inversions exercises
DESCRIPTION
hermonyTRANSCRIPT
Search...
Grade 6 Course
A1. Introduction to Harmony
A2. Triads and Chords
A2. Triads and Chords Exercises
A3. Inversions
A3. Inversions Exercises
A4. Chord Progressions
Log in Sign me up!
A4. Chord Progressions Exercises
A5. Melodic Decoration
A5. Melodic Decoration Exercises
A6. Harmonizing a Melody I
A7. Harmonizing a Melody II
A6 & A7. Harmonising a Melody Exercises
A8. Figured Bass an Introduction
A8. Figured Bass Introduction - Exercises
A9. Figured Bass Rules for Realization
A9. Figured Bass Rules Exercises
A10. Figured Bass Worked Example
A10. Realising a Figured Bass - Exercises
A11. Adding a Figured Bassline
A11. Adding a Figured Bass - Exercises
The Rules of Harmony
B0. Composition - Introduction
B1. Composition - Architecture
B1. Composition Architecture Exercises
B2. Composition - Motifs & Sequences
B2. Composition Motifs and Melodic Sequence Exercises
B3. Composition - Cadences
B3. Composition Cadences Exercises
B4. Composition - Interpolation
B4. Composition Interpolation Exercises
B5. Composition - Key and Tonality
B5. Composition Key and Tonality Exercises
B6. Composition - Modulation
B6. Composition - Modulation Exercises
B7. Composition - How to Compose
B7. Composition How to Compose Exercises
C1a. Reading an Orchestral Score
C1a. Reading an Orchestral Score Exercises
C1b. Reading a Chamber Music Score
C1b. Reading a Chamber Music Score Exercises
C2a. Musical Instruments, Families and Names
C2a. Musical Instruments, Families and Names - Exercises
C2b. Transposing, Reed & String Instruments
C2b. Musical Instruments,Transposing, Reed and Strings - Exercises
C3. Musical Terms and Signs
C3. Musical Terms and Signs - Exercises
C4. Commenting on Music
C4. Commenting on Music - Exercises
C5. Key
C5. Keys - Exercises
C6a. Naming Chords
C6b. Chords in a Score
C6. Naming Chords - Exercises
C7a. Ornaments
C7a. Ornaments Exercises
C7b. Melodic Decoration and Pedals
C7b. Melodic Decoration and Pedals Exercises
C8. Technical Exercises
C8. Technical Exercises - Exercises
C9. Periods and Composers
C9. Periods and Composers Exercises
Practice Test
Next UK theory exams
12 weeks 3 days 1 hour 33 minutes
Saturday 20th June 2015, 10 a.m.
Resources by Music Grade: Grade 1 | Grade 2 | Grade 3 | Grade 4 | Grade 5 | Grade 6 | Grade 7 |
Grade 8 | What Grade am I?
Download this Grade 6 Music Theory Course
Buy Grade 6 Theory Past Papers
Get some help!
0LikeLike 0
A3. Inversions Exercises
Written by Victoria Williams Category: Grade 6 Online Course Last Updated: 23 October 2014
Created: 17 August 2010
Grade Six Music Theory - Inversions Exercises
Chord Inversions (A3)
Move your mouse slowly over the stave (tap on mobile devices) to reveal the answers.
Q.1- Naming Inversions
Name these chords using the Roman numeral plus a letter to show the inversion. The first one has
been done as an example.
Q.2 - Completing Chords
Write one note between the given notes, to complete the following chords. The first one has been
done as an example.
ShareShare
Online DegreesWorld Leading Distance Learning University. Highly ValuedDegrees
AROUND THE WEB
ALSO ON MYMUSICTHEORY
3 Hand Gestures EveryPresenter Should Know
Prezi Presentations
Tag Heuer to take on Applewith luxury smartwatch
CNBC
Top 15 Most BeautifulWomen in the World!
