humanities in the digital world

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David De Roure @dder Intersection, Scale, and Social Machines: The Humanities in the Digital World DIRECTOR, UNIVERSITY OF OXFORD E-RESEARCH CENTRE

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Page 1: Humanities in the Digital World

David De Roure @dder

Intersection, Scale, and Social Machines: The Humanities in the Digital World

DIRECTOR, UNIVERSITY OF OXFORD E-RESEARCH CENTRE

Page 2: Humanities in the Digital World

Data-intensive research

Human-intensive research

Music

Scholarly Communication

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The Big Picture(s)

Challenging Assumptions

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Chr

istin

e B

orgm

an

Page 5: Humanities in the Digital World

13,785,659  total  volumes  6,871,154  book  6tles  364,473  serial  6tles  4,824,980,650  pages  618  terabytes  163  miles  11,201  tons  5,372,477  public  domain  volumes  

10,000,000,000,000,000 bytes archived!

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New Forms of Data ▶ Internet data, derived from social

media and other online interactions (including data gathered by connected people and devices, eg mobile devices, wearable technology, Internet of Things)

▶ Tracking data, monitoring the movement of people and objects (including GPS/geolocation data, traffic and other transport sensor data, CCTV images etc)

▶ Satellite and aerial imagery (eg Google Earth, Landsat, infrared, radar mapping etc) http://www.oecd.org/sti/sci-tech/new-data-for-

understanding-the-human-condition.htm

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The  Big  Picture  

More people

Mor

e m

achi

nes

Big Data Big Compute Conventional Computation

“Big Social” Social Networks

e-infrastructure

Online R&D (Science 2.0)

Digital Scholarship

@dder

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theODI.org

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Data Detect Store Analytics Filter Analysts

@dder

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There is no such thing as the Internet of Things

There is no such thing as a closed system

Humans are creative and subversive

The Rise of the Bots A Swarm of Drones

Accidents happen (in the lab, bin)

Holding machines to account Software vulnerability

Where are the throttle points?

@dder

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F i r s t

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Edwards, P. N., et al. (2013) Knowledge Infrastructures: Intellectual Frameworks and Research Challenges. Ann Arbor: Deep Blue. http://hdl.handle.net/2027.42/97552

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Social Machines

Empowered Citizens

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Social  Machines  Defini6on  TBL  

Pip Willcox

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https://twitter.com/CR_UK/status/446223117841494016/

Some people's smartphones had autocorrected the word "BEAT" to instead read "BEAR". "Thank you for choosing an adorable polar bear," the reply from the WWF said. "We will call you today to set up your adoption."

http://www.bbc.com/news/technology-26723457

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Page 17: Humanities in the Digital World

SOCIAM: The Theory and Practice of Social Machines is funded by the UK Engineering and Physical Sciences Research Council (EPSRC) under grant number EPJ017728/1 and comprises the Universities of Southampton, Oxford and Edinburgh. See sociam.org

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“Yet  Wikipedia  and  its  stated  ambi6on  to  “compile  the  sum  of  all  human  knowledge”  are  in  trouble.  The  volunteer  workforce  that  built  the  project’s  flagship,  the  English-­‐language  Wikipedia—and  must  defend  it  against  vandalism,  hoaxes,  and  manipula6on—has  shrunk  by  more  than  a  third  since  2007  and  is  s6ll  shrinking…    The  main  source  of  those  problems  is  not  mysterious.  The  loose  collec6ve  running  the  site  today,  es6mated  to  be  90  percent  male,  operates  a  crushing  bureaucracy  with  an  oYen  abrasive  atmosphere  that  deters  newcomers  who  might  increase  par6cipa6on  in  Wikipedia  and  broaden  its  coverage…”    http://www.technologyreview.com/featuredstory/520446/the-decline-of-wikipedia/

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“Panoptes has been designed so that it’s easier for us to update and maintain, and to allow more powerful tools for project builders. It’s also open source from the start, and if you find bugs or have suggestions about the new site you can note them on Github (or, if you’re so inclined, contribute to the codebase yourself).”

