johannus intonat 6.0 128 en.pdfuser manual intonat 6.0 128 5 1 introduction johannus intonat 6.0 128...

User Manual

JOHANNUS

INTONAT 6.0 128

2 User Manual Intonat 6.0 128

Manufacturer Johannus Orgelbouw b.v.

Address Keplerlaan 2

6716 BS EDE

Country The Netherlands

Telephone +31 (0)318 63 74 03

Fax +31 (0)318 62 22 38

E-mail [email protected]

Website www.johannus.com

Version 1.2

Date August 2012

© 2012 Johannus Orgelbouw b.v. All rights reserved. Nothing in this publication may be reproduced, stored in a data file or made public in any form or in any way either electronically, mechanically by way of photocopying, recording or in any other way without the prior written permission of Johannus Orgelbouw b.v. The information in this document is subject to change without notice and should not be considered a commitment by JOHANNUS Orgelbouw. No responsibility is assumed for any error which may be appearing in this document.

User Manual Intonat 6.0 128 3

CONTENTS

1 INTRODUCTION ............................................................................. 5

2 SYSTEM ......................................................................................... 6 2.1 SYSTEM REQUIREMENTS ............................................................................ 6 2.2 ORGAN COMPATIBILITY .............................................................................. 6 2.3 INSTALLATION ............................................................................................. 6 2.4 CONFIGURATION ........................................................................................ 7 2.5 MEMORY MANAGEMENT ........................................................................... 7

3 GETTING STARTED ......................................................................... 9 3.1 CONNECTIONS BETWEEN COMPUTER AND ORGAN .................................. 9 3.2 STARTING JOHANNUS INTONAT 6.0 128 .................................................... 9 3.3 LOADING INTONATION DATA ..................................................................... 9

4 VOICING .......................................................................................13 4.1 INTONATION WINDOW ............................................................................ 13 4.2 PARAMETER OVERVIEW ........................................................................... 13 4.3 STOP AND SOUND BUTTONS .................................................................... 14 4.4 STOP LIST .................................................................................................. 14 4.5 SELECTING A CONTROL ............................................................................. 15 4.6 REGULATING A PARAMETER ..................................................................... 15 4.7 OUTPUTS AND C-C# .................................................................................. 15 4.8 CHORUS OFF AND CHORUS ON ................................................................ 16 4.9 LIVE TUNING ............................................................................................. 16 4.10 TREMULANT DEPTH AND TREMULANT SPEED ......................................... 16 4.11 WIND FLUCTUATION ................................................................................. 17 4.12 BASS AND TREBLE ..................................................................................... 17 4.13 KEY VOLUME INDICATION ........................................................................ 17 4.14 SELECTING A KEY ....................................................................................... 18 4.15 REGULATING KEY-VOLUMES ..................................................................... 18 4.16 VOICE MUTE AND VOICE ON .................................................................... 20 4.17 VOICE + AND VOICE - ................................................................................ 20 4.18 EXIT ........................................................................................................... 21

5 STORING INTONATION DATA ........................................................22 5.1 STORING DATA IN THE COMPUTER .......................................................... 22 5.2 STORING DATA IN THE ORGAN ................................................................. 22

6 AUDIO ..........................................................................................23 6.1 LOADING AUDIO DATA ............................................................................. 23 6.2 OVERVIEW WINDOW AUDIO .................................................................... 23

6.2.1 MENU FILE .................................................................................................. 23 6.2.2 MENU ORGAN ............................................................................................ 24 6.2.3 INTONATION BUTTONS .............................................................................. 25 6.2.4 INPUT SLIDERS ............................................................................................ 25 6.2.5 AUX-IN SLIDERS .......................................................................................... 25 6.2.6 REVERB OUTPUT SLIDERS ........................................................................... 26 6.2.7 OUTPUTS AND EQUALIZERS ....................................................................... 26 6.2.8 PARAMETRIC EQUALIZER ........................................................................... 27

7 MENUBAR MAIN PROGRAM .........................................................29


7.1 MENU STRUCTURE .................................................................................... 29 7.2 FILE ............................................................................................................ 30 7.3 ORGAN ...................................................................................................... 30 7.4 ROMANTIC ................................................................................................ 32 7.5 SYMPHONIC .............................................................................................. 33 7.6 BAROQUE .................................................................................................. 33 7.7 HISTORIC ................................................................................................... 33 7.8 AUDIO ....................................................................................................... 33 7.9 OPTIONS ................................................................................................... 33

8 TROUBLESHOOTING ......................................................................35 8.1 ERROR MESSAGES ..................................................................................... 35 8.2 OTHER SYMPTOMS ................................................................................... 37

9 KEYBOARD SHORT KEYS ................................................................39 9.1 MENU ........................................................................................................ 39 9.2 INTONATION WINDOWS .......................................................................... 40 9.3 AUDIO ....................................................................................................... 41


1 INTRODUCTION

JOHANNUS INTONAT 6.0 128 is an advanced program, designed to customize the sound of JOHANNUS organs, which are based on the OranjeCore technology and supplied with 12 intonations, divided in four main styles (Romantic, Symphonic, Baroque and Historic) and three variations per style (Standard, Solo and Trio). In this manual familiarity with Microsoft® Windows® is assumed. When a key has to be pressed, the name of the key will be placed between [brackets] e.g. the enter key: [Enter]. When a combination of keys has to be pressed, it will be indicated as follows: [Alt]+[f].


2 SYSTEM

2.1 SYSTEM REQUIREMENTS

Personal Computer, Laptop or Notebook with: Pentium processor 128 MB RAM 100 MB available hard-disk space Microsoft® Windows® XP, Vista or 7 MIDI in / out device Recommended configuration: Dual Core processor 1024 MB RAM 100 MB available hard-disk space Microsoft® Windows® 7 USB MIDI in / out device

2.2 ORGAN COMPATIBILITY

INTONAT 6.0 128 is compatible with the following organs: Click this link for the most recent information on the internet: http://www.johannussupport.com/organcompatibility/601284x3.pdf

2.3 INSTALLATION

1. Close all programs before running setup. 2. Insert the CD-rom into the CD-rom player of the computer. 3. A setup window will pop up automatically. 4. Click on the Install button. The setup program will guide you through the

installation. If the setup window does not pop up automatically, follow these instructions: 1. Manually run setup_into60128 from the CD-rom. 2. The setup program will guide you through the installation.

http://www.johannussupport.com/organcompatibility/601284x3.pdf


2.4 CONFIGURATION

The first time you start JOHANNUS INTONAT 6.0 128, the MIDI devices have to be configured. This configuration must be made before using the program for voicing. 1. Click on the sub menu "Programs" in the start menu. 2. Click on the sub menu "Johannus". 3. Click on the JOHANNUS INTONAT 6.0 128 program. The JOHANNUS INTONAT

background window appears. 4. Click on "Options" in the menu bar. 5. Click on the function "Config". The "Config" window appears. 6. Select the MIDI-in device to be used, in the scroll menu "MIDI IN". 7. Select the MIDI-out device to be used, in the scroll menu "MIDI OUT". 8. Click the OK button to store the configuration. The next time you start JOHANNUS INTONAT 6.0 128, the program automatically uses the stored configuration. Normally it is not necessary to set the configuration again. When MIDI devices have been added, removed or changed on the system, the configuration has to be done again. Note: It is recommended to read the user manual belonging to the MIDI devices,

to make the right configuration.