RaveBin
Die 10 Vorteile von OnlineGaming
Casino Club
Englisch Test OnlineKostenloser Online Englisch Test mit akkurater Bewertung.
C7a. Ornaments Exercises 2 comments Grade Five Revision - 7 (Score)3 comments
Q1. Lesson 8: A Worked Example4 comments
Grade Five Music Theory - Lesson 10:Describing Chords 1 comment
10 Comments MyMusicTheory Login
Share⤤ Sort by Best
Join the discussion…
• Reply •
Bobby Tennant • 5 months ago
I see for question 2i. that the III chord has been used. I don't think thisaugmented chord is required for Grade 6 and further yet, shouldn't it have anF#? It has also been portrayed as a major chord when I think it is supposed tobe an augmented chord - 'iii+'. Thanks.
1
• Reply •
mymusictheory • 5 months ago
see more
Mod > Bobby Tennant
Hi Bobby, Although you don't need to use chord III in the harmony or figured bassquestions, it's actually quite a common chord in a minor key and couldcome up in the general knowledge questions based on a score, forexample.
This is not an augmented chord, it is chord III (major) as you correctlypointed out. In a minor key, chord III (major) is the relative major e.g. achord of C major in the key of A minor, and this is why it is used - musicoften "passes" between the relative major/minor keys without actuallymodulating. III+ (augmented - rather than iii+) is not used due to theaugmented interval.
You are right in that it's unlikely to come up in the exam, but this is just atheoretical exercise where a triad is built from each degree of the scale.
Louise • 17 days ago> mymusictheory
I have seen the III chord a lot in minor keys. However, in mynotes I have the triads written out for the minor (harmonic) and Ihave III+ as the 3rd, is that wrong? I have the III+ written out forthe minor (melodic) and I am with the understanding that the III+is used when the melody is rising? Is that correct? Thanks
Recommend
Share ›
Share ›
• Reply •
is used when the melody is rising? Is that correct? Thanks
• Reply •
mymusictheory • 17 days ago
see more
Mod > Louise
No Louise, you'll find that III+ is not used at all in music ofthis period. It's only used much later (late 19th centuryonwards). When the melody is rising it's common toraise the 6th degree of the scale to avoid an augmented2nd, but you don't build a triad from that note. In practice,the raised 6th/7th also happen when melodies fall, notonly when they rise.
• Reply •
Louise • 17 days ago
see more
> mymusictheory
Thank you for your quick reply! I've traced thesource of my notes to ABC of Harmony, Book Awhich included all possible 'choices' of triads -very confusing! I've always used and played III sogoing back over my earlier notes had mewondering where III+ came from and if it wasright. Thanks for explaining!
Shirley T • 9 months ago
Share ›
Share ›
Share ›
• Reply •
Shirley T • 9 months ago
For Q2, #12, why is that a VIa instead of a via as the G is not a G#? Thank you.
• Reply •
mymusictheory • 9 months agoMod > Shirley T
Hi Shirley,It's because there are two flats in the key signature (it's G minor). Sothe chord is Eb-G-Bb, which is an Eb major chord.
1
• Reply •
Shirley T • 9 months ago> mymusictheory
Oh, duh, of course!! Haha. Thank you!
1
• Reply •
Monika • 10 months ago
need help please! why does the accidental in question 1 number 5 still give aV(c) answer?
• Reply •
mymusictheory • 10 months agoMod > Monika
Hi Monica, when making chord V it's normal to use the notes from theharmonic minor scale for minor keys. The F# minor harmonic scale hasa sharpened leading note (E#). The sharpened leading note makeschord V a major chord, in minor keys. Without the accidental it would bevc (lower case), but the minor version of chord isn't found so often.
Subscribe✉ Add Disqus to your sited Privacy
Share ›
Share ›
Share ›
Share ›
Share ›
< Prev Next >
(c) Victoria Williams - All rights reserved
3,176,390