the canrc ra a t thc o l t jec t to l te l t l to to -graphec l an t t loca tc thc i tnage ' in thc f i r l c le r .For a l to r i zon ta l l t i c t t t re r ho lc t the camera as

shorv t r in I t ig . I I I , rcvcrs i t tg thc f inc le r as

pff%F IG . I I I .

inr l icatecl . Always look into the f inder f rorn

cl i rect ly o\ :er i t , t tot at ot l an,glg,

I t las tman Kodak Conrpur ry .

I . ' I G . I V .

F ' o r : r

l r e l r e l r l

.q ' ivc t l r co f t h ere c luccc l

VIEW INCLUDED \ i 'HEN MAKINCA IIOITIZONTAL PICTURE.

t l i c can t c ra n r r r s tI \ r .

' l ' h r l l r r r tc rs

s l r on ' a f acs i r r i l ea l ) l )car , l t t r t o l ] a

VIEW INCLUDED WHEN MAKINCA VESrfqA!_ PlcruR&

V ,

No. 2 -C Autograph ic Kodak J t tu io r .

Anv ob jec t tha t c locs l io t s l to rv i r t the hnc le r

n ' i l l t rot shou' in the l l ic t t t re.I t u ' i l l bc r io t i ccc l tha t thc ' top o f thc f i r rc lc r

is r rotchct l , as s l tor t ' t ' t i r t F ig. \ t . 1-his is r lot tc

so tha t thc o l te l l r t c lc r rv i l l cc t r rcc t l y sho lv thc

v ic rv i r rc l t t r l c r l l t , l t c t r thc Kot tak i s hc lc l i r l

e i t l r c r l t o r i zon ta l o r vc r t i ca l l t os i t i o r l . As t hc

l r ic turc takct t y ' i th thc \ lo. '2-C

Att togralr l l ic :

I io r la l< Jun i r t r i s o l r lo t tg , i t u ' i11 rcac l i l1 ' l l c se 'c l l

t ha t t u t l c ss t l t t ' l l t t c l t ' r \ \ : as t r l ; r r l c ' i r r t h i s t l r a l l t l c r

i t cor t l t l no t cor t -cc t l v shou ' t l r c t ' xac t v i t 'u ' i r r -

t cn r l c t l u ' l i c t t he l t l i r t e i t l l e r l r os i t i t i t t .I t c r t rcnr l r t ' r tha t o t t l l ' th t ' r ' i cn ' i r r r l i ca tcc l u ' i th -

i r r t l r c r l o t t t ' t l l i n cs r i ' i 11 sh t t r i i r r t hc l i i c t t t r c .

F I G . \ ' t .

F i , q . \ I s l t o n ' s h o u ' t r I h , r l c l t l l c t ' a l l l c r i l

I y l t c r r t r r a k i r r g a l l c x l ) o s t t r c u ' i t l r o t t t t h c ' 1 1 S t l

1 l f t l r t : c a l r l c r c l c a s c . ( ' r a s 1 l t l t t ' l l c r t r l f I { 1 r r l a l <

26 East tnan Koc lak Coml tan \ ' .

f irrnly with the left hand, steacly i t with ther ight and wi th the thumb of the r ight hancll ig 'ht ly touch the exposr l re lever.

5.-Hold I t Level .' l ' l re r

Kor lak rnus t be hc lc l 1cver1 .I f t l r e o l lcrator at tct -n1rts to 1th otogral lh ; l

t a l l l r t r i l r l i r r g wh i l e s t a r r r l i r r g nea r i t by l r o i r r t i r r gt he can re ra u l l r va r< l s ( t h i nk i ng t h t ' r c l r 1 ' t o ( . en -

t t ' r i t ) , t he r csu l t l v i l l l - r c s i r n i l a r t o F - i g . \ / l l .

No. 2 -C Autograph ic Kodak . lun io r .

This was po in te d too h igh . Th is b t r i l c l ingshotr lc l har.c l teen takerr f rom the rn ic lc l le storvr , l ' inr lou ' of the bui ld ing opposi te.

f i re opcra tor s l iou lc l ho l r l the carxcra lcvc l ,af terr rv i thc l rarv ing to a l ) ropcr c l is tauce, asincl icatcct by thc i rnagc shol l 'n in thc f inr lcr ont l r r t o l r o f t hc ca rnc ra .

I f t hc o l r j c c t l r c r l o r vn l ou . , l i l < c a s rna l l c l r i l r l ,( ) l ' a r l o g , l l t c I i o r l a k s h , r u l r l l r t ' l r r . l r l r l o u ' r r l r ' r ' t ' ln ' i 1 l r t l r t ' c t ' t i t c r o f t l r t : ob j t ' c t .

6.-Press Push-Pin on Catr le Release.

I Ior ,n ' r ' r nrr C.r l r r rn.r S ' r ' r r . rnr ' ,I fo l . l ) r r I - t . - r ' r . -1. ^ \ N r)T ) n l - s s ] ) r ' s l r - l ) r x .

' l ' l t i . r l l ta i ' r ' . r l l t r ' t . t ' l t r t . s t t rc .

F ' I ( ; . V I I I .

7.-Th.e Autographic Feature.- l ' l rcr

Atr togralrh ic l {or lak has a spr ing c l t tor( ) l ] thc l ;ack , cover ing a nar row s lo t th roughwhich the wr i t ing is done upot l the red paper.

2s Flas tman Kodak Comprny .

' l -he s lot is 1)ro\r i r lcr l u ' i th a l l arr tornat ic safer t l .

spr iug l ro rc lc r u 'h ich opera tcs l l ,he i r the r loori s o l ) cn t o 1 ) r css t l r c l ) a l ) c r s i n t o co r r t ac t n , i t l rl l ac l< , - r f thc r f i l rn , thus sccur ing the s l ra r l r p r i r r t -i r r g ' f t hc i n ragc o f t he u , r i t i ng ' a r r c l p r c r - cn t -i r r g t hc r l i t Tus ion o f l i g l r t a . r oun r l t hc c r l gcs . f

1llaa^r ?-1'4"j> f.,A -[-,,cf d^-e.

1r trr,,r-r{ t. -(r,*-,rga :f,o .ur!1dg ?fiUltS

lil tnfur"du&El. (u(Jx-t1,&dp f tt , '/Eo Arc. to fr.nt tl,tfi+

{tcr"^rq "^,e

R";cqr,, l?c,q.al. ,ift ''AL

$rt*,.. ,^ Ao'tnr-r,4 -tIa/,r4- Tn Ag' .

{crc-rc *4j f/6/tttPif.c.4 c,rh,'rJd-(fa,ct-- }lt lr*

C,.l^xa,t T&- g/l lt+C*..,",-ux.f .wr;-uk Cot,-.rpLe1?-c[-

At t At t l og t t r pl t i t n- 'egrt t t t .e.

thc s lo t . 1 'h is s lo t i s loca tcc l s ( ) tha t l lo r r -na l l ythc u ' r i t i r rg co l res bc t rvccn the cxposures .

N o . ? - C A t t t o g r l t l r l r i c K o t l t r k J t t l t i o r . 2tl

THE AUTOGRAPHIC RECORD AS AGUIDE.

l l a r r l ' : l n t r t c i l r s l r a v c c l i s t i r r c t l f i t l t p r t , t ' t ' t l t l r t :

r 1 u a l i t 1 . o i t l t c i r \ \ ' o r l i l , ) ' r t t a l i i t r g t t o t c s , a t t l r c

t i r l c o f e x i ) o s t t r c , o i t l t t r l r r e v a i l i t l g c o t t t l i t i o r i s '

. \ s : l l r i . q I t 1 i g | t , 1 / i : 0 s c c . , s t , 1 l N 9 . 8 . u ' I i c h ,

l , ) ' t I e \ \ ' a ) ' , c a l ' l l r e e a s i 1 1 ' a l l l l r e y i a t c c l t o : l ] ,

1 /5 ( ) , 8 . 1 .11- l<ccp i r rg s t tc l t rec1 ; rc ls t l r t a t la tc t t r

ca1 c l t r i ck l l ' f i r t c t t |e ca t ls1 's o f fa i l t t rc , i f a l lY .

I l l ' c , , , . , , 1 , a r i 1 g t t e g a t i y c s a t t t l r c c t l r t l s h e r v i l l

s o o l . t g ' e t a 1 i 1 c ( ) 1 1 h i s C r r o r S a t t t l u ' l t c t - t h c

k l o 1 1 ' s t r ' l t a t h i s c r r o r s a r c , i t c c a t t e : r , r i l ) ' r c c t i f y

t l r t , r r r . i t i s t t l l v i o t t s t l l : r t t h t l r c s t \ \ r a ) ' t o t l r a l " c r

t l r g s t ' r e c t , r - r l s i s u t l t o g r a p h i c : r 1 1 1 ' - o l l l l t t f i l t t t

t t t l l t L t i r r t c .

t ' i ( i . I X .

THE OPERATION.

^ \ i t c r t l r g l l i c t u r e i s t a k c r t t , l i f t u p t l t c s l l r i r l g

r 1 3 9 r u ' i t | t f t r r r l l l ( F i g . V I I I ) . U s e t h e s t y l t t s ,

( ) r a s n r g o t l t p o i t t t e < 1 l l c t l c i l , h c l r t i r l a s r r l r r i g h t


b position as is convenient, and write on thestrip of exposed red paper any memorandumdesired, such as the t i t le of ihe prcture, thedate, or details in regard to th; exposure,l ight , s tops, etc. , (F ig. IX).

To get a clear impression, press firmly onboth up and down strokes.-. IL,hitc"ri it irgor aftcrzt,ards the stut skould n,ot be ailozued, t"oski t tc u l tor t thc pof cr . The act ion of the penci lor sty lus so af fects the t issue as to permit thelight to record the rvrit ing upon the fitrn. Aft",f in ishing the wr i t ing thJ door should be lef t9n;n f.or the printing, in accordance with thefo l l ow ing tab le :

(Erpose to tke sky, bu; t n,ot to tkc sun.)

fmcaNnescBxr Lrcnr, distance 2 inches, 30to 60 seconds.