2.5 MEMORY MANAGEMENT

Intonation data can be regulated, stored and overwritten by another intonation. But before you start regulating it is important to know the memory structure of the organ and the computer. This makes clear which data will be stored and which data will be erased when switching off the organ or the computer. See also paragraph 7.2 FILE and paragraph 7.3 ORGAN , about transferring intonation data between memories. Memories in JOHANNUS organs: RAM: The Random Access Memory contains the actual intonation data to be

heard when playing the organ. The RAM is empty when the organ is off and gets its data from the FLASH memory when the organ becomes switched on. The JOHANNUS INTONAT 6.0 128 program does work with this memory. Changes by the JOHANNUS INTONAT 6.0 128 program will be made in the RAM of the computer as well as in the RAM of the organ. These changes can directly be heard from the organ. When correctly used, the computer RAM and the organ RAM contain the same data. Switching off the organ does erase the RAM again. The intonation changes have to be stored into the FLASH memory first.


FLASH: In the FLASH memory the customized intonation data is stored. When the organ is switched on, the intonation data stored in the FLASH will be loaded into the RAM of the organ. A changed intonation in the RAM can be stored in the FLASH. Note that this definitively overwrites the last version in the FLASH. Switching off the organ does not affect the FLASH data.

ROM: This Read Only Memory contains the standard factory intonation data.

This data never can be changed. The factory data can be loaded into the RAM of the organ by activating the JOHANNUS INTONAT 6.0 128 function "Default". If you are sure you want to use the factory data, you can program it from the RAM into the FLASH memory.

Computer memories used by JOHANNUS INTONAT 6.0 128: RAM: The Random Access Memory in the computer contains the intonation

data used by JOHANNUS INTONAT 6.0 128 during the intonation. Changes by the JOHANNUS INTONAT 6.0 128 program will be made in the RAM of the computer as well as in the RAM of the organ. When correctly used, the computer RAM and the organ RAM contain the same data. Closing the program will erase the intonation data in the RAM of the computer. The intonation data has to be saved on the hard disk first.

Hard disk: The intonation data in the RAM of the computer can be stored on the

hard disk. This makes it possible to make several different intonation files, which can be opened again at any time.


3 GETTING STARTED

3.1 CONNECTIONS BETWEEN COMPUTER AND ORGAN

Before voicing a JOHANNUS organ by JOHANNUS INTONAT 6.0 128, the organ has to be connected to the computer. 1. Connect the MIDI OUT of the computer to the MIDI IN of the organ by a MIDI

cable. 2. Connect the MIDI SEQ (MIDI sequence output) of the organ to the MIDI IN of

the computer by a second MIDI cable.

3.2 STARTING JOHANNUS INTONAT 6.0 128

Before using JOHANNUS INTONAT 6.0 128 the first time, the MIDI devices have to be configured. See paragraph 2.4 CONFIGURATION for help on this subject. When the MIDI devices are correctly configured once, the program always can be used directly. 1. Click on the sub menu "Programs" in the start menu. 2. Click on the sub menu "Johannus". 3. Click on the JOHANNUS INTONAT 6.0 128 program. The JOHANNUS INTONAT

background window appears.

3.3 LOADING INTONATION DATA

Before voicing the organ, the intonation data has to be loaded into the JOHANNUS INTONAT 6.0 128 program. When you start voicing, it is essential to have the same data in the program as in the organ. There are three ways to load the intonation data correctly. Option 1: Receiving all intonations from the organ. 1. The organ has to be switched on. Wait some seconds after switching on, to

be sure the organ has completely started up. 2. Click on "Organ" in the menu bar. 3. Click on "Receive All". The computer now first receives the stop list from the

organ, followed by the data of all intonations. This will take some seconds. 4. When the stop list and the intonation data have been received, a message

box appears with the text: "READY, All into's received". 5. Click on the OK button.


Option 2: Receiving one intonation from the organ. 1. The organ has to be switched on. Wait some seconds after switching on, to

be sure the organ has completely started up. 2. Click on "Organ" in the menu bar. 3. Click on "Receive Stoplist". 4. After a few seconds a message box appears with the text: "READY, Stoplist

received". 5. Click on the OK button. 6. Click on "Organ" in the menu bar. 7. Click on "Receive Into...". Select the Intonation style and variation you want

to receive. The computer now receives the data of the desired intonation. This will take some seconds.

8. When the intonation data has been received, a message box appears with

the text: "READY, 'Intonation x' received", where 'Intonation x' is the name of the desired intonation.

9. Click on the OK button. We always recommend receiving all intonations, even if you want to change just one intonation. A not-received intonation will be empty in the computer: all parameters are set to minimum value. When later this empty intonation will be sent to the organ, the organ does not sound at all in this intonation. Option 3: Opening an intonation file on the computer and sending the data to the organ. This way has to be used when you want to overwrite the current intonation data in the organ by the data being saved on the computer before. 1. The organ has to be switched on. Wait some seconds after switching on, to

be sure the organ has completely started up. 2. Click on "Organ" in the menu bar. 3. Click on "Receive Stoplist". 4. After a few seconds a message box appears with the text: "READY, Stoplist

received". 5. Click on the OK button. 6. Click on "File" in the menu bar.


7. Click on "Open intonation". The window "Open" appears. 8. Select the intonation file (.jho) you want to open. 9. Confirm your choice by clicking the "Open" button. 10. A message box appears with the text: "READY, File loaded". 11. Click on the OK button. The intonation data has been loaded into the JOHANNUS INTONAT 6.0 128 program. Next the loaded intonation data has to be sent to the organ. There are two ways to do this. 1: Send all intonations. 1. Click on "Organ" in the menu bar. 2. Click on "Send All". The computer will send the intonation data to the organ.

This will take some seconds. 3. When the intonation data has been sent, a message box appears with the

text: "READY, All into's sent". 4. Click on the OK button. 2: Send one intonation. 1. Click on "Organ" in the menu bar. 2. Click on "Send Into...". 3. Select the Intonation style and variation you want to send. The computer

now sends the data of the desired intonation. This will take some seconds. 4. When the intonation data has been sent, a message box appears with the

text: "READY, 'Intonation x' sent", where 'Intonation x' is the name of the desired intonation.

5. Click on the OK button. We always recommend sending all intonations unless you are sure that you don't want to change all intonations. A not-sent intonation in the computer can be different from the intonation in the organ. That means: what you see on the screen can be different from what you hear from the organ. Therefore make sure you do not regulate a not-sent intonation or a not-received intonation. Tip: To get the data in the RAM of the computer equal with the data in the RAM

of the organ after sending one or some intonations, you can receive all


intonations from the organ by the function "Receive All" (see paragraph 3.3 LOADING INTONATION DATA, Option 1: Receiving all intonations from the organ).

