introduction to screenplay

36
THE ART AND TECHNIQUES OF STORYTELLING

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Page 1: Introduction To Screenplay

THE ART AND TECHNIQUES OF STORYTELLING

Page 2: Introduction To Screenplay

THERE ARE NO RULES. THERE ARE AS MANY

WAYS TO MAKE A FILM

Page 3: Introduction To Screenplay

DISREGARD THE “RULES” THAT YOU ARE PRESENTLY READING

AND INSTEAD CONSIDER

THEM “NOTES” TO SELF.

Page 4: Introduction To Screenplay

WRITING IS

HARD

Page 5: Introduction To Screenplay

DON’T BE

AFRAID TO

MAKE MISTAKES

Page 6: Introduction To Screenplay

STORY CATALYSTS

Page 7: Introduction To Screenplay

ARTS MUSICPEOPLE

LIFE EXPERIENCES

Page 8: Introduction To Screenplay

INSPIRATIONIMAGINATION

PERSPIRATION

Page 9: Introduction To Screenplay

TRUST THE

PROCESS.NEVER DOUBT

Page 10: Introduction To Screenplay

GETTING STARTED:

CHARACTER

Page 11: Introduction To Screenplay

CHARACTER SKETCHING:SLUMBOOK

CHEESE

Page 12: Introduction To Screenplay

WHAT ARE THEY TRYING TO

SAY? WHAT DO THEY WANT?

WHAT DO THEY NEED, AND HOW WILL THEY GET IT?

Page 13: Introduction To Screenplay

2 TYPES OF CHARACTERS:

“PROTAGONIST”“ANTAGONIST”

Page 14: Introduction To Screenplay

DEVELOPING YOUR CHARACTERS:

PLANT AND PAY-OFFREWARD AND PUNISHMENT

Page 15: Introduction To Screenplay

QUICKLY GO BEHIND YOUR CHARACTER, AND

SET UP THE

DILEMMA

Page 16: Introduction To Screenplay

CREATE THE

CHARACTER’SENVIRONMENT

TIME-SPACE STORY FORMULA

Page 17: Introduction To Screenplay

THE “NORMAL” STORY STRUCTURE:

B-M-EBEGINNING-MIDDLE-END

Page 18: Introduction To Screenplay

WRITER’S BLOCK?

DRINK PLENTY OF WATER, KID!

Page 19: Introduction To Screenplay

SERIOUSLY,

YOU CAN ALWAYS START IN THE MIDDLE OF THE SCENE, YOU DON’T HAVE TO INTRODUCE EVERYONE IMMEDIATELY; THE AUDIENCE IS SMART ENOUGH; THEY CAN CATCH

UP.

Page 20: Introduction To Screenplay

WRITER’S BLOCK AGAIN?

EAT FRUITS AND VEGETABLES!

Page 21: Introduction To Screenplay

AGAIN SERIOUSLY,LET’S TRY TO PUT IT THIS WAY:

NOTHING IS ORIGINAL.STEAL FROM ANYWHERE THAT RESONATES WITH

INSPIRATIONS OR FUELS YOUR IMAGINATION.

Page 22: Introduction To Screenplay

SELECT ONLY THINGS TO STEAL FROM

THAT SPEAK DIRECTLY TO YOUR SOUL. IF YOU DO THIS,

YOUR WORK (AND THEFT) WILL BE AUTHENTIC.

Page 23: Introduction To Screenplay

AUTHENTICITY IS

INVALUABLE; ORIGINALITY IS NONEXISTENT.

AND DON’T BOTHER CONCEALING YOUR THIEVERY- CELEBRATE IF

YOU FEEL LIKE IT.

Page 24: Introduction To Screenplay

ELEMENTS OF A

SCREENPLAY

Page 25: Introduction To Screenplay

DIALOGUECAMERA DIRECTION

LOCATION

TIMESET DESCRIPTION

PROPSCOSTUMES

Page 26: Introduction To Screenplay

A SCRIPT IS NOT ONLY A

STORYTELLING TOOL; IT’S ALSO A

PLANNING TOOL

Page 27: Introduction To Screenplay

A SCRIPT IS NOT ONLY A

STORYTELLING TOOL; IT’S ALSO A

PLANNING TOOL

Page 28: Introduction To Screenplay

BOTTOMLINE:

PAY ATTENTION

TO DETAILS

Page 29: Introduction To Screenplay

THE

SCRIPT

Page 30: Introduction To Screenplay

SLUGLINEACTION LINE / DESCRIPTION LINE

CHARACTER HEADINGDIALOGUE

TRANSITION LINE

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Page 34: Introduction To Screenplay

A TESTED SCRIPT FORMULA:PAGE MARGINS: 1.0” WITH 1.5” LEFT

FONT: 11-12 POINT COURIER NEW

1 PAGE = 1 MINUTE OF FILM

Page 35: Introduction To Screenplay

YOU CAN MAKE A BAD FILM

FROM A GOOD SCRIPT, BUT

YOU CAN’T MAKE A GOOD FILM

FROM A BAD SCRIPT

Page 36: Introduction To Screenplay

BIG IDEA;THINK OUTSIDE

THE BOX