Wnr.seacn Lrcnr, distance 6 inches, 30 to 60seconds.

1. Close the door before .wind, ing a n.ewf i lm into p lace. . . - - :

. 2 . Cau t ion . fn o rde r to l oca te the wr i t -ing ac.curately in the space b"t*eeri the nega_tives it is important that the fi lm should beturned so that the exposure number centersperfect ly in the red windorv of the kodak.

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I f a pelrc i l be used, the point must be dry

alc l i t must 1ot be o f the " i ldel ib le" var iety.

Tunx A Nttw sncr loN oF FILM rNTo PosrrroN:

Tnr l the k"y i1 top of camera s lowly to the

lef t , upt i l the t rer t t rumber appears before the

recl winclow. Three or four turns wi l l be suf-

f icient to accomplish this. The r,varning hand

appears o r t l y be fore No. 1 . See F ig . X .

Repeat the f oregoirrg operat ions f or each

picture.Important-When you have used the last expostlre

(No. O or tO) on your roll of f i lm and have tnade the auto-

riiuptri" recorcl -of

it in accordance with the_ forego.ingfi i id"tiot*, turn the winding key of the Kodak unti l at.it". (A )' upp"ars in the center of t le window in thet*i iuf i ire i<baat. ltaise the sprilg-door-and write yourna-" on the red paper, expose it to the sky- the same as*"r-Ootr" when rnaking the exposure recotds,_then closethe snrins-cloor and finish winding fi lm and red-paper for6;;;;f from the Kodak. Your film is now reacly to se_ndto--v."i hnisher, ancl when developed wil l be readilyia""tin"a bv the autographic copy of your nalne whichyou lvrote on the red PaPer.

No. 2 -C AutograPh ic Kodak Jun io r . 3 l

F I G . X .

The diagram shows the proper positions forthe Kodak. It should not be pointed directlv Iat a window, as the glare of tight will blur the ipicture. I f al l the windows cannot be avoided. Ipul l down the shades of such as come within Irange of the Kodak. I


SECTION III .

TIME EXPOSURES._INTERIORS.

Place the Kodak in position.Set camera in such a position that the finder

will embrace the view desired.

Diagra,m showi,ng positions of Kod.ak.

To make a time exposure, place the Kodakon some firm support l ike a table, and focus asbefore described.

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. .&; l r - - . - - . - r . . ' - * r

No. 2 -C Autograp l r i c : Kodak Jun io r .

F IG . I .

I ' , - ig . I shorvs the Kodak in posi t ion for a

vcrt ical exposure. The Koclak is a lso pro-

v ided wi th t r ipod sockets and may be usedo1r a t r ipod.

F I G . I I .

make a horizontal t ime

use o f a t r ipod , pu l l\ \ , 'hen it is clesirecl to

exposure wi thout the


down the lever on bed of Kodak, as shown inFig. I I .

Adjust the shutter for a time exposure, asdescribed on pages 14 and, 17.

All being in readiness! press the push_pin ortouch the lever, once to open and again toclose the shutter. Time the exposure by awatch.

TunN THE KEy.After making the autographic record, turn

a new film into position, as described before(see page 31) .

Trrr KooaK rs Now READy FoR THE NExrfNrpnron Exposuna.

Follow the directions given heretofore foreach successive exposure.

When the last Interior Exposure is made,adjust the shutter for instantaneous exposuresas before directed.

Time Needed for Interior Exposures.

The following table gives the time of theexposure required under varying conditions oflight for the Kodak equipped either with theSin,gle Lens, Double l-ens or Anostigmat Lens.When using the Single Lens the time given inthe table is with the stop No. 2 in the lens.If the stop No. 1 is used give only one-halfthe time; if the stop No. 3 give twice the

III

diF


tirne and if stop No. 4 is used give four times

the time of the table. When using the model

equipped with the Dowble Lens, the time given

in the table is with the stop No. 16 in the lens.

If the stop No. 8 is used give only one-half

the time; if the stop No. 128 is used give 8

times the time of the table' When using'thellnasttgmat Lens the time given in the table

is with thcj stop F.16 in the lens. If the stop

F.11 is used give only one-half the t ime; i f

the stop F.45 is used, give 8 times the time of

the tdble. The smaller the stop the sharper

the picture. The No. 2 or the No. 16 give the

best results for interiors:

White walls and more than one window:'bright sun outside, 4 seconds;hazY sun, 10 seconds;cloiidv bright, 2o' seconds ;cloudY dull, 40 seconds'

\ \rhite walls and only one' window:

bright sun outside, 6 seconds;hazy sun, 15 seconds;cloudy bright, 30 seconds;cloridY dull, 60 seconds.

Med ium co lo red wa l ls and hang ings and more

than one w indow:

hrieht sun outside, 8 seconds;haiy sun, 20 seconds:cloudy brigbt, 4o seconds icloudy dul l , 80 seconds.

Eastman Kodak Company.;Ii

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I{Il

I

Medium colored walls and hangings and onlyone window:

Fright sun outside, le seconds:hazy sun, 30 seconds:

- - - - - - '

cloudy bright, o0 secdnds:cloudy dul l , 190 secondi.

'

Dark colored walls and hangings and morethan one window:

bright sun outside, g0 seeonds:hazy sun, no seconds:clou4y bright, 80 eeconds:cloudy dull, 2 minutes, +o'seconds.

Dark colored walls and hangings and onlyone window:

bright sun outside, 40 seconds:hazy sun, SO secondi:cloudy bright, e pinutes, 40 seconds;cloudy dul l , r 'minutes, sb secoiAs.

'

The foregoing is calculated for roomswhose windows get the direct light from thesky, and for hours from three hours afterstrnrise until three hours before sunset.

If earlier or later the time required will belonger.

To Make a portrait.

Place the sitter in a chair partly facing theKodak (which should be located slightlyhigher than an ordinary table) and turn theface slightly towards the instrument, havingthe eyes centered on an object at the saml

t .

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No. g-C AutoBraphic Kodak Junior.

level with the lens. Center the image in thefinder. For a three-quarter figure the Kodakshould be from 6 to 8 feet from the figure;and for a full figure from 8 to 10 feet. Thebackground should form a contrast with thesitter.

Kodak Portrait Attachment.

The attachment is simply an extra lensslipped on over the regular lens, and in no wayaffects its operation except to change thefocus.

When Kodak is fitted with the Single Lens,use the Portrait Attachment No. 5.

With Dowble Lens, use No. 5.With Anostigmot Lens use No. 7.By means of the Portrait Attachment large

head and shoulder portraits of various sizesmay be obtained. With the Attachment inposition and the focus set at 6 feet, the subjectshould be placed exactly 2 feet,8 inches fromthe lens.

At 8. feet focus, place the subject 3 feetfrom the lens.

At 15 feet focus, place the subject 3l f.eetfrom the lens.

At 25 feet focus, place the subject 4 feetfrom the lens.

At 100 feet focus, place subject 4l feetfrom the lens.


TIME EXPOSURES IN THE OPEN AIR.When the smallest stop is in the lens the-light

adrnitted is so much reduced that timeexposures out of doors may be made ihe sameas interiors, but the exposures must be muchshorter.

Wrrn SumsnrNr_1/S second.Wrrrr Lrcnr Clouos-From f to I second

will be sufficient.Wrrrl HBavy Crouns-From 2 seconds to

5 seconds will be required.The above is calculated for the same hours

as mentioned above and for objects in the openair. For other hours or for objects in theshadow, under porches or under trees, noaccurate directions can be given; experienceonly can teach the proper exposure to give.

_ Time exposures cannot be made whilethe Kodak is held in the hand- Alwaysplace it upon some firm support, such as atripod, chair or table.

. For _exceedingly short time exposures asabove d_escribed, use the ,,bulb expoiure,'. Seepages 15 and 18.

"F." and..IJ. S. ' , Systems.A lens is said to work at a certain ,,speed;,,

this means that the lens will cut sharp to thecorners, with an opening a certain proportioh

1lI

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of its focal length. It should be borne clearlyin mind that this speed depends not upon thesize of the opening, but upon the size of theopening in proportion to the focal length ofthe lens (distance f rom the lens to platewhen focused on infinity). The lens that willcut sharp with the largest opening is said topossess the greatest speed.

Such openings are termed stop or diaphragmopenings, and for convenience in estimatingexposures, are arranged according to twosystems, the f system and the Uniform System,or U. S" system, as commonly abbreviated,

In the / system the proportional size or"value" of the stop opening is designated by"f ," and is the quotient obtained by dividingthe focal length of the lens by the diameter ofthe stop.

Taking, for instance, a lens of S-inch focuswith a stop 1 inch in diameter, and we findthat 8*-1-8; hence 8 is the f. value of thestop and would be designated 1.8. Supposethe stop is r/a inch in diameter, we wbuld thenhave g. !A_f .32.

For convenience, the unif orm system ofinarking stop openings has been adopted bynearly all manufacturers of iris diaphragms.Such convenience is at once apparent when weunderstand that each higher number stands


for an opening having half the a,rea of thepreceding opening, each smaller stop. (o,higher number) requiring double the time ofthe one next larger.

With the l. system, each stop is a certainproportion of the focal length and not ar_ranged with reference to the other openings,so that estimating exposure is much morecomplicated by this system.

As a number of exposure meters and simi_lar devices for determining the proper ex_posure are based upon the f. system, we ap-pend the following table showing the ,,f

valLte,'for each of the uni form system openirrgs:

4

J

u. s. 4:/.8u. s. 8:/.u.su. s. r6:/.16

u. s. s2:f.22.6U. S. 64-/.sgu. s. r28-f.45.2

Diaphragms.