Important: If during the intonation the organ is switched off, or the program is

closed, the data must be loaded again, before continuing the work. See paragraph 2.5 MEMORY MANAGEMENT for more information.


4 VOICING

This chapter contains a description of the voicing-functions in JOHANNUS INTONAT 6.0 128. However, to regulate an organ correctly it is not enough to know how to handle all functions. To create a well sounding organ, it is also very important to get experience in listening and regulating the sound. To judge the intonation, prefer listening to the sound above looking at the controls and indicators on the screen. The screen can help you to see what you exactly do, but finally the organist and the public will judge the organ on its sound.

4.1 INTONATION WINDOW

When the program has been prepared as described in chapter 3 GETTING STARTED, an intonation window can be opened to customize the sound. The organ is supplied with four intonation styles (Romantic, Symphonic, Baroque and Historic) with in each style three variation (Standard, Solo and Trio). So there are 12 separate intonations. Important: Some models only have the four standard intonation styles. The

intonation windows Solo and Trio than display the same settings as in intonation window Standard. Regulating a parameter in intonation window Solo or Trio has no effect in the organ. See also paragraph 2.2 ORGAN COMPATIBILITY.

To voice one of these 12 intonations: select in the menu bar the style you want to voice: "Romantic", "Symphonic", "Baroque" or “Historic”, followed by the variation of this style: "Standard", "Solo" or "Trio". The desired intonation window will pop up. All intonations can be regulated independently. However, just one intonation window can be open at the same time. The present intonation window has to be closed before another intonation window can be opened. It is possible to exit and open intonation windows several times during the intonation, without losing data. Warning: Do not close the program during the voicing. This will erase all

intonation settings in the RAM of the computer. Do not switch off the organ during the voicing. This will undo all changes in the RAM of the organ that have been made. See paragraph 2.5 MEMORY MANAGEMENT for details about the memory structure.

In the next paragraphs the description of all functions in the intonation windows can be found. The description applies to all separate intonations.

4.2 PARAMETER OVERVIEW

Parameters can be related to a whole division, a particular voice, or a single key. The list below declares the type of each parameter.


Division-related: Voice-related: Key-related:

Tremulant speed Wind fluctuation

Volume Outputs Voice Chorus on Chorus off Live tuning Tremulant depth Bass Treble

Volume

The intonation window contains several controls to change these parameters. The value of each parameter is indicated at the top of its control. All indicated values belong to the actual selected voice. When another voice is selected, all controls change to the values belonging to that voice. The division-related parameters can be changed on any voice. The same change will automatically be done for all voices of the same division. The key-related volume parameters of the selected voice are reflected at the lower side of the window. Each key of the selected voice can be regulated separately.

4.3 STOP AND SOUND BUTTONS

The "Stop" and "Sound" buttons are located at the left side of the stop list. These two buttons let the organ play the voice and the key selected in the INTONAT program. The "Stop" button does switch on the actual stop. All other stops that could be on will be switched off. If you prefer to switch stops by hand, the INTONAT "Stop" button should not be activated. When however switching stops by hand while the "Stop" button is activated, stops will not correctly switch on and off when you select a stop in the INTONAT program again. When this problem appears, just de-activate the "Stop" button to switch off all stops. After this the stops will react normally again. The "Sound" button activates the organ key, which is selected in the intonation window. To deactivate "Stop" or "Sound", click on the button again.

4.4 STOP LIST

The stop list of the organ is placed at the right side of the window. To select a voice, click on its name in the stop list. By clicking somewhere in the stop list area,

the list will be selected and you can browse through the list by the cursor keys []

and [].


4.5 SELECTING A CONTROL

All controls can be selected by mouse as well as by keyboard. To select a control by mouse, click the left mouse button on the control. To select a control by keyboard, press the short key of the control. The name of the short key will be reflected in a text bar, which appears when you hold the mouse pointer somewhere on the control. See also chapter 9 KEYBOARD SHORT KEYS for a list of all short keys. A selected control will be light blue; a not selected control will be dark blue.

4.6 REGULATING A PARAMETER

All parameters can be regulated by mouse as well as by keyboard. To regulate a parameter by mouse, click on the slider or rotary control and keep the left mouse button pressed. Now you can move or rotate the control. A slider also can be handled by clicking at a point on its scale. The slider will jump to that point. To regulate a parameter by keyboard, first select the control as described above.

Use the cursor keys [] and [] to increase and decrease the value by small steps. Use the keys [PgUp] and [PgDn] to increase and decrease the value by larger steps. For help on selecting and regulating key-volume parameters, see paragraph 4.14 SELECTING A KEY and paragraph 4.15 REGULATING KEY-VOLUMES.

4.7 OUTPUTS AND C-C#

Each voice can sound through at most four different outputs. To get a balanced distribution of the stop over the different audio channels, JOHANNUS assigned each stop to one or more of the available channels. The chosen outputs can be regulated by rotary controls, placed at the upper left side of the intonation window. A disabled output control is indicated by a grey dot; an enabled output control is indicated by a dark blue dot. Directly right from the output controls, a small indicator is placed, called C-C#. The term C-C# is derived from pipe organs, where the wind chest is divided up to a C-chest and a C#-chest. The chromatic range of pipes has alternately been placed on the C-chest or the C#-chest. The JOHANNUS C-C# system simulates this effect. The tones of a stop sound alternately through a left and a right loudspeaker. The C-C# parameter is voice-related. The value of this parameter is set by JOHANNUS and cannot been changed by JOHANNUS INTONAT 6.0 128. The C-C# indicator reflects which outputs are used for the selected stop and in which order. The first output is the C-output and the second output is the C#-output. The two used outputs can be regulated by the output controls. The not-used output parameters are set to zero and cannot be selected and regulated. A


disabled output control is indicated by a grey dot; an enabled output control is indicated by a dark blue dot. When no C-C# effect is used for a selected stop, this is reflected in the C-C# indicator by the word "none".

4.8 CHORUS OFF AND CHORUS ON

All voices of the organ can be tuned separately. Standard, the voices are regulated slightly out of tune, to obtain a vivid organ sound. When the function "CHORUS" at the organ is switched off, the tuning differences between the voices will be little. When CHORUS is switched on, the differences will be larger. The slider CHORUS OFF regulates the tune of each voice when the function "CHORUS" of the organ is switched off. The slider CHORUS ON regulates the tune of each voice when the function "CHORUS" of the organ is switched on. When the value of CHORUS OFF or CHORUS ON is set to 0, the voice is tuned at a = 440Hz (if the pitch or tune function of the organ is also set to 440Hz and Live Tuning is set to 0, see paragraph 4.9 LIVE TUNING). Detuned voices like celestes are standard slightly out of tune.

