kalartr.rtf
TRANSCRIPT
~*~*~*~ Namaskar EveryOne ! ~*~*~*~
Here is a description of Kali that appears in Yoga Vasishta. This
vision occured after Vasishta witnessed the dissolution of the
universe.
Vasishta continued:
Then I saw that Rudra began to dance in space, as if he were
intoxicated. It was as if the waters of the cosmic dissolution assumed
a form and were dancing in that form. Lo and behold! Even as I was
watching the dance of Rudra, I saw a shadow behind him. How could
shadow exist without sun, I asked myself. As I was reflecting over
this phenomenon, that shadow (female) stepped in front of Rudra, and
she was also dancing.
She had three eyes. She was dark of color. She was thin. But she was
huge. Her mouth emitted fire. She looked like the dark night or the
limitless space embodied as a female. Her arms extended to the
farthest reach of space. She was so thin that her nerves were visible
and it appeared that since she was thin and tall someone had bound her
with those nerves so that she might not collapse. She wore a garland
made of the heads of gods, suns and demons. She wore earrings of
snakes.
Now she had one arm, a moment later she had many arms and a moment
later she hurled her arms on the dance~floor. Now she had one mouth, a
moment later she had many mouths and a moment later she had no mouth
at all. Now she had one foot, a moment later she had many feet and a
moment later still she was without feet. I concluded from all this
that she was kAlarAtri (the Night of Death). Holy men call her Kali or
Bhagavati.
She had three eyes which were pits of fire. She had high cheek bones
and a chin. She had a necklace of stars strung on air. With her mighty
arms, which had sparkling and radiant nails, she filled the
directions. Her breathing was so powerful that the biggest mountains
could be blown away by it.
Her body seemed to swell enormously when she was dancing. While I was
witnessing this dance, she playfully strung the mountains into a
garland for herself. The three worlds became mirrors in the three
(upper, middle, and lower) parts of her body. Cities, forests,
mountains, etc., became so many flowers for the garland she wore
around her body (neck).
In her limbs were cities and towns, the seasons, the three worlds, the
months and the day and night. Dharma and adharma became her earrings.
Vedas were her brests filled with the milk of the highest knowledge.
She held many different weapons in her hands. The fourteen types of
beings, like the gods and all the rest of them, were hairs on her
body. All these beings with their cities and villages were dancing
with her, delighted at the thought of being born again. The entire
universe was in constant motion because she was dancing: from another
point of view, of course, they were firmly established (in her).
The whole universe was reflected on her body as if in a mirrior. Even
as I was looking they appeared, disappeared and reappeared.
Vasistha continued:
What was that Dance? The stellar firmament was revolving, the
mountains were revolving and the gods and the demons were also
revolving like mosquitoes. The revolving firmament looked like her
flowing garment. It was delightful to watch the very big trees (the
kalpa tree) which were but hairs on her body revolve while she danced.
They were ascending and descending between heaven and earth, as it
were.
The sun and the moon, the day and the night were reflected on her
fingernails, as it were, when she danced. The big mountains like the
himAlayas, the meru, etc., were also dancing with delight. It looked
as though another cosmic dissolution was about to take place.
The goddess wore the sacred thread made of three strands, which were
all kinds of prosperity, perfect knowledge and sacrifice.
Though it appeared that everything was revolving, nothing really
happened. The air that flowed in and out of her nostrils was making
great sounds "ghum ghum". On account of the movement of the countless
arms of the goddess, the air in the entire space was being churned. By
merely watching all this, even my eyes (and mind, too) began to get
fatigued and confused. When the mirrors on her body were agitated by
the dancing, the the mountains began to fall, the gods and celestials
began to fall and their palaces to collapse.
In her body, all the immovable objects became moveable. Still more
astonishing, oceans danced on mountain peaks and the mountain was
dancing in empty space. The space danced beneath the earth-plane, and
continents with flowering gardens and cities were dancing in the orb
of the sun. All these were floating around like straw within the
mirror of the goddess, as it were. Fish were swimming in the mirage,
and cities were seen in space, which also seemed to hold mountains.
The sky and the clouds of cosmic dissolution were resting on the
mountains which had fallen.
In the body of kAlarAtri were found night and day, creation and
dissolution, purity and impurity. Though all the gods, etc., were
tumbled by her dance, they were apparently steady because of the
steadiness of the infinite consciousness. In her consciousness there
was natural knowledge. By her dance she created and dissolved the
universes moment after moment, just as a small boy shifts his
attention from moment to moment. Now she is near, now she is far, now
she is infinitesimal and now she is cosmic. Such is the manifestation
of her cosmic power. She dances, holding the horns of the buffalo
which is the vehicle of the god of death, to the accompaniment of
sounds like 'dimbam dimbam paca paca jhamya'. She wears a garland of
skulls and on her head is a peacock feather. She bows to Rudra, the
god of dissolution. May he protect you.
-- from the "Yoga Vasishta" translated by Swami Venkatesananda
OM ! Jai Kali MA !
~*~*~*~*~*~ Shivani Sannyasini ~*~*~*~*~*~
Kalaratri mata is the seventh aspect of Navadurga. Kaalratri is worshipped on seventh day during Durga Navaratri. Kalaratri Puja 2012 date is October 22. Maha Saptami / Maha Ashtami (Durga Ashtami) is the day to worship the Goddess.
During Vasant Navratri, Kalaratri Puja date is March 30, 2012.
Spiritual importance of Kaalratri Navadurga Puja:
On the seventh day of Navratri, Yogis and other upasaks of Shakti concentrate their mind on Sahasrara Chakra. Kaladatri represents the Sahasrara Chakra which provides him all the siddhis and nidhis of the universe.
Kaaldatri puja makes the devotee free from this material world and provides him with Ashta siddhis and Nava nidhis. With this puja, all his sins and obstacles are completely vanished.
Dhyana Mantra of Kaalratri Navdurga:
Dhyana mantram of Kaalratri Navdurga is recited during the seventh day or Maha Saptami day during Navarathri. This mantra makes one free from his misfortune and keeps him fit to face any challenge in the life.
Karala roopaa kaalabjaa samanakruthi vigraha
Kalaratri shubha dadhath devi chandatta hasini
Read more on Durga Navratri, Hindu Deities, Vratas-Pujas
Kalaratri, Goddess Kaalratri NavadurgaAyyappa Deeksha 2012 Dates, Ayyappa Mala in 2012-2013
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One Response to Kalaratri Navdurga, Dhyana Mantra & Spiritual importance
ajoymohansingh
Aug 06. 2012
good iwant this mantra in Hindi. thanking you
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Kalaratri mantra :-
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|| Om Aim Hrim Klim Shrim Kalaratri sarvam vashyam kuru kuru viryam Devi Ganeshvaryai Namah ||