_ _I?"+ using the mo-del eq-uipped with the SINGLELENS, the stops should U" uriif-"-.-f"h"*.,'No. l. Tnr Llncrsr-For all ordinary instantaneous .

exposures.

-. Ng. e. For instantaneo-us- exposures when the sun_lish-t is unusrlally strong and ttrerJaie no heavy shadows ;such as in views on the seashore, ;i ; ili" water; alsofor interior time exposures.Nos. 3 and 4. For time. exposures outdoors in cloudyweather. Not for instantaniou.

"*por"*.. fhe timerequire9_for time -exposures on cloudy^-Aays witfi smalleststop will range from on-e_half .";;;d ;; fi";-;;;;;il;accordinE to the liEht. The smallei-tii siop the ,t;;t;;. the picture

If you use the smallest stop for instantaneous expo-sures absolute failure will result.

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., If.usins the modet fitted with the DOUBLE LENS,the stops should be used as follows:No.4-For instantaneous exposures on slightly cloudydays,

. . No. 8-For all ordi,nary i,nstontaneous efrpo&rres w]nenthe sun shines.

. No, l6-For instairtaneous exposures when the sunlightr:^rl":]lilly strong and there ai6 ".

n"""v ,t .dows; suchas ln_ vrews on the seashore or on the water, also forinterior time exposures.Nos. BZ and 64-Forinteriors. NeuerJor instanta,neous

erposures,

_No. lp8-May be used for time exposures outdoors lngfoud_y weather. Neu.er for tnstaitaiiius erposures.The time required for time expo.ti;;;;-;l;iraraivJ*iuistop 128 will range from l-5 second to d siconds, i""oia-_ilq.tg

the light.- The smaller thtrtr; tir"e sharper theplcture.

. Absolute failure will be the result if you use the smallest.stop for instantaneous exposures.

_ _!{,the Kodak is equipped with the F.?.? ANASTIGMATLENS, use the stopsini ire fol6; ins;;; ; ; ; :

F.7.7-For instantaneous exposures on slighfly cloudydays.

.. F.ll-For all ordina,ry insta,ntaneous efiposures w]nenthe sun shines.F,l6-For instantaneous exposures when the sunlightis unusually. strong and theri ;;;-;; tiu"v shadows;such as in views on the seashort;r ;;^il; water; alsofor interior time exposures, the timeloiwtrlih G tive;-i;the table on page 3n,F.pZ and t2-For interiors. Neuer for insta,ntaneous

efrposures,

__ F.45-For time exposures outdoors in cloudy weather.{eug.r for instctntaneous efrposures. The time requiredfor time exposures on cloudti aays witfr smaltest stop willrange from t-j second to 5 -seconds. a""oiains to the^irghT.The smaller the stop, the sharpeitir" pi"t*Ll

Absolute failure will be the result if you.use the smallpststop for instantaneous exposures.


SECTION IV.

FLASH LIGHT PICTURES.

By the introduct ion of Eastman Flash Sheets,picture taking at night has been wonderfullysimplified. A package of flash sheets, a pieceof cardboard, a pin and a match complete thelist of essential extras, although _a Kodaktrlash Sheet Holder is a great convenience.

With flash sheets, no lamp is necessary, thereis a minimum of srnoke and they are far safer

, than any other sel f -burning f lash medium, be_sides giving a softer l ight that is less tryingto the eyes. :

Many.interiors can be taken with the flashsheets that are impracticable by daylight, eitherby reason of a lack of i l luminat ion or thereare windows in a direct l ine of view whichcannot be darkened sufficiently to prevent theblurr ing of the picture.

Evening parties, groups around a dinner orcard table or single portraits may be readilymade by the use of our flash sheets, thus en_bbling the amateur to obtain souvenirs ofmany occasions which, but for the flash light,would be quite beyond the range of the art.

PnrpanarroN FoR rrrp Frasrr_The camerashould be prepared for time exposure, as di_rected on pages 14 and lZ of th is manual (ex_

?i'.9

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No. 2-C Autographic Kqdak Junior.

cept that stop No. 1 in the model with si,ngle/azs, No. 8 if with the d,owble lens, or F.ll ifwith the Anasti,gmat Lens, must be used), andpiaced on some level support where it will takein the v iew desired.

Pin a flash sheet by one corner to a piece ofcardboard which has previously been fixed ina perpendicular posi t ion. I f the cardboard iswhite it wil l act as a reflector and increase thestrength of the flash.

The flash sheet should, alzuays be placed twofeet behind and two or three feet to one sideof the camera. If placed in front, or on a linewith front of Kodak, the flash would strikethe lens and blur the picture. It should beplaced at one side as well as behind, so as rothrow a shadow and give a 1ittle relief in thelighting. The flash should be at the sameheight or a l itt le higher than the camera. Thesupport upon which the flash is to be madeshould not project far enough in front of itto cast a shadow in front of the Kodak. Anextra p iece of cardboard a foot square placedunder the flash sheet will prevent any sparksfrom the flash doing damage. F{owever, byusing the Kodak Flash Sheet Holder. allthese contingencies are taken care of, and westrongly advise its use.

Eastman Kodak Comp61y.

THE KODAK FLASH SHEET HOLDER.

This holder maybe held in the handalways between youand, the flash sheet.Or it may be usedon any Kodak tri-pod, being providedwith a socket forthis purpose. Thesheet is placed inposit ion in the cen-ter of the larger panover the round opeh-irg which has a

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r a i s e d s a w _ t o o t hedge extending half way around it. presswith the thumb on the sheet, so slight breakis made and a port ion of the sheet projectspartially through the opening. Then to in_sure the sheet being more securely fastened,press around the notched edge, forcing thisportion of flash sheet firmly into position onthe pan.

Then to set off the flash, merely insert alighted match, from behind, through the roundopening.

I{aving the Kodak and the flash sheets both

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in position and all being in readiness, open thecamera shtrtter, stand at arm's length and

touch a match from behind through the round

opening in the center.

Norn: If you are not using the Kodak Flash SheetHolder, place the match in a split stick at least two feetlong.

There will be a bright flash which will im-press the picture on the sensitive fi lm. Thenclose the shutter, make the autographic recordand turn a fresh fi lm into place with the key,ready for another picture.

THE, FLASH SHEET.

The size of the sheet required to l ight aroom varies with the distance of the objectfarthest from the camera, and the color of thev'alls and hangings.

For 10 ft. dista,nce, a,nd light walls and hangings. use 1No. 1 sheet" 10 ft. 6t " dark 1 No.z sheet" 15 f t . 1 No.zsheet" 16 ft. 6r " dark "

'r '( " l No. 3 sheet

NorE: Neyer use more than one sheetat a time in the KodakFlash f fheet Holder .

To Mar<n A PoRrRArr-Place the sitter in a

chair partly facing the Kodak (which should

be located slightly higher than an ordinary

table) and turn the face slightly towards the

instrurnent; having the eyes centered on an

object at the same level wi th. the lens. The

i

i

I


proper distance from the camera to thb sub_ject can be ascertained by looking at the imagein the finder. For a three quartJr picture thiswill be from 6 to 8 feet, and for a full f igure,from 8 to 10 feet. The flash should be on theside of the Kodak away from the face, thatis, the sitter should not face it. The flashshould not be higher than the head of thesitter.

For using portrait Attachment see page 32.

To Maxe e Gnoup-Arrange the chairs inthe form of an arc, facing the Kodak, so thateach chair will be exactly the same distancefrom the camera. Hal f the persons .o-posingthe group should be seated and the rest shouldstand behind the chairs. If the group is large,any number of chairs may be used, but none ofthe subjects should be seated on the floor, asis sometimes seen in large pictures, becausethe perspective,..would be too violent.

BacrcRouxls- In making s ingle port ra i ts orgroups, care should be taken to have a suit_able background against which the figures willshow in relief ; a l ight background is betterthan'a dark one, and often a single figure ortwo will show up well against a lace curtain.Iior larger groups a medium 1ight backgroundwi l l be sui table.

t/

tI

No. 2.C Autographic Kodak Junior. 47

II

The fi,nder on the camera will aid the opera_tor in cornposing the groups so as to get thebest effect. In order to make the image vis-ible in the finder the room will have to be welllighted with ordinary lamplight which maybe left on while the picture is being made,provided none of the lights- are plac"d sothat they show in the finder

Eastman Flalh Sheets burn more slowlythan flash powders, producing a much softerlight and are, therefore f.ar preferable inportrait work; the subject, however, shouldbe warned not to move, as the picture is nottaken in,stantau,eously, about one second beingrequired to burn one sheet.

EASTMAN FLASH CARTRIDGES.

Eastman Flash Cartridges may be substi-tuted for the sheets if desired. We recommendthe sheets, however, as moi"e convenient.cheaper and capable of producing the best re-sults. The cartridges are only superior whenabsolutely instantane ows work is essential.

Eastmatr Kodak Companl ' .

CLOSING THE KODAK.

\Vhen through using the Koclak, f olcl thebcl lon 's l ry revers iug the operat ion shown inFig. I I , page '20,

and press dou'n on arm lockso11 each sicle o f bect as shclwn below. Thebecl lv i l l r1o\ / c lose rcacl i ly .

CAUTION.

Before c los ing the bec l o f the camera becare fu l to no te tha t the hnc le r i s in the upr igh t

1l r - ' 's i t ion an<l that the f ront boarcl has beenl rushed back to the l im i t o f mot ion .

I f i t i s in p roper pos i t ion i t w i l l no t in te r -fere rv i th ther l tec l in c losing.

PART I I I .

REMOVING THE FILM.

No dark-roorn is reclu i recl for chargi 'g thes l roo ls in the Autograph ic Koc lak Jun io r . Theopera t ion shou lc l , however , be l re r fo rmec l in asubcluecl l ight .