4.9 LIVE TUNING

LIVE TUNING is a function that detunes the keys of a stop in a random way. Because of this the organ sound will be more vivid, after all a played chord will never sound the same. In contrast to the CHORUS which detunes a complete stop at a certain level, the LIVE TUNING detunes separate keys in a random way. The slider LIVE TUNING regulates the level of detuning. The function is working in two blocks of eight. The first block (values 1 to 8) has a logarithmic scale which means that the higher keys become less detuned than the lower keys. The second block (values 9 to 16) has a linear scale which means that the higher keys become detuned in a proportional way. As well as value 1 as value 9 gives little detuning. Increasing the value of LIVE TUNING causes larger pitch alterations. We advise the use of values 1 to 8 for Baroque and Historic intonations and values 9 to 16 for Romantic and Symphonic intonations. Decreasing LIVE TUNING to 0 causes no pitch alterations at all. For voices used in celeste combinations (e.g. Viola di Gamba 8’ and Vox Celeste 8’) we advise a value 0.

4.10 TREMULANT DEPTH AND TREMULANT SPEED

A tremulant in a pipe organ does regularly alternate the wind pressure of the wind chest. This results in a periodically alternating height and volume of the tone.


The slider TREMULANT DEPTH regulates the depth of the tremulant effect. Increasing the value of TREMULANT DEPTH causes larger pitch alterations. Decreasing TREMULANT DEPTH to 0 causes no pitch alterations at all. The slider TREMULANT SPEED regulates the speed of the tremulant effect. The parameter TREMULANT SPEED is division-related. Changes made for one voice will automatically be done to all voices of the same division.

4.11 WIND FLUCTUATION

The wind pressure of a pipe organ can slightly decrease when many keys become pressed at the same time, and many stops are opened as well. When the keys will be kept pressed some time, the wind pressure will stabilize to the normal level again. This causes shortly a slight detuning at the moment the keys become pressed. If not too extreme, these fluctuations lead to a more vivid sound. The wind fluctuation function in JOHANNUS organs does simulate this effect. The depth of the effect depends on the number of voices and keys played at the same time. More voices or more keys enlarge the effect. Fewer voices or fewer keys reduce the effect. The slider WIND FLUCTUATION can be used to regulate the depth of this effect. When the value is set to 1 no effect will be heard. The parameter WIND FLUCTUATION is division-related. Changes made for one voice will automatically be done to all voices of the same division.

4.12 BASS AND TREBLE

The sliders BASS and TREBLE influence the frequency spectrum of a voice. By the BASS slider the lower frequencies can be made louder or softer. Increasing the BASS value makes the tone more fundamental. Decreasing the BASS value makes the tone less fundamental. By the TREBLE slider the upper frequencies can be made louder or softer. Increasing the TREBLE value makes the tone brighter. Decreasing the TREBLE value makes the tone mellower.

4.13 KEY VOLUME INDICATION

The volume parameters are key-related. Each key of the active voice can be regulated separately. Grey vertical bars at the lower side of the window represent all key-volume parameters of one voice. Natural keys are drawn in light grey; sharp keys are drawn in dark grey. A blue section on each bar reflects the volume of each key. The indicator under "Key", at the upper side of the window reflects the exact volume level.


4.14 SELECTING A KEY

A key can be selected by mouse as well as by the keyboard of the computer. To select a key by mouse, click the left mouse button on the bar that represents the key. To select a key by the keyboard of the computer, use the keys [,] and [.] (on standard US 101 keyboards these are the same keys as [<] and [>]). [,] selects the key left from the current key. [.] selects the key right from the current key. A yellow pointer below the key-volume bars indicates which key is currently selected. The indicator called "Key" at the upper side of the window reflects the name of the selected key. E.g. "3A" means the "A" of the third octave. When another voice becomes selected, the key pointer jumps to "3A" when it is a manual voice, or "2A" when it is a pedal voice. Manual voices always have the keys 1C through 6C (C through c’’’’). Pedal voices always have the keys 1C through 3G (C through g’), also when the pedal board at the organ has fewer keys. Pedal keys above 3G are not reflected and cannot be selected and regulated.

4.15 REGULATING KEY-VOLUMES

Regulating key-volumes is an important part of voicing. By following certain rules to regulate volumes, the entire organ can be adjusted to a particular style. If all volumes are set to the same value, some differences can be heard between key-volumes of the same voice. The relation between different voices can also be out of balance. This can be caused by the acoustics of the room, the position of the speakers, the position of the people and by the human ear, which has a non-linear frequency characteristic. JOHANNUS INTONAT 6.0 128 provides a range of different ways to regulate key-volumes of a voice separately as well as simultaneously. Each way is explained below. Regulating one key by the slider KEY VOLUME. 1. Select the key to be changed. 2. Use the slider KEY VOLUME to increase or decrease the value of the selected

key. Regulating several keys by using the keyboard of the computer. 1. Select the key to be changed.


2. Select the slider KEY VOLUME. The slider jumps to the actual value of the selected key.

3. Regulate the slider KEY VOLUME for the selected key. 4. Select the next key to be changed. 5. Do not select the slider KEY VOLUME again. It will be still selected. In this way

the slider does keep the last entered value. 6. Regulate the slider KEY VOLUME for the selected key. The value will start on

the last entered value. You can press [Enter] if you just want to enter the last value again.

7. Repeat the points 4 through 6 for all keys to be changed at the same time.

Tip: Using the keys [,], [.], [] en [] will provide a quick way to regulate all keys of the selected voice. See paragraph 4.6 REGULATING A PARAMETER and paragraph 4.14 SELECTING A KEY.

Regulating one key by moving the blue section on the key-volume bar. 1. Place the mouse pointer on the key-bar to be changed. Press the left mouse

button and keep it pressed. 2. Press the [Shift] key, and keep it pressed. Keeping the left mouse button

pressed as well will lock the key selection. The mouse can be moved left or right, without selecting other keys. When the left mouse button becomes released while [Shift] is still pressed, moving the mouse pointer horizontally will select other keys.

3. Move the mouse pointer up or down. The blue section of the selected key-

bar will follow the mouse pointer. 4. Release the [Shift] key to end regulating the value. 5. Release the left mouse button. Note: As long as the [Shift] key is pressed, the change will not be done in the

organ. Releasing the [Shift] key does enter the new value into the organ. Regulating several key volumes in one operation, by drawing a curve. 1. Press the [Shift] key, and keep it pressed. 2. Move the mouse pointer over the key-bars to be regulated. The blue sections

of these key-bars will follow the curve you make by the mouse. If some keys become skipped when drawing the curve, move the mouse slower.

3. Release the [Shift] key to end drawing the curve.


Note: As long as the [Shift] key is pressed, the changes will not be done in the organ. Releasing the [Shift] key does enter the new values into the organ.