"  

http://blog.zooniverse.org/2015/06/29/a-whole-new-zooniverse/

http://monsterspedia.wikia.com/wiki/File:Argus-Panoptes.jpg

Panoptes

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Musical Social Machines

Social Machines of Scholarship

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INT. VERSE VERSE VERSE VERSEBRIDGEBRIDGE OUT.

ê

The  Problem  

signal

understanding

Ichiro Fujinaga

Page 23: Humanities in the Digital World

salami.music.mcgill.ca

Jordan B. L. Smith, J. Ashley Burgoyne, Ichiro Fujinaga, David De Roure, and J. Stephen Downie. 2011. Design and creation of a large-scale database of structural annotations. In Proceedings of the International Society for Music Information Retrieval Conference, Miami, FL, 555–60

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Sequence alignment

http://en.wikipedia.org/wiki/Sequence_alignment#/media/File:Histone_Alignment.png

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Dan Edelstein, Robert Morrissey, and Glenn Roe, To Quote or not to Quote: Citation Strategies in the Encyclopédie. Journal of the History of Ideas , Volume 74, Number 2, April 2013 . pp. 213-236. 10.1353/jhi.2013.0012 Glenn Roe

Page 26: Humanities in the Digital World

Digital  Music  Collec6ons  

Grad-­‐sourced  ground  truth  

Community  SoYware  

Linked  Data  Repositories  

Supercomputer  

23,000 hours of recorded music

Music Information Retrieval Community

SALAMI

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Ashley Burgoyne

Page 28: Humanities in the Digital World

ww

w.m

usic

-ir.o

rg/m

irex

Music Information Retrieval Evaluation eXchange Audio Onset Detection Audio Beat Tracking Audio Key Detection Audio Downbeat Detection Real-time Audio to Score Alignment(a.k.a Score Following) Audio Cover Song Identification Discovery of Repeated Themes & Sections Audio Melody Extraction Query by Singing/Humming Audio Chord Estimation Singing Voice Separation Audio Fingerprinting Music/Speech Classification/Detection Audio Offset Detection

Downie, J. Stephen, Andreas F. Ehmann, Mert Bay and M. Cameron Jones. (2010). The Music Information Retrieval Evaluation eXchange: Some Observations and Insights. Advances in Music Information Retrieval Vol. 274, pp. 93-115

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Stephen  Downie  

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http://chordify.net/

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Digital  Material  Pip Willcox

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Kevin Page David Weigl

Interfaces, for computer and human

!

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Page 34: Humanities in the Digital World

Sonifying  the  Variants  

•  From  Play  to  Sonifica6on  •  Using  First  Folio  and  Quartos  data  •  Parsing  the  TEI  XML,  conver6ng  it  with  rule  set  into  numbers,  sonifying  the  data  to  produce  sounds  

34

Sonification  

Iain Emsley

Page 35: Humanities in the Digital World

Studying Social Machines

Scholarship of Social Machines

Page 36: Humanities in the Digital World

Ecosystem �Perspective

•  We see a community of living, hybrid organisms, rather than a set of machines which happen to have humans amongst their components

•  Their successes and failures inform the design and construction of their offspring and successors

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time

Social Machine instances @dder

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Observer of one social machine

Observers using third party observatory

Observer of multiple social

machines

Human participants in

Social Machine

Human participants in multiple Social Machines

Observer of Social Machine infrastructure

1  

4  

2  

3  

5  

6  

SM

SM

SM

Social Machine Observing Social

Machines

7  

@dder

De Roure, D., Hooper, C., Page, K., Tarte, S., and Willcox, P. 2015. Observing Social Machines Part 2: How to Observe? ACM Web Science

Page 39: Humanities in the Digital World

The Web Observatory

Tiropanis, T., Hall, W., Shadbolt, N., De Roure, D., Contractor, N. and Hendler, J. 2013. The Web Science Observatory, IEEE Intelligent Systems 28(2) pp 100–104.