I . \ \ 'her the last sect io ' of f i lm has beerrcxposcr l , tu rn the k .y about 5 ha l f tu r ' s .

i I . Prov ic le an cx t ra spoo l o f f i lm to f i tth is carnera, a 'c l take a posi t io ' by a table asfar as possib le f rom alrv r ,v inclou, .

i I I . Remo'e the back f rom the Koclak asbcfore. c lescr ibecl , page 5.

I \ , ' . I {o ld i 'g t l - re paper taut , so as to wirc lt ight l l ' , turr the key unt i l the paper is a l l or1thc . rce l . F ig . I .

F I C i . I .


V. Flo ld ends of red paper and st ickertogether to prevent paper f rom loosening ol tree l .

Norr: I f st icker folds under rol l , raise it up with thep o i n t o f a l e a d p e n c i l .

VI. Pul l out spool p in and winding k.y,and l i f t out ro l l of f i l rn as shown in t r ig. I I .

V I I . Fo ld over ha l f - inch a t end o f redpaper ( so as to make subsequent breaking o fthe seal easy), and then seal wi th st icker.

F IG. I I .Rentouing tlLe Cartridge of Erposed Fi,lm.

VII I . Wrap up exposed f i lm immediatelyto prevent the possib i l i ty o f l ight being ad-m ittecl.

IX. Now take out the empty spool byclrawing out the center p ins which hold i t inplace.


M

l ' , , ,II;I

Il '

ili/

I ' , - IG. I I I .Pull ing out Center pi,rts to rem,ote Empty Spoot.

X. S l ip th is spoo l in tos ide o f camera ( th is rv i l lpu l l ing ou t the k .y in so

p lace a t the w ind ingform a new ree l ) ,

doing, as shown in

FIG. IV .Pril l tng otct Ke?/ to aclm,it New Reet.

Fig. IV, and f i t t ingto key i i r to the s lotp t rsh the ax is p in inunt i l i t is f ixed instop.

the web which is at tachedin the end o f spoo l . Nowthe opposi te end of spool

pos i t ion by the embossed


XI. Load as described in Part I, page 5.'Ihe roll of exposures can now be mailed to

us for f inishing (see price l ist), or you can dothe developing and printing yourself.

Irvrponrex.r.

Autographic Film should be developed aspromptly as possible after exposure.

The quality of the image on all sensitizedproducts is retained by immediate developmentafter exposure.

Norn : In mailing us film for development do not failto qark the package plainly with your name and address,and write us a letter of advice. with remittance.

CINCH MARKS.

If the fi lm and paper loosen up a trif le whentaken from the camera, many amateurs arelikely to take the cartridge in the hand andwind it as closely as possible, cinching it t ightlywith a twisting motion. There's nothing morelikely to injure the negative than this tightdrar,ving of the fi lm, as it abrades the surface,making fine parallel scratches running length-wise of the fi lm, which, in some cases, willruin the negative. Do not "c.inch" t.he car-trid,ge. It simply needs to be wound tightlyenough so that the red paper keeps insidethe flanges.


DIMMED FINDERS AND HOW TOMAKE THEM BRIGHT AGAIN.

I For some cause which is not thoroughly' understood, glass will sometimes ,,sweat" to

such an extent as to cover it with a sort offilm, which, of course, makes it very dull,

. whether i t be used as a lens or mirror.Whatever the cause, the result is the occas_

ional dimming of finders and lenses. Withfinders, the trouble is sometimes in the mirror.which necessitates wiping it by means of a softcotton cloth. To clean the mirror in the finderon the No. 2-C Autographic Kodak Junior,wind the end of a handkerchief around the endof a lead pencil and pass between lens andmirror.

KEEP DUST OUT OF THE, CAMERA.

Defective negatives are often caused by par-r ticles of dust which have collected on the

inside of the camera and settle upon the filmin particles that produce small dark spots upon

_ the prints.t

It is, therefore, well to wipe out the insideof camera and .bellows occasionally, with a

r* slightly damp cloth. In summer weather, or;$ after the camera has remained idle for anvlength of 'time, thi's needs special attention. .

' *

l lastmarr Kodzrk Conrptrrry.

CLEAN LENSES.Dirty or dusty lenses are frequeni ly i l re cause for

photographic fai lures. These pictures i l lustrate i l r is point

clear ly. The sharp, ful l - t imed picture at the top was takeuwith the lens clean ancl in good order. To produce i l reef lect shown in the picture at the bottom, i l re operatorl igh t ly touched the

face o f the lens w i th

h is thumb, wh ich

was s l igh t ly damp

wi th persp i ra t ion .

Lenses should be

f r e q u e n t l y e x a m -

i n e d b y l o o k i n g

through them, and

if found to be dir ty,

shou ld be rv iped,

b o t h f r o n t a n d

back , w i th a c lea t r .

so f t l i nen handker -

c h i e f . I n s u m m e r

weather th is needs

s p e c i a l a t t e n t i o n .

Large spots of dust

or d i r t on the lens

wi l l cause de fec ts

i n t h e p i c t u r e ,

n'hi le i f the lens is

e v e n l y c o v e r e d

rvi th a f i lm of dust,

d i r t o r m o i s t u r e ,

the effect wi l l be to

cut off a gre: l t detr l

o f l igh t and make

the p ic tu re under -

t imed.

CI,F:AN LENS.

LENS SI , IGI IT I ,Y I ) IRTY.

ffi

PART IV.

DEVELOPING.There is no necessity of working in a dark_

room or waiting until night to develop fi lm. Itcan be done in daylight at any time and place.And the daylight method of developing fi lmgives better results than the dark_room way.

Film may be developed in daylight by theI(odak Film Tank method. Detaiied directionsfor developing will be found in the manualwhich accompanies the goods. The operationis given briefly in the following pages.

We _ recommend the Kodak Film Tankmethod particularly for its sirqpleness, and theuniformly good negatives whith it gives.

The preparation of an Autographic FilmCartridge for development and the method ofdeveloping it in the Kodak Film Tank is pre_cisely the same as for the regular N. C fi lm'iliT"oprNc

wrr' THE K.DAKFILM TANK.

Foi usb with No. 2-C Autographic KodakJunior, provide a 3% inch Kodak Film Tank.

Norr: _Avoirdupois 1v9ig-ht is the standard used incompou ndin s photbgraphlc"toimuf a.-

I


The Kodak Film Tank consists of a woodenbox, a light-proof apron, a "transferring reel,,,'a metal "solution cup" in which the film isdeveloped, and a hooked rod for removing film

FIG. I .

from solution. There is also a dummy filmcartridge with which one should experimentbefore using an exposed cartridge. The vari-ous parts of the outfit come packed in the boxitself .

1. Take everything out of the box. 'Take

apron and Transferring Reel out of solutioncup.

2. Insert the axles marked C and D in thecut, in the holes in front of box. The frontwill be toward you when the spool carrier inend of box is at your right.

E


3. The axle "C" must be pushed throughthe hollow spindle which will be found loosein the box. The two lugs'on th is spindle areto engage the hooks at end of apron. The axle"D" must be pushed through the hollow rod ofthe Transferr ing Reel to hold reel in posi t ion,as indicated in the il lustration. The flanges ateach end of the Transferring Reel are marked"Y" in the il lustration.

4. Attach one end of the apron to spindlethrough which axle "C" passes by means of themetal hooks which are to be engaged with thelugs on the spindle. The corrugated side ofthe rubber bands is to be beneath the apronwhen it is attached. Turn to left on axle ,,C',

and wind entire apron on to spindle, maintain-ing a slight tension on apron in so doing byresting one hand on it.

IMPORTANT.Preparing the Cartridge.

Film to be used in the Kodak Film Tank must befastened to the red paper at both ends. All films arefastencd at one end in our factory. The operation canbe accomplished in the following manner:

-

. Just before you are ready to develop (holdinE snoolrvith the unprinted sid_e of the red paper up) unrolt-thered pape-r.carefully until you uncovef th-e piec-e of gummedpaper which is fastened to end of film and is to b6 used asa means of fastening fllm to red paper. Moisten thegummed side of sticker evenly for about an inch acrossthe end and stick it down to red paper, rubbing thor-oughly to secure perfect adhesion. Wind end

*of redpaper on spool again and the cartridge is ready to insert

in machine.

I

Eastman Kodak Companl,.

F IG . I I .

5. Insert f i lm cart r idge in spool carr ier andclose up the movable arm against end of spool .Flave the red paper ("8" i r r F ig. 1) lead f romthe top.

6. Thread the paper urrc lerneath the wireguard on t ransferr ing reel through which axle( 'D" passes (F ig . I I ) , and tu rn ax le s lowly to

fFffiF

*


right until the word .,stop', appears on the

red paper. \

7. Now hook apron to lugs on axle ,,D" inprecisely the same manner that you hookedthe opposite end to axle ,,C,', except that axle"D" turns to the right.

8. Turn handle half a revolution so thatapron becomes firmly attached, and put oncover of box. Turn axle

(.D,, slowly and

steadily until red paper, fi lm and apron arerolled up together on transferring reel. Assoon as this is completed the handle will turnvery freely.

While turning axle "D" to the right, keeppressure on axle "C" in the opposite direction.This will act as a brake and will keep theapron, fi lm and red paper taut and in the cor-rect position.

9. Prepare developing solution in solutionctlp according to directions in Kodak FilmTank Manual.

i0. Remove cover from box and take holdof the red paper where it projects beyond theend of the apron. Then wind axle ,,D"

untilthe red paper becomes taut.

Norn: Where the film is so short that the red paperdoes not extend, the above instructions are not necessary.


11. Drazp out afile "D," hold,ing apron andred, paper with the other hatr,d, to keep end,of altron and, paper frorn loosening. Remoz.teentire Tronsf ercing Reel, containi,ng apron, ired, paper an,d fi.lrn (which is freed, by fwtt- |ing ou,t arle "D") and, stip .a small rubber iband, arownd the apron tightly so that there Iwitt be no possibi,tity of its unwind,ing.

f6

Norn: In removing reel do not squeeze the apron, as .[.'by doing so there will be a tendency for it to buckle.