Regulating all key-volumes of the selected voice simultaneously. All key-volumes of the selected voice can be regulated simultaneously, using the 5 voice-volume buttons. These buttons have been placed above the key volume indication field. +10 increases all key volumes of the selected voice by 10. +1 increases all key volumes of the selected voice by 1. 1/2 does set all key volumes of the selected voice to half volume (64). This will

overrule all individual key volumes. -1 decreases all key volumes of the selected voice by 1. -10 decreases all key volumes of the selected voice by 10. Increasing or decreasing the entire voice volume will be disabled when one or more keys will exceed the maximum or minimum volume. A message box will appear containing the text: “ERROR, Keys will exceed maximum/minimum value”

4.16 VOICE MUTE AND VOICE ON

Clicking the button MUTE does temporarily mute the entire selected voice. All key-volumes become set to zero. A check mark before the name in the stop list indicates the voice is muted. Using the MUTE button however does not erase the key values of the stop. They will be kept in the RAM of the computer. Clicking the button ON switches a muted voice on again. The original key volumes will be loaded again. The functions VOICE MUTE and VOICE ON are useful for JOHANNUS organs containing voices that exist of more than one independent rank. Each rank of such multi rank voice can be selected and regulated as a separate voice. But when playing the voice, all ranks will be heard at the same time. To hear only one rank, all other ranks of the same voice can be temporarily muted. Before closing the intonation window, all muted voices should be switched on again.

4.17 VOICE + AND VOICE -

At the upper side of the intonation window, an indicator is placed called "VOICE". This voice indicator reflects the voice number that is used for the selected stop. Because of the fact that the organ has five different voice banks (Romantic,


Symphonic, Baroque, Historic and 1 alternate bank) you can choose from five possibilities per stop. Note: Not all models have an alternate voice bank. In that case voice 5 is equal to

voice 4. Click on the "VOICE +" button to raise the value or on the "VOICE -" button to lower the value. Changing the voice in a multi rank mixture stop will automatically change the voices in the other ranks of that mixture. The Romantic voices can be selected by voice 1, the Symphonic voices by voice 2, the Baroque voices by voice 3 and the Historic voices by voice 4. Voice 5 is an alternate voice. Note: Be very careful with selecting alternative voices. A different voice means a

different sound and style. After selecting another voice, all parameters of the voice have to be regulated according to the new sound.

4.18 EXIT

To exit an intonation window, press the button EXIT at the upper side of the screen and the left side of the stop list. When the main program does not become closed, it is possible to exit and open intonation windows without losing data.


5 STORING INTONATION DATA

Changes executed by JOHANNUS INTONAT 6.0 128 will be made in the RAM of the computer and the RAM of the organ. Closing JOHANNUS INTONAT 6.0 128 will erase all intonation data in the RAM of the computer and switching off the organ will undo all changes in the RAM of the organ. It is necessary to store changes first. Intonation data can be stored in the computer as well as in the organ. In both cases all intonations will be stored at the same time. See paragraph 2.5 MEMORY MANAGEMENT for more information about the memory structure.

5.1 STORING DATA IN THE COMPUTER

Intonation data in the RAM of the computer can be stored on the hard disk. 1. Close a possible active intonation window. 2. Click on "File" in the menu bar. 3. Click on "Save intonation". The window "Save as" appears. 4. Enter a file name or select an existing file to be overwritten. The extension

".jho" will be added automatically. 5. Click on the "Save" button to store the data. 6. A message box appears with the text: "READY, File saved". 7. Click on OK to close the message box.

5.2 STORING DATA IN THE ORGAN

Intonation data in the RAM of the organ can be stored in the FLASH memory of the organ. 1. Close a possible active intonation window. 2. Click on "Organ" in the menu bar. 3. Click on "Program". The intonation data will be stored in the FLASH. 4. Wait some seconds until the message box appears containing the text:

"READY, All data programmed". 5. Click on OK to close the message box.


6 AUDIO

In the window Audio several audio functions can be adjusted per intonation. The window Audio is opened by clicking on “Audio” in the menu bar of the main program. The window Audio has a menu bar with menus “File” and “Organ”, and for adjusting the audio functions several buttons and controllers are available. Before adjusting the audio functions, the organ has to be connected with the computer, see paragraph 3.1 CONNECTIONS BETWEEN COMPUTER AND ORGAN. Also the right MIDI configuration has to be set, see paragraph 2.4 CONFIGURATION. Note: the window Audio works as an independent program within the Intonat main

program. Therefore the audio data has to be loaded and saved separately.

6.1 LOADING AUDIO DATA

Before adjusting audio data, the audio data has to be loaded into the window Audio. When you start adjusting, it is essential to have the same data in the window Audio as in the organ. 1. The organ has to be switched on. Wait some seconds after switching on, to

be sure the organ has completely started up. 2. Click on "Organ" in the menu bar. 3. Click on "Receive". The computer now receives the audio data from the

organ. 4. When the audio data has been received, a message box appears with the

text: "READY, Audio data received". 5. Click on the OK button.

6.2 OVERVIEW WINDOW AUDIO

6.2.1 MENU FILE

This menu contains functions for data transport between the computer memories. See also paragraph 2.5 MEMORY MANAGEMENT for details about the memory structure. Open Audio Settings The function Open Audio Settings activates an "Open" window. In this window an audio data file can be selected and loaded into the RAM of the computer.


Save Audio Settings With the function Save Audio Settings, the current audio data in RAM of the computer can be saved on the hard disk. The function activates a "Save as" window. In this window an existing file can be selected, or a new name can be entered. The extension ".mix" will be added automatically. Not saved intonation data in the RAM of the computer will be erased when the Intonat main program becomes closed. Exit The function Exit does close the window Audio.

6.2.2 MENU ORGAN

This menu contains functions for data transport between the organ memories and also between organ and computer memories. See also paragraph 2.5 MEMORY MANAGEMENT for more details about the memory structure. Receive This function downloads audio data from the ROM of the organ into the RAM of the computer. This will overwrite the possible existing audio data in the RAM of the computer. The data transfer will take some seconds. When it is finished, a message box appears containing the text: "READY, Audio data received". Send This function uploads the audio data from the RAM of the computer into the RAM of the organ. This will overwrite all possible existing audio data in the RAM of the organ. The data transfer will take some seconds. When it is finished, a message box appears containing the text: "READY, Audio data sent". Default The function Default will load all audio data from the ROM of the organ into the RAM of the organ. This will overwrite all existing audio data in the RAM of the organ by the standard factory data.


The data transfer will take some seconds. When it is finished, a message box appears containing the text: "READY, All data default". Note: After setting the organ to default audio data, you have to receive this

data before starting regulating it. This is necessary because the computer-RAM still does not contain the default audio data of the organ.

Program The function Program will store all audio data from the RAM of the organ into the FLASH of the organ. This will overwrite all existing audio data stored in the FLASH of the organ. The data transfer will take some seconds. When it is finished, a message box appears containing the text: "READY, All data programmed". Not programmed RAM-data will be erased when the organ becomes switched off. This means that all changes in the RAM of the organ can be undone by switching off the organ before programming.

