jamshedpur women’s college department of … · 18 different alankar sandhiprakash raag gram raag...

JAMSHEDPUR WOMEN’S COLLEGE

DEPARTMENT OF MUSIC

TEACHING PLAN FOR MONTH: JULY 2017

NAME OF THE TEACHER: SANATAN DEEP

DATE HOLIDAYS UG SEM- I UG SEM- III UG SEM- V PG SEM-I 1

Admission

2 SUNDAY * 3 Admission 4 Admission 5 Admission 6 Admission 7 Admission 8 GURU

PURNIMA * * * *

9 SUNDAY * * * * 10 Admission 11 Admission 12 Admission 13 Admission 14 Admission 15 Theory of Indian music-

Definition of Sangit, Nad, Shruti, Swar,

Theory of Indian music- Definition of Gamak,Meend,Ashray Raag,

Paper- IX Theory –I Classification of Raag

16 SUNDAY * * * * 17 Raga, Thaat, Alanakar Parmel praveshak Raag Jati vargikaran 18 Different Alankar Sandhiprakash raag Gram Raag Vargikaran 19 Simple Alankar Sandhiprakash raag Suddha Chayalag Sankirna Raag

vargikaran

20 Kathin Alankar Ardwadashak raag Suddha Chayalag Sankirna Raag vargikaran

21 Alankar in different Taal Ardwadashak raag Rhaat Raag vargikaran 22 Revision/Class test Revision/Class test Rhaat Raag vargikaran

23 SUNDAY * * * * 24 Introduction of Raag Alhaiya Bilabal Introduction of Raag Brindavani

Sarang Paper- X, Theory- II Raag Aadana- Alap, Vistar

25 Alaap in Sargam Alap in Aakaar

Alaap in Sargam Alap in Aakaar

Raag Marwa – Alap, Vistar

26 Simple Vistar of Raag Alhaiya Bilabal

Simple Vistar of Raag Brindavani Sarang

Raag Marwa – Alap , Vistar

27 Taan of raag Alhaiya Bilabal Taan of raag Brindavani Sarang Bandish of Bada Khayal of Marwa 28 Bada Khayal of the Raag Bada Khayal of the Raag Raag Goud Sarang 29 Bada Khayal of the Raag Bada Khayal of the Raag Raag Goud Sarang 30 Taan of Bada Khayal Taan of Bada Khayal Bandish of Goud Sarang 31 SUNDAY * * * *


DEPARTMENT OF MUSIC

TEACHING PLAN FOR MONTH: AUGUST ‘2017


DATE HOLIDAYS UG SEM- I UG SEM- III UG SEM- V PG SEM-I

1 Theory of Indian music- Definition of Sthayi, Vadi, Samvadi, Anuvadi, Vivadi

Theory of Indian music- Definition of Gayak, Nayak, Taan

Paper- X Comparative study of Marwa – Puria Adana- Darbari Goud sarang- Chhayanat

Paper-I (History of Music) Classification of history (Period) of Indian Music Pre- ancient period/ Ancient & Vedic period

2 Tala, Laya, Jati, Vakra swar, Varjit Swar Paper-X Study of the development of raag gayan from Jati gayan system

Tunning of tanpura

3 Aroh, Avroh, Pakad, Grah swar, Ansh swar Paper- X Notation of Vilambit Khayal of Marwa /

Music in Epic age ( Ramayana & Mahabharat age)

4 Vaggeyakar/ kalavant Different types of Taan Notation of chhota Khayal of adana

Music in Jain/ Mourya/ Buddhist & Gupta period

5 Revision/Class test Revision/Class test Notation of chhota khayal of goud sarang

Paper-II (Principles of Music) Study of shruti

6 SUNDAY * * * *

7 RAKHI * * * *

8 Chhota Khayal of Raag Alhaiya Bilabal

Chhota Khayal of Raag Brindavani Sarang

Paper-IX A comparative study of Carnatic Music

Study of shruti

9 Preparation of Independence Day 2017

Preparation of Independence Day 2017


Comparative study of ancient & modern concept of shruti/ swara




Comparative study of ancient & modern concept of shruti/ swara




Raag- Raagini Vargikaran




Raag- Raagini Vargikaran

13 SUNDAY * * * *

14 JANMASTAMI * * * *

15 INDEPENDENCE DAY

Programme of Independance Day 2017




16 Taan of Alhaiya Bilabal Taan of Brindavani Sarang Paper- X Raag Darbari Kanhada

Paper- III ( Applied theory of Music) Study of raag Maru bihag with alap & vistar