12. Insert the Transferring Reel (contain- Fing apron, paper and film) in the previouslyprepared developer immediately.

The operation of removing reel from box ?can be done in the light of an ordinary room,but for safety it is well that the light shouldnot be too bright.

f:F


Using the Solution Cup.

13. I Iav ing f i1 leclsolut ion cr lp, lowerT r a n s f e r r i n g R e e linto cup wi th endcontain ing cross bar up.I I I . ) Le t ree l s l i c le

F' IG. IV .

(F ig .

dowtrslorvly.

The to ta l leng th o f t ime fo rdeveloprnent is 20 minutes.

N ote- Immediately after lower-ing reel into solution cuD, catch itwith the wire hook and rrroT)egently up and down two or threetimes, but not allowing reel to corneabope surface of dezselopine solu-tion. T his is to expel air bubbles.

F I G . I I I .

Al lon' c levelopmentto l l roceecl for aboutt lv o minutes wi thcover of solut ion cr lp

o f f ; t h e n l l l a c e t h e c o v e r o l tthe cup ( t r ig. I V.) , put t inglugs on co\rer into groo\res anclt i .ghten co\.er down by turningi t to r ight .

Now, turn the ent i re cupetrc l for end ancl p lace in a

tray or saucer to catch ar ly s l ight leak f romthe cup. At the encl o f three minutes againreverse t l - re crq) , and thereaf ter re\ .erse evejry

,j!


three minutes until the time of development(20 minutes) has elapsed. Turning the solu-tion cup allows the developer to act evenlyand adds bril l iancy and snap to the negatives.

14. The wire hook is to be used for l i f t ingthe reel out of the cup. Hook to the cross baron one end of reef When the end of reel con-taining cross bar is at the bottom of cup, thehook is just long enough to catch the cross bar.

15. When developing is complete, pour ourdeveloper and fi lI cup with clear, cold water,and pour off. Repeat three times. Then re-move Transferring Reel, separate fi lm fromthe. t issue and red paper, and place imme-diately in the Fixing Bath which should be inreadiness, prepared in accordance with direc-tions on page 69. .-

Norn: When removing cover of solution cup, placecup in Fqlm of hand so as to obtain a firm grip on 6<ittomgf guJ. Then grip cover with oilrer hand ali ia turn siowivto left, when cover will loosen readily.

The fi lm may be separated from the. tissueand red paper in the subdued tight of an ordi-nary room, if the developer is thoroughlywashed out .

The .operation of separating fi lm and redpaper should be done over a bowl, bath tub,or s ink.

. Any pieces of the tissue or paper that mayadhere to the film when it goes into the fixing

*; :- . , i4--


it

bath must be removed by gently rubbing withthe wet finger before the fi lm is washed anddr ied . t

I f the tank is not to be used again imme_diately, the apron and tank stiould be washedand wiped dry. The apron must a lways beperfect ly dry when f i lm is ro l led uD in same.'J 'he

apron wi l l c l ry a lmost instanl ly i f im_niersed for a moment in very hot water.

Keep apron wound on Transferr ing Reelwhen not in use. Never leave apron soakingin water.

IMPORTANT.

When cutting aparr exposrlres made onAutographic Fi lm, af ter development, a lwaysleave the wr i t ing next to the foreground ofthe adjo in ing negat ive in the case of vert icalp ictures, or at the lef t hand of the negat ivew'hen looked at from the back, (the back isthe shiny s ide), r ight s ide up, in the case ofhorizontal pictures.

The result is a negative bearing a facsimileof the memorandum writte, ,rpo, the back ofthe red paper, developed on i ts margin or faceas the case may be. For it is obvious that bvwinding the fi lm the width of a l ine the writ-_ing may be made to appear in the foregroundof a vert ical p icture (of course the lower l ine

must be written first) or on the left hand sideof a horizontal picture.

Time and Temperature for TankDevelopment.

I t somet imes happens that the amateur is notable to obtain or maintain the standard ornormal temperature of 65 degrees Fahr. whenusing the l(odak Tank and the Kodak TankDcveioper Powclers. fn such cases the fo l low-ing table rn ' i l l be found of value:

Tnrrrr:nArunE o.ETil#""o r*oTtJJrrr*,?0 Degrees 15 Minutes 8 Minutes09 " 16 "6 U " l ? I "6 ? " t 8 "66 196 5 " N O R M A L 2 0 " N O R M A L I O " N O R M A L6 t " 2 t "6 3 " 2 ' 2 "62 "23 " 116 l " 2 4 "60 255 9 " 2 6 " 1 25 8 " 2 7 "5 7 " 2 8 "5 6 " 2 9 " l 355 305 t " 3 l "5 3 " g 2 " 1 45 2 " 3 3 "5 1 " 3 { "5 0 " 3 5 " 1 54 9 " 3 6 "4 8 " 5 ? "4 7 " 3 8 " 1 64 8 " 3 9 "4 5 " . 1 0 " t 7

1 :;fr;,G{;€; i

Temperature of deveioper must not exceed

lie 70 degrees Fahr., as above that point there is,|f; danger of the fi lm fri l l ing. 45 degrees Fahr,

f f is thc lowest temperature at which the develop_

f f i ing powders cal l be c l issolved, and even at th isf | } temperature the powder must be f inely crushed

and aclcled slowly to the water.

No, 9-C Autographic Kodak Junior.

I t is best to use the normal temperatrr re(65 c legrees) when possib le, as the use of adeveloper that is colder than normal has asl ight tendency to increase the contrast in anegat ive, n 'h i le the use of a developer warmer

i& t l ian normal s l ight ly f lat tens the negat ives.t -' f .

T

* Developing Several Rolls of Film at Once.Several ro l ls of f i lm may be c leveloped at the

same t ime i f the operator wishes. To c lo th isi t is necessary to have a , ,Dupl icat ing

Outf i t "consist ing of 1 Solut ion Cup, 1 Transferr ingReel and 1 Apron for each addi t ior-ra l ro l l off i lm to be developed. The extra ro l ls of f i lmnay then be wound onto Transferr ing Reelsas previously descr ibed ancl immersed in theSolut ion Cups.

*

#

*I

t

DEVELOPING IN THE DARK ROOM.

F ' r g rea tcs t ccouo l ry p rc l ' i c le a r l Eas tma '3A I ) r : r ' c l r l r i r rg anc l p r in t ing o t r t f i t wh ich iss t r i t : r l r le f r r 3 l ,a x 51 t , o r a l t ) ' s rna l l c r s izc f i l rns .

3A I )e t .e l r t t r t i t tE l (h t l . f i l .

The Ou t f i t Con ta i ns :

$ . g s..1.0. 1 5J 5. 0 5.05

,,2:,. t 5. 3 0. t 0. 1 0

$t*,I ' r i . c < . , m 1 t l e t t ' , ( i r r r . l r r r l i ' g I r r s l r r r r . l i , l r B o , k )

I r t ' l r I l 1 ' 1 t a < . k c c l . $ t . S o .

A lso l r r ov i c l e a pa i r

cc l r l rvatcr ( pre f crabl l 's l< r1 ls , anc l a dur l i - roo t t t

o f shea rs , a p i t che r o fi c c r va te r ) , a l r a i l f o r

hav ing a she l f o r t ab l c .

I I av i r r . q ' l ) r ( ) \ ' i r l t ' r l s r r c l r a r ( ) ( ) n r ( ) r ' c l os r . 1 ,l v l r t ' r t ' u ' l r c r r t l r r . r l o o r i s c l o s t ' r l , n ( ) r ' a \ . ( ) f l i g - h tcan l l c sccn :

Sc t u l ) ( ) l r t l r c t z r l r l r ' ( ) r s l r . - l f t l r c I i o r l a l iC ' a r r r l l c Lan r l r .

' l ' l r c la rnp g i r ,cs a s r r l r r luc r l

r t ' r l l i g 'h t l v l r i ch rv i l l r ro t in ju rct l r c l l l r n u n l c s s i t i s h e l r l t o oc losc to i t . Se t thc r la rnyr onthc t a l r l c a t l cas t c i g l r t c cn i r r c l r c sf ro rn thc o l tc ra t< t r . Ncvcr r rsea vc l lo rv l ig 'h t rv i th thc { i l r r r ,o r - fog rv i l l l l c thc rcs t r l t .

l . F - i l l onc o f thc t ra l ' s nc 'a r -l - r ' fu l l o f rva tc r ( l i r s t t ray) . ' l ' l te Lc t t t tp .

'2 . Opcn ()nc of thc r lcvcr lo i )cr pou'r lc : rs, t l t t ' t t

l r t r t t l r c con tcn ts ( t rvo chcrn ica ls ) i r r to g rar l t rz r t r :

anr t l r l l i t r rp to thc 4 -or r l l cc rnark rv i t l r watc r .

S t i r un t i l d isso lvcd w i th the r ,voor len s t i r r ing

rod and pour into second t ray.

i {

F l a s t m u n K o < l a k ( l o r n p a n y .

3 . ' l ' ,

c l e ' e l , p , r r r r r o l l t he f l l r ' a r r r l c l c t acht l i c cn t i rc s t r i l r f ro rn thc t i ss r ic anc t rcc l l )a l ) t ' r .

1 . Pass thc f r l r r r th ro t rg l t thc t ra1 , o f c lear r ,co l r l w 'a tc ' r : r . s sho lvn in t i re c r l t , ho l r l ing or - r ( ,c r r r l in eac l r l ranr l . Pass th ro t rgh the lva tc r sc \ , -o -a l t in rcs , tha t thc rc n ra) . l r r r . ro l r r r l rb lcs rc -r r r ;1 i1 r i r rg on t l rc l l l rn . \ \ - i r c r r i t i s thoror rg l r l l . n .c t ,u ' i t l r n ( ) a i r l r t r l r b l c s , i t i s r cac l 1 - f o r c l c r - c l o1 rn r t , n t .