6.2.3 INTONATION BUTTONS

In the upper left part of the window Audio there are 12 intonation buttons (Romantic Standard through Historic Trio). Click on an intonation button to select the intonation of which the audio data has to be adjusted. Note: Some models only have the four standard intonation styles. The

variations Solo and Trio are not available then. See also paragraph 2.2 ORGAN COMPATIBILITY.

After selecting an intonation style the organ switches over to the selected intonation style automatically.

6.2.4 INPUT SLIDERS

In the lower left part of the window Audio are four input sliders, In 1 - In 4. These sliders are used to adjust the input level of the organ audio channels. Note: Adjusting input sliders is only possible in the Internal Use version of

JOHANNUS INTONAT 6.0 128. Locked sliders have a grey slider knob.

6.2.5 AUX-IN SLIDERS

Next to the four input sliders are two Aux-input sliders, Aux-in L and Aux-in R. These sliders are used to adjust the input level from respectively the left channel and the right channel of the external Aux-input.


Note: Adjusting Aux-input sliders is only possible in the Dealer- and Internal Use version of JOHANNUS INTONAT 6.0 128. Locked sliders have a grey slider knob.

6.2.6 REVERB OUTPUT SLIDERS

In the middle of the window Audio are four reverb rotary controls, Rev. to 1 - Rev. to 4. These rotary controls are used to adjust the output level of the reverb system. Rotary controls Rev. to 1 and Rev. to 3 control the left channel of the reverb system, rotary controls Rev. to 2 and Rev. to 4 control the right channel of the reverb system. Note: Adjusting reverb rotary controls is only possible in the Internal Use

version of JOHANNUS INTONAT 6.0 128. Not to modify rotary controls have a grey dot.

6.2.7 OUTPUTS AND EQUALIZERS

In the right part of the window Audio is the output section. Each audio channel has a slider (1 - 4) for adjusting the output level, a Mute and Solo button, a parametric equalizer (EQ 1 - EQ 4) and an equalizer bypass button. Output sliders The output sliders are used to adjust the output level of the audio channels. Note: To maintain a correct balance of the organ sound it is important that

the levels of the channels remain equal to each other. Mute and Solo buttons Above an output slider are a Mute button (M) and a Solo button (S). The Mute button is used to temporarily mute a channel. The Solo button is used to temporarily mute the other channels. Note: If a Mute- or Solo button is activated the window Audio cannot be

closed. A message box appears containing the text: “ERROR, Channel(s) are muted or bypassed”. Deactivate the Mute- or Solo buttons before closing the window Audio.

Note: Activating Mute- and Solo buttons is only possible in the Dealer- and

Internal Use version of JOHANNUS INTONAT 6.0 128. Not to activate buttons have a grey text.


Equalizer Above the output slider and the Mute- and Solo buttons is a button for the parametric equalizer. See paragraph 6.2.8 PARAMETRIC EQUALIZER for more detailed information about the parametric equalizer. Bypass Above the equalizer button is an equalizer bypass button. This bypass button is used to temporarily bypass the equalizer settings. By bypassing the equalizer settings it is easy to check what the effect of the equalizer is on the sound of the respective audio channel. Note: If a Bypass button is activated the window Audio cannot be closed. A

message box appears containing the text: “ERROR, Channel(s) are muted or bypassed”. Deactivate the Bypass buttons before closing the window Audio.

6.2.8 PARAMETRIC EQUALIZER

To adjust the general sound of the organ each audio channel has a parametric equalizer. With use of the parametric equalizer it is possible for example to compensate for the resonance frequency of the room the organ is placed in. Adjustments to individual voices can better be done with the intonation windows of the Intonat main program. See chapter 4 VOICING for more information about voicing individual voices. The settings of the parametric equalizer become visible by clicking on de equalizer button of the respective channel (for example “EQ 1”). It opens a window Parametric Equalizer with settings for five filters: - One Low Pass filter - Three Band Pass filters - One High Pass filter Low Pass filter The Low Pass filter passes frequencies below an adjustable frequency with an adjustable attenuation or amplification. The Low Pass filter is adjusted by the red rotary controls. Level Low: amount attenuation or amplification of the filter (0,0 dB =

neutral). Frequency Low: frequency from which the filter is working.


Band Pass filter The parametric equalizer has three Band Pass filters. The Band Pass Filter passes frequencies around an adjustable frequency with an adjustable attenuation or amplification and an adjustable bandwidth. The three available Band Pass filters are equal to each other. Each Band Pass filter has a range of 16 Hz to 15,000 Hz. This corresponds with the lowest C (C) of a 32’ to the highest A# (a#’’’) of a 1’. The Band Pass filters are adjusted with the dark blue, light blue or green rotary controls. Level Band … : amount attenuation or amplification of the filter (0,0

dB = neutral). Frequency Band … : center frequency of the filter. Width Band … : bandwidth of the filter. The bandwidth can be adjusted

from 0.1 octave (= almost 1 key) to 4 octaves. High Pass filter The High Pass filter passes frequencies above an adjustable frequency with an adjustable attenuation or amplification. The High Pass filter is adjusted by the yellow rotary controls. Level High: amount attenuation or amplification of the filter (0,0 dB =

neutral). Frequency High: frequency from which the filter is working. Visual The button “Visual” opens an extra window which shows visually where the center frequencies of the Band Pass filters are positioned on the organ keyboard. As a reference a keyboard on 8’ pitch is given. Below it are the 16’ and 32’ pitch. Above it are the 4’, 2’ and 1’ pitch. Colors dark blue, light blue and green indicates which key corresponds with the corresponding center frequencies of the Band Pass filters. In this way it is easy to find the frequencies of annoying resonances. By clicking again on the button “Visual” in the window Parametric Equalizer, the window Visual will be closed. Close By clicking on the button “Close”, the window Parametric Equalizer will be closed.


7 MENUBAR MAIN PROGRAM

7.1 MENU STRUCTURE

File Open intonation Save intonation Exit Organ Receive All Receive Into Romantic Standard Solo Trio Symphonic Standard Solo Trio Baroque Standard Solo Trio Historic Standard Solo Trio Send All Send Into Romantic Standard Solo Trio Symphonic Standard Solo Trio Baroque Standard Solo Trio Historic Standard Solo Trio Receive Stoplist Default Program Romantic Standard Solo Trio Symphonic Standard Solo Trio Baroque Standard Solo Trio


Historic Standard Solo Trio Audio Options Config About Help

7.2 FILE

This menu contains functions for data transport between the computer memories. See also paragraph 2.5 MEMORY MANAGEMENT for details about the memory structure. Open intonation The function Open intonation activates an "Open" window. In this window an intonation data file (*.jho-file) can be selected and loaded into the RAM of the computer. The intonation data file contains the intonation data of an entire organ that has been saved on the hard disk. Save intonation By the function Save intonation, the current intonation data in RAM of the computer can be saved on the hard disk. The function activates a "Save as" window. In this window an existing file can be selected, or a new name can be entered. The extension ".jho" will be added automatically. Not saved intonation data in the RAM of the computer will be erased when the program becomes closed. Exit The function Exit does close the JOHANNUS INTONAT 6.0 128 program. When closing the program, all intonation data in the RAM of the computer will become erased.

