introduction to audiovisual archive and digital audiovisual archives

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INTRODUCTION TO AUDIOVISUAL ARCHIVESEdited by Peter Stockinger, Fondation Maison des Sciences de l’Homme, Paris, France Today, audiovisual archives and libraries have become very popular especially in the field of collecting,preserving and transmitting cultural heritage. However, the data from these archives or libraries constitute assuch only potential cognitive resources for a given public. They have to undergo more or less significantqualitative transformations in order to become user- or community-relevant intellectual goods.

These qualitative transformations are performed through a series of concrete operations such as: audiovisualtext segmentation, content description and indexing, translation, etc. These and other operations constitutewhat we call the semiotic turn in dealing with digital (audiovisual) texts, corpora of texts or even entire(audiovisual) archives and libraries. They demonstrate practically and theoretically the well-known “from datato metadata” or “from (simple) information to (relevant) knowledge” problem, that obviously directly influencesthe effective use, the social impact and relevancy and therefore also the future of digital knowledge archives.

Contents1. Context and Issues, Peter Stockinger,Elisabeth De Pablo and Francis Lemaitre.PART 1: THE SEGMENTATION AND DESCRIPTION WORKSHOPS FOR

AUDIOVISUAL CORPORA

2. The Segmentation Workshop for Audiovisual Resources,Elisabeth De Pablo.3. Description Workshop for Audiovisual Corpora, Muriel Chemouny.4. Analysis of Audiovisual Expression, Elisabeth De Pablo and Jirasri Deslis.

5. Analysis of the Audiovisual Content, Peter Stockinger.6. Uses of an Audiovisual Resource, Muriel Chemouny and Primsuda Sakunthabai.7. Model of an Audiovisual Publication in the form of a WebPortal, Jirasri Deslis.PART 2: TECHNOLOGICAL ENVIRONMENT, DEVELOPMENT AND NEW

PERSPECTIVES8. The ASW Digital Environment, Francis Lemaitre.9. The ASW Studio, Francis Lemaitre.10. The Technical Development of the “Web Portal” PublishingModel, Richard Guérinet.

9781848213388 • November 2011 • 320 pages • Hardback • 234x156 mm • 145.00 $

9781848213371 • November 2011 • 320 pages • Hardback • 234x156 mm • 145.00 $

DIGITAL AUDIOVISUAL ARCHIVES Edited by Peter Stockinger, Fondation Maison des Sciences de l’Homme, Paris, France Today, huge quantities of digital audiovisual resources are already available through Web portals, onlinearchives and libraries, and video blogs. One central question is simply speaking how they can be used inspecific (social, pedagogical, etc.) contexts and what are their potential interest for target groups(communities, professionals, students, researchers, etc.).

This book examines from a theoretical, methodological, technical and practical point of view the question ofthe (creative) exploitation of digital audiovisual archives in especially three main directions of work:- The repurposing and republishing of existing audiovisual data.- The building of community centric audiovisual archives.- The use of digital social media and Web 2 technology for the diffusion and sharing of audiovisual content.Contents

PART 1: ANALYSIS, REWRITINGS AND REPUBLICATIONS

1. Analyzing an Audiovisual Corpus of A Thousandand OneNights, Muriel Chemouny.2. Analyzing a Corpus of Traditional Bread Making, Elisabeth De Pablo.3. Republishing Audiovisual Resources, Peter Stockinger andElisabeth De Pablo.PART 2: AUDIOVISUAL ARCHIVES, KNOWLEDGE MANAGEMENT AND CULTURAL

HERITAGE

4. An Archive on the Intangible Cultural Heritage of AndeanPopulations in Peruand Bolivia, Valérie Legrand-Galarza.

5. An Audiovisual Azerbaijani Cultural Heritage Portal forEducational and Academic Use, Aygun Eyyubova.PART 3: SOCIAL NETWORKS, WEB 2.0 AND MOBILE COMMUNICATION

6. Academic Communication via Facebook and Twitter, Jirasri Deslis.7. Uses for Digital Content Sharing Platforms, Jirasri Deslis.8. Uses for Content Aggregators and Community Networks,Jirasri Deslis.9. Tracing Video Usage: The Potential of VDI, Francis Lemaitre and Valérie Legrand-Galarza.

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