imagist movement the lost generation harlem renaissance

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MODERNISM 1914- 1945 Imagist Movement The Lost Generation Harlem Renaissance

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Page 1: Imagist Movement The Lost Generation Harlem Renaissance

MODERNISM 1914-1945

Imagist Movement

The Lost Generation

Harlem Renaissance

Page 2: Imagist Movement The Lost Generation Harlem Renaissance

Charles Darwin Origin of Species (1859)

Sigmund Freud The Interpretation of Dreams (1899)

Albert Einstein Special Theory of Relativity (1905)

Igor Stravinsky and Vaslav Nijinksy Rite of Spring (1913) [what they are used to]

Pablo Picasso (1881-1973)

Frank Lloyd Wright (1867-1959)

World War I (1914-1918)

Ezra Pound (1885-1972)

Page 3: Imagist Movement The Lost Generation Harlem Renaissance

Le Demoiselles d’Avignon (1907)

Page 4: Imagist Movement The Lost Generation Harlem Renaissance

Guernica (1937)

Page 5: Imagist Movement The Lost Generation Harlem Renaissance

Falling Water

Page 6: Imagist Movement The Lost Generation Harlem Renaissance

Georgia O’Keeffe’s quest for the “Great

American Thing”

Pineapple Bud1939

Page 7: Imagist Movement The Lost Generation Harlem Renaissance

American Modernism

Experimentation: content and form

Fragmentation: viewpoint, imagery, chronology, experience

Dislocation: cultural (expats, immigrants / Southern Blacks to urban north, and spiritual)

Reconfiguration: new meanings out of chaos, truth in the relative world

Page 8: Imagist Movement The Lost Generation Harlem Renaissance

Imagism Movement: Pound, Lowell, Aldington, Doolittle

From an Imagist Manifesto (1912):1. Use the language of common speech,

but to employ the exact word, not the nearly-exact, nor the merely decorative word.

2. Individuality of a poet may often be better expressed in free verse than in conventional forms. In poetry, a new cadence means a new idea.

3. Absolute freedom in the choice of subject.

Page 9: Imagist Movement The Lost Generation Harlem Renaissance

Imagist Manifesto Cont.

4. To present an image. We are not a school of painters, but we believe that poetry should render particulars exactly and not deal in

vague generalities…it is for this reason that we oppose the cosmic poet, who seems to us to shirk the real difficulties of his art.

5. To produce a poetry that is hard and clear, never blurred nor indefinite.

6. Finally, most of us believe that concentration is of the very essence of poetry.

Page 10: Imagist Movement The Lost Generation Harlem Renaissance

Image vs. DescriptionIMAGES

present us with objectives/ events, an

experience we should feel; it must register on readers’ imaginations and emotions

and senses

DESCRIPTION

tells us about an object/event;

gives us information we should know

Page 11: Imagist Movement The Lost Generation Harlem Renaissance

Amy Lowell “To create new rhythms—as the expression of new moods—and not to copy old rhythms which merely echo old moods…cadence means a new idea.”

Page 12: Imagist Movement The Lost Generation Harlem Renaissance

Ezra Pound (1885-1972):

“Make it New”

“Literature is news that stays news.”

“It is better to present one image in a lifetime than to produce voluminous works.”

“Good writers are those who keep the language efficient. That is to say, keep it accurate, keep it clear.”

“An image is that which presents an intellectual and emotional complex in an instant of time.”

Page 13: Imagist Movement The Lost Generation Harlem Renaissance

In a Station of the Metro

The apparition of these faces in the crowd;

Petals on a wet, black bough.

Page 14: Imagist Movement The Lost Generation Harlem Renaissance

William Carlos Williams(1883-1963)

“No ideas but in things”

“It is difficult to get the news from poems, yet men die miserably every day for lack of what is found there.”

“Prose may carry a load of ill-defined matter like a ship. But poetry is the machine which drives it, pruned to perfect economy.”

Page 15: Imagist Movement The Lost Generation Harlem Renaissance

“The Red Wheel Barrow” (1923)

by William Carlos Williams

so much dependsupon

a red wheelbarrow

glazed with rainwater

beside the whitechickens

Page 16: Imagist Movement The Lost Generation Harlem Renaissance

“A Pact” by Ezra PoundI make a pact with you, Walt Whitman—

I have detested you long enough.

I come to you as a grown child

Who has had a pig-headed father;

I am old enough now to make friends.

It was you that broke the new wood,

Now is a time for carving.

We have one sap and one root—

Let there be commerce between us.

Page 17: Imagist Movement The Lost Generation Harlem Renaissance

Wallace Stevens “Of Modern Poetry” (294)

Elizabeth Bishop “Poetry” (359)