7.3 ORGAN

This menu contains functions for data transport between the organ memories and also between organ and computer memories. See also paragraph 2.5 MEMORY MANAGEMENT for more details about the memory structure.


Before activating the functions in this menu, the organ has to be switched on. Wait some seconds after switching on, to be sure the organ has completely started up. The computer and organ have to be connected as described in paragraph 3.1 CONNECTIONS BETWEEN COMPUTER AND ORGAN. Receive All This function firstly downloads the stop list from the ROM of the organ into the RAM of the computer. Secondly it downloads the data of all intonations from the RAM of the organ into the RAM of the computer. This will overwrite the possible existing data of all intonations in the RAM of the computer. The data transfer will take some seconds. When it is finished, a message box appears containing the text: "READY, All into's received". Receive Into… By entering this function a sub menu will appear with the four intonation styles of the organ: Romantic, Symphonic, Baroque and Historic. By entering one of these styles a second sub menu will appear with the three variations you can choose: Standard, Solo and Trio. Clicking one of these variations will download the involved intonation data from the RAM of the organ into the RAM of the computer. This will overwrite the possible existing data of the involved part of the computer. The intonation data of the other intonations will not be downloaded. The data transfer will take some seconds. When it is finished, a message box appears containing the text: "READY, 'Intonation x' received", where 'Intonation x' is the name of the desired intonation. Send All This function uploads the intonation data of all intonations from the RAM of the computer into the RAM of the organ. This will overwrite all possible existing data in the organ. The data transfer will take some seconds. When it is finished, a message box appears containing the text: "READY, All into's sent". Send Into… By entering this function a sub menu will appear with the four intonation styles of the organ: Romantic, Symphonic, Baroque and Historic. By entering one of these styles a second sub menu will appear with the three variations you can choose: Standard, Solo and Trio. Clicking one of these variations will upload the involved intonation data from the RAM of the computer into the RAM of the organ. This will overwrite the possible


existing data of the involved part of the organ. The intonation data of the other intonations will not be uploaded. The data transfer will take some seconds. When it is finished, a message box appears containing the text: "READY, 'Intonation x' sent", where 'Intonation x' is the name of the desired intonation. Receive Stoplist This function downloads the stop list from the ROM of the organ into the RAM of the computer. The data transfer will take some seconds. When it is finished, a message box appears containing the text: "READY, Stoplist received". Default The function Default will load all data of all intonations from the ROM of the organ into the RAM of the organ. This will overwrite all existing intonation data in the RAM of the organ by the standard factory data. The data transfer will take some seconds. When it is finished, a message box appears containing the text: "READY, All data default". Note: After setting the organ to default intonation, you have to receive all

intonations before starting regulating. This is necessary because the computer-RAM still does not contain the default intonation of the organ.

Program The function Program will store all data of all intonations from the RAM of the organ into the FLASH of the organ. This will overwrite all existing stored FLASH data of the organ. The data transfer will take some seconds. When it is finished, a message box appears containing the text: "READY, All data programmed". Not programmed RAM-data will be erased when the organ becomes switched off. This means that all changes in the RAM of the organ can be undone by switching off the organ.

7.4 ROMANTIC

This menu contains the three intonation variations of the romantic style: Standard, Solo and Trio. Clicking on one of these variations will open the involved intonation window. In this window the data of the involved intonation can be customized. See chapter 4 VOICING about all functions in this window.


7.5 SYMPHONIC

This menu contains the three intonation variations of the symphonic style: Standard, Solo and Trio. Clicking on one of these variations will open the involved intonation window. In this window the data of the involved intonation can be customized. See chapter 4 VOICING about all functions in this window.

7.6 BAROQUE

This menu contains the three intonation variations of the baroque style: Standard, Solo and Trio. Clicking on one of these variations will open the involved intonation window. In this window the data of the involved intonation can be customized. See chapter 4 VOICING about all functions in this window.

7.7 HISTORIC

This menu contains the three intonation variations of the historic style: Standard, Solo and Trio. Clicking on one of these variations will open the involved intonation window. In this window the data of the involved intonation can be customized. See chapter 4 VOICING about all functions in this window.

7.8 AUDIO

This menu opens the window Audio for adjusting several audio functions. See chapter 6 AUDIO for explanation of all functions of this window.

7.9 OPTIONS

Config The function Config activates a window with the configuration of the MIDI devices IN and OUT. At the upper side of the window the number of MIDI devices will be indicated. To select a MIDI IN device use the scroll menu "MIDI IN" To select a MIDI OUT device use the scroll menu "MIDI OUT" It is recommended to read the user manual belonging to the MIDI devices, to make the right configuration. Configuring the MIDI devices has to be done once, before the first use of the program. Normally it is not necessary to set the configuration again. When Midi devices have been added, removed or changed on the system, the configuration has to be done again.


About This function activates an information window about the software and the manufacturer. Help This function will open the help file.


8 TROUBLESHOOTING

8.1 ERROR MESSAGES

Message: ERROR, Stoplist NOT received. Cause: - The organ could be switched off. - There could be no (or wrong) connections between computer and

organ. - The MIDI configuration could be wrong. Action: - Make sure the organ is switched on. Wait some seconds after

switching on, to be sure the organ has completely been started up. - Check the connections between computer and organ. - Check the Midi configuration in the menu Options. - Restart the program before receiving again. More help: paragraph 3.1 CONNECTIONS BETWEEN COMPUTER AND ORGAN paragraph 2.4 CONFIGURATION Message: ERROR, Data NOT received. Cause: - The organ could be switched off. - There could be no (or wrong) connections between computer and

organ. - The Midi configuration could be wrong. Action: - Make sure the organ is switched on. Wait some seconds after

switching on, to be sure the organ has completely been started up. - Check the connections between computer and organ. - Check the Midi configuration in the menu Options. - Restart the program before receiving again. More help: paragraph 3.1 CONNECTIONS BETWEEN COMPUTER AND ORGAN paragraph 2.4 CONFIGURATION Message: Midi Out Open. Cause: - The Midi Out device could currently be used by another program. - An intonation window could be closed without using the Exit

button. Action: - Close other programs that use the same Midi out device. - When an intonation window has been closed without using the Exit

button, or when above actions do not solve the problem, save the intonation data that you want to store and restart the program.

Message: Error opening MIDI In Device! Cause: - No Midi In device is available.


Action: - Check the Midi In configuration in the menu Options. - Read the owner’s manual belonging to the MIDI In device, to make

the right configuration. More help: paragraph 2.4 CONFIGURATION Message: ERROR, Keys will exceed maximum value. Cause: - One or more key volumes will exceed the maximum value (127) by

increasing the entire voice volume. The operation will not be executed.

Action: - Try increasing by a smaller value (+1 instead of +10), or decrease the

key-volumes that cause the error separately until they will not exceed the maximum value.

