i. the ordinary world the hero, uneasy, uncomfortable or unaware, is introduced sympathetically so...

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I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma. The hero is shown against a background of environment, heredity, and personal history. Some kind of polarity in the hero’s life is pulling in different directions and causing stress.

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Page 1: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

I. The Ordinary World

The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma. The hero is shown against a background of environment, heredity, and personal history. Some kind of polarity in the hero’s life is pulling in different directions and causing stress.

Page 2: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

II. The Call to AdventureHero is called to

adventure by mistake or called by a herald who summons the hero.

This call comes at a time when the hero is ready for inner growth.

Agamemnon and Odysseus

Page 3: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Who calls Harry Potter to adventure?

Page 4: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Harry Potter Hagrid (on behalf of Dumbledore)

Page 5: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Who calls Dorothy in The Wizard of Oz to

adventure?

Page 6: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

DorothyGet’s called by a tornado

Page 7: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

III. The Refusal of the Call• The hero is not

always eager to assume the adventure offered. This kind of hero is called a reluctant hero.

Agamemnon calling Odysseus to war. Odysseus is a “reluctant” or “unwilling” hero.

Page 8: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

The Refusal of the Call• The hero has the

opportunity to reject the call. If the hero refuses, his or her life may enter a state of paralysis until something happens to release him or her. (continued) Agamemnon calling

Odysseus to war. Odysseus is a “reluctant” or “unwilling” hero.

Page 9: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

The Refusal of the Call• The hero may want

to answer the call to adventure and this kind of hero is called a willing hero.

Agamemnon calling Odysseus to war. Odysseus is a “reluctant” or “unwilling” hero.

Page 10: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Is Harry Potter a “willing” or “reluctant”

Hero?

Page 11: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Harry Potter is a Willing Hero

Page 12: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Is Dorothy a “willing” or “reluctant” Hero?

Page 13: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Dorothy is a reluctant hero

Page 14: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

IV. MEETING WITH THE MENTOR

• The hero encounters a helper as the journey begins: a guide and protector (often an old woman or old man)

Athena

Page 15: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

IV. MEETING WITH THE MENTOR

• The protector usually appears to one who has already accepted the call but not always. The helper is often a wizard, hermit, or shepherd.

Athena

Page 16: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Who is Harry Potter’s Mentor?

Page 17: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Dumbledore

Page 18: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Who is Dorothy’s Mentor?

Page 19: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Glinda the Good Witch

Page 20: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

V. The Crossing of the 1st Threshold

• The hero goes beyond the boundaries of everyday life accompanied by the guide and faces dangerous forces of the unknown.

Page 21: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

VI. Tests, Allies & Enemies

• The hero is tested and sorts out allegiances in the Special World

Page 22: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Harry Potter is tested by…

Page 23: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

“Fluffy” in Harry Potter

Page 24: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Dorothy’s enemy…

Page 25: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

Wicked Witch

Page 26: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

VII. Approach

• The hero and newfound allies prepare for the major challenge in the Special world

Page 27: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

VIII. The Ordeal

• Near the middle of the story, the hero enters a central space in the SW & confronts death or faces his/her greatest fear.

Page 28: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

IX. The Reward• The hero takes

possession of the treasure won by facing death. There may be celebration, but there is also danger of losing the treasure again.

Page 29: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

X. The Road Back• The hero leaves the

Special World to be sure the treasure is brought home.

Page 30: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

XI. The Resurrection• The hero is severly

tested once more on the threshold of home. He/she is purified by a last sacrifice, another moment of death & rebirth, but on a higher & more complete level.

Page 31: I. The Ordinary World The hero, uneasy, uncomfortable or unaware, is introduced sympathetically so the audience can identify with the situation or dilemma

XII. Return with the Elixir• The hero returns

home or continues the journey, bearing some element of the treasure that has the power to transform the world as the hero has been transformed.