17 Boltaan of the Raag Boltaan of the Raag Raag Pilu Comparative study of Marubihag - Bihag

18 Drut Taan of the Raag Drut Taan of the Raag Raag Todi Notation of Bandish of bada khayal and chhota khayal

19 Revision/Class test Revision/Class test Revision/Class test Revision/Class test

20 SUNDAY * * * *

21 Notation of Bada Khayal and Chhota Khayal

Notation of Bada Khayal and Chhota Khayal

Raag Puria Paper- III ( Applied theory of Music) Study of raag Ramkali with alap & vistar

22 Study of Teen Taal Study of Ektaal Notation of the above raag Comparative study of Ramkali - Bhairav

23 Notation of Teen taal and layakari

Notation of Ektaal and layakari Notation of the above raag Notation of Bandish of bada khayal and chhota khayal

24 Dugun/ Tigun/ Chougun Dugun/ Tigun/ Chougun Taan/ Boltaan of the raag Taan/ Boltaan of the raag

25 GANESH PUJA * * * *

26 Revision/Class test Revision/Class test Revision/Class test Taan/ Boltaan of the raag

27 SUNDAY * * * *

28 Study of Swarlipi system of Bhatkhandeji

Time Theory of Raag Paper-IX Knowledge of Carnatic music

Paper-II (Principles of Music) Time Theory of Raag

29 Study of Swarlipi system of Bhatkhandeji

Time Theory of Raag Padam, Swarajati, Jatiswaram Time Theory of Raag

30 Study of Taallipi of Bhatkhandeji Time Theory of Raag Varnam, javelin, Geetam, Pallavi, Tillana

Paper- III ( Applied theory of Music)Study of raag Bageshwari with alap & vistar

31 Study of Taallipi of Bhatkhandeji Time Theory of Raag Notation of Bandish of bada khayal and chhota khayal


DEPARTMENT OF MUSIC

TEACHING PLAN FOR MONTH: SEPTEMBER ‘2017



1 KARMA PUJA * * * *


3 SUNDAY * * * *

4 ANANT CHATURDASHI

* * * *

5 Biography and Contribution of Pt. V D Paluskar

Biography and Contribution of Pt. Bhimsen Joshi

Paper- X Biography and Contribution Pt. Bhimsen Joshi

Paper- I Biography and Contribution Ustd. Allauddin Khan

6 Pt. V N Bhatkhande Ust. Amir khan Ustd. Bismillah Khan Ustd. Amir Khan

7 Introduction of Raag Yaman

Introduction of Raag Durga

Perbeen Sultan Pt. Bhimsen Joshi

8 Aalap/ Sargam of the Raag Aalap/ Sargam of the Raag Ustd. Bade Ghulam ali Ustd. Bade Ghulam ali

9 Revision/Class test Revision/Class test Pt. Ratanjankar Lata Mangeshkar

10 SUNDAY * * * *

11 Bada khayal of Raag Yaman Bada khayal of Raag Durga Paper-IX Placement of suddha and vikrit swar on the 36” long string of veena.

Paper- III ( Applied theory of Music) Notation of Bandish of bada khayal and chhota khayal of Bageshwrai

12 Simple vistar and simple Taan of Raag Yaman

Simple vistar and simple Taan of Raag Durga

Bada khayal of Raag Darbari Simple vistar and simple Taan of Raag

Introduction of Kathin Layakari- Aad layakari of Teental/Dhamar

13 Simple vistar and simple Taan of Raag Yaman

Simple vistar and simple Taan of Raag Durga

Notation of Darbari Introduction of Kathin Layakari- Aad layakari of Teental/Dhamar

14 Chhota Khayal of Raag Yaman Chhota Khayal of Raag Durga Paper- X Demonstration of taal- Punjabi/ Tappa/ Rudra

Introduction of Kathin Layakari- Aad layakari of Jhaptal/Ada Choutal

15 Chhota Khayal of Raag Yaman with taan

Chhota Khayal of Raag Durga with taan

Matta/Firodast Introduction of Kathin Layakari- Aad layakari of Jhaptal/Ada Choutal


17 SUNDAY * * * *

18 Taan and boltaan of Raag Yaman

Taan and boltaan of Raag Durga

Layakari of the above Taal Knowledge of writing aad layakari of the above taal.