More help: paragraph 4.15 REGULATING KEY-VOLUMES Message: ERROR, Keys will exceed minimum value. Cause: - One or more key volumes will exceed the minimum value (0) by

decreasing the entire voice volume. The operation will not be executed.

Action: - Try decreasing by a smaller value (-1 instead of -10), or increase the

key-volumes that cause the error separately until they will not exceed the minimum value.

More help: paragraph 4.15 REGULATING KEY-VOLUMES Message: ERROR, There are voices muted. Cause: - One or more voices have been temporarily muted. Muted voices are

indicated by a check mark before their name in the stop list. Action: - Use the button "ON" to switch on the voices again. All muted voices

have to be switched on separately. More help: paragraph 4.16 VOICE MUTE AND VOICE ON Message: ERROR, Channel(s) are muted or bypassed. Cause: - One or more channels of equalizers are muted or bypassed. Muted

channels are indicated as a button with a red M. Bypassed equalizers are indicated as a button with the word Bypass in red.

Action: - Press the concerning button once again to de-activate the function. More help: paragraph 6.2.7 OUTPUTS AND EQUALIZERS


8.2 OTHER SYMPTOMS

Symptom: No stops are reflected in the stop list of the intonation window. Cause: Stop list is not received. Action: Close the intonation window, receive the stop list from the organ and

open the intonation window again. More help: paragraph 3.3 LOADING INTONATION DATA, option 3, point 1 to 5. paragraph 7.3 ORGAN, Receive stoplist. Symptom: Regulating has no effect or wrong effect in the organ. Cause: The organ could be incompatible with JOHANNUS INTONAT 6.0 128. Action: See paragraph 2.2 ORGAN COMPATIBILITY to find out if the organ is

compatible with JOHANNUS INTONAT 6.0 128. Symptom: Regulating parameters in intonation windows Solo and Trio has no

effect in the organ. Cause: The organ could only have the four standard intonation styles. Action: See paragraph 2.2 ORGAN COMPATIBILITY to find out if the organ has

the intonation variations Solo and Trio. More help: paragraph 2.2 ORGAN COMPATIBILITY paragraph 4.1 INTONATION WINDOW Symptom: All parameters are set to minimum value in the intonation window. Cause: No intonation data has been loaded. This will also happen when the

program has been closed when voicing. Action: Load the intonation data by receiving from the organ or opening an

intonation data file (*.jho-file) from the hard disk. More help: paragraph 2.5 MEMORY MANAGEMENT paragraph 3.3 LOADING INTONATION DATA paragraph 7.2 FILE, Open intonation paragraph 7.3 ORGAN, Receive All, Receive Into … Symptom: The organ does not sound in the intonation just sent from the

computer. Cause: An empty intonation has been sent.


Action: Load intonation data into the RAM of the computer, before sending an intonation to the organ.

More help: paragraph 2.5 MEMORY MANAGEMENT paragraph 3.3 LOADING INTONATION DATA paragraph 7.2 FILE, Open intonation Symptom: Changes in the organ are undone after switching the organ off and

on. Cause: The changed intonation has not been stored in the FLASH of the

organ. Action: When the JOHANNUS INTONAT 6.0 128 program still has not been

closed, the computer-RAM does still contain the customized data. This data can be sent to the organ by clicking "Send All" in the menu Organ.

To prevent this problem, click on Program in the menu Organ, to store the data in the FLASH memory before switching off the organ.

More help: paragraph 2.5 MEMORY MANAGEMENT chapter 5 STORING INTONATION DATA paragraph 7.3 ORGAN, Send All, Program Symptom: Hanging notes when the SOUND button is activated. Cause: The organ did not receive some NOTE OFF codes. Action: Press the SOUND button again to switch off all notes or press short

key [Alt]+[x] to reset both STOP and SOUND. Symptom: Wrong stops are switched at the organ when the STOP button is

activated. Cause: Some stops have been switched by hand, while the STOP button was

activated. Action: Press the STOP button again to switch off all stops or press short key

[Alt]+[x] to reset both STOP and SOUND. More help: paragraph 4.3 STOP AND SOUND BUTTONS


9 KEYBOARD SHORT KEYS

The list below contains all keyboard short keys that can be used in JOHANNUS INTONAT 6.0 128. The name of a short key will appear when holding the mouse pointer on the control in an intonation window. Keyboard keys are indicated between [brackets] e.g. the enter key: [Enter]. A combination of keyboard keys are indicated as follows: [Alt]+[f].

9.1 MENU

[Alt]+[f] File [o] Open Intonation [s] Save intonation [e] Exit [Alt]+[o] Organ [r] Receive All [e] Receive Into…

[r] Romantic [s] Standard [o] Solo [t] Trio

[s] Symphonic [s] Standard [o] Solo [t] Trio

[b] Baroque [s] Standard [o] Solo [t] Trio

[h] Historic [s] Standard [o] Solo [t] Trio [s] Send All [n] Send Into…

[r] Romantic [s] Standard [o] Solo [t] Trio

[s] Symphonic [s] Standard [o] Solo [t] Trio

[b] Baroque [s] Standard [o] Solo [t] Trio


[h] Historic [s] Standard [o] Solo [t] Trio [c] Receive Stoplist [d] Default [p] Program [Alt]+[r] Romantic [s] Standard [o] Solo [t] Trio [Alt]+[s] Symphonic [s] Standard [o] Solo [t] Trio [Alt]+[b] Baroque [s] Standard [o] Solo [t] Trio [Alt]+[h] Historic [s] Standard [o] Solo [t] Trio [Alt]+[a] Audio [Alt]+[p] Options [c] Config [a] About [h] Help

9.2 INTONATION WINDOWS

[1]...[4] Output 1...Output 4 [f] Chorus off [n] Chorus on [i] Live Tuning [d] Tremulant depth [s] Tremulant speed [w] Wind fluctuation [b] Bass [r] Treble [v] Key volume [Alt]+[p] +10 (key volumes) [p] +1 (key volumes) [Alt]+[h] 1/2 (key volumes) [o] -1 (key volumes)


[Alt]+[o] -10 (key volumes) [m] Mute (voice mute) [Alt]+[m] On (voice on) [a] Voice + [Alt]+[a] Voice - [l] Stop list [t] Stop [u] Sound [Alt]+[x] Reset Stop button and Sound button [e] Exit [,] Select organ key left (same key as [<] on US 101 keyboards) [.] Select organ key right (same key as [>] on US 101 keyboards)

[] Increase the value of the selected control by one step.

[] Decrease the value of the selected control by one step. [PgUp] Increase the value of the selected control by more steps. [PgDn] Decrease the value of the selected control by more steps. [Home] Minimize the value of the selected control. [End] Maximize the value of the selected control.

When the stop list is selected, the keys [], [], [PgUp] and [PgDn] will select previous or next voices in one or more steps. [Home] will select the first voice and [End] will select the last voice of the list.

9.3 AUDIO

[Alt]+[f] File [o] Open Audio Settings [s] Save Audio Settings [e] Exit [Alt]+[o] Organ [r] Receive [s] Send [d] Default [p] Program

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