5 . \ , * ' l )ass th . t r l rn th r rugh t l rc r l c r -e l r l rc r -in t l rc s ; r .n . rc n l : lnncr as r l cscr i l rc r l fo r u ,c t t ing i tan r l s i r o \ \ - n i n cu t . Kee l r i t cons tan t l y i n r no t i o r ra t rc l i r r a l ro t r t onr ) n - r i r ru te r thc h igh l igh ts n . i l lbcg i r r to r ia r -k . r i , a r i c l \ ' o11 rv i l l r car l i l l ' l r c a l r let r r < l i s t i r r gu i s l r t l r c 11n ( , . \ 1 ros t ' r l s t ' c t i o r i s bc tu ' c r cnt l r c r r c g a t i v c s , : r n r l i r r a l r o u t t \ \ ' o r n i r r t r t e s r v i l l h e

a l r l t ' to r l i s t ing t r i s l ro l r j c c t s i r r t h c l r i c -tu re . Cor t rp lc tc r l c -i ' t ' l opr t r cn t in th cs t r i l r , g i v i ng su i l l -c ic r r t l cn .q ' th o f r l c -vc lopr t rcn t to l t r in13ot l t u ' l tat c lc ta i l 1 'orrca r . t i n t l t e t h i nncs tt i cga t i v cs . ' l - hc r c

i sno l r a rn r i r r ha r - i r r g\ 'o r t r ncgat ivcs o fr l i f f c rc r r t c l e r r s i t 1 ' .' l ' h

i s ca l r l r c s t , lr i gh t i n t l t e l r r i r r t -

l'r

isl s


ing. The difference in density does not af-fect the difference in contrast.

Keep th"e strip which is being cleveloped con-stant ly in mot ion, a l lowing the developer toact 5 to 10 minutes. The progress of develop-ment may be watched by holding the nega-t ives up to the lamp from t ime to t ime.

When developing the fi lm, use a red lampand take care not to hold the film close tothe lamp for any length of time. This fi lmis very rapid and is orthochromatic, there-fore liable to fog unless handled very care-fully.

6. Af ter complet ing developing, t ransf erto the th i rc l t ray, ancl r inse two or three t imeswith c lear, cold water, and t ransfer to f ix ingbath.

Norr: If preferred the negatives may be cut apartand fixed.separately. lnstructions for cutting apartAutograplric negatives u'i l l be found on page 63.

F ix ing .

Provide a box of Kodak Acid Fir ing powderancl prepare the f ix ing bath as per d i rect ions onthe package. Put th is into a t ray ( fourth t rayof an Eastman developing outfit) or washbowl.\\ 'hen the powder has thoroughly dissolved,add to the solution as much of the Acidifier,which you rvil l f ind in a small box inside the

l *

r*

*

I


large one, as directions call for. As soon asthis has dissolved, the Fix ing Bath is readyfor use. Any quantity of the bath may beprepared in the above proport ions.

Pass the fi lm face down (the face is the dulls ide) through the f ix ing solut ion, hold ing oneend in each hand. Do th is three or four t in-resand then place one end of the fi lm in the trayst i l l face down and lower the str ip into thesolut ion in fo lds, ( i f the negat ives have beencut apart , immerse them singly) . Gent ly pressthe fi lm where the folds occur, not tightlyenough to crack it, down into the solution afew times during the course of fixing. Thisinsures the fixing solution reaching every partof the fi lm, Allow the fi lm to remain in thesolut ion two or three minutes af ter i t hascleared or the milky appearance has disap_peared. Then remove for washing.

Film must always be fixed in an acid bath.There is nothing super ior to the Kodak AcidFix ing Bath, but the fo l lo lv ing formula maybe used i f des i red :

Acid Hypo Fixing Bath.

Water,Hypo,

64 ozs,

16 ozs.

When thoroughly dissolved, add 4 ozs. VeloxLiquid Hardener, or the following hardening

s,ls;gl8e$reihi".-

No. 2-C Autographic Koclak Junior. 7l

solution, dissolving the chemicals separately,and in the order named:

Water,E. K. Co. Sutphite of Soda.Aeetit: Acid (Zau1o) ,I 'owdered Alum.

If preferred, I oz. Citr ic Acid canAcet ic .

. 5 ozs.. l o z .. S ozs.

, l o z .

be subst i tu ted for

le

This bath may be macle up at any t ime inadvance, and may be used so long as i t re ta insits strength or is not suff iciently cl iscolorecl bydeve loper car r ied in to i t to s ta in the negat ives .

Norr : I f you are using an Eastman A B C developingoutf i t the f ixing solut ion must only be used in tray No. 4,a-nd the negatives, after l ix ing, nrust not be put in ei i l rerNo. I or No. Z trays. Neither must lrny of the f ixing so.lu_tion be al lowed to tour:h the f i lms i l rrough ihe agency ofthe fingers or oilrerwise, until they ,.""."uily to go irrtothe f ixing bath, otherwise i l rey wil l be spotted so as to beuseless.

Washing.

There are several ways of washing fi lm. Itmay be placed in t ray or wash bowl of coldwater and left to soak for five minutes each infive changes of colcl water, moving about occa_sionally to insure the water acting evenly uponit, or it may be given, say two changes asabove and then lef t for an hour in a bowl wi tha very gentle stream of water fltnning in andout.

7Z ^ g:1lnurrr totlak (lotrrpany.

I f negat ives have been cut apart they shouldnot be al lowect to mat together, brr t shotr l r l besc l l a ra te r l a l r a r t o f t hc t i r r r t ' i r r o r r l c l ' l l u r t l l r t ' r 'n ,as l r t l to roug l r l1 ' .

Dry ing Fi lm Negat ives.

& \ \ - l r c r r t l l o r r r t t g l t l r ' r r ' a s l l c r 1 , S l l a l ) a l . Ir e I ] a s t l l t : r t t F , - i 1 r l r I ) c l r ' c 1 t l 1 l i r r g C l i 1 l ( ) l . |r c t ' : t t . l l c t l r l r l f t l l t ' s t r i 1 t a t l t 1 l l a r r g i t t 1 ] )@

f f i 1 r t r 1 r 1 ' , ( ) r 1 r i r r i t t 1 l ) . I ] t : S t 1 r ( ' , 1 l t l r l ' -.r*ru

r e ( ' \ ' ( ' r , t l l a t i t s r t . i t t g s c 1 t ' a r r l f t l r c r t , ; t l l ,

W f f i t ha t t hc r . * , i l l b c . o r ) oss i b i l i t l ' , f

ig c i t l r c r s i r l c o f thc f i1 rn cor r - l i r rg i r r con-

r e t a c t r r , i t 1 l t h c l a t t c r . I r r r 1 r y i r r g , a f t t l rf f i t r tar tk c le i 'e lo l lnrent , f i l rn shotr lc l l re ct r tre

r e i t l t r l s t r i 1 l s o f l t t l t t ] | 0 f r , t 1 r a r r s i x c x -E

f f i l r / )s , t l res i r r lCr rg t f i .w t "

WI r r s t r t r c t i o n s f o r c t r t t i n g a p a r t

w.Wf f i " t r : r \ t r tog ' ra l lh ic F i l rn t : x l ) ( )s r t r rs a rcf r - ,*ffi .q'ir-cn on l)age 63.

Di .y I t tg t r . , l t ] ) - , t r t in t ra l ' c le ' r ' c lo l l t l te t t t , l ' l te t t t l c

C l i p s . f l l r n h a s l t c c n c r r t u l ) , l l i r r l r ) ' o l l c

c : o r n c r r t o t h e e c l g e o f a s h e l f , o r h a n g t l t c r

t t c g a t i v c s o l r a s t r c t c h c r l s t r i n g l r l ' r n e a n s r - r f a

l r c n t 1 r i n , r t r n r r i n g t h c l l i n t h r o t i g h t h c c o r n c l '

o f f i l r l t o t h c h c a r l , t h c r r h o o k i r r g i t o v c r t l r c

s t r i n g .

No. 9-C Autographic Kodak Junior. 7 8 -

, DEFECTIVE NEGATIVES.n a 1 1By fo l lowing c losely the foregoing di rec_

t ious the novice can make seventy- f ive percent . or upwards of good negat ives. Some_t imes, however, the di rect ions are not f o l -lowed, and fa i lures resul t .

To forewarn the camerist is to forearm him,aucl we therefore descr ibe the common causesof fa i lure.

Over-Development.

Over-development may be causrcl by a n-ris-take in leaving f i lm in the developer too long;by using solut ions too warm or by those whonr ix their own developer in get t ing the c levelop-ing agent too strong.

In th is case, the negat ive is very strong andintense by t ransmit ted l ight and'requires a verylong t ime to pr int . The remedy is to r . . i r ice

by use of Eastman Reducer or the fo l lo iT: : -m e t h o d :

Reducer.

First soak negative 20 minutes in water. thenirnmerse in

Water, 6 ounces!{ypo,. 1/z otncePotassium Ferricyanicle,'saturated solutiou,

Polson, Z0 dropsRock tray gently back and forth until nega-

tive has been reduced to the desired densitv.

t

I


then wash 10 minutes in running water or infour changes of water.

Negatives may be reduced locally by apply-ing the above solution to the dense parts witha camel 's hair brush, r ins ing of f the reducer

with clear water occasionally to prevent itsrunning onto the parts of the negative thdtdo not require reducing.

Under-Development.

An under-developed negat ive di f fers f roman under-exposed one, in that it is apt to bethin and fu l l of detai l , instead of harsh andlacking in detail.

This defect would be caused by a mistake in

removing fi lm from the developer too soon, byusing solutions too cold or by an error in com-pounding chemicals. It is obvious that neither

of these defects wi l l occur in Tank Develop-

ment i f instruct ions are proper ly fo l lowed.