19 MAHALAYA * * * *

20 Biography of Pt. Ravishankar Biography of Ustad Bade Ghulam Ali khan.

Paper- IX Introduction of Western System

Paper-II (Principles of Music) The Gharana in Indian Music

21 Biography of Pt. Omkarnath Thakur

Biography of Ustad. Abdul Karim Khan

Musical Scale- Natural Scale The Gharana in Indian Music

22 Introduction and notation of Choutal/ dadra/ Kaharwa

Introduction and notation of Jhaptal/ Roopak/ Sultal

Tempered Scale Chromatic scale Diatonic Scale

The Gharana in Indian Music Comparative study of swarlipi system

23 Revision/Class test Revision/Class test Revision/Class test Comparative study of swarlipi system.

24 SUNDAY * * * *

25 DP * * * *

26 DP * * * *

27 DP * * * *

28 DP * * * *

29 DP * * * *

30 DP * * * *

31 DP * * * *


DEPARTMENT OF MUSIC

TEACHING PLAN FOR MONTH: OCTOBER ‘2017



1 SUNDAY * * * *

2 GANDHI JAYANTI * * * *

3 DP * * * *

4 DP * * * *

5 DP * * * *

6 DP * * * *

7 DP * * * *

8 SUNDAY * * * *

9 DP * * * *

10 DP * * * *

11 DP * * * *

12 DP * * * *

13 DP * * * *

14 DP * * * *

15 SUNDAY * * * *

16 DP * * * *

17 DP * * * *

18 DP * * * *

19 DP * * * *

20 DP * * * *

21 DP * * * *

22 SUNDAY * * * *

23 DP * * * *

24 DP * * * *

25 DP * * * *

26 DP * * * *

27 DP * * * *

28 DP * * * *

29 SUNDAY * * * *

30 Introduction of Raag Khamaj Introduction of Raag Bhimpalasi Tempered Scale Chromatic scale Diatonic Scale

Paper-III (Applied Theory of Music) Introduction of raag Bhupali.

31 Alap/ Vistar Alap/ Vistar Tempered Scale Chromatic scale Diatonic Scale

Bandish of bada khayal and chhota khayal of Bhupali


DEPARTMENT OF MUSIC

TEACHING PLAN FOR MONTH: NOVEMBER ‘2017



1 Simple Taan of the Raag Simple Taan of the Raag Paper-IX Study of Carnatic Tal system

Notation of Bandish of bada khayal and chhota khayal of Bhupali

2 Bandish and boltaan of the Raag Bandish and boltaan of the Raag Essay in Music- Aesthetic impact of season in music

Notation of Bandish of bada khayal and chhota khayal of Bhupali

3 Bandish in different Taal Bandish in different Taal Place of music in fine art Critical analysis of Raag

4 GURUNANAK JAYANTI

* * * *

5 SUNDAY * * * *

6 Mid Semester Exam Mid Semester Exam Mid Semester Exam Mid Semester Exam

7 Swar malika of Raag Alhaiya Bilabal

Detailed study of Brindavani saarang

Influence of muslim scholars in music

Dhrupad

8 Swar malika of Raag Yaman

Detailed study of Durga Impact of radio & TV in music

Dhrupad

9 Swar malika of Raag Khamaj Detailed study of Bhimpalasi Interrelation between folk and classical music

Dhamar

10 Swar malika of Raag Bhairavi Detailed study of Bageshwari Music Therapy Dhamar

11 Swar malika of Raag Bhupali Detailed study Ashavari Raag & Rasa Critical analysis of Raag.

12 SUNDAY * * * *

13 Revision of Swarmalika Raag Pahchan with a phrases of notes

Raag & Rasa Laykari of Dhamar in aad.

14 Revision of Swarmalika Raag Pahchan with a phrases of notes

Paper- IX Tone- Major Tone/ Minor Tone/ semi Tone

Laykari of Teental in aad.

15 BIRSA JAYANTI

* * * *

16 Lakshan Geet of Raag Alhaiya Raag Pahchan with a phrases of Flat notes & Sharp notes Laykari of Jhaptal, Ada choutal in aad.