Thanassis Tiropanis

Page 40: Humanities in the Digital World

Simpson, R., Page, K.R. and De Roure, D. 2014. Zooniverse: observing the world's largest citizen science platform. In Proceedings of the companion publication of the 23rd international conference on World Wide Web, 1049-1054.

Kevin Page

Page 41: Humanities in the Digital World

STORYTELLING AS A STETHOSCOPE FOR SOCIAL MACHINES

1.  Sociality through storytelling potential and realization

2.  Sustainability through reactivity and interactivity

3.  Emergence through collaborative authorship and mixed authority

Zooniverse  is  a  highly  storified  Social  Machine  

Facebook  doesn’t  allow  for  improvisa6on  

Wikipedia  assigns  authority  rights  rigidly  

http://ora.ox.ac.uk/objects/ora:8033

Tarte, S.M., De Roure, D. and Willcox, P. 2014. Working out the Plot: the Role of Stories in Social Machines. SOCM2014: The Theory and Practice of Social Machines, Seoul, Korea, International World Wide Web Conferences pp. 909–914

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Pip Willcox

Page 43: Humanities in the Digital World

Tarte, S. Willcox, P., Glaser, H. and De Roure, D. 2015. Archetypal Narratives in Social Machines: Approaching Sociality through Prosopography. ACM Web Science 2015.

SégolèneTarte

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Scholarly Communication

Preface

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Elizabeth Williamson

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Richard O’Bierne

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A computationally-enabled sense-making network of expertise, data, software,

models and narratives

Big Data, in a�Big Data Centre

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Pip Willcox and Kevin Page

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consume

   

produce

   

compose  perform  capture

   

distribute

   

   

       

Mark  Sandler  

Curate            Preserve  !

Page 51: Humanities in the Digital World

Notifications and automatic re-runs

Machines are users too

Autonomic Curation

Self-repair

New research?

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The  R  Dimensions  

Research  Objects  facilitate  research  that  is  reproducible,  repeatable,  replicable,  reusable,  referenceable,  retrievable,  reviewable,  replayable,  re-­‐interpretable,  reprocessable,  recomposable,  reconstructable,  repurposable,  reliable,  respecful,  reputable,  revealable,  recoverable,  restorable,  reparable,  refreshable?”  

@dder 14 April 2014

sci  method  

access  

understand  

new  use  

social  

cura6on  

Research  Object  

Principles  

De Roure, D. 2014. The future of scholarly communications. Insights: the UKSG journal, 27, (3), 233-238. DOI 10.1629/2048-7754.171

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Page 54: Humanities in the Digital World

Intersection, Scale, and Social Machines: The Humanities in the Digital World

Page 55: Humanities in the Digital World

First  Folio  Social  Machines  

Metadata Story of the���First Folio

Social���Machines Annotation

David De Roure and Pip Willcox ‘“Coniunction, with the participation of Society”: Citizens, Scale, and

Scholarly Social Machines’ Beyond the PDF: Born-Digital Humanities, Boston, 27–28 April 2015

Pip Willcox

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Pip

Will

cox

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[email protected] @dder

Thanks to Tim Crawford, Mark d’Inverno, Stephen Downie, Iain Emsley, Ichiro Fujinaga, Chris Lintott, Grant Miller, Terhi Nurmikko-Fuller, Kevin Page, Carolin Rindfleisch, Glenn Roe, Mark Sandler, Ségolène Tarte, David Weigl, and Pip Willcox.

http://www.slideshare.net/davidderoure/humanities-in-the-digital-world

Supported by SOCIAM: The Theory and Practice of Social Machines, funded by the UK Engineering and Physical Sciences Research Council (EPSRC) under grant number EP/J017728/1; Fusing Semantic and Audio Technologies for Intelligent Music Production and Consumption (FAST) funded by EPSRC under grant number EP/L019981/1; and Transforming Musicology, funded by the UK Arts and Humanities Research Council under the Digital Transformations programme. Thanks also to the Andrew W. Mellon Foundation.

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www.oerc.ox.ac.uk

[email protected] @dder