Intensification by Re-Development.

There ere a number of different processes

for intensifying under-developed negatives;

the most common being by means of Bi-

chloride of Mercury, and Sodium Sulphite or

Ammonia.

This method, though simple to use, has its

disadvantages, as it builds up the highlights

$

frr

t:,

k . xd!8$d;"" ..eteL.

No. e C Autographic Kodak Junior.

out of proportion to the weaker portions ofthe negative, and also, unless carefully handledis apt to produce iridescent stains or granularmarkings that are impossib le to remove.

Whi le the method of intensi f icat ion by re_development is only comparatively new, thenow cornmon use of Velox and Royal Re_developer for Sepia tones on Velox andBromide pr ints wi l l make th is the most ef_fective means of . intensification.

Velox or Royal Re-Developer may be usedin exact ly the same manner as for producingSepia tones on developing paper.

Negat ives intensi f ied by re-develoDment arebui l t up evenly, wi thout undue contrast andwithout the chance of staining.

The advantage of being able to use thechemicals for two di f ferent purposes (Sepiatoning pr ints or intensi fy ing negat ives) isobvious, the resul t in e i ther case being al l thatcould be desired.

. , , * l : . \ r * * .

PART V.

PRINTING.

THI' USE OF AUTOGRAPTIICNEGATIVES.

I t i s l r ( ) t : r

I ) a r t o i t l r c - \ t r -t o g r a p h i c :

l r l an t ha t t l t crecor r l l re n rar lcto : i l ) l ) car u l )o l lt l r e l r r i r r t , l r t r ts t t c l t r e c o r r lnraJ, ' l rer rc l ) r ( ) -r l t t cc r l in t l r t 'p r i n t i t s c l fo r omi t tec l asc l c s i r e c l . O fco r l r s c i f t herccorr l a l ) l )cars

u ' i t l r i n t l r t ' n ( ' g -a t i v c ' l ) r o l ) c r i tr , l ' i l l s l torv ( ) l l

t h c l r r i n t , i f t hcp r i n t i s f t r l ls i z< : .

' l ' hc i l l us -

Art togrr tyth ic Negat i re. t rat ic-r t r o l l th ispage rv i l l show

ho.r , r ' t l ie rccorc l lv i l l a l )pcar on the negat i r ,g.

,*

#


The "Autographic Record Strip" (Page 28)is pr inted merely to suggest a few of thethousaucl and one ways in which autograpl-ricrecorcls may be used to acld value to yournegat ives.

PRINTING ON VELOX PAPER.

P r o v i d e :

2 dozen shcets SVt x iVt Vt,lox Plrl lcr.| 3% x5% l , r int i r rg Franre arrc l Glass.I Bot t le Ncpera Solut ion.

Fihn negat ives y ie ld beaut i f u l , sof t b lackand whi te ef fccts when pr inted on Velox de-veloping-out paper.

Manipulat ion:

Velox pr ints may be successful ly made, usingdayl ight for exposure. Select a north window,i f possib le, as the l ight f rom th is d i rect ion wi l lbe more uniform. Owin,g to its sensitiztencsstke paper should, bc hand.lccl in subd,ued, tietkt ;othcrwise i t wi l l be l iable to f og. Proper pre-caut ions should be taken to pul l down thewindow shades and darken the room sufficient-ly dur ing nanipulat ion. I f the l ight is toostrong for pr int ing i t should be subdued orcliffused by the use of several thicknesses ofwhi te t issue paper. Owing to the vary ing in-ter-rsity of daylight uniform resrrlts are not ascertain as when usil. lg artif icial l ight. In the


following instructions for manipulating Velox,it must be understood that artif icial l ight willbe the light used. A kerosene lamp fitted witha round burner (known as Rochester burner) ,may be usecl, bnt owing to the decidedly yel-low l ight th is af fords, a considerably long6rexposure wi l l be necessary than when rrs ing aMazda lamp.

The comparat ive exposures wi th SpecialVelox f rom an average negat ive using var ioussor l rccs of l ight are as fo l lows:

I

N

a

- . -4

S e c ,

O A 't s . lc a E

a

0)

ho

zq)N

a

N

6l

t2Sec.

N

+

6Sec.

!

h

a

H 9o

b! t r

o r.l

3 % x 5 %4 x 5 a n dSmaller

t 0Inches

l 6S e c .

50.Sec.

Norr : When using Regular or Contrast Velox increasethe exposure

I{aving provided a suitable light and a con-venient place to work, arrange three trays be-fore you on your work table in th is order:

xTowel

I oz. NeperaSolut ion

4 023,Water

Norr: Do no.t al low the direct raysof I ight usedforprintins to strike trav No. I, f"hi"h i.",;;; ior ttre devel-9p9r. prace a Fiece, T_ _+g.';;.,##j":irn."d pup",Derween, the_ l igh t and t ray No, I , so u . - io 'oUtu in u .uU.i#"'$#1$ jili"Xtl,;","?"_11+;;;;;;i,i;'.idrogs;g

. Proper temperature is important, and for

best results the developer sholfa U" iO degreesl'ahr. and the fixing bath and wastr water 50degrees Fahr. If the developer 1".".A, 70 d,e_grees, the pr ints are l iable to fog and the emul-sion soften. If too cold, chetical action isretarded, resulting in flat weak prints.

printing.

X.. Z-C Autographic Kodak Junior.

_ Velox may be safely manipulated

from the ordinary gas flame.Having everyth ing in readiL v Lr J Lrrrr lg ln readtness, open theprint ing frame, and lay the ,r.n"air.". hecLnegative, back

the face or sensi-absolute test . is tothe sensit ive side

d:.*.n . upgr the glass (the back i, tt . shiny

: id:).* Place upon the negative a sheet ofVelox paper, face down.The paper curls slightly,

t ive s ide being concave: anb i te the co rne r o f t he shee t :wi l l adhere to the teeth.

*The str ips of eummed paper which are included withthe Outf ir , are to be rrsedfo.r f . ; ; ; ; ; ; ' th; negative inplace on the glass of th_e print i ; ; f*; ; : or io attactr t trenegative to a mask. s*r,'i"r,*.o,io*,,ffi ::ili",f:.fi ".'""11#"1';:Ul'3f ,ii,?edge of the picture and the * nite maliin'.*'

^

ten feet

il


The paper not used must be kept covered inits envelope.

Place the printing frame the correct dis-tance from the artif icial l ight used, holding theframe away from the burner a distance equalto the diagonal of the negative. See exposuretable, page 78.

We suggest, bef ore making the first ex-posure, the cutting of a piece of Velox paperinto strips about an inch wide, and placing

one of them over an important part of thenegative, make the exposure, using your bestjudgment as to the distance from the light andthe time of printing. Develop it, and if notsatisfactory try another strip, varying the timeas indicated by the first result. When the de-sired effect is secured you can make any num-ber of prints from the same negative, and ifthe time of exposure, distance from light, aswell as the time of developing are identicalall the prints should be equally good. By com-paring your other negatives with the one youhave tested, you will be able to make a f.airlyaccurate estimate of exposure required by anynegative.

After taking the exposed piece of paper

from the printing frame, in a safe place pre-

viously selected, it is ready for deveopment.The dry print should be immersed face up in

f

Fit'

Ltr,I6

I

:

! .I

iItF

li. r . *.-i.*

#tr


i

t

f

the developer (Tray No. 1) and quickly and_ evenly covered with the solution. Contrast and

Regular Velox should be developJ ,rot to ex_ceed twenty seconds. Special Velox, abouttwice as long. No era.i t ime can be given,as the strength of developer used would makea difference in the time.

As soon as the image has reached the desireddepth, remove from the developer to the sec_ond tray and rinse for a -o_.-rrt, turning theprint several times, then place it in the fixingbath (Tray No. 3),. keeping the print movin!for a few seconds, the same aa *"" done whenrinsing, so as to give even and thorough fix_irg, preventing stains and oth., troubles.Leave the print in this solution until thor_oughly fixed; this will take about fi-fteen min_utes. When fixed remove from the fixingbath and wash thoroughly for about an hourln runnrng water, then dry. After drying,prints may be trimmed and mounted.

Do not use a fixing bath that has been usedfor fixing film.

You should be systematic in working, r€_membering that cleanliness is essential inphotography. Care must be taken to preventthe Hypo fixing bath in any way getting intothe tral' containing the a.rr.toi.rl lfave aclean towel when beginning the work, and


wipe your hands each time after you havehandled pr ints in f ix ing bath.

Details.

Clriem DrsHns; C-reax Haxns. The faint-est trace of Hypo will spoil the prints if itgets into contact with them before the proper

t ime. Great care should therefore be used tohave both hands and trays clean.

Drvrroprn once used should not be carriedover and used the next day or subsequently.

Don' t .

Don't use a tray for developing which haspreviously been used for hypo solution, pyro-

developer or f inal washing.

Don't use an old fixing solution; it is l iableto cause t rouble.

Difficulties, their Cause and Remedy.

Vnrrnl Wnrres: Caused by forcing de-velopment; fogged paper.

RprrRly: Give more t ime, screen l ight .Also caused when image flashes up in de-veloper by too much exposure, in which casegive less t ime.

Mulnv Snanows: Caused by developerbeing used for too many prints. Remedy, usefresh develooer.

i

fptr

tt 'tIi

fj

J

I


Cowrnl.sry Pnrxrs: Caused by insufficienttime or negative too harsh. Remedy, give moret ime; make sof ter negat ives.

Fre:r PnrNrs: Caused by over-timing ornegatives flat. Remedy, give less time in firstinstance, and if trouble is with negatives, givenegat ives less t ime; develop fur ther.

Srarxs: Caused by forc ing d.evelopment,or chemically dirty dishes or hands, insuflicientfixing, foreign chemicals. Remedy, do notallow chemicals other than those given informulae to come in contact wi th paper; usefresh f ix ing bath; keep pr ints in constantmot ion the ent i re 15 minutes they remain infixing bath, and if due to forcing development,give more time in printing.

RouNn, Wnrre Spors: Caused by ai r bel lswhich form on face of pr ints when developeris first flowed on. Remedy, use more de-veloper, break air bells with finger.

For fur ther part iculars, ask your dealer orwr i te us for a copy of the , ,Velox

Book. , ,

COLORING VELOX PRINTS.

The var ious surfaces of Velox are part icu-larly well adapted for coloring, and prints maybe. made extremely interesting through themany beautiful effects obtained by the use ofVelox Transparent Water Color Stamps. No


experience is necessary when using these colorsand any amateur can secure excellent results as

fuli directions accompany each set of stamps.

Put up in book form, they will be foundmost convenient. Each book contains twelvecolors, arranged in perforated leaflets, making

twenty-four stamps of each color.

The stamps will also be found most desir-able for the coloring of Bromide enlargements,lantern slides, etc., and in fact for all workwhere perfect blending and transparency ofcolor is required. See price list.

EASTMAN KODAK CO.,Rochester. N. Y,

V*

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k,

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PART VT.__ '

MOUNTING.The most satisfactory method for mounting

prints is by the use of the Kodak Dry Mount_ing Tissue, as by the use of this t issue theprint lies perfectly flat in absolute contacteven on the thinnest mount and absolutelywithout curl .

The tissue comes in flat sheets, dry notsticky, and easy to handle, and the tissuebeing water-proof protects the print from anyimpurities in the mount stock.

For multiple mounting and folders the tissueis ideal.

The process of mounting is as fol lows:Lay the print on its face and tack to the

back a piece of the t issue of the same sizeas the print by applying the point of a hotflatiron to small spots at opposite ends.

Turn the print face up and trim the printand t issue to the desired size. place in properposition on mount and cover print with a pieceof smooth paper and press the whole ,uri"..with a hot flatiron.

Press, don't rwb.


The iron should be just hot enough to sisswhen touched with the wet finger. If theiron is too hot the tissue will stick to themount and not to the pr int ; i f too cold thetissue will stick to the print and not to themount.

Remedy: Lower or ra ise the temperatureof the iron and apply again.

When mounting with paste, lay the wetprint f ace down on a sheet of glass andsqueegee off all the surplus water, then brushover the back with thin starch paste. Laythe print on the mount. Cover the printwith a clean piece of blotting paper and pressinto contact with squeegee or rubber printro l ler .

EASTMAN KODAK COMPANY,Rochester. N. Y.

Load your Kodak with Kodak Film.

Look for this trade mark on the box:

EASTMAN

L*


F

*

PRICE LIST.

No., 2-C Autographic Kodak Junior,Meniscus Achromatic Lens. fittedwith Kodak Ball Bearing Shutter, forpictures 27/sx47/s, - $12.00

No. LC Autographic Kodak Junior,R. R. Lens, fitted with Kodak BallBearing Shutter, for pictures 2z/sx47/8, 14.00

No- _2_-C. Autographic Kodak Junior,F.7.7 Anastigmat Lens, f i t ted withKodak Ball Bearing Shutter, for pic-tures 27rt x 4'%, 19.00

Black Sole Leather Carrying Case, withstrap, - 1.75

Kodak Portrait Attachrnent No. 5 foruse with No. 2-C Autographic KodakJunior, when equipped with the Singleor R. R. Lens, .50

Do., No. 7, with the F.7.7 AnastigmatLens, - .50

Kodak Color Filter and Kodak SkvFil ter No. 5, for use with No. 2-eAutographic Kodak Junior when-equipped with the Single or R. R.Lens, 1.00

Do., No. 7, with the F.7.7 AnastiematLens, - 1.00

Autographic Film Cartridge, A-130, 10exposures, 27/s x 47/8, .60

D o . , 6 e x p o s u r e s , - . 3 5Do. ,2 exposures, - .15

Note: Prices subject to change without notice.


Kodak Film Tank,3f inch, - $ 5.50Duplicating Outfit for same, - 2.75Kodak Tank Developer Powders for

2l or 3l inch Tank, per pkg. f doz., .20Kodak Acid Fixing Powder, per 1 lb.

package,Do., ,l pound package,Do., '% pound package,Eastman Hydrochinon Developer Pow-

ders, (do not stain the fingers), perdoz. pairs,

Do., per ,l doz. pairs,Eastman Pyro Developer Powders (for

dark room development), per doz.pairs,

Do., per % doz. pairs, -Eastman Hydrochinon, Eikonogen, Pyro

and Special Developer Powders insealed tubes, per box of 5 tubes, -

Eastman Reducer, per pkg. of 5 tubes,Royal Re-Developer, per pkg. of 6

tubes,Glass Stirring Rod Thermometer,Velox Paper , per doz.3r /axSl ,Velox Transparent Water Color Stamps,

complete booklet of 12 colors, .25Velox Transparent Water Color St4mp

Outfit, consisting of Artist's MixingPalette, three special Camel's HairBrushes, and one book of VeloxTransparent Water Color Stamps,(12 co lors) ,

Note: Prices subject to change without notice.

j

G.t

F:

t? q

. 1 5

.10

.50? q

.50

.25

.25

.25

. t J

. / J

.15

r

il

Nepera Solution (for developing Velox),- 4 oz. bottle, - --

gSolio Paper, per pk1. 2 d,oz. 3rl x 5rl,Combined Toning and Fixing Solution

for Solio, per 8 ounce bottle,Do, !. oz. bottle (in mailing case, in- -

cluding postage, $ .50), :Eastman Flash Sheets, No. 1, per pkg.

% doz.,Do., No. 2, per pk1.% doz., -Do., No. 3, per pk1.% doz., -Kodak Flash Sheet Holder . -Kodak Dry Mounting Tissue, 3%xStl,

2 doz sheets,Eastman Film Developing Clips (nick-

eled), 3l in., per pair,Kodak Film Clips, (wooden), 5 inch

per pair,Kodak Junior Film Clips, each,Kodak Metal Tripod, No. 0,Do., No. 1,Do., No. 2,Leather Carrying Case for Kodak Metal

Tripod Nos. 0, I or 2,Leatherette Carrying Case for the No.

0 I(odak Metal Tripod,Eastman Standard Tripod, automatic

locking,Kodak Dark Room Lamp, No. 2, s/e in.

wick,Eastman Film Negative Album, to hold

I00 2z/g x 4VB negatives,


.202 \

.50

.30

.JJ

.56

.841.00

.08

.25

.15

.t22.003.003.75

1.75

. / J

1.75

1.00

1.00Note: Prices subject to change without notice.

.rFt

t

{'


Eastman Photo Blotter Book, for blot-ting and drying prints,

Kodak -Trimming Board No. 2, capa-city 7 x7 inches, - - .60

Arena $lbum, 50 Black or Sepia Leaves,s i z e 7 x 1 0 , - - 1 . 5 0

Fo_rum Album, 25 Black and SepiaLeaves, size 7 x 10, .5S

Kodak Print Roller, Double, 6 in., - .50Flexo Print Roller, Single, 4 in.,Developing, printing and mounting, on

Velox, 27/sx47/s, per ro11 of 10 ex-posures,

Do., unmounted,Developing only, per ro11 of 10,Developing, pr int ing and mount ing, on

Velox, per ro11 of 6 exposures, - - .Do. , unmounted,Developing only, per roll of 6,Printing and mounting only, on Velox,

27ft x 47ft, each,Do., pr ints unmounted, each,8x l0 Bromide Enlargements,

on cards,Do., 10 x 12,Do . , 11 x 14 ,

. No Orders Executed for Less Than 2Ec.On enlargement orders, i f , in our opinion. the nrint

wtll b.e improved by double mounting, w-e will ito io ii anadditional charge of 10 cents, or triple mounted at 15cents.

Note: Prices subject to change without notice,

EASTMAN KODAK COMPANY.Rochester, N. Y.

f}-**.".';lrc&r.--.r-

1.50t.40.80

.90

.84

.50

.10

.09mountei


Be Sure to [Jse Pure Chemicals.

To get the best negatives from your fi lms_to get the best prints from your negatives_itis imperative that the chemicals which vou usebe absolutely pure.

For all our fi lm and papers we furnish pow_ders and solut ions mixed in just the properproport ions and compounded f rom the pur_est chemicals, rigidly tested in our ownlaborator ies.

But u,e go even further than this. For thosewho prefer to mix their own solut ions by for-mula, we have prepared a l ine of careful lytested standard photographic chemicals.

Don't mar good fi lmsand plates and good paperwith inferior chemicals.

This seal stands for thehighest purity. Be sure itis on the package beforepurchasing.

EASTMAN KODAK CO.,Rochester. N. y.

/-7.)

*'92. Eastman Kodak Company.

PRINTS DO NOT CURL

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WHEN MOUNTED WITH

Kodak DryMounting Tissue

Just the Tissue and a Flatiron

Dry Mounting Tissue is incom-parable for album work. The leaves

l ie f lat with perfect adhesion.

EASTMAN KODAK CO.,Rochester, N. Y.

All Dealers'.

L- ,br--.

_= _\-rNo. 2-C Autographii Kodak Junior.

II

The Kodak qCorrespondence

A course whichYour photographichelping you topictures.

will increasepleasures bymake better

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Tuit ion, Two. Dollars, which includes ahandsome cloth bound copy, library edition,of the School Text Book,

. .HOW TO MAKE

GOOD PICTURES"

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The best print you can get on

VELOXis the best print you can get.

You will find many a valuablephotographic pointer in theVelox Book. It's free and yourdealer would be glad to give youone-or we will send it to you ifgrou like.

NEPERA DIVISION,EASTMAN KODAK COMPANY,

Rbcnesren, N. Y.

At your dealer's,

" If it isn't an Eastmarr,

I t isn' t a Kodak."

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