Bilabal notes

17 Lakshan Geet of Yaman Raag Pahchan with a phrases of notes

Time Signature- Key Signature

Notation of Bandish of bada khayal and chhota khayal of Rageshree

18 Lakshan Geet of Khamaj Raag Pahchan with a phrases of notes


Notation of Bandish of bada khayal and chhota khayal of Rageshree

19 SUNDAY * * * *

20 Lakshan Geet of Bhairavi Practical Demonstration of Vilambit Khayal/ Drut khayal


Notation of Bandish of bada khayal and chhota khayal of Kamod

21 Lakshan Geet of Bhupali Practical Demonstration of Vilambit Khayal/ Drut khayal

Intervals Notation of Bandish of bada khayal and chhota khayal of kamod

22 Revision of Lakshan geet Practical Demonstration of Vilambit Khayal/ Drut khayal

Intervals Notation of Bandish of bada khayal and chhota khayal of Shudhsarang

23 Revision of Lakshan geet Practical Demonstration of Vilambit Khayal/ Drut khayal

Paper-XI, Practical-I Introduction of Thumri

Notation of Bandish of bada khayal and chhota khayal of Shudhsarang

24 Demonstration of prescribed Taal using hand

Demonstration of prescribed Taal using hand

Thumri in raag Bhairavi Chhota khayal of Bihag

25 Demonstration of prescribed Taal using hand

Demonstration of prescribed Taal using hand

Thumri in raag Khamaj Chhota khayal of Bhairav

26 SUNDAY * * * *

27 Teaching of Playing Harmonium Teaching of Playing Harmonium Thumri in raag Pilu & Desh/ Tilang

Chhota khayal of Deshkar

28 Teaching of Playing Harmonium Teaching of Playing Harmonium Dadra in Bhairavi & Pilu Chhota khayal of Chhayanat

29 Teaching of Playing Harmonium Teaching of Playing Harmonium Paper- XII, Practical – II Demonstration of raag with Alpatwa & Bahutwa

Chhota khayal of Shyam kalyan

30 Basic Alankar in Harmonium Alankar of Vikrit swar Demontration of raag with Alpatwa & Bahutwa

Difference and similarity between Bhupali and Deshkar.

31 Basic Alankar in Harmonium Alankar of Vikrit swar Demontration of raag with Avirbhav & Tirobhav

Difference and similarity between Chhayanat and Kamod


DEPARTMENT OF MUSIC

TEACHING PLAN FOR MONTH: DECEMBER ‘2017



1 Basic Alankar in Harmonium Basic Alankar in Harmonium sudhaa/vikrit swar

Demontration of raag with Avirbhav & Tirobhav

Difference and similarity between Shudh sarang and Shyam kalian.

2 EID-UI-MILADULNABI

* * * *

3 SUNDAY * * * *

4 Semi Classical Compostion Semi Classical Compostion

Demontration of raag with Avirbhav & Tirobhav

Difference and similarity between Ramkali and Deshkar

5 Semi Classical Compostion Semi Classical Compostion

Demonstration of Mishra Raag

Difference and similarity between Maru bihag and Bihag.

6 Bhajan of Surdas Bhajan of Surdas Demonstration of Mishra Raag

One Tarana in the prescribed Raag.

7 Bhajan of Tulsida Bhajan of Tulsida Transformation of lyrics into a musical composition

Bhajan of Tulsida /Rabindra sangeet.

8 Bhajan of Meerabai Bhajan of Meerabai Transformation of lyrics into a musical composition

Ghazal


10 SUNDAY * * * *

11 Non-filmi Ghazal Non-filmi Ghazal Transformation of lyrics into a musical composition

Non-filmi Ghazal

12 Non-filmi Ghazal Non-filmi Ghazal Paper- XI, Practical- II Demonstration of taal using hands in different layakari

Thumri

13 Rabindra sangeet Rabindra sangeet Demonstration of taal using hands in different layakari

Demonstration of taal using hands in different layakari

14 Rabindra sangeet Rabindra sangeet Stage performance Lok geet

15 Light Compostion Light Compostion Stage performance Stage performance

16 Light Compostion Light Compostion Stage performance Stage performance

17 SUNDAY * * * *

18 Revision Revision Revision Revision






24 SUNDAY * *

25 CHRISTMAS * *

26 CHRISTMAS * *

27 CHRISTMAS * *

28 CHRISTMAS * *

29 CHRISTMAS * *

30 CHRISTMAS * *

31 SUNDAY * *

jamshedpur women’s college department of … · 18 different alankar sandhiprakash raag gram raag...

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