introduction to japanese music - week 5
TRANSCRIPT
• Mitsuhashi Kifu, Art of Shakuhachi, Vols. I & II (Celestial Harmonies, 2002)
• Explorer Series: Shakuhachi Music - A Bell Ringing in the Empty Sky (Nonesuch, 2007)
• The International Shakuhachi Society -www.komuso.com
The Instrument
• One shaku eight hun
• Utaguchi – blowing edge
• Five finger holes,
reduced from six
Playing the Instrument
• Basic scale produced is min’yo
• Classic honkyoku often use conjunct tetrachords, flattening tones to produce minor 2nd intervals
• Part-holing; embrouchure changes
Scale and pitch
• Miyako-bushi scale
• Nuclear tones g-c-f
• (Rough) semitones over g and c
• Free rhythm, or strong rubato
Hitoyogiri
• From 13thC…
• Sarugaku, blind monks
• Flourished in 17thC, early sankyoku
• Hitoygiri largely gone by early 19thC
Tenpuku
• Another form of shakuhachi
• Kyushu, Satsuma
• Short solo pieces, originally song accompaniment
The Fuke sect
• Komuso – warrior monks
• Fuke and Zhang Bai
• Imported to Japan by Kakushin
• Fuke sect established mid-17thC; travelling monks and masterless samurai
Honkyoku
• The music of the komuso
• Religious pieces for meditation, Fuke sect
• Mukaiji, Kokuji, Kyorei
Form and Structure
• Constructed from successions of melodic fragments and patterns
• Length determined by player’s breathing; each segment played in a single breath
• Tempo gradually increases
Notation
• Classic honkyoku notation use katakanasymbols to show fingering
• Fuke notation used only eight symbols
• Modern systems offer pitch, technique, rhythmic information…
Kinko-ryu
• Kurosawa Kinko (1710-1771)
• Kinko-ryo founded in 18thC Edo
• After abolition of the Fuke sect, Kinko players abandoned religious element for entertainment
• Kinko pieces played as duets; arrangements for ensemble
The end of the Fuke sect
• Fuke sect retained their monopoly on shakuhachi playing
• Myoanji temple, amongst others, maintain honkyoku playing as religious practice to the present day
Gaikyoku
• Shakuhachi used in sankyoku, the three-instrument ensemble of Edo period
• Jiuta and sonkyoku arrangements
• In practice from 17thC
• Shakuhachi replaced kokyu and